Gotowe bibliografie tematyczne / Beat

Gotowa bibliografia na temat „Beat”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 29 lipca 2024

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Artykuły w czasopismach na temat "Beat"

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Mungali, Kalpna, i Hema Joshi. "Phytosociological Analysis of Forest Vegetation of Binsar Wildlife Sanctuary, Uttarakhand". Indian Journal of Forestry 36, nr 4 (1.12.2013): 487–502. http://dx.doi.org/10.54207/bsmps1000-2013-u18db3.

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Present study was carried out in Binsar Wildlife Sanctuary, Uttarakhand during the period 2006-2007 Phytosociologcal study of the vegetation was conducted on the basis of floristic and structural variations. The diversity of trees, shrubs and herbs varied with Beats and Compartments. For example in South Binsar Block maximum tree diversity was recorded in Binsar Beat and minimum in Patanainail Beat. In North Binsar maximum diversity was recorded in Dhaulchina Beat and minimum in Satri Beat. In Rithagar Block the diversity was Zero. The maximum value of concentration of dominance for tree layer was observed in Patnainail Beat and minimum in Badaur Beat (in South Binsar). This value also varied with Beats and Compartments of Sanctuary.
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Repp, Bruno H., John R. Iversen i Aniruddh D. Patel. "Tracking an Imposed Beat within a Metrical Grid". Music Perception 26, nr 1 (1.09.2008): 1–18. http://dx.doi.org/10.1525/mp.2008.26.1.1.

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RHYTHMIC STRUCTURE OFTEN FAVORS a particular beat that is marked by frequent tone onsets and grouping accents. Using rhythms similar to those of Povel and Essens (1985), we asked musically trained participants to tap on physically or mentally imposed beats that either coincided with the favored beat or were phase-shifted relative to it. Surprisingly, tapping was equally stable. Actually, variability tended to be lowest when the imposed beat was in anti-phase with the favored beat; however, this tendency was reversed when participants were instructed to tap in anti-phase with the beat. These results demonstrate that precise on-beat synchronization with different imposed beats can be achieved by locking into the metrical grid defined by a rhythm's basic pulse. The favored beat provides the most stable reference for off-beat tapping but not necessarily for onbeat tapping, which relies to a greater extent on intervening rhythm tones as temporal references.
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Bunting, Karina V., Simrat K. Gill, Alice Sitch, Samir Mehta, Kieran O'Connor, Gregory YH Lip, Paulus Kirchhof i in. "Improving the diagnosis of heart failure in patients with atrial fibrillation". Heart 107, nr 11 (10.03.2021): 902–8. http://dx.doi.org/10.1136/heartjnl-2020-318557.

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ObjectiveTo improve the echocardiographic assessment of heart failure in patients with atrial fibrillation (AF) by comparing conventional averaging of consecutive beats with an index-beat approach, whereby measurements are taken after two cycles with similar R-R interval.MethodsTransthoracic echocardiography was performed using a standardised and blinded protocol in patients enrolled in the RATE-AF (RAte control Therapy Evaluation in permanent Atrial Fibrillation) randomised trial. We compared reproducibility of the index-beat and conventional consecutive-beat methods to calculate left ventricular ejection fraction (LVEF), global longitudinal strain (GLS) and E/e’ (mitral E wave max/average diastolic tissue Doppler velocity), and assessed intraoperator/interoperator variability, time efficiency and validity against natriuretic peptides.Results160 patients were included, 46% of whom were women, with a median age of 75 years (IQR 69–82) and a median heart rate of 100 beats per minute (IQR 86–112). The index-beat had the lowest within-beat coefficient of variation for LVEF (32%, vs 51% for 5 consecutive beats and 53% for 10 consecutive beats), GLS (26%, vs 43% and 42%) and E/e’ (25%, vs 41% and 41%). Intraoperator (n=50) and interoperator (n=18) reproducibility were both superior for index-beats and this method was quicker to perform (p<0.001): 35.4 s to measure E/e’ (95% CI 33.1 to 37.8) compared with 44.7 s for 5-beat (95% CI 41.8 to 47.5) and 98.1 s for 10-beat (95% CI 91.7 to 104.4) analyses. Using a single index-beat did not compromise the association of LVEF, GLS or E/e’ with natriuretic peptide levels.ConclusionsCompared with averaging of multiple beats in patients with AF, the index-beat approach improves reproducibility and saves time without a negative impact on validity, potentially improving the diagnosis and classification of heart failure in patients with AF.
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Cheung, Albert T., Joseph S. Savino i Stuart J. Weiss. "Beat-to-beat Augmentation of Left Ventricular Function by Intraaortic Counterpulsation". Anesthesiology 84, nr 3 (1.03.1996): 545–54. http://dx.doi.org/10.1097/00000542-199603000-00009.

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Background Measuring the effects of intraaortic balloon counterpulsation (IABP) in single cardiac beats may permit an improved understanding of the physiologic mechanisms by which IABP improves the circulation. The objective of the study was to use trans- esophageal echocardiography in combination with hemodynamic measurements to test the hypothesis that IABP improves global left ventricular systolic function selectively in the IABP-augmented cardiac beats by acutely decreasing left ventricular afterload. Methods Twenty-seven studies in which the IABP-to-R wave trigger ratio was serially changed from 1:1, 1:2, 1:4, 0:1 (IABP off) and back to 1:1 were performed in 20 anesthetized cardiac surgical patients during IABP support. Left ventricular short-axis end-diastolic cross-sectional area, end-systolic area, mean end-systolic wall thickness, and ejection time were measured by transesophageal echocardiography at the midpapillary muscle level. Aortic pressure was measured simultaneously from the central lumen of the intraaortic balloon catheter. These measurements were used to calculate the fractional area change, end-systolic meridional wall stress, and heart rate-corrected velocity of circumferential fiber shortening. The echocardiographic and hemodynamic parameters of left ventricular preload, afterload, and systolic function immediately after balloon deflation (IABP-augmented cardiac beats) were compared to the parameters measured during nonaugmented cardiac beats to determine the beat-to-beat effects of IABP on left ventricular function. Results IABP-augmented cardiac beats had a decreased systolic arterial pressure and end-systolic meridional wall stress and increased diastolic blood pressure, fractional area change, and velocity of circumferential fiber shortening compared to nonaugmented cardiac beats. IABP did not cause significant beat-to-beat changes in heart rate, pulmonary artery diastolic pressure, or central venous pressure. The improvement in left ventricular systolic function associated with IABP-augmented cardiac beats correlated with the decrease in end-systolic meridional wall stress for that cardiac beat. Conclusions Beat-to-beat echocardiographic and hemodynamic measurements performed in anesthetized cardiac surgical patients during IABP support demonstrated improved left ventricular systolic function and decreased left ventricular systolic wall stress in the cardiac beats immediately after balloon deflation. The relationship between left ventricular systolic function and left ventricular systolic wall stress during IABP support suggests that afterload reduction was an important mechanism by which IABP instantaneously improved circulatory function in anesthetized cardiac surgical patients.
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Yang, Lulu, Junjiang Zhu, Tianhong Yan, Zhaoyang Wang i Shangshi Wu. "A Modified Convolutional Neural Network for ECG Beat Classification". Journal of Medical Imaging and Health Informatics 10, nr 3 (1.03.2020): 654–60. http://dx.doi.org/10.1166/jmihi.2020.2913.

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Most convolutional neural networks (CNNs) used to classify electrocardiogram (ECG) beats tend to focus only on the beat, ignoring its relationships with its surrounding beats. This study aimed to propose a hybrid convolutional neural network (HCNN) structure, which classified ECG beats based on the beat's morphology and relationship such as RR intervals. The difference between the HCNN and the traditional CNN lies in the fact that the relationship can be added to any layer in the former. The HCNN was fed with RR intervals at 3 different positions, trained using data from 2170 patients. It was then evaluated with labeled clinical data from 2102 patients to classify ECG beats into premature ventricular contraction beat, atrial premature contraction beat (APC), left bundle branch block beat, right bundle branch block beat, and normal sinus beat. The results showed that the performance of the proposed HCNN method (with an average score of 86.61% on 12 leads) was 3.31% higher than that of the traditional CNN (83.30%) on the test set. In particular, the APC improved most significantly from 57.67% to 76.92% in terms of sensitivity and from 58.80% to 78.46% in terms of the positive predictive value in lead V1.
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Swenberg, Thorbjörn, i Simon Carlgren. "On-Beat/Off-Beat". Projections 15, nr 1 (1.03.2021): 28–54. http://dx.doi.org/10.3167/proj.2021.150103.

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Audio-visual rhythm can be achieved in a variety of ways, in film as well as in music videos. Here, we have studied human visual responses to video editing with regard to musical beats, in order to better understand the role of visual rhythm in an audio-visual flow. While some suggest that music videos should maintain synchrony in the audio-visual rhythm, and others claim that music videos should be rhythmically loose in their structure, there is a functional aspect of vision and hearing that reacts to the juxtaposition of audio and visual rhythms. We present empirical evidence of cognitive effects, as well as perceptual differences with attentional effects, for viewers watching music videos cut on-beat and off-beat.
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HUANG, YEN-CHIEH. "LASER BEAT-WAVE BUNCHED BEAM FOR COMPACT SUPERRADIANCE SOURCES". International Journal of Modern Physics B 21, nr 03n04 (10.02.2007): 287–99. http://dx.doi.org/10.1142/s0217979207042069.

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A periodically bunched electron beam is useful for generating high-brightness electron superradiance. This paper studies the generation and acceleration of density-modulated electron beams from a photocathode electron gun driven by a laser beat wave. Computer simulation shows the feasibility of accelerating and preserving the density-modulated electron beam in an accelerator. This paper also details the implementation of a beat-wave laser system with a variable beat frequency for driving a photocathode electron gun.
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Suzuki, Shunsuke, Junichi Araki, Terumasa Morita, Satoshi Mohri, Takeshi Mikane, Hiroki Yamaguchi, Shunji Sano, Tohru Ohe, Masahisa Hirakawa i Hiroyuki Suga. "Ventricular contractility in atrial fibrillation is predictable by mechanical restitution and potentiation". American Journal of Physiology-Heart and Circulatory Physiology 275, nr 5 (1.11.1998): H1513—H1519. http://dx.doi.org/10.1152/ajpheart.1998.275.5.h1513.

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We recently found that contractility ( E max) of an individual irregularly arrhythmic beat in electrically induced atrial fibrillation (AF) is reasonably predictable from the ratio of the preceding beat interval (RR1) to the beat interval immediately preceding RR1 (RR2) in the canine left ventricle. Moreover, the monotonically increasing relation between E max and the RR1-to-RR2 ratio (RR1/RR2) passed through or by the mean arrhythmic beat E max as well as the regular beat E max at RR1/RR2 = 1. We hypothesized that this E max-RR1/RR2 relation during irregular arrhythmia could be attributed to the basic characteristics of the mechanical restitution and potentiation. To test this, we adopted a known comprehensive equation describing the force restitution and potentiation as a function of two preceding beat intervals and simulated contractilities of irregular arrhythmic beats with randomized beat intervals on a computer. The simulated E max-RR1/RR2 relation reasonably resembled the one that we recently observed experimentally, supporting our hypothesis. We therefore conclude that the primary mechanism underlying the varying contractilities of irregular beats in AF is mechanical restitution and potentiation.
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Derner, Marlene, Leila Chaieb, Gert Dehnen, Thomas P. Reber, Valeri Borger, Rainer Surges, Bernhard P. Staresina, Florian Mormann i Juergen Fell. "Auditory Beat Stimulation Modulates Memory-Related Single-Neuron Activity in the Human Medial Temporal Lobe". Brain Sciences 11, nr 3 (12.03.2021): 364. http://dx.doi.org/10.3390/brainsci11030364.

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Auditory beats are amplitude-modulated signals (monaural beats) or signals that subjectively cause the perception of an amplitude modulation (binaural beats). We investigated the effects of monaural and binaural 5 Hz beat stimulation on neural activity and memory performance in neurosurgical patients performing an associative recognition task. Previously, we had reported that these beat stimulation conditions modulated memory performance in opposite directions. Here, we analyzed data from a patient subgroup, in which microwires were implanted in the amygdala, hippocampus, entorhinal cortex and parahippocampal cortex. We identified neurons responding with firing rate changes to binaural versus monaural 5 Hz beat stimulation. In these neurons, we correlated the differences in firing rates for binaural versus monaural beats to the memory-related differences for remembered versus forgotten items and associations. In the left hemisphere, we detected statistically significant negative correlations between firing rate differences for binaural versus monaural beats and remembered versus forgotten items/associations. Importantly, such negative correlations were also observed between beat stimulation-related firing rate differences in the pre-stimulus window and memory-related firing rate differences in the post-stimulus windows. In line with concepts of homeostatic plasticity, our findings suggest that beat stimulation is linked to memory performance via shifting baseline firing levels.
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Dawes, G. S. "Beat-to-beat variation". American Journal of Obstetrics and Gynecology 173, nr 1 (lipiec 1995): 349. http://dx.doi.org/10.1016/0002-9378(95)90231-7.

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Rozprawy doktorskie na temat "Beat"

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Goldenson, Jeffrey D. "Beat Browser". Thesis, Massachusetts Institute of Technology, 2007. http://hdl.handle.net/1721.1/41741.

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Thesis (S.M.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2007.
Includes bibliographical references (p. 51-53).
Beat Browser is a music browsing environment that delivers immediate audio feedback while browsing arbitrarily large music collections. The goal of Beat Browser is to give users a sense of exploring "live" and continuous audio while rapidly moving between sources by mouse. It appears their entire universe of music is playing all the time, whether they're there listening or not. Beat Browser's Universal Time Base architecture keeps a central clock running that manages the playback position of every piece of music launclied, orchestrating this perceptual illusion.
by Jefferey D. Goldenson.
S.M.
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Grace, Kristen Elizabeth. "The Beat". Miami University Honors Theses / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1303417822.

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Masheane, Napo. "The beat". Thesis, Rhodes University, 2016. http://hdl.handle.net/10962/d1021234.

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My play script is a docu-drama inspired by the 1950s Drum journalists: Can Themba, Bloke Modisane, Nat Nakasa, Henry Nxumalo, Lewis Nkosi, Peter Magubane, Casey Motsitsi and Todd Matshikiza. The setting is a Sophiatown shebeen through which the characters move in and out. The central dramatic exploration hinges on female characters’ experiences rather than the perspectives of the male journalists connected to them. I dramatise documented events such as Modisane’s wife leaving him and taking their daughter with her, or a woman who buried her lover’s body after he was beaten and stabbed to death. There are other twists and turns based on the Drum journalists writings. I play with the seriousness of politics, love affairs, and the comedy of their daily lives. My influences come from plays such as Nongogo (1959) and Sophiatown (1986). The Beat is dedicated to all the women who have been silenced and as a result became products of their consequences. Their voices remind me as a theatre maker that my poems and plays might arrive in me as pure SONGS (Dipina) or a CRY (Kodiyamalla). Sometimes their inspiration will spring from my traditional family rituals, as a PRAISE song/s (Dithoko/ Thoko), or from a simple memory of a childhood church song, a HYMN (Difela/ Sefela). At times these words will present themselves as a source of where one comes from, CLAN NAMES (Seboko/ Poko). These stories will find me in the dusty streets of my village and township HERSTORY… they will touch, move, provoke, push and force me to vomit on page words that are subjects of that which we are even when silence seems inevitable.
My poetry collection fuses Sesotho and English, often within the same poem, as a way of showing how I live within and between two cultures. I write to celebrate these two tongues without compromising either language and allow each poem, to express its own musical component, tone, rhythm, and pace as it moves between stage and page. My poems converse about difficult subjects from a feminine voice. They look at family structures and dynamics, using everyday household things as metaphors. They take on deep family narratives of generational curses, births, deaths and love. There are also some more political poems about community outrage, the exploitation caused by outmoded culture and tradition, and about the nightmare that constantly wants to come out of the township.
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Bowers, Emma Jane. "Investigation of the interactions between breathing, beat by beat changes in RR intervals, and beat by beat changes in systolic pressure levels". Thesis, University of Newcastle Upon Tyne, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.493067.

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Blood pressure is constantly changing due to internal and external influences. The body counteracts these changes via the baroreflex by altering heart rate, stroke volume and peripheral resistance. The integrity of the baroreflex is often measured by baroreflex sensitivity (BRS), the ratio of change in RR-interval to change in systolic pressure (SP). The simple model assumed by BRS is a black box, with an input, SP levels, and an output, RR-intervals, therefore BRS represents the gain of the system. If RR-intervals and SP levels are changing cyclically, for example in response to regular breathing, the phase offset between the input and output can also be measured.
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Kuhlman, Laura Jane. "The beat goes on: women writers of the beat generation". Diss., University of Iowa, 2017. https://ir.uiowa.edu/etd/5796.

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The Beats were one of the most influential communities of the 20th century, and this dissertation focuses on the critically underrepresented women who were part of their influence. Today, the Beats are largely celebrated for their literary legacy, popularizing a spontaneous poetic style as well as promoting an antimaterialist ethos and globe-trotting mystique in opposition to Cold War attitudes of confinement and consensus. During the 1950s and 1960s, the Beats were seen as harbingers of cultural disillusionment, taking to the road in search of God, championing the “beatific” nature of the disenfranchised, the poor, and the lowly across America. Today, the Beats are considered to be the progenitors of pacifist “hippie” culture and a revolutionary postwar spirit. Despite this democratizing goal, a prevailing critical consensus holds that the Beat movement was primarily a “boy’s club,” in which the homosocial bonds between the key male figures fostered a system of literary mentorship that largely excluded women writers. Although the canon is frequently narrowed to give precedence to Jack Kerouac, Allen Ginsberg, and William S. Burroughs, and the male writers who joined their cadre, my project focuses on the many women writers who were part of the Beat community and the lasting impact of their work. My goal is to reconceptualize Beat aesthetics, themes, and communities in light of these women’s writing. The project entails close textual analysis of these writers’ work across multiple genres, including poetry, memoir, and fiction, as well as research toward historical and cultural contextualization, including interviews. Their writing emphasizes the centrality of the domestic sphere to Beat publishing and the utility of the road in seeking healing and empowerment, in addition to offering new perspectives on Beat spirituality and life writing. In addition to bringing well-deserved attention to these marginalized writers, this research is valuable for American literary history in expanding knowledge of women’s writing at midcentury. More broadly, these writers are of significance to our understanding of modern feminism as well. The majority of these women worked to support their families at a time described by Betty Friedan as the age of the “feminine mystique,” and they pushed back against the rigid social conventions of their time by escaping into bohemian life. The Beat women wrote frankly about reproductive roulette, single motherhood, abortion, social stigma about being women who lived alone, and difficulty starting careers in a sexist culture. For their shared values of self-sufficiency and dedication to their work, these women could be seen as feminist forerunners to the major crest of second wave feminism. However, feminism is not a single, static, monolithic push, and my interrogation of Beat women’s texts complicates and enriches understandings of postwar gender conventions. These writers’ thought contributes to ongoing discussions in modern feminist thought, including shifting cultural attitudes toward domestic labor, the importance of women’s communities, and forms and contradictions of female leadership.
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Dastmalchi, Azadeh. "Beat-to-Beat Estimation of Blood Pressure by Artificial Neural Network". Thesis, Université d'Ottawa / University of Ottawa, 2015. http://hdl.handle.net/10393/31962.

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High blood pressure is a major public health issue. However, there are many physical and non-physical factors that affect the measurement of blood pressure (BP) over very short time spans. Therefore, it is very difficult to write a mathematical equation which includes all relevant factors needed to estimate accurate BP values. As a result, a possible solution to overcome these limitations is the use of an artificial neural network (ANN). The aim of this research is to design and implement a new ANN approach, which correlates the arterial pulse waveform shape to BP values, for estimation of BP in a single heartbeat. To test the feasibility of this approach, a pilot study was performed on an arterial pulse waveform dataset obtained from 11 patients with normal BP and 11 patients with hypertension. It was found that the proposed method can accurately estimate BP in single heartbeats and satisfy the requirements of the ANSI/AAMI standard for non-invasive measurement of BP.
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Al-Nashash, H. A. M. "Non-invasive beat-to-beat detection of His-Purkinje system electrograms". Thesis, University of Kent, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.381002.

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Chirravuri, Varun R. "Identifying a low-order beat-to-beat model of arterial baroreflex action". Thesis, Massachusetts Institute of Technology, 2010. http://hdl.handle.net/1721.1/61152.

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Thesis (M. Eng.)--Massachusetts Institute of Technology, Dept. of Electrical Engineering and Computer Science, 2010.
Cataloged from PDF version of thesis.
Includes bibliographical references (p. 127-133).
The arterial baroreflex is a fast-acting control mechanism that the body relies on to regulate blood pressure. Previous efforts to quantitatively model the baroreflex have relied primarily on non-parametric characterization of the transfer function from blood pressure to heart rate (Berger et al.,1989, Akselrod et al., 1981,1985). Of the parametric models proposed, most focus on matching empirical transfer functions with continuous-time models (Berger et al., 1991). Use of these models is often restricted to simulation, and consequently not focused on prediction. We develop a beat-to-beat, one-pole model for the baroreflex that can parsimoniously capture both the empirical frequency-domain and time-domain characteristics of the baroreflex. Further, we develop a robust identification method for on-line estimation of our model parameters from clinical data. We conclude by presenting preliminary results of our model and estimation method applied to patients undergoing drug-induced autonomic blockade.
by Varun R. Chirravuri.
M.Eng.
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Hallström, Erica. "Musik med binaural beat : Hur påverkar binaural beat musikskaparen och lyssnarens upplevelse?" Thesis, Kungl. Musikhögskolan, Institutionen för musik- och medieproduktion, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3185.

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Binaural beats är den subjektiva upplevelsen hos någon som, genom hörlurar, exponeras för en ton i ena örat och en ton på en annan frekvens i det andra. Somliga förnimmer differensen mellan de två tonerna som en tredje ton, andra upplever det mer som en spänning. Med hjälp av EEG (Elektroencefalografi), vilket mäter hjärnans elektricitet, har påvisats att det går att reglera hjärnrytmen med hjälp av binaural beats. Det audiella fenomenet förekommer i hjärnforskning inom sömn, meditation och kognition. Vidare har det föreslagits som behandlingsmetod och hjälpmedel vid diagnostisering av vissa neuropsykiatriska besvär. Denna konstnärliga studie utforskar tillämpningen av binaural beats i musikproduktion och musiklyssnande. Det primära syftet är att undersöka om binaural beats kan fungera som ett verktyg inom musikproduktion. Påverkar användandet av binaural beats musikskaparen i den konstnärliga processen? Har binaural beats potential att platsa som ett användbart redskap i den musikaliska verktygslådan? Påverkar förekomsten av ett integrerat binaural beat i ett musikstycke lyssnarens upplevelse på något sätt? Detta har har metodologiskt undersökts genom att komponera musik innehållande binaural beats. Processen har dokumenterats löpande varvat med reflektion för att åskådliggöra om eller hur det har influerat förloppet. Sedan har delar av detta musikaliska material prövats på testpersoner, i en mindre enkätstudie byggd på självskattning, för att se om förekomsten av binaural beats förändrar lyssnarens upplevelse på något vis. Binaural beats påverkade den konstnärliga skapandeprocessen då det genererade inspiration under arbetet. Om det beror på de effekter binaural beats tros ha på hjärnan eller om kreativiteten stimulerades av det faktum att dessa ljud var ett nytt element i det egna musikskapandet kan diskuteras. Resultaten av studiens lyssningsexperiment indikerar inga förändringar hos lyssnarnas upplevelse. Däremot har det gett upphov till idéer kring hur liknande tester skulle kunna utformas för att leda till mer användbara data. De vaga tendenser som förekom skulle kunna vara intressanta att undersöka i en mer omfattande studie.
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Dann, Anissa T. "The Beat Goes On". Wittenberg University Honors Theses / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=wuhonors152933282873922.

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Książki na temat "Beat"

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Fraternale, Franco. Beat by beat. Roma: D. Audino, 2012.

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Jankola, Beth. Beat. Vancouver: Poem Factory, 1994.

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Gallaccio, Anya. Beat. London: Tate Publishing, 2002.

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1945-, Waldman Anne, red. The beat book: Writings from the beat generation. Boston: Shambhala, 1999.

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Hall, Ted. Beat the beast!: Y2K preparedness guidebook. Mena, AR: Clear Creek Press, 1998.

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Groves, Kelly. Beat, a play on words. New York: Playscripts, Inc., 2004.

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Kerouac, Jack. Orizaba 210 blues: Cerrada de Medellín blues. México, D.F: Laberinto, 2005.

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Park, Honan, red. The beats: An anthology of 'Beat' writing. London: J.M. Dent, 1987.

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Nakamura, Yoshiki/ Nakamura, Yoshiki (ILT). Skip-beat! Redaktor Kimura Tomo. San Francisco, CA: Viz Media, 2007.

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Nakamura, Yoshiki/ Nakamura, Yoshiki (ILT). Skip-beat!. Redaktorzy Kimura Tomo, Heep Sabrina i Diaz Pancha. San Francisco, CA: Viz Media, 2007.

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Części książek na temat "Beat"

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Weik, Martin H. "beat". W Computer Science and Communications Dictionary, 113. Boston, MA: Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_1446.

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Fleischer, Laura Patrizia, i Thomas Hecken. "Beat". W Handbuch Popkultur, 30–35. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-05601-6_5.

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Fatsis, Lambros. "Decriminalising Rap Beat by Beat". W Music in Crime, Resistance, and Identity, 63–77. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003186410-6.

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Hannon, Bruce, i Matthias Ruth. "Heart Beat". W Modeling Dynamic Biological Systems, 141–46. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-05615-9_17.

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Grassl, Markus. "Furrer, Beat". W Komponisten Lexikon, 199–200. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_102.

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Gooch, Jan W. "Beat Frequencies". W Encyclopedic Dictionary of Polymers, 71. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_1163.

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Gooch, Jan W. "Beat(s)". W Encyclopedic Dictionary of Polymers, 71. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_1166.

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Weik, Martin H. "beat frequency". W Computer Science and Communications Dictionary, 113. Boston, MA: Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_1447.

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Weik, Martin H. "beat length". W Computer Science and Communications Dictionary, 113. Boston, MA: Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_1450.

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Olsson, Tony. "Beat Dress". W Arduino Wearables, 211–32. Berkeley, CA: Apress, 2012. http://dx.doi.org/10.1007/978-1-4302-4360-1_11.

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Streszczenia konferencji na temat "Beat"

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Cassell, Justine, Hannes Högni Vilhjálmsson i Timothy Bickmore. "BEAT". W the 28th annual conference. New York, New York, USA: ACM Press, 2001. http://dx.doi.org/10.1145/383259.383315.

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Duan, Sisi, Michael K. Reiter i Haibin Zhang. "BEAT". W CCS '18: 2018 ACM SIGSAC Conference on Computer and Communications Security. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3243734.3243812.

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Itoh, Keisuke, Hiroko Fujioka, Katsutoshi Machiba i Tetsuya Ohashi. "Beat". W SIGGRAPH '21: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3446367.3451996.

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Johnson, Paul, i Stephen Marsland. "Beat". W the 5th international symposium. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1879211.1879253.

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Itoh, Keisuke, Hiroko Fujioka, Katsutoshi Machiba i Tetsuya Ohashi. "Beat". W SA '21: SIGGRAPH Asia 2021. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3478514.3487616.

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Nozawa, Hiroko, Takuji Narumi, Kunihiro Nishimura i Michitaka Hirose. "Beat story". W ACM SIGGRAPH 2008 posters. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1400885.1401015.

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Hutchins, Ben, Anudeep Reddy, Wenqiang Jin, Michael Zhou, Ming Li i Lei Yang. "Beat-PIN". W ASIA CCS '18: ACM Asia Conference on Computer and Communications Security. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3196494.3196543.

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Helgason, Ingi. "Beat Haiku". W the 7th Nordic Conference. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2399016.2399142.

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Hoshino, Keisuke, Masahiro Koge, Taku Hachisu, Ryo Kodama i Hiroyuki Kajimoto. "Jorro Beat". W CHI '15: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2702613.2732841.

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Filos, D., I. Chouvarda, G. Dakos, V. Vassilikos i N. Maglaveras. "Beat to beat wavelet variability in atrial fibrillation". W 2011 33rd Annual International Conference of the IEEE Engineering in Medicine and Biology Society. IEEE, 2011. http://dx.doi.org/10.1109/iembs.2011.6090215.

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Raporty organizacyjne na temat "Beat"

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Yan, Y. PEP-II Beta Beat Fixes with MIA. Office of Scientific and Technical Information (OSTI), marzec 2004. http://dx.doi.org/10.2172/826797.

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Teoh, Siew Li. Can mindfulness really beat loneliness? Redaktor Shahirah Hamid. Monash University, lipiec 2024. http://dx.doi.org/10.54377/c6b6-5ff8.

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Esarey, E., A. Ting i P. Sprangle. Relativistic Focusing and Beat Wave Phase Velocity Control in the Plasma Beat Wave Accelerator. Fort Belvoir, VA: Defense Technical Information Center, wrzesień 1988. http://dx.doi.org/10.21236/ada200399.

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Pojarliev, Momtchil, i Richard Levich. Do Professional Currency Managers Beat the Benchmark? Cambridge, MA: National Bureau of Economic Research, grudzień 2007. http://dx.doi.org/10.3386/w13714.

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Engstrom, Michael. Audio Beat Detection with Application to Robot Drumming. Portland State University Library, październik 2019. http://dx.doi.org/10.15760/etd.7302.

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Berezhiani, V. I., i S. M. Mahajan. Beat-wave generation of plasmons in semiconductor plasmas. Office of Scientific and Technical Information (OSTI), sierpień 1995. http://dx.doi.org/10.2172/108115.

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Alvinsyah, Alvinsyah. Change driver behaviour to beat Jakarta’s traffic jams. Redaktorzy Ria Ernunsari i Chris Bartlett. Monash University, luty 2023. http://dx.doi.org/10.54377/789f-f0ae.

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Rogers, J. H., i D. W. Hwang. Measurements of beat wave accelerated electrons in a toroidal plasma. Office of Scientific and Technical Information (OSTI), czerwiec 1992. http://dx.doi.org/10.2172/10148871.

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Rogers, J. H., i D. W. Hwang. Measurements of beat wave accelerated electrons in a toroidal plasma. Office of Scientific and Technical Information (OSTI), czerwiec 1992. http://dx.doi.org/10.2172/5187695.

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Moore, Jen. Finding the Beat: How Young Girls Create Self Through Music. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.1667.

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