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Artykuły w czasopismach na temat "Barbers – Fiction"
Mack, Robert L. "Confronting the ‘Real’ Sweeney Todd: a Personal Journey of Discovery". Victorian Popular Fictions Journal 4, nr 2 (2023): 136–45. http://dx.doi.org/10.46911/ukud3206.
Pełny tekst źródłaKyobutungi Tumwesigye, Alice Jossy. "Young Adult Vulnerabilities in the Fiction of a Ugandan Woman Writer". Global Research in Higher Education 5, nr 1 (8.03.2022): p22. http://dx.doi.org/10.22158/grhe.v5n1p22.
Pełny tekst źródłaRyan, Maureen. "Barbara Kingsolver's Lowfat Fiction:". Journal of American Culture 18, nr 4 (grudzień 1995): 77–82. http://dx.doi.org/10.1111/j.1542-734x.1995.1804_77.x.
Pełny tekst źródłaChaparro Sainz, Ángel. "Mormon Marriage Is Also Terrestrial: An Study on Gender in Phyllis Barber's Raw Edges: A Memoir". Miscelánea: A Journal of English and American Studies 48 (7.01.2014): 13–28. http://dx.doi.org/10.26754/ojs_misc/mj.20138826.
Pełny tekst źródłaAltaf, Sana, i Aqib Javid Parry. "Nalo Hopkinson’s Midnight Robber: Blending technology and fantasy in a dystopian narrative". Technoetic Arts 22, nr 1 (1.04.2024): 133–44. http://dx.doi.org/10.1386/tear_00126_1.
Pełny tekst źródłaKaufman, Anthony. "The Short Fiction of Barbara Pym". Twentieth Century Literature 32, nr 1 (1986): 50. http://dx.doi.org/10.2307/441306.
Pełny tekst źródłaSturgess, Charlotte. "Visible difference : Gender as genre in Susan Swans The Wives of Bath". Recherches anglaises et nord-américaines 36, nr 1 (2003): 91–98. http://dx.doi.org/10.3406/ranam.2003.1671.
Pełny tekst źródłaRamírez, J. Jesse. "Keeping It Unreal: Rap, Racecraft, and MF Doom". Humanities 10, nr 1 (28.12.2020): 5. http://dx.doi.org/10.3390/h10010005.
Pełny tekst źródłaRodríguez-Salas, Gerardo. "Communitarian Theory and Andalusian Imagery in Carmel Bird’s Fiction. An Interview". IRIS, nr 35 (30.06.2014): 123–39. http://dx.doi.org/10.35562/iris.1803.
Pełny tekst źródłaخليفة علي, صباح عطا الله, i زيد ابراهيم اسماعيل. "Barbara Kingsolver: Evaluating Her Contribution to the Eco-Feminist Novel". ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 1, nr 7 (25.11.2019): 65–82. http://dx.doi.org/10.36473/ujhss.v1i7.982.
Pełny tekst źródłaRozprawy doktorskie na temat "Barbers – Fiction"
Barber, Jennifer P. "Indian chick-lit : form and consumerism /". Electronic version (PDF), 2006. http://dl.uncw.edu/etd/2006/barberj/jenniferbarber.pdf.
Pełny tekst źródłaElla, Jan-Erik [Verfasser], Brigitte [Akademischer Betreuer] Glaser, Brigitte [Gutachter] Glaser i Barbara [Gutachter] Schaff. "Through Fiction's Mirror : Abjects in Neo-Victorian Fiction / Jan-Erik Ella ; Gutachter: Brigitte Glaser, Barbara Schaff ; Betreuer: Brigitte Glaser". Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2018. http://d-nb.info/1166399788/34.
Pełny tekst źródłaCollu, Gabrielle. "The language of food in the fiction of Barbara Pym /". Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60628.
Pełny tekst źródłaAltmaier, Catherine. "The Gospel of Cosmopolitanism: Conflict Resolution in Barbara Kingsolver's Fiction". TopSCHOLAR®, 2006. http://digitalcommons.wku.edu/theses/439.
Pełny tekst źródłaErnzen, Billey Annik. "L 'Image de la Révolution française dans les oeuvres de fiction de Barbey d'Aurevilly". Caen, 1992. http://www.theses.fr/1992CAEN1094.
Pełny tekst źródłaThe heir of a generation that witnessed the french revolution, barbey d'aurevilly, as a young man, makes an effort to adapt to the times, to be able to play a role. He is relatively enthusiastic in february 1848, but his brief political career only lasts one month. He thereafter puts all his energy into his writing and dreams history in his works of fiction, where it is possible to find a picture of the french revolution (as seen from the chouan or anti-revolutionary side). Barbey draws this picture from his family heritage and the oral tradition he remembers from his childhood. By means of a crossreference structural system used in his different novels, barbey re-creates for the reader his own personal experience of a special and unique relationship with history. In this scheme, the novel entitled "l'ensorcelee" occupies a special because it is the only book by barbey in which the internal structure is organized around history, taking the french revolution as its time-setting. In this fashion, the novel takes on a mythical dimension, and using other documents, the author sketches the evolution of the french peasantry in the first half of the 19th century. Comparison with the chouan novels of balzac and hugo allows us to better indicate the originality of barbey and to understand that his work is not a nostalgic song of the past, but is definitely involved in the struggles of the nineteenth century. The revolution of 1830 and specially that of 1848 and the commune of 1871 were particularly responsible for this pictorial writing of the great revolution of 1789
Shields, Christopher Macdonell. "'A man needs meat' : food and gender in the fiction of Barbara Pym". Thesis, University of Edinburgh, 1999. http://hdl.handle.net/1842/27378.
Pełny tekst źródłaWent, Cathy. "Seeking the sanctuary : the garden in the fictions of Barbara Hanrahan /". Title page, contents and introduction only, 1996. http://web4.library.adelaide.edu.au/theses/09AR/09arw477.pdf.
Pełny tekst źródłaGorton, Ceri Martha. ""The things that attach people" : a critical literary analysis of the fiction of Barbara Kingsolver". Thesis, University of Nottingham, 2009. http://eprints.nottingham.ac.uk/10758/.
Pełny tekst źródłaPhillips, Rebecca S. "The emerging female hero in the fiction of Alice Walker, Ntozake Shange, Ursula Le Guin, and Barbara Kingsolver". Morgantown : [West Virginia University Libraries], 1998. http://157.182.199.25/etd/templates/showETD.cfm?recnum=115.
Pełny tekst źródłaTitle from document title page. Document formatted into pages; contains v, 183 p. Vita. Includes abstract. Includes bibliographical references (p. 174-182).
Schmitt, Maud. "Le récit apologétique laïc : Barbey d’Aurevilly, Bloy, Bernanos". Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040149.
Pełny tekst źródłaThis thesis aims to study how, in a post-revolutionary context of dechristianization, some Catholic writers set free from the Church authority and enable literature itself (as a work of fiction and imagination) to renew the apologetic discourse. Barbey d’Aurevilly, Bloy and Bernanos continue the founding shift in perspective that Chateaubriand started with the Génie du christianisme. These three writers use an ancient rhetoric narrative form called the exemplum. The first part of this work focuses on the evolutions of this form, and more specifically on the metamorphosis caused by its Christianization; but it also highlights its constant structure, from its theorization by Aristotle, until its latest use by the authors of “histoires tragiques”. The next three parts of the thesis deal with the way Barbey, Bloy and Bernanos conceive their narrative in order to obtain the religious conversion of their reader. The second part shows how the writers authenticate fiction; the third part focuses on the way they react to the difficulty of naming the divine: the authors resort to the figuration of this inexpressible object. Finally, the fourth part studies the means these narratives use to produce an effect on their readers, and make them actually change their moral behavior
Książki na temat "Barbers – Fiction"
Johnson, Arlen. Alaska barber tales: As only your Alaskan barber can tell them. Anchorage, Alaska: Dixieland Pub., 1993.
Znajdź pełny tekst źródłaRuediger, Beth. The barber of Bingo. Kansas City: Andrews and McMeel, 1996.
Znajdź pełny tekst źródłaGlass, Rodge. Hope for newborns. London: Faber and Faber, 2008.
Znajdź pełny tekst źródłaLindsay, Douglas. The cutting edge of Barney Thomson. Inverness: Long Midnight, 2003.
Znajdź pełny tekst źródłaInui, Eriko. Barubaru-san. Tōkyō: Fukuinkan Shoten, 2008.
Znajdź pełny tekst źródłaPellerin, Fred. De peigne et de misère. Ville Saint-Laurent (Québec): Sarrazine Éditions, 2013.
Znajdź pełny tekst źródłaLindsay, Douglas. The cutting edge of Barney Thomson. Inverness: Long Midnight, 2003.
Znajdź pełny tekst źródłaGutman, Dan. Funny Boy versus the bubble-brained barbers from the Big Bang. New York: Hyperion Books for Children, 2000.
Znajdź pełny tekst źródłaill, Fluharty T. Lively, red. The barber who wanted to pray. Wheaton, Ill: Crossway, 2011.
Znajdź pełny tekst źródłaMitchell, Margaree King. Uncle Jed's barbershop. New York: Scholastic Inc., 1993.
Znajdź pełny tekst źródłaCzęści książek na temat "Barbers – Fiction"
McFarland, Douglas. "Genre and Charisma in Shaw’s Major Barbara". W Screening Modern Irish Fiction and Drama, 73–88. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-40928-3_4.
Pełny tekst źródłaStafford, Jane. "Romance in the Backblocks in New Zealand Popular Fiction, 1930–1950: Mary Scott’s Barbara Stories". W Popular Fiction and Spatiality, 63–78. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-56902-8_5.
Pełny tekst źródłaBarlow, Damien. "“The Sex Thing Is Strange”: The Queerness of Barbara Hanrahan’s Fiction". W Claiming Space for Australian Women’s Writing, 227–41. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50400-1_13.
Pełny tekst źródłaHalperin, John. "Barbara Pym and the War of the Sexes". W Jane Austen’s Lovers and Other Studies in Fiction and History from Austen to le Carré, 201–14. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-19332-5_14.
Pełny tekst źródłaJoannou, Maroula. "‘England’s Jane’: The Legacy of Jane Austen in the Fiction of Barbara Pym, Dodie Smith and Elizabeth Taylor". W Uses of Austen, 37–58. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137271747_3.
Pełny tekst źródłaMiller, Toby. "39/Thirty-Nine Stepsto ‘The Borders of the Possible’ by Alfred Hitchcock, Amateur Observer". W Spyscreen, 49–62. Oxford University PressOxford, 2003. http://dx.doi.org/10.1093/oso/9780198159520.003.0003.
Pełny tekst źródłaRyan, Susan. "Blurring Lines and Intersecting Realities in Barbara Kopple’s Fictional Work". W ReFocus: The Films of Barbara Kopple, 159–77. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474439947.003.0010.
Pełny tekst źródłaO'Donnell, Angela Alaimo. "Race, Politics, and the Double Mind: Flannery’s Correspondence versus O’Connor’s Fiction". W Radical Ambivalence, 36–69. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823288243.003.0003.
Pełny tekst źródłaHorner, Avril. "Spies, lies and fictions". W Barbara Comyns. Manchester University Press, 2024. http://dx.doi.org/10.7765/9781526173751.00013.
Pełny tekst źródła"The Handoff". W Every True Pleasure, redaktor John Pierre Craig, 79–86. University of North Carolina Press, 2019. http://dx.doi.org/10.5149/northcarolina/9781469646800.003.0008.
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