Gotowe bibliografie tematyczne / Berssenbrugge

Gotowa bibliografia na temat „Berssenbrugge”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 1 sierpnia 2024

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Artykuły w czasopismach na temat "Berssenbrugge"

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Schelb, Edward. ""Decode into chrysanthemums": Mei-Mei Berssenbrugge and Post-Structuralist Thought". Philosophy and Literature 37, nr 1 (2013): 118–35. http://dx.doi.org/10.1353/phl.2013.0013.

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ALEXANDER, EDWARD. "Reversible Time as Habitation in the Recent Poetry of Mei-mei Berssenbrugge". Contemporary Literature 59, nr 4 (grudzień 2018): 413–46. http://dx.doi.org/10.3368/cl.59.4.413.

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Hume, Angela. "Beyond the Threshold: Unlimiting Risk in Mei-mei Berssenbrugge and Kiki Smith'sEndocrinology". Interdisciplinary Studies in Literature and Environment 22, nr 4 (7.05.2015): 820–45. http://dx.doi.org/10.1093/isle/isv027.

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Xiaojing, Z. "Blurring the Borders between Formal and Social Aesthetics: An Interview with Mei-mei Berssenbrugge". MELUS: Multi-Ethnic Literature of the United States 27, nr 1 (1.03.2002): 199–212. http://dx.doi.org/10.2307/3250643.

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Klein, Lucas. "Inside the History of the World: Syntheses of Literary Form between Prose Poetry and China". PMLA/Publications of the Modern Language Association of America 138, nr 3 (maj 2023): 666–81. http://dx.doi.org/10.1632/s0030812923000469.

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AbstractWhat is the international literary history behind Xi Chuan's Chinese prose poems, and what is the literary history behind translating them into English as prose poems? Did Hegel's belief that poetry can be “translated into other languages without essential detriment to its value” contribute to the birth of prose poetry, through a synthesis with poetic form? If so, what does this notion say about Hegel's idea that China lies “outside the World's History”? In the light of the historical association between China and prose poetry in the literary history of French (Judith Gautier, Victor Segalen, Henri Michaux) and English (Allen Upward, Nathaniel Tarn, Ron Silliman, Bob Perelman, Joan Retallack, Mei-mei Berssenbrugge, Tammy Lai-Ming Ho, Sarah Howe, Ken Chen, Cathy Park Hong, Eleanor Goodman, Jennifer Kronovet, and Nick Admussen), I discuss prose poetry as an outcome of what Joyelle McSweeney and Johannes Göransson call a translational “deformation zone,” to argue that translating Chinese prose poetry demonstrates China to be inside, not outside, the history of the world.
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Reed, Marthe. "POETICS OF PLACE IN MEI-MEI BERSSENBRUGGE'S “THE HEAT BIRD”". Soundings: An Interdisciplinary Journal 94, nr 3-4 (2011): 257–78. http://dx.doi.org/10.2307/41328527.

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Reed, Marthe. "POETICS OF PLACE IN MEI-MEI BERSSENBRUGGE'S “THE HEAT BIRD”". Soundings: An Interdisciplinary Journal 94, nr 3-4 (2011): 257–78. http://dx.doi.org/10.5325/soundings.94.3.0257.

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Simpson, Megan. "Mei-mei Berssenbrugge's Four Year Old Girl and the Phenomenology of Mothering". Women's Studies 32, nr 4 (kwiecień 2003): 479–98. http://dx.doi.org/10.1080/00497870310089.

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Kim, Yugon. "An Ethics for the Erotic Avant-Garde: Feminism, Buddhism, and the Idea of Compassion in Mei-mei Berssenbrugge’s Lyric Poetry". Arizona Quarterly: A Journal of American Literature, Culture, and Theory 72, nr 2 (2016): 83–119. http://dx.doi.org/10.1353/arq.2016.0006.

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Kossak, Benjamin. "A Choreography of Parts: The Impersonal Intimacies of Touch and Movement in Mei-Mei Berssenbrugge’s Poetry, Contact Improvisation, and Embodied Reading". Journal of Modern Literature 45, nr 1 (styczeń 2021): 103–20. http://dx.doi.org/10.2979/jmodelite.45.1.07.

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Rozprawy doktorskie na temat "Berssenbrugge"

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Reed, Marthe. "The poem as liminal place-moment : John Kinsella, Mei-mei Berssenbrugge, Christopher Dewdney and Eavan Boland". University of Western Australia. School of Social and Cultural Studies, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0136.

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Places are deeply specific, and often richly resonant for us in terms of memory, emotion, and association, yet we nevertheless frequently move through them insensible of their constitution and diversity, or the shaping influences they have upon our lives. As such, place affords a vital window into the creation and experience of poetry where the poet is herself attuned to the presence and effect of places; the challenge for the scholar is to articulate place's nature and role with respect that poetry. In
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Książki na temat "Berssenbrugge"

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Degewij, Johan. Wim Berssenbrugge: Haags verzetsfotograaf. [Den Haag]: De Nieuwe Haagsche, 2010.

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Leijerzapf, Ingeborg Th. Henri Berssenbrugge: Passion, energy, photography. Zutphen: Walburg Pers, 2001.

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Leijerzapf, Ingerborg. Henri Berssenbrugge. Walburg Pers, 2001.

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Mei-mei Berssenbrugge. Lannan Foundation, 2001.

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Licht op werkhanden: Henri Berssenbrugge. Tilburg: De Tilburgse Binding, 2021.

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Skoulding, Zoë. Poetry & Listening. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621792.001.0001.

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Listening has always mattered in poetry, but how does poetry change when listening has been transformed? In Poetry and Listening: The Noise of Lyric, the field of sound studies, which has revolutionised research in contemporary music, is brought into dialogue with new lyric criticism. Examining poetry as mediated by performance, technology and translation, this book discovers how contemporary poetry has been re-energised by the influence of recorded sound and influenced by the creative methods that emerged with it. It offers an exploration of contemporary poetry’s acoustic contexts, moving beyond traditional analysis of poetic form to consider the social, political and ecological dimensions of a poem's sounds and silences. Through detailed discussion of innovative English-language poetry from the UK and USA, including works by Denise Riley, Sean Bonney, Caroline Bergvall, Mei-mei Berssenbrugge, Carol Watts, Claudia Rankine, Vahni Capildeo, Tom Raworth, Emma Bennett, Jonathan Skinner, Holly Pester, Tracie Morris, Hannah Silva, Rhys Trimble, Peter Hughes, Jeff Hilson and Tim Atkins, it argues for the centrality of listening to a form of composition in which language not only represents sonic experience but is part of it. With reference to Jean-Luc Nancy’s distinction between hearing and listening, alongside other key theorists of sound and noise, it shows how poetry offers insights into sensory perception, and how it charts acoustic relationships between language and the environment.
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Impressionist Camera: Pictorial Photography in Europe, 1888-1918. Merrell, 2006.

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Części książek na temat "Berssenbrugge"

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Skoulding, Zoë. "Synaesthesia: Tuning in to Carol Watts and Mei-Mei Berssenbrugge". W Poetry & Listening, 80–97. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621792.003.0005.

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Synaesthesia, whether physical experience or a literary device that foregrounds the interconnectedness of the senses, is a starting point for discussion of the Chinese-American poet Mei-mei Berssenbrugge and Carol Watts from the UK. The interplay between hearing, listening, sight and touch in their work becomes a means of challenging traditional forms of subjectivity and exploring the ecological dimensions of their poems. Forms of reciprocal and receptive listening are discussed in relation to Berssenbrugge's Buddhist sensibility and Watts's charting of relations between the auditory and the visual. For Watts and Berssenbrugge, music is a means of imagining but also testing and investigating perception of the other-than-human world from a necessarily human auditory perspective.
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Wang, Dorothy J. "Mei-mei Berssenbrugge’s Poetics of Contingency and Relationality". W Thinking Its Presence, 244–71. Stanford University Press, 2013. http://dx.doi.org/10.11126/stanford/9780804783651.003.0007.

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"Mei-mei Berssenbrugge’s Poetics of Contingency and Relationality". W Thinking Its Presence, 244–71. Stanford University Press, 2013. http://dx.doi.org/10.2307/j.ctvqsf0cw.11.

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"7. Mei-mei Berssenbrugge’s Poetics of Contingency and Relationality". W Thinking Its Presence, 244–71. Stanford University Press, 2020. http://dx.doi.org/10.1515/9780804789097-009.

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