Rozprawy doktorskie: „Balzan”

1

Eroglu, Zehra. "Turkish Foreign Policy Towards The Balkans In The Post Cold War Era". Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/12606028/index.pdf.

Pełny tekst źródła

Streszczenie:

This thesis examines Turkey&rsquo
s Balkan policy in the Post-Cold War Era with regard to changing parameters in this region. Every crisis and conflicts in the Balkans affects not only Turkey but also all international actors. For this reason, it is argued that external dynamics rather than internal ones largely affected the change in Turkish foreign policy. It is pointed out that the policy maintained by Turkey during the wars and crisis in the Balkans, was harmonious with its power and capacity in international arena. After Bosnian War and Kosovo crisis the European Union (EU) policy towards the Balkans gained impetus. Turkey attempts to participate in both North Atlantic Treaty Organization (NATO) and the EU initiatives in the Balkans for the sake of balancing Greece. Besides, Turkey encouraged and took an active role in the process of the Balkan countries to NATO and the EU for the sake of following the regulations being made for Turkish minority. Then, this thesis argues that the neo-Ottomanist ideas lost its significance as the process of EU&rsquo
s incorporation of the Balkans gains impetus.

Style APA, Harvard, Vancouver, ISO itp.

2

Obruča, Tomáš. "Chorvatsko - nová kandidátská země EU". Master's thesis, Vysoká škola ekonomická v Praze, 2009. http://www.nusl.cz/ntk/nusl-18105.

Pełny tekst źródła

Streszczenie:

This text deals with croatian admission process to the EU. The objective is to find out whether Croatia meets political part of the Copenhagen criteria. First part is concerned with croatian political developement since the break-up of Yugoslavia. Second part deals with EU approach to the region of Western Balkan concerning process of enlargement and association. Last part describes admission negotiations between Croatia and EU including assessment of meeting political part of Copenhagen criteria.

Style APA, Harvard, Vancouver, ISO itp.

3

Kissoudi, Penelope. "Greece, Balkan games and Balkan politics in the interwar years". Thesis, De Montfort University, 2006. http://hdl.handle.net/2086/4275.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

4

Kim, Joong-Hyun. "Balzac et l'Asie". Nancy 2, 1992. http://www.theses.fr/1993NAN21010.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

5

Mimouni, Isabelle. "Balzac et l'architecture". Paris 4, 1997. http://www.theses.fr/1997PA040325.

Pełny tekst źródła

Streszczenie:

"Balzac et l'architecture", l'intitulé est large. Le corpus ne se restreint pas à la Comédie humaine : on a tenu compte des œuvres de jeunesse, des articles, du théâtre et de la correspondance. Par ailleurs, la discipline architecturale a été située par rapport à l'archéologie, l'urbanisme, l'art des jardins, l'histoire de l'art et, en ce début de XIXème siècle, le métier de l'ingénieur. Cela nous a amenée à aborder des aspects biographiques, socio-historiques (l'historien des mœurs considère l'architecture comme un des moyens de comprendre la société de son temps), mais aussi à nous intéresser à la dimension narrative des descriptions architecturales ; enfin, nous avons envisagé le rôle métalinguistique de la métaphore appliquée à une œuvre "monument" et réfléchi en termes d'esthétique sur la création balzacienne. Cependant, il ne pouvait être question de nous contenter de juxtaposer les deux domaines en cherchant d'éventuelles intersections. Notre recherche prend son intérêt dans la mesure où elle pose la question de la transposition entre littérature et architecture : que transpose l'auteur ? A quelles fins ? Et surtout, de quelle(s) manière(s) ? Il a donc fallu enquêter sur la façon dont Balzac s'est familiarisé avec cette discipline afin de découvrir ses modèles. Une fois ceux-là précisés, nous avons pu examiner de quelle manière leur variété jouait à l'intérieur de l'œuvre
"Balzac and architecture": on purpose, this title wasn't precise. The corpus includes la Comedie humaine, the works of the young novelist, texts published in news-papers, theater and letters. Architecture has been studied in relation with archeology, urbanism garden art, art history and engineering. We tackled biography, sociology, history (Balzac thought that architecture is a means to understand society); we also studied the narrative values of architectural descriptions. We had then to try to understand how works the metaphor, when it is used to qualify the work thought as a "monument": we had aesthetics in view. Our study tries to consider how architecture is transposed in literature: what is chosen by the novelist? On what purpose and last but not the least how does he proceed?

Style APA, Harvard, Vancouver, ISO itp.

6

Mustafa, Turkes. "Turkish-Balkan relations in the light of the Balkan entente 1930-1934". Thesis, University of Manchester, 1990. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.580645.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

7

Komnenov, Marjan. "Taksonomija i zoogeografija paukova (Arachnida,Araneae) Republike Makedonije". Phd thesis, Univerzitet u Novom Sadu, Prirodno-matematički fakultet u Novom Sadu, 2019. https://www.cris.uns.ac.rs/record.jsf?recordId=110802&source=NDLTD&language=en.

Pełny tekst źródła

Streszczenie:

Doktorska disertacija predstavlja studiju faune paukova (Arachnida, Araneae) Makedonije baziranu na kritičkoj analizi publikovanih podataka koji obuhvataju period od 1907. do 2018. godine, taksonomskoj reviziji relevantnih arahnoloških zbirki iz osam evropskih prirodnjačkih muzeja i rezultatima sopstvenih tridesetogodišnjih istraživanja. Terenski rad je baziran na sakupljanju materijalakorišćenjem standardnih metoda kao što su ručno sakupljanje i sakupljanje putem klopki i noviju metodu upotrebom motornog usisivača. Materijal jelaboratorijski obrađivan standardnim postupcima uz pomoć binokularne lupe i mikroskopa. Ukupno su registrovane 742 vrste paukova iz 40 familija. Pet taksona pretstavljaju nove vrste za nauku. Dve vrste predstavljaju nove nalaze za faunu paukova Balkanskog poluostrva. Šezdeset i dva taksona su po prvi put zabeležene za faunu Makedonije. Drevna familija Anapidae je sa jednom vrstom po prvi put registrovana u fauni Makedonije. Revizijom publikovanih podataka, ustanovljeno je da je179 vrsta pogrešno identifikovano i navedeno zafaunu Makedonije. Vrste su kategorisane prema trenutnom poznavanju njihove rasprostranjenosti, na osnovu čega je izvršena zoogeografska analiza faune. Ustanovljena su 32 horotipa u fauni paukova Makedonije, svrstana u četiri horološka kompleksa: šire rasprostranjene, evropske, mediteranske i endemske vrste. Najveći broj vrsta registrovano je u kompleksu široko rasprostranjenih vrsta (44,3%) koji daju glavni karakter fauni. Visok stepen zastupljenosti evropskih (19,1%) i eurosibirskih (11,3%) horoloških elemenata, kao dva pojedinačno najzastupljenija u fauni paukova Makedonije, je odraz dominantnog planinskog karaktera reljefa Makedonije. Horološki kompleks mediteranskih vrsta zastupljen je sa 99 vrsta (13,3%). Visok udeo vrsta (11,3%) koje pripadaju horološkim elementima koji su zastupljeni na prostorima Južne Evrope, Mediterana, Zapadne iSrednje Azije govori o bogatoj fauni paukova kserofilnih, termofilnih i aridnih terena. Lokalni karakter faune može se sagledati u relativno velikom broja vrsta iz kompleksa endemskih vrsta (87). Iz ovog kompleksa najdominantniji su vrste iz horotipa "endemiti užeg područja" sa 45 vrsta.Doktorska disertacija predstavlja studiju faune paukova (Arachnida, Araneae) Makedonije baziranu na kritičkoj analizi publikovanih podataka koji obuhvataju period od 1907. do 2018. godine,taksonomskoj reviziji relevantnih arahnoloških zbirki iz osam evropskih prirodnjačkih muzeja i rezultatima sopstvenih tridesetogodišnjih istraživanja.Terenski rad je baziran na sakupljanju materijala korišćenjem standardnih metoda kao što su ručno sakupljanje i sakupljanje putem klopki i noviju metodu upotrebom motornog usisivača. Materijal je laboratorijski obrađivan standardnim postupcima uz pomoć binokularne lupe i mikroskopa. Ukupno su registrovane 742 vrste paukova iz 40familija. Pet taksona pretstavljaju nove vrste za nauku. Dve vrste predstavljaju nove nalaze za faunu paukova Balkanskog poluostrva. Šezdeset i dva taksona su po prvi put zabeležene za faunu Makedonije. Drevna familija Anapidae je sa jednom vrstom po prvi put registrovana u fauni Makedonije. Revizijom publikovanih podataka, ustanovljeno je da je179 vrsta pogrešno identifikovano i navedeno zafaunu Makedonije. Vrste su kategorisane prema trenutnom poznavanju njihove rasprostranjenosti, na osnovu čega je izvršena zoogeografska analiza faune. Ustanovljena su 32 horotipa u fauni paukova Makedonije, svrstana u četiri horološka kompleksa: šire rasprostranjene, evropske, mediteranske i endemske vrste. Najveći broj vrsta registrovano je u kompleksu široko rasprostranjenih vrsta (44,3%) koji daju glavni karakter fauni. Visok stepen zastupljenosti evropskih (19,1%) i eurosibirskih (11,3%) horoloških elemenata, kao dva pojedinačno najzastupljenija u fauni paukova Makedonije, je odraz dominantnog planinskog karaktera reljefa Makedonije. Horološki kompleks mediteranskih vrsta zastupljen je sa 99 vrsta (13,3%). Visok udeo vrsta (11,3%) koje pripadaju horološkim elementima koji su zastupljeni na prostorima Južne Evrope, Mediterana, Zapadne iSrednje Azije govori o bogatoj fauni paukova kserofilnih, termofilnih i aridnih terena. Lokalni karakter faune može se sagledati u relativno velikom broja vrsta iz kompleksa endemskih vrsta (87). Iz ovog kompleksa najdominantniji su vrste iz horotipa "endemiti užeg područja" sa 45 vrsta.
The PhD research project is a study of fauna of spiders (Arachnida, Araneae) of Macedonia based on a critical analysis of published data covering the period from 1907 to 2018, taxonomic review of relevant arachnological collections from eight European Natural history museums and the results of author’s thirty years of research. Field work is based on the collection of materials using standard methods such as manual collection and trapping and a newer method using a motor vacuum cleaner. The material was processed with standard procedures using a dissecting binocular and a microscope.A total of 742 species of spiders from 40 families have been registered. Five taxa are new species for science. Two species present new findings for the fauna of the spiders of the Balkan Peninsula. Sixty two taxa were recorded for the first time for the fauna of Macedonia.An ancient family Anapidae with one species has been registered for the first time in the fauna of Macedonia. By reviewing the published data, it was established that 179 species were incorrectly identified and listed for the fauna of Macedonia. Species are categorized according to the current knowledge of their distribution, on the basis of which a zoogeographic analysis of the fauna was performed.32 chorotypes were established in the fauna of the spiders of Macedonia, classified into four chorological complexes: widespread, European, Mediterranean and endemic species. The largest number of species is registered in the complex of widespread species (44.3%), which give the main character of the fauna. The high degree of representation of European (19.1%) and Eurosiberian (11.3%) chorological elements, as the two individually most represented in the fauna of the spiders of Macedonia, is a reflection of the dominant mountain character of the relief of Macedonia. The chorological complex of Mediterranean species is represented by 99 species (13.3%). The high proportion of species (11.3%) belonging to the chorological elements that are present on the territory of Southern Europe, the Mediterranean, West and Central Asia speaks of the rich fauna of spiders of xerophilic, thermophilic and arid terrain. The local character of the fauna can be seen in a relatively large number of species from the complex of endemic species (87). From this complex are the most dominant species from the chorotype "narrower endemic" with 45 species.Western Macedonia is the richest with fauna of spiders, with 23 species from the group of endemites of the narrower area, which speaks of the great importance of this region as a refugium and space in which the processes of speciation were intensively carried out.

Style APA, Harvard, Vancouver, ISO itp.

8

Leibenath, Markus, i Ulrich Walz. "Zwischen Baltikum und Balkan". Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2013. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-102069.

Pełny tekst źródła

Streszczenie:

In deutschen Nationalparks und Biosphärenreservaten gehört der Einsatz von GIS bereits zum Alltag. Aber wie ist die Situation in anderen Staaten Mittel- und Osteuropas? Wie weit sind GIS dort verbreitet, auf welche Weise wird damit gearbeitet, welche Hindernisse bestehen und wo besteht Bedarf an internationalen Kooperationen? Antworten darauf geben die Ergebnisse einer Umfrage unter Verwaltungen von 109 Großschutzgebieten in elf Ländern.

Style APA, Harvard, Vancouver, ISO itp.

9

Guichardet, Jeannine. "Balzac, archéologue de Paris". Genève : [Paris] : Slatkine ; [diff. H. Champion], 1999. http://catalogue.bnf.fr/ark:/12148/cb37044895v.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

10

Déruelle, Aude. "La digression chez balzac". Paris 3, 2000. http://www.theses.fr/2000PA030160.

Pełny tekst źródła

Streszczenie:

Au nom d'une conception classique du discours, fondee sur l'ordre, l'unite et la brievete, la digression est generalement consideree comme un defaut, et non comme un procede. Notion floue, elle a longtemps ete saisie a travers un systeme axiologique fortement polarise - stigmatisee par la rhetorique classique, pratiquee par la litterature parodique. Balzac a ainsi ete critique pour ses nombreusesdigressions. Notre hypothese de recherche est la suivante : en contribuant a l'elaboration d'un nouveau roman " serieux ", l'ecriture balzacienne de la digression est radicalement nouvelle par rapport a la conception anterieure de ce procede. Tenter d'approfondir la poetique romanesque balzacienne, et donner par la meme un nouvel eclairage sur la notion de digression, voila donc l'enjeu de cette recherche. Dans une premiere etape indispensable, en partant du point de vue de la rhetorique et de la pratique anti-romanesque, nous nous attachons a montrer l'originalite de la digression balzacienne par rapport a la tradition anterieure, et a preciser son lien avec une esthetique du roman " serieux ", que nous definissons plus precisement. Une telle mise au point nous permet, dans un deuxieme et troisieme temps, d'etudier la digression comme double pilier de ce " nouveau " roman : son role dans la structuration de la diegese, et la maniere dont elle constitue un mode privilegie d'insertion du savoir. Nous sommes amenee a nous interroger, au cours d'une quatrieme partie sur les destabilisations (jeux et derives) occasionnees par la digression au sein d'une poetique du roman " serieux " dont elle est par ailleurs l'instrument - tout en nous attachant a montrer les limites d'une telle mise en danger. Enfin, dans un dernier point plus pragmatique, nous etudions les strategies enonciatives visant a assurer la reception de ce procede, erige en " regle generique " par le roman balzacien, mais qui est susceptible de deranger l'horizon d'attente du lecteur.

Style APA, Harvard, Vancouver, ISO itp.

11

Oshita, Yoshie. "Balzac et le théâtre". Paris 12, 1997. http://www.theses.fr/1997PA120039.

Pełny tekst źródła

Streszczenie:

Cette these se compose de quatre parties. Dans la premiere, nous avons cherche a mettre en lumiere les liens entre l'oeuvre romanesque de balzac et son theatre par une etude du vocabulaire de la cousine bette et l'utilisation des techniques dramatiques dans le cousin pons et la rabouilleuse. En degageant une "perspective de theatre" dans le roman, nous mettons en valeur la creation d'effets auditifs et visuels qui entrainent le lecteur au coeur de la scene. La deuxieme partie est consacree essentiellement aux personnages "comediens" et "comediens qui s'ignorent" (cf. Les comediens sans le savoir, 1846) dans la duchesse de langeais, le cousin pons et la cousine bette. Nous suivons vautrin du pere goriot a splendeurs et miseres des courtisanes afin de decouvrir le visage du "criminel-farceur". Nous nous interessons egalement aux acteurs reels mentionnes dans la comedie humaine : a frederick lemaitre et a ses roles de robert macaire ou de georges de germany. Dans la troisieme partie, nous avons examine s'il existait des traits communs entre les personnages de mercadet, vautrin et robert macaire, et recherche des convergences de themes entre le faiseur et l'oeuvre romanesque. La derniere partie de notre etude concerne differentes adaptations sceniques et filmiques de six grands romans de balzac. Nous avons considere leur aspect dramaturgique, et constate a quel point l'adaptation met en relief des differences de perception et de lecture selon les epoques. Certes, balzac est considere comme l'un des plus grands romanciers de tous les temps, neanmoins il nous a paru indispensable de decouvrir en lui un "homme de theatre", un dramaturge du "theatre du monde".

Style APA, Harvard, Vancouver, ISO itp.

12

Perren, Sara. "Balzac and gender : sexual identity into text in three novels by Honere de Balzac". Thesis, University of York, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.328477.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

13

Kelley, Sean Patrick. "KOSOVO : the Balkan time bomb /". Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 1998. http://handle.dtic.mil/100.2/ADA340982.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

14

Mahovic, Sabahudin. "Test av svag marknadseffektivitet - Balkan". Thesis, Uppsala University, Department of Economics, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-8564.

Pełny tekst źródła

Streszczenie:

Denna uppsats undersöker huruvida ett antal aktiemarknader på Balkan tillfredställer den svaga formen av marknadseffektivitet under perioden 2003-2007. Svag marknadseffektivitet innebär att priset på en finansiell tillgång reflekterar all historisk prisinformation. Om en marknad är svagt effektiv leder analys av historisk kursinformation inte till överavkastning eftersom all historisk information redan är diskonterad av marknaden. För att pröva den svaga formen av effektivitet för Kroatien, Makedonien, Montenegro, Serbien och Slovenien genomförs olika statistiska tester såsom autokorrelationstest, runs test, varianskvottest och regressionsanalys.

Samtliga tester i studien genomförs på dagsavkastningar. Resultatet av undersökningen visar att samtliga avkastningsserier lider av positiv autokorrelation, vilket innebär att den historiska avkastningen i viss mån kan användas för att predicera den framtida avkastningen. Detta behöver dock inte betyda avvikelse från den effektiva marknadsmodellen då den ekonomiska signifikansen är relativt låg med en genomsnittlig förklarningsgrad under fem procent.

Style APA, Harvard, Vancouver, ISO itp.

15

Akyol, Gürkan Kodaman Timuçin. "Balkan politikasında Arnavutluk (1912 sonrası) /". Isparta : Süleyman Demirel Üniversitesi Sosyal Bilimler Enstitüsü, 2007. http://tez.sdu.edu.tr/Tezler/TS00591.pdf.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

16

Tournier, Isabelle. "Balzac, le hasard, le roman". Paris 8, 1992. http://www.theses.fr/1992PA080677.

Pełny tekst źródła

Streszczenie:

La these a pour objet le hasard litteraire envisage a travers l'exemple balzacien. Ce qui recouvre : 1) les rapports du vocabulaire balzacien avec le lexique commun, vulgate du hasard dont les dictionnaires se font l'echo et la trace 2) les relations entre les textes et les discours qu'ils convoquent, explicitement ou non, ceux des sciences, de la philosophie, de l'histoire 3) l'intertexte des romans balzaciens (dans une double perspective synchronique et diachronique) 4) les liens entre les romans balzaciens et la tradition romanesque qui, depuis ses origines grecques, a parle le hasard, lui a assigne des emplois, des moments et des scenes 5) les textes des romans enfin ou le hasard donne lieu a une interrogation de type moral ou philosophique, se lie aux peripeties de l'intrigue et renvoie a une vision du monde, une apprehension specifique des effets et des causes. On passe par une analyse de discours (dictionnaires et textes contemporains) pour traiter successivement du hasard balzacien comme pensee, comme scenographie et lecture du monde et ce, dans la totalite de l'oeuvre. Les postulats theoriques et les outils methodologiques sont empruntes a l'analyse discursive, a la sociocritique et a la tenetique
Chance seen in various ways through the examples of balzac's novels is the topic of the thesis. . We look at it in several ways : 1) through the balzacian vocabulary and its connections with common words for chance, words which the dictionnaries reflect 2) through the attachements between the text and his discourse and which it summons up, explicitly or not, (those of sciences, of philosophy and history) 3) in the intertextuality of balzac's novels (following both synchronic and diachronique perspectives) 4) through the linkages between a novel of balzac and tradition with who speaks of chance stemming from greeks origins and gives it a place in certains scenes, certain moments 5) through the texts themselves of novels where chance give way to moral and philosophical interrogation, tieing it to moral and intrigue in the plots and binding it ot a specific vision of the world, a specific understanding of of causes and effects

Style APA, Harvard, Vancouver, ISO itp.

17

Xhaferaj, Ferdinand. "Building up a strategy for de-Balkanizing the Balkans : stability and prosperity in South Eastern Europe". Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 2002. http://library.nps.navy.mil/uhtbin/hyperion-image/02Dec%5FXhaferaj.pdf.

Pełny tekst źródła

Streszczenie:

Thesis (M.A. in National Security Affairs and M.A. in International Security and Civil Military Relations)--Naval Postgraduate School, December 2002.
Thesis advisor(s): Donald Abenheim, Robert Looney. Includes bibliographical references (p. 83-87). Also available online.

Style APA, Harvard, Vancouver, ISO itp.

18

Leblanc, Lorraine M. "Les deux Honoré, Balzac et Daumier". Thesis, University of Ottawa (Canada), 2003. http://hdl.handle.net/10393/29027.

Pełny tekst źródła

Streszczenie:

Le XIXe siècle, en France, a donné le jour à la Modernité dans les Arts. Ce qui a débuté comme un courant esthétique, s'est doté d'une sensibilité au présent et au changement. Il fallait "être de son temps" et les deux Honoré ont repondu à l'appel. Le but de cette thèse est d'établir des rapprochements entre Balzac l'écrivain et Daumier l'artiste qui indépendamment l'un de l'autre, ont sû utiliser cette maxime dans la création d'une "comédie humaine". Tout en reconnaissant qu'à certains moments, la littérature où la peinture à influence l'autre ou parfois s'est faite la complice de sa rivale, nous nous sommes néanmoins soumise à des procédés d'équivalence nécessaires au rapprochement d'arts interdisciplinaires. Nous avons également assemblé certains critères qui, pour nous, définissent une "caricature", qu'elle soit picturale ou scripturale. Les deux Honoré ont été tous deux, de grands caricaturistes. Nous pourrions apporter plusieurs théories pour expliquer le rapprochement entre les descriptions que chacun des Honoré donne de ses personnages dont la physionomie ou la démarche révèle ce qui se cache dans leur for intérieur. Notre étude nous a révèle qu'à l'arrière plan des images de Balzac et de Daumier, se dessine l'ombre de ces sciences à la mode, la Phrénologie et la Physiognomonie. Les deux Honoré en ont observé les codes pour esquisser leurs personnages. Nous avons monté un catalogue contenant des reproductions de lithographies de gravures et de peintures de Daumier qui ont servi au rapprochement des deux artistes. Ce volume accompagne notre thèse. Les illustrations viennent démontrer que la plupart des ressemblances entre les deux oeuvres se trouvent dans les types ou stéréotypes de la contemporanéité que les deux artistes ont réussi a étoffer pour en faire des représentants vraisemblables des tendances, des modes, des thèmes et des vices de leur siècle.

Style APA, Harvard, Vancouver, ISO itp.

19

Cordeiro, Sara Regina Ramos. "O significado do dinheiro em Balzac". [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279990.

Pełny tekst źródła

Streszczenie:

Orientador: Elide Rugai Bastos
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
Made available in DSpace on 2018-08-16T14:51:20Z (GMT). No. of bitstreams: 1 Cordeiro_SaraReginaRamos_D.pdf: 2308227 bytes, checksum: 42cf83bc37ec21bf5a996346688c5ea5 (MD5) Previous issue date: 2010
Resumo: Com a emergência da sociedade burguesa de mercado no século XIX o dinheiro passou a desempenhar um papel fundamental na nova configuração, uma vez que a manutenção e expansão de tal sociedade pressupõem a regularidade nas trocas e, conseqüentemente, uma economia monetária desenvolvida a ponto de assegurar essa regularidade. Alguns romancistas, em particular os realistas franceses, demonstraram em seus romances a emergência dessa sociedade motivada pelo lucro, tendo o dinheiro como elemento central de suas narrativas. A Comédia Humana de Honoré de Balzac (1799-1850) é considerada o maior registro literário da sociedade francesa desse período e muitas de suas tramas são atravessadas por relações mediadas pelo dinheiro. Mais tarde, sociólogos como Karl Marx (1818-1883), Georg Simmel (1858-1918) e Max Weber (1864-1920) desenvolveram suas análises numa perspectiva crítica à sociedade de mercado, destacando o dinheiro como elemento racionalizador das relações e desagregador dos laços tradicionais. Nesse sentido, este trabalho pretende mobilizar as categorias analíticas da sociologia clássica para analisar parte da obra de Balzac a fim de verificar como o romancista via a relação que os indivíduos de sua época estabeleciam com o dinheiro e quais os principais impactos dessa relação na moderna sociedade
Abstract: The raising of a bourgeois market society in the nineteenth century resulted in the great importance that money started to play in the new social arrangement, since the maintenance and expansion of that society predicted the regularity in exchanges and, as a consequence, a monetary economy developed to the point that insured this regularity. Some novelists, particularly French realists ones, showed in their novels the emergence of this market society motivated by profits, having money as the central element of their stories. The Human Comedy, by Honoré de Balzac (1799-1850) is considered the biggest literary register of the French society of that period and many of its plots are crossed by relations mediated by money. Afterwards, sociologists like Karl Marx (1818-1883), Georg Simmel (1858-1918) and Max Weber (1864-1920) developed their studies in a critical perspective from the market society, contrasting money as the rational element of relations and disintegrator of traditional ties. Therefore, this paper aims to mobilize the analytical categories of classical sociology in order to analyze part of Balzac?s work with the intention of examine how the novelist used to see the relationship that individuals of his time established with money and what was the main effects of this relationship in that new society
Doutorado
Sociologia
Doutor em Sociologia

Style APA, Harvard, Vancouver, ISO itp.

20

Hakata, Kaoru. "La rumeur dans l'oeuvre de Balzac". Paris 7, 2003. http://www.theses.fr/2003PA070009.

Pełny tekst źródła

Streszczenie:

Parce qu'elle se fait le relais de l'opinion publique, la rumeur joue un rôle de premier plan dans les romans d'Honoré de Balzac. Afin d'éclaircir son fonctionnement, le romancier s'est attaché à décrire et à analyser les différents aspects de cete vaste " conversation collective " : comment expliquer la naissance et la propagation presque spontanées de la rumeur ? Comment un bruit lancé intentionnellement par un individu isolé finit-il par être répété par un groupe entier ? Il s'est également penché sur sa fonction sociale : à force de parler du même sujet, de débattre ensemble de faits énigmatiques, les membres d'une communauté voient leurs liens se resserrer. Dans certains cas, les commères vont jusqu'à s'ériger en inquisiteurs, pourchassant les criminels et dénonçant les imposteurs. Enfin, en étudiant le fonctionnement psychologique des commérages, Balzac a révélé qu 'ils expriment non seulement les intérêts des partis ou les problèmes sociaux particuliers à la société de son époque, mais aussi des angoisses plus profondes ; en sondant les mythes sur lesquels s'appuie le discours de la rumeur, il a fait remonter à la surface les souvenirs enfouis de l'inconscient collectif. Les cancans naissent moins de l'observation de la réalité environnante que de la projection de fantasmes refoulés. Balzac intègre les suppositions erronées des commères dans son œuvre et montre que la manière dont un événement est raconté dépend de la situation du conteur. Faisant œuvre d'historien, il tâche de rectifier les inexactitudes et les mensonges colportés par la vox populi. En orchestrant ainsi les paroles de personnages innombrables, Balzac construit une œuvre comparable à un immense opéra dans lequel les commères chantent des thèmes révélateurs. Les lecteurs doivent leur prêter une oreille attentive pour mieux participer au jeu d'interprétation que les romans nous proposent
Because they echo public opinion, rumours play an essential part in the novels of Honoré de Balzac. In order to describe its functioning, the novelist has set out to analyse the different aspects of this vast "collective conversation" : how can we account for the facts that rumours seem to come into existence and to propagate almost spontaneously? How does a rumour started by a single individual end up being believed and repeated by a large group of persons? He has also looked into its social function : by sharing impressions and hypotheses, by debating between themselves, gossipmongers reinforce their bonds. In certain cases, they set themselves up as inquisitors, going after alleged criminals and impostors. Finally, by studying the psychological dimension of gossiping, Balzac has shown that rumours do not only serve the interests of political parties or underline social issues : they express deep-rooted anxieties. By deciphering the myths on which rumours are founded, he brings back to the surface a string of repressed collective memories. Rather than "observing" their contemporaries, gossipmongers project fantasies on them. Balzac integrates erroneous suppositions into his novels and shows how accounts of a same event can vary according to the storyteller's standpoint ; as an historian, he tries to correct wrong anecdotes. On orchestrating the words of innumerable characters, Balzac builds a work that we can compare with a great opera, in which the gossipmongers sing the revealing themes. Readers must pay heed to them to be able to participate more efficiently in the game of interpretation that the works of Balzac propose them

Style APA, Harvard, Vancouver, ISO itp.

21

Kan, Chia-Ping. "La question de l'aristocratie chez Balzac". Aix-Marseille 1, 2008. http://www.theses.fr/2008AIX10043.

Pełny tekst źródła

Streszczenie:

Parmi les clés de compréhension de "La comédie humaine", celle de la noblesse peut être formulée de la façon suivante : comment la société peut-elle fonctionner sans aristocratie ? Les ravages de la Révolution française et la décadence de la noblesse de l'Ancien Régime sont un fait, le système des trois "ordres" sociaux a été bouleversé ; quelle va être la destinée de la noblese dans le nouveau monde moderne ? Où peut-on trouver des substituts de l'ancienne aristocratie ? Pour essayer de répondre à ces questions, Balzac se tourne vers l'ancienne noblesse et tente de trouver des solutions pour que les jeunes nobles se réinvestissent dans leurs tâches tarditionnelles. Mais ces solutions sont complexes ou inefficaces et cette jeunesse épicurienne n'est pas à la hauteur. L'autre solution consiste à élaborer une nouvelle noblesse, celle de l'Empire. Mais ce second type de solution se révèle lui aussi inefficace et le roman balzacien évolue au fil du temps vers une sorte de pessimisme social.

Style APA, Harvard, Vancouver, ISO itp.

22

Tanimoto, Michiaki. "La figure du conteur chez Balzac". Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCC219/document.

Pełny tekst źródła

Streszczenie:

Qu'est-ce que le talent du conteur, sinon tout le talent ? Telle est la phrase lancée par Philarète Chasles dans son Introduction aux Romans et contes philosophiques, en 1831. En effet, malgré‚ la réputation de romancier qu'on lui fera plus tard, Balzac a d'abord une nette préférence pour le conte. Son identité auctoriale se place sous le patronage de grands conteurs tels que les Arabes inconnus des Mille et Une Nuits, Boccace, Rabelais, La Fontaine et Sterne. Si Balzac s'inscrit dans la tradition du genre avec La Dernière Fée (1823) et une série de Contes drolatiques (1832-1837), avec les Romans et contes philosophiques (1831), les Contes bruns (février 1832), et les Nouveaux Contes philosophiques (octobre 1832), il vise plutôt à une rénovation du genre à sa manière. Il s'agit ici de retracer l'image du conte dans le premier tiers du XIXe siècle, et le parcours de Balzac par rapport à ce genre, depuis sa jeunesse jusqu'au début des années 1830. A travers plusieurs enquêtes sur la publication de contes en livre et dans la presse, un panorama bibliographique est dressé. Sont envisagés ensuite les travaux et les jours du Balzac conteur dans une période marquée par la mode du conte, mais aussi par le changement de la situation socio-économique qui conditionne la vie des écrivains. Chez Balzac, le conte n'est pas un genre uniforme et fixé‚ mais conçu et pratiqué‚ comme un genre souple et multicolore qui peut accueillir la variété formelle, thématique, du ton et du style. Dans son désir de s'identifier avec ce genre, Balzac se façonne une figure de conteur, dont on propose ici l'histoire depuis son origine jusqu’à sa disparition précoce vers la fin de 1832
"What is the talent of the 'Conteur', if not that of all talents combined ?" writes Philarète Chasles in his forward to Romans et contes philosophiques published in 1831. Although Balzac is best known as a novelist, he himself greatly admired the genre known as the "conte". Balzac traced a great deal of his own literary identity to the "grands conteurs" he considered his patrons such as Boccaccio, Rabelais, La Fontaine, Sterne and "the anonymous authors of The Arabian Nights". If in La DerniŠre Fee and Contes drolatiques Balzac confronts the traditions of this genre, his Romans et contes philosphiques, Contes bruns and Nouveux Contes philosohpiques represent instead an attempt to reform the "conte" in his own style. This thesis re-examines the "conte" as it was written in the first decades of the 19th century and traces the course of Balzac's literary development vis a vis this genre from his "youthful period" until the first years of the 1830s. Through a survey of books and literary magazines, I give a bibliographic survey of various "contes" published during this time. I also examine the daily work and life of Balzac during these years : a time not only of immense popularity for the "conte" within literary circles, but also one of changing socio-economic conditions for writers in general. Balzac envisaged the "conte" not as fixed genre, but as one of great flexibility and iridescence capable of accommodating a variety of styles, tones, and themes. Through his close identification with this genre, Balzac styled himself above all as a "conteur", an identity which this thesis traces from its earliest formulations until its precocious dissolution near the end of 1832

Style APA, Harvard, Vancouver, ISO itp.

23

Omure, Kazue. "Étude d'une nouvelle de Balzac, "Gobseck"". Paris 4, 1987. http://www.theses.fr/1987PA040147.

Pełny tekst źródła

Streszczenie:

"Gobseck" est une nouvelle à thèse de Balzac: Gobseck est un usurier de "la Comédie humaine" à approfondir. Le but du chapitre premier de la présente thèse est de démontrer comment l'auteur a créé en 1830, ce personnage central ainsi que cette œuvre exerçant une influence considérable sur les autres, et les a fait évoluer jusqu'à la dernière étape de 1842. Le chapitre deuxième est destiné à l'étude intensive du vrai caractère du héros avaricieux: Gobseck est "l'or personnifié" aussi bien que "l'insatiable boa". Ensuite, nous sommes passés au chapitre troisième en vue de rapporter nos analyses sur chacun des confrères de Gobseck. Il en résulte que tous les usuriers de "la Comédie humaine" ressemblent, plus ou moins, à Gobseck. Nous avons découvert que Balzac décomposa l'image de Gobseck, après la description de la mort de ce dernier, et se servit des fragments pour la composition des autres usuriers. Le chapitre supplémentaire est réservé à l'étude des sources de deux cheminées utilisées dans la nouvelle
"Gobseck" is the Balzac's novel for a thesis; Gobseck is the usurer of the "Comédie humaine" to be studied thoroughly. The purpose of the first chapter of our thesis is to demonstrate not only how the author produced, for the first time in 1830, this central personage and this small masterpiece which influenced the other works, but also how he developed them to reach the perfection of their last state in 1842. The second chapter is designed for the intensive study of the natural shape of the avaricious hero: Gobseck is "l'or personnifié" as well as "l'insatiable boa". Then, we passed to the third chapter to report on our analysis of each colleague of Gobseck. The result of this study is that all of the usurers of the "Comédie humaine" take after, more or less, Gobseck. We discovered that Balzac decomposed the image of Gobseck, after the description of his death, and used the fragments for the construction of the others usurers. The supplementary chapter is reserved for the research of the sources of two fireplaces described in the novel

Style APA, Harvard, Vancouver, ISO itp.

24

Ranitovic, Ana. "Why do they call it Ras̆ka when they mean Sandz̆ak? : on the synchrony and diachrony of identities in southwest Serbia". Thesis, University of Oxford, 2016. http://ora.ox.ac.uk/objects/uuid:1459bcc0-0c7b-41d3-ae22-7ff8cd2848c8.

Pełny tekst źródła

Streszczenie:

This thesis investigates the diverse ways in which social agents construct the relationship between past, present and future through a study of historical consciousness and its role in the negotiation of identity and shifting power relations in the border region of Southwest Serbia. The focus of the research falls on ethnic relations between Serbs and Bosniaks, who predominantly inhabit the area, and the boundaries that they imagine surround the world they live in. The goal has been to trace the life of these ethnic boundaries, and with it the relationships between those who imagine them by following their transformations in history, as well as to inquire into elements of social patterns that may be discernable within a contextualized and historicized analysis of the region. In order to achieve this, I have analysed the diverse pasts and futures that coalesce in the many 'time spaces' that Southwest Serbia's social actors inhabit in any present moment and from which they (re)construct these boundaries and their identities. The research has been situated within the wider anthropological discussion about the relation of culture (memory) and history and draws on insights made by relevant studies and ethnographies conducted on the territory of the former Yugoslavia. The data presented demonstrates that ethnicity and nationality are not fully crystalized as concepts in Southwest Serbia, their contents are imagined in inconsistent ways in and between social groups, while ethno-national identities and histories are not on the whole felt to be crucial to one's personal sense of self, but are perceived and put to use as malleable political resources. As a result, the most dominant allegiance in Southwest Serbia is to one's family, the only group whose 'essence' escapes political malleability and whose members share a common cross-temporal vision.

Style APA, Harvard, Vancouver, ISO itp.

25

Rajidy, Bouchra Neefs Jacques. "L'interaction entre les personnages et les décors dans quelques romans de Balzac". Villeneuve d'Ascq, France : Presses universitaires du Septentrion, 2000. http://books.google.com/books?id=mYRcAAAAMAAJ.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

26

Panayotov, Alexander. "The Jews in the Balkan provinces of the Roman Empire : an epigraphic and archaeological survey". Thesis, University of St Andrews, 2004. http://hdl.handle.net/10023/13849.

Pełny tekst źródła

Streszczenie:

The dissertation investigates the social, economic and religious aspects of Jewish life in the Balkan provinces of the Roman Empire between the 4th century BCE and 8th century CE. This is the first study, which studies the social and religious life of the Jewish communities in the Balkans, as recoded in the epigraphic and archaeological material, and will provide scholars with much needed basis for further research in the field. The primary focus of my research is a historical analysis of the epigraphic and archaeological evidence regarding the Jewish communities in the Roman provinces of Pannonia Inferior, Dalmatia, Moesia, Thracia, Macedonia, Achaea and Crete. The work is arranged in the form a corpus of inscriptions with additional entries on the archaeological and literary evidence. The intention has been to include all Jewish inscriptions and archaeological remains from the Balkans, which are likely to date from before c.700 CE. The analysis concentrates on the language and content of the available inscriptions, the onomastic repertoire employed, the historical context of the Jewish archaeological remains and their relation to the non- Jewish archaeological material from the region. The results of my research are important for understanding the involvement of Jews in the city life and their civic status, the cultural interaction between Jews and their non-Jewish neighbours and may define the local community organisation and background of Jewish settlement in the Balkan provinces of the Roman Empire. In my commentaries I suggest that the social system of the Jewish communities in the Balkans was dependent upon the local public and economic situation in the Roman city but not determined by it.

Style APA, Harvard, Vancouver, ISO itp.

27

Baudouin, Patricia Riot-Sarcey Michèle. "Balzac, journaliste et penseur du politique, 1830-1850". Saint-Denis : Université de Paris 8, 2007. http://www.bu.univ-paris8.fr/web/collections/theses/baudouin_patricia.pdf.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

28

Trajkovska, Ljupka. "Možnosti integrace zemí Západního Balkánu do Evropské unie". Master's thesis, Vysoká škola ekonomická v Praze, 2010. http://www.nusl.cz/ntk/nusl-73908.

Pełny tekst źródła

Streszczenie:

The main objective of this thesis is to evaluate the future prospects for membership of the Western Balkan countries in the European Union. Western Balkan includes the following countries: Albania, Bosnia and Herzegovina, Croatia, Kosovo, Macedonia, Montenegro and Serbia. The main objective of the first chapter is to define the mutual relations between the European Union and the Western Balkan countries, according to their past results since the end of the Cold far until present. The second chapter explains the main features of the political and economic situation in the Western Balkans and the enlargement policy of the European Union. Emphasis was put on the Copenhagen criteria and on some of the main components of the Stabilization and Association Process, such as Stabilization and Association Agreements and EU pre-accession assistance to the Western Balkans. The last chapter deals with the future development and the possibilities for membership of the Western Balkan countries in the EU, based on the evaluation of the results which were achieved by the Western Balkan countries according to the latest European Commission progress report.

Style APA, Harvard, Vancouver, ISO itp.

29

Svensson, Emma. "Kriget på Balkan i historieläroböcker : En diskursanalys". Thesis, Uppsala universitet, Institutionen för pedagogik, didaktik och utbildningsstudier, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-157156.

Pełny tekst źródła

Streszczenie:

Syftet med undersökningen är att ta redan på hur Balkankriget i slutet av 1900-talet konstrueras i svenska läroböcker för gymnasiet. Faircloughs kritiska diskursanalys ligger till grund för analysen. I framställningen av Tito har en Tito vänlig diskurs uppmärksammats liksom en diktaturkritsk diskurs. Inom området självständighetsförklaringar har en pro-jugoslavisk diskurs och en serbkritisk diskurs registrerats. Etnisk rensning är ett känsligt ämne och undersökningen indikerar att det ges allt större utrymme i läroböckerna. Diskurser som framträder är bland annat en offer diskurs. Där fokuseras människors lidande. Är det då möjligt att tala om en diskursordning? Möjligen kan urskiljas att etnisk rensning blivit ett område som alltid tas upp i de senare läroböckerna men som i de tidigare läroböckerna bara behandlas i vissa. I samtliga läroböcker omnämns folks lidande, men man ser hur det i de senare läroböckerna alltmer kan urskiljas som ett eget avgränsat område.

Style APA, Harvard, Vancouver, ISO itp.

30

Lewis, Timothy William. "The influence of E.T.A. Hoffman on Balzac". Thesis, Goldsmiths College (University of London), 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.245614.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

31

Frattini, Paula Caldas. "Walter Scott e Balzac: romancistas da história". Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-29112010-100912/.

Pełny tekst źródła

Streszczenie:

O nome de Walter Scott é repetidamente mencionado na obra de Balzac, sobretudo em seus textos críticos. Esta dissertação visa expor, para além da admiração patente do escritor, a penetração analítica de Balzac acerca do romance scottiano, o que lhe sugeriu um fundamento essencial para a formulação de sua Comédia Humana. Tendo como objeto de estudo a leitura dos textos críticos de Walter Scott e Balzac - seus prefácios principalmente -, procuramos demonstrar como o uso da História pelo romance tornou-se o elemento fundamental na aproximação entre os autores. Nossa intenção é deslindar, na fatura do romance, como se articula o entrecruzamento entre História e literatura.
Walter Scotts name is repeatedly mentioned in the works of Balzac, mostly in his critical writings. This dissertation aims to show, beyond the writers patent admiration, Balzacs penetrating criticism of the Scottian novel which disclosed to him a sound basis for the composition of his Comédie Humaine. Having Scotts and Balzacs critical writings as our object of study mainly their prefaces - we intend to demonstrate how the incorporation of History by the novel became the essential element in this comparative study of the two writers. Our purpose is to elucidate how this intersection between history and literature is articulated in the narrative.

Style APA, Harvard, Vancouver, ISO itp.

32

Humann, Guilleminot Magali. "La peinture dans l'œuvre d'Honoré de Balzac". Paris 4, 1993. http://www.theses.fr/1993PA040294.

Pełny tekst źródła

Streszczenie:

"L'œuvre de Balzac est de la peinture écrite" : cette remarque des Goncourt a conduit notre recherche à travers l'œuvre balzacienne. C'est à une véritable transposition d'art que nous assistons lorsque le romancier évoque portraits, paysages et intérieurs. Notre thèse consiste à démontrer comment l'écrivain se substitue au peintre : "la littérature se sert du procédé qu'emploie la peinture" écrit Balzac. L'intensité donnée aux descriptions par l'évocation des couleurs, de la lumière et de la matière s'apparente à la technique picturale. Il nous a semblé intéressant d'étudier dans une première partie de notre thèse comment la "fraternité des arts" se développe au début du XIXème siècle, où les arts tendent à se suppléer les uns aux autres" selon l'expression de Baudelaire. Dans une deuxième partie nous présentons les peintres dont Balzac a parlés dans son œuvre. Il était intéressant enfin d'examiner l'esthétique balzacienne : comment l'écriture du romancier évoque-t-elle des tableaux ?
“The work of Balzac is written painting": the Goncourt’s comment has been our leading thread through the work of Balzac. It is the real transposal of art that is achieved when the novelist describes portraits, landscapes, and homes. Our study consists in demonstrating how the writer takes the place of the painter: "literature used the same process as does the painter" writes Balzac. The intensity, giving to the descriptions by the evocation of colors, light, materials is very similar to the pictorial technique. In the first part of our essay we study how the "fraternity of arts" has developed in the beginning of the nineteenth century when "the arts tend compensate one for the other" according to Baudelaire. In the second part we study the painters that Balzac mentioned in his work. Finally it seemed interesting to examine the aesthetics of Balzac how does his writing evoqued pictures?

Style APA, Harvard, Vancouver, ISO itp.

33

Pradeau, Christophe. "L'idée de cycle romanesque : Balzac, Proust, Giono". Paris 8, 2000. http://www.theses.fr/2000PA081683.

Pełny tekst źródła

Streszczenie:

Proust voit dans l'idee de reunir des romans en un cycle ou reviennent les memes personnages <> de balzac. La comedie humaine est imitee par de nombreux romanciers, qui concoivent leurs oeuvres non comme des romans isoles mais comme la poursuite d'un livre unique. On pense a proust, zola, rolland, martin du gard, romains, duhamel, aragon, sartre, giono. . . Ces oeuvres sont le plus souvent qualifiees de cycles romanesques. Notre etude a pour objet non une uvre singuliere mais l'une de ces "abstractions" qui font de la masse des uvres une memoire. Relevant a la fois de la poetique et de l'histoire litteraire, elle a pour ambition de definir les effets esthetiques d'une forme, en la saisissant dans le mouvement de son invention, dans sa dynamique reflexive. La premiere partiemontre comment la categorie de cycle est inventee pour amenager une place dans l'histoire litteraire a des uvres qui semblent exceder le genre romanesque. Dans la seconde, la pertinence de la categorie est mise a l'epreuve d'oeuvres choisies comme representatives des trois moments de l'histoire de la forme : la comedie humaine, a la recherche du temps perdu et <>. Albert thibaudet est l'inventeur de la categorie. Le mot cycle, qu'il emprunte a l'art poetique d'horace, definit le roman comme forme longue et l'inscrit dans une filiation epique. Le cycle romanesque, tantot condamne comme forme informe, tantot considere comme la forme noble, participe des polemiques de la <> (m. Raimond). Les cycles de balzac et de proust, entreprises de figuration memorable,sont des <> (n. Frye) : ils configurent la vie de leurs lecteurs et les federent en une communaute. A rebours de cette ambition totalisante, les cycles posterieurs a 1945 giono en est l'exemple - sont places sous le signe du lacunaire et des donnees inconciliables.

Style APA, Harvard, Vancouver, ISO itp.

34

Novak-Lechevalier, Agathe. "La théâtralité dans le roman : Stendhal, Balzac". Paris 3, 2007. http://www.theses.fr/2007PA030131.

Pełny tekst źródła

Streszczenie:

S’il ne peut être question de théâtralité dans un roman que comme effet de lecture, cette expérience courante est fréquemment invoquée par les lecteurs comme par la critique. La notion de théâtralité reste cependant souvent imprécise et donc peu opératoire. Pour en expliquer les modes d’apparition et les propriétés dans les romans de Balzac et de Stendhal, il importe d’abord de la replacer dans le cadre d’un questionnement relevant d’une poétique historique des genres. Ce travail tente donc d’éclaircir ce que recouvre la notion de théâtralité depuis le texte fondateur que constitue la Poétique d’Aristote, pour mieux montrer d’une part, comment, au XIXe siècle, émerge l’idée d’un effet de théâtre indépendant du contexte énonciatif dramatique, et d’autre part, pourquoi la promotion du genre romanesque passe alors par un rapprochement avec le théâtre. À partir de cette analyse, qui met au jour un certain nombre de traits fonctionnant comme des marqueurs de théâtralité, il s’agit d’étudier la manière dont ces traits, réunis en configuration, contribuent à la théâtralisation de la scène romanesque. Il apparaît que c’est sur la mise en scène du dialogue par le discours narratif que repose l’effet de théâtralité, et que la variété des traits retenus permet d’éclairer les différences qui séparent les esthétiques romanesques de Stendhal et de Balzac. L’adoption par le roman du modèle théâtral est enfin inséparable d’une herméneutique et d’une pragmatique : informant l’univers romanesque, ce modèle renseigne le lecteur sur le fonctionnement des ressorts sociaux ; régulant le rapport du lecteur à la fiction, il permet d’articuler un paroxysme émotionnel et une distanciation critique
Theatricality is frequently mentioned as an effect produced on the reader by the novel. However, the notion remains generally imprecise and consequently hardly operative. A study of theatricality from the perspective of a historical poetics of literary genres is necessary to explain its mode of appearance and its properties in Balzac and Stendhal’s novels. Therefore, this work aims to highlight what the notion meant since Aristotle’s Poetics. We will explain first how the idea of a theatrical effect independent from the dramatic mode appeared in the nineteenth century, and, secondly, why the promotion of the novelistic genre implied a link with drama. This analysis emphasizes a few features operating as theatricality markers, which allows to study how these features, combined together, contribute to produce a theatrical effect in the context of novelistic scenes. It appears that the theatricality effect is based upon the narrative speech which produces the dialogue as on a stage. The variety of the features used by Stendhal or Balzac allows to enlighten the differences that characterize the aesthetics of each novelist. Finally, the adoption of a dramatic pattern by the novel is closely linked to hermeneutic and pragmatic perspectives : by informing the universe represented in the novel, this pattern gives information to the reader about the rules that govern society ; by regulating the connection between the reader and the fiction, it enables to correlate emotional paroxysm with critical distance

Style APA, Harvard, Vancouver, ISO itp.

35

Popa, Anca-Elena. "Tipul avarului la Balzac si George Călinescu". Thesis, Paris Est, 2011. http://www.theses.fr/2011PEST0030.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

36

UDA, NAOHISA. "La madone dans l'oeuvre d'honore de balzac". Paris 3, 1997. http://www.theses.fr/1997PA030100.

Pełny tekst źródła

Streszczenie:

L'image de la madone traverse l'oeuvre de balzac sous divers aspects : fille, amante, epouse et mere. Sa premiere apparition a lieu dans un contexte historique, dans la description de l'amour du dernier chouan. L'epanouissement de la figure mariale vient a la suite des travaux de 1830-31, dans lesquels balzac analyse ses relations maternelles difficiles au moyen d'images antithetiques de la mere. En 1832 se produisent une serie de personnages incarnant l'amante-mere, autre figure de la madone balzacienne, et la reference a marie est explicite dans la duchesse de langeais et eugenie grandet. La pensee sur l'amour se developpe d'autre part, dans les contes drolatiques, enracines dans le mythe de la touraine maternelle et dont l'evolution de ton du drolatique a l'elegiaque, eclaire le sens du lys dans la vallee. Ce dernier exprime un ideal de l'amour qui s'eleve du terrestre au divin, mais entraine un dematernage definitif dans la pensee sur l'amour melee a la maternite. Des 1839, la pense sur l'amour se poursuit sous le signe de la vierge-enfant qui remplace l'amante-mere. La purete virginale se trouve confrontee a l'impurete qui l'entoure dans le drame de la purification. La figure de la vierge-enfant est un aboutissement de la recherche de l'amour sacre. La mere a le mot de la fin. Elle fait un retour au cours des annees 1840 sous la forme de la maratre, corps maternel denature. Cette image, deja rencontree chez mme vauquer, prevaut de plus en plus dans la description de la societe "encanaillee". Enfin, la figure de la mere nourriciere se voit affirmee dans le personnage de lisbeth fischer avec une reference a la vierge-mere
The madonna appears in the works of balzac in various aspects: young girl, lover, wife, mother. Her first appearance is in le dernier chouan in which an image of the virgin mary helps to describe a heroin within a historical context. A blossoming of the mary figure comes after the works of 1830-1832, in which balzac analyses his difficult relationship with his own mother by means of antithetical images of the holy mother. In 1832 he creates a series of feminine characters which embody a lover-mother relationship, another representation of the balzacian madonna, and the reference to the virgin mary is explicit in la duchesse de langeais and eugenie grandet. On the other hand he develops his thoughts on love in the contes drolatiques, a work deeply rooted in touraine, whose evolution from droll tone to elegiac tone clarifies the meaning of le lys dans la vallee. This novel gives expression, to the highest degree, to an ideal of love rising from earth to heaven and, at the same time, bids farewell to the figure of the lover-mother. From 1839 his thoughts on love are developed under the sign of the virgin -child, which takes the place of the lover-mother. Purity meets with the forces of evil in the drama of the purification. But the mother has the last word. She returns in the decade of 1840 under the image of the cruel bad mother. This image, already encountered in mme vauquer, prevails in the works which describe fallen society. Finally a figure of the nourishing mother is asserted in the character of lisbeth fischer with a reference to the virgin-mother

Style APA, Harvard, Vancouver, ISO itp.

37

Minkov, Anton. "Conversion to Islam as reflected in kisve bahasi petitions : an aspect of Ottoman social life in the Balkans, 1670-1730". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ64622.pdf.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

38

Lapointe, Caroline. "Désir, fantasme et castration dans La peau de chagrin d'Honoré de Balzac /". Trois-Rivières : Université du Québec à Trois-Rivières, 2003. http://www.uqtr.ca/biblio/notice/tablemat/17707221TM.html.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

39

Kavaliauskaitė, Ieva. "Transformuojami baldai". Master's thesis, Lithuanian Academic Libraries Network (LABT), 2007. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2007~D_20070110_140029-85811.

Pełny tekst źródła

Streszczenie:

Transformable Furniture Master’s Degree Work The theme of the Master’s degree work - “Transformable Furniture” – is a topical issue these days, because the problem of irrational and tasteless furniture as well as interiors still exists. After analysing theories of the development of contemporary material environment as well as philosophical and artistic theories and attitude through the prism of the art and science proportion, the conception of the art playfulness, tendencies of the development of furniture and interior installations, assortment and principles of the creation and art conception as well as ergonomic laws, declared by the Functionality, the Constructivism, the concept of the Master’s degree work was formed, theoretical description was prepared and the universal, transformable furniture of 98 sq. m., designed for the interior was created; it enables to plan the dwelling space rationally and creatively. The project is composed from eleven main objects with continuous transformable modifications of the furniture for individual space. The project is presented on fourteen plane-tables with detailed schemes of each object, visualisations of their position in the interior. Three-dimensional models of each object are presented following a chosen scale of M 1 : 10. After the analysis of theoretical sources and their application in the project, the conclusions were made: transformable furniture enables to form the mobile as well as playful individual space... [to full text]

Style APA, Harvard, Vancouver, ISO itp.

40

Åkemark, Elisabet. "Deux pères, leurs filles et l’argent. : L’importance de l’argent dans deux romans de Balzac". Thesis, Linköpings universitet, Avdelningen för moderna språk, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-81010.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

41

Osswald, Brendan. "L'Epire du treizième au quinzième siècle : autonomie et hétérogénéité d'une région balkanique". Phd thesis, Université Toulouse le Mirail - Toulouse II, 2011. http://tel.archives-ouvertes.fr/tel-00671182.

Pełny tekst źródła

Streszczenie:

La région de l'Epire du XIIIème au XVème siècle est étudiée sous plusieurs aspects liés aux thèmes de l'autonomie et de l'hétérogénéité qui ont marqué l'histoire de la région durant la période concernée.Tout d'abord, le bilan de l'historiographie politique montre l'agitation de cette période intercalée entre les longues périodes de stabilité que sont la période byzantine en amont et la période ottomane en aval. Les trois siècles étudiés ont en effet vu se succéder la Quatrième croisade (1204), les règnes de la dynastie des Comnènes (1205-1318), puis de la branche de Céphalonie (1318-1340), l'invasion serbe et les migrations albanaises (années 1340-1350), l'expansion de Carlo Ier Tocco (début XVème siècle) et enfin la conquête progressive par les Ottomans de 1418 à 1502.Ensuite, l'étude de la géographie historique de la région (territoire, vocabulaire, géographie administrative, politique, ecclésiastique, bâtiments officiels) montre l'interdépendance entre les événements historiques et les conditions géographiques. On observe en effet que l'hétérogénéité du territoire préexistait aux diverses migrations.Enfin, on a cherché à savoir quelles furent les réactions idéologiques aux bouleversements politiques subis par la région. D'une part, on assista à l'émergence d'un modèle politique à la fois en rupture et en continuité avec le modèle politique byzantin traditionnel. D'autre part, les diverses migrations placèrent la problématique ethnique sur le devant de la scène politique. Néanmoins, les clivages ethniques ne furent pas aussi déterminants que les clivages sociaux, politiques et géographiques ; ils ne débouchèrent en tout cas pas sur l'idée anachronique d'État-Nation.

Style APA, Harvard, Vancouver, ISO itp.

42

Shupp, Benjamin A. "U.S participation in Balkan Peacekeeping : the Rice Proposal". Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 2001. http://handle.dtic.mil/100.2/ADA401556.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

43

Sarlak, Levent. "The Balkan Wars Accorng To The Pravda Newspaper". Master's thesis, METU, 2012. http://etd.lib.metu.edu.tr/upload/12615006/index.pdf.

Pełny tekst źródła

Streszczenie:

This thesis has examined the Bolshevik newspaper, Pravda, which began its broadcasting life in April 1912, for the period of the Balkan Wars from October 1912 to October 1913. The objectives of this study are to present and examine the position towards the Balkan Wars of a political group, which viewed the world and the Ottoman Empire from a different angle than the traditional Russian political position of the time, and would seize the power only five years later in Russia.

Style APA, Harvard, Vancouver, ISO itp.

44

Caldato, Nádia [UNESP]. "Biologia de Acromyrmex balzani Emery, 1890 (Hymenoptera, Formicidae)". Universidade Estadual Paulista (UNESP), 2010. http://hdl.handle.net/11449/97167.

Pełny tekst źródła

Streszczenie:

Made available in DSpace on 2014-06-11T19:28:36Z (GMT). No. of bitstreams: 0 Previous issue date: 2010-09-02Bitstream added on 2014-06-13T19:16:41Z : No. of bitstreams: 1 caldato_n_me_botfca.pdf: 1199444 bytes, checksum: a266f0f69f1104ee7f6a8234af4799b0 (MD5)
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
A biologia das espécies e subespécies de Acromyrmex foi até então pouco estudada. A espécie Acromyrmex balzani é uma típica formiga cortadeira de gramíneas e é encontrada em alta densidade em pastagens. Apesar de sua importância como praga, estudos sobre sua biologia e comportamento ainda são escassos. Com o intuito de se estudar a biologia de A. balzani (Emery, 1890), foram realizados experimentos que abordaram vários aspectos biológicos, como: arquitetura externa e interna dos ninhos, tamanho populacional, número de castas físicas e polidomia. A arquitetura externa e interna dos ninhos é muito simples. São pouco profundos e apresentam poucas câmaras. O formato das câmaras e túneis é irregular, e em alguns ninhos foram encontradas apenas uma câmara. Não possuem câmaras com lixo, sendo o mesmo depositado externamente. A deposição de terra solta aparente ocorre nas épocas mais quentes do ano. Os resultados do experimento relacionado ao tamanho dos ninhos indicaram que a população desta espécie cresce à medida que aumenta o volume do fungo e demonstraram que as operárias pequenas foram as mais predominantes e as grandes representaram a porção intermediária. Em relação à morfometria das operárias, apesar de existirem variações de alguns parâmetros, os dados sugerem o agrupamento de três subcastas (pequenas, médias e grandes). A hipótese da ocorrência de polidomia nos ninhos foi provada, porque o que determina tal condição é que as colônias devem ser divididas em subninhos e isso ocorre em A. balzani. Foi constatado que as colônias podem apresentar apenas um subninho ou vários subninhos. No presente trabalho foram encontrados até 8 subninhos por colônia e a maioria dos ninhos escavados eram polidômicos. Entre os subninhos de cada colônia, não existem ligações internas por canais. A comunicação é feita externamente, ou seja, as operárias...
Acromyrmex balzani (Emery 1890) is a typical grass-cutting ant extremely abundant and easily found in Brazilian grasslands. Despite the pest status, there is a lack of studies involving its biology and behavior. Aiming better understand the species biology, experiments involving some biological aspects like: external and internal nest architecture, population size, physical caste organization, and polydomism were developed. i) Architecture: external and internal nest architecture is relatively simple if compared with some members of the tribe Attini. Nests are not so deep and composed for just few chambers. Tunnels and chambers have an irregular shape and in some nests just a single chamber occurs. There is no dump chamber since the exhausted substrate is disposed outside the nest and loose soil deposits occur during warmer periods of the year. ii) Population size: results indicate that the greater the mass of the fungus grown by the ants the higher the population and those small workers are more abundant than larger ones. iii) Physical caste: about morphometric standards, data suggests the occurrence of three sub-castes (small, medium and large workers) despite variations do exist. iv) Polydomism: the occurrence of polydomism is characterized by the co-occurrence of sub-nests, condition herein confirmed. Colonies could consist of one or more sub-nests. At this present work most of them were polydomics with a maximum of 8 sub-nests per colony and no internal tunnels connecting these structures were found. Connections are extern and workers displacing among sub-nests by using the foraging hole. One single queen was found at each colony it belonging to a single sub-nest

Style APA, Harvard, Vancouver, ISO itp.

45

Palmér, Tommy, i Filip Elmersson. "Från Balkan till Sverige : Ungdomars indentitet och historia". Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-36801.

Pełny tekst źródła

Streszczenie:

The purpose of this essay is to shed some light upon the children who grew up in Sweden after their parents fled the war in former Yugoslavia. Did the parents spread their own opinions about the other ethnicities which they fought against in the war to the children, even though they live in a new country? And if so, was it an act of patriotism for the country they once lived in and who was to blame for the war? Did the children who grew up in Sweden share the same attitudes as their parents? To find out about this we used interviews with four people, all with heritage from former Yugoslavia, Bosnia and Croatia. What we found out was that the thoughts from the parents partially were passed down to their children, even though the children thought that they had formed their own opinions. In this case the thoughts didn’t relate to any kind of patriotism or who to blame for the war, they rather believed that they shouldn’t blame the other ethnic groups for the war. Instead they moved on with their lives and with the belief to never hate each other.

Style APA, Harvard, Vancouver, ISO itp.

46

Conrad, Thomas. "Poétique des cycles romanesques : de Balzac à Volodine". Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2011. http://tel.archives-ouvertes.fr/tel-00788953.

Pełny tekst źródła

Streszczenie:

Les cycles romanesques sont ces œuvres formées par la réunion de plusieurs récits autonomes : sommes "à la Balzac", suites, séries, trilogies, etc. Il s'agit d'un type spécifique de "transtextualité" (Genette), où s'exprime un désir ambigu de totalisation, qui affirme à la fois l'ouverture et la clôture du texte. Selon une démarche de poétique historique, nous analysons les formes de ces cycles, tout en les inscrivant dans l'histoire de long terme du genre romanesque. D'où un corpus large, s'étendant du XIXe siècle à nos jours : La Comédie humaine de Balzac, le Manuscrit trouvé à Saragosse de Potocki, les trilogies de Dumas, Les Rougon-Macquart, les Trois Villes et les Quatre Evangiles de Zola, le Cycle du Hussard de Giono, les cycles de science-fiction d'Asimov, et les romans " post-exotiques " de Volodine. L'examen des procédés de connexion entre les récits montre que le cycle n'est pas fondé sur la cohérence du monde qu'il représente, mais sur la cohésion des textes qu'il rassemble. Chaque cycle est une totalisation singulière de textes, traversée de tensions et de dysfonctionnements.Mais ces œuvres sont autant de réponses à une question qui subsiste pendant ces deux siècles : comment retrouver une totalité épique adéquate au monde moderne né de la Révolution ? Les cycles romanesques réactivent la " racine épique " du roman (Bakhtine). Cette visée épique, et ses transformations, sont un aspect de ce que serait une histoire de l'idée de totalité en littérature.

Style APA, Harvard, Vancouver, ISO itp.

47

Sugden, Rebecca Ann. "Conspiracy in Balzac and Sand's July Monarchy fiction". Thesis, University of Cambridge, 2019. https://www.repository.cam.ac.uk/handle/1810/289912.

Pełny tekst źródła

Streszczenie:

This thesis explores the representation of conspiracy in the literature of the July Monarchy (1830-1848) and its engagement with conspiracy thinking, with particular reference to the work of Honoré de Balzac (1799-1850) and George Sand (1804-1876). In providing the first sustained scholarly exploration of conspiracy and cultural production in nineteenth-century France, it situates the novel within wider discourses on European political history in the years leading up to the upheaval of 1848. Through close readings of Balzac and Sand's common investment in conspiracist modes of explanation, this study makes the case for a new generic category, the novel of conspiracy, around which literary poetics, historical imagination and political fantasy come to coalesce. Chapter one proposes a re-evaluation of the dialectic between models of surface and depth reading in Balzac's Une ténébreuse affaire (1841), arguing that the conspiratorial landscape of this proto-detective novel belies Balzac's fraught relationship to the severed referentiality of his narrative. As illustration of a Balzacian poetics of conspiracy, Une ténébreuse affaire, it is suggested, points forward in literary history towards the Flaubertian aesthetic of platitude. Chapter two looks to the political criticisms Jacques Rancière makes of Sand's patrician benevolence to inform its reading of Le Compagnon du Tour de France (1840), which depicts workers' secret societies and the underground networks of Restoration liberalism. Accusations of misguided idealism, this thesis shows, align Rancière's critique and the literary-critical narrative informing Sand's twentieth-century aesthetic devaluation with the reproach that she herself levels at the Carbonarist conspirators of her novel. Chapter three, finally, turns to the alternative origin myth of 1789 that Sand elaborates in Consuelo-La Comtesse de Rudolstadt (1842-44). Her engagement with the founding text of the conspiracist tradition of explanation, it argues, provides the cornerstone for the interrogation of the tensions of a pre-Revolutionary Europe torn between Enlightenment and Illuminism. Framing the Balzacian and Sandian novel as emblematic of a wider discourse on the conspiratorial origins of 1789 has a two-fold advantage. On an immediate level, it nuances received critical ideas on these authors' relationships to history and literary genre (a realist Balzac incapable of looking back further than the Restoration whose demise he so lamented; an idealist Sand too caught up in a utopian future to envisage the historical past). In doing so, this study seeks to problematize the narrative of oppositionality behind the Balzac-Sand binary in terms of which the literary history of nineteenth-century France is habitually couched. Yet, more significantly, it also gestures towards the importance of the conspiratorial as a prism through which to approach the porosity of the very categories of 'literature' and 'history' in the nineteenth-century French context.

Style APA, Harvard, Vancouver, ISO itp.

48

Hawthorne, Kathleen Annette. "Balkan pit sanctuaries : retheorising the archaeology of religion". Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609274.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

49

Caldato, Nádia 1978. "Biologia de Acromyrmex balzani Emery, 1890 (Hymenoptera, Formicidae) /". Botucatu : [s.n.], 2010. http://hdl.handle.net/11449/97167.

Pełny tekst źródła

Streszczenie:

Resumo: A biologia das espécies e subespécies de Acromyrmex foi até então pouco estudada. A espécie Acromyrmex balzani é uma típica formiga cortadeira de gramíneas e é encontrada em alta densidade em pastagens. Apesar de sua importância como praga, estudos sobre sua biologia e comportamento ainda são escassos. Com o intuito de se estudar a biologia de A. balzani (Emery, 1890), foram realizados experimentos que abordaram vários aspectos biológicos, como: arquitetura externa e interna dos ninhos, tamanho populacional, número de castas físicas e polidomia. A arquitetura externa e interna dos ninhos é muito simples. São pouco profundos e apresentam poucas câmaras. O formato das câmaras e túneis é irregular, e em alguns ninhos foram encontradas apenas uma câmara. Não possuem câmaras com lixo, sendo o mesmo depositado externamente. A deposição de terra solta aparente ocorre nas épocas mais quentes do ano. Os resultados do experimento relacionado ao tamanho dos ninhos indicaram que a população desta espécie cresce à medida que aumenta o volume do fungo e demonstraram que as operárias pequenas foram as mais predominantes e as grandes representaram a porção intermediária. Em relação à morfometria das operárias, apesar de existirem variações de alguns parâmetros, os dados sugerem o agrupamento de três subcastas (pequenas, médias e grandes). A hipótese da ocorrência de polidomia nos ninhos foi provada, porque o que determina tal condição é que as colônias devem ser divididas em subninhos e isso ocorre em A. balzani. Foi constatado que as colônias podem apresentar apenas um subninho ou vários subninhos. No presente trabalho foram encontrados até 8 subninhos por colônia e a maioria dos ninhos escavados eram polidômicos. Entre os subninhos de cada colônia, não existem ligações internas por canais. A comunicação é feita externamente, ou seja, as operárias... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: Acromyrmex balzani (Emery 1890) is a typical grass-cutting ant extremely abundant and easily found in Brazilian grasslands. Despite the pest status, there is a lack of studies involving its biology and behavior. Aiming better understand the species biology, experiments involving some biological aspects like: external and internal nest architecture, population size, physical caste organization, and polydomism were developed. i) Architecture: external and internal nest architecture is relatively simple if compared with some members of the tribe Attini. Nests are not so deep and composed for just few chambers. Tunnels and chambers have an irregular shape and in some nests just a single chamber occurs. There is no dump chamber since the exhausted substrate is disposed outside the nest and loose soil deposits occur during warmer periods of the year. ii) Population size: results indicate that the greater the mass of the fungus grown by the ants the higher the population and those small workers are more abundant than larger ones. iii) Physical caste: about morphometric standards, data suggests the occurrence of three sub-castes (small, medium and large workers) despite variations do exist. iv) Polydomism: the occurrence of polydomism is characterized by the co-occurrence of sub-nests, condition herein confirmed. Colonies could consist of one or more sub-nests. At this present work most of them were polydomics with a maximum of 8 sub-nests per colony and no internal tunnels connecting these structures were found. Connections are extern and workers displacing among sub-nests by using the foraging hole. One single queen was found at each colony it belonging to a single sub-nest
Orientador: Luiz Carlos Forti
Coorientador: Ana Paula Protti de Andrade Crusciol
Banca: Edson Luiz Lopes Baldin
Banca: Maria Apareicida Castellani
Mestre

Style APA, Harvard, Vancouver, ISO itp.

50

Jidouard, Sylvie. "Les modalités de la mort féminine chez Balzac". Paris 4, 1987. http://www.theses.fr/1987PA040164.

Pełny tekst źródła

Streszczenie:

Amour et mort se disputent la destinée de nombreuses héroïnes balzaciennes. Notre étude se propose tout d'abord d'envisager les "topoi" qui font de ces morts féminines, des scènes axiales dans l'œuvre du romancier. Apres l'examen des sources et des œuvres de jeunesse, nous analysons le renouvellement des thèmes traditionnels, transformant la mort en un véritable poème, image de dépassement et d'angélisme, dans un monde borné par les contraintes sociales. Le féminisme balzacien est alors reconnu d'essence tragique dans un climat inquiétant, où le choix d'une destinée passe souvent par la destruction des apparences et l'anéantissement. Apres l'évocation des grandes figures de la Comédie humaine et des Contes drôlatiques, la dernière partie du mémoire souligne l'importance des récits "enchâssés" où liberté, désir et mort de la femme pècheresse sont à l'origine de débats passionnés. Le cercle des "devisants" balzaciens, frères de l'écrivain, par leur pouvoir narratif et la pertinence du jugement, est alors reconnu dans toute son originalité
Love and death are fighting over the fate of many balzacian heroines first, our study intends to consider the "topoi" which change feminine death into axial scenes. After considering the origins ant the youth works, we try to analyze the renewal of traditional themes when they change death into a real aesthetic poem, into a view of sublimation and angelism, in this world limited by social restraints. The essence of balzacian feminism is tragedy; it incarnes in a morbid atmosphere where the choice of fate comes through the destruction of appearances and annihilation of personality. After evocating the great characters in the "Comédie humaine" and the "Contes drôlatiques", the last part of the essay stresses on the importance of inserted tales where freedom, desire and death give rise to passionate comments. The circle of "devisants", Balzac's voices, by their narrating power and pertinent judgements, is manifesting great originality

Style APA, Harvard, Vancouver, ISO itp.

Rozprawy doktorskie na temat „Balzan”

Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych