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Książki na temat „Balzan”

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Autor: Grafiati

Data publikacji: 27 lipca 2024

Data aktualizacji: 29 lipca 2024

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1

Foundation, International Balzan, red. Angela Lina Balzan: Eugenio Balzan. Milano: La Fondazione, 1986.

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2

Foundation, International Balzan, red. Balzan's one hundred prize winners =: I cento di Premio Balzan = Les cent lauréats de Balzan = Hundert Balzan Preisträger. Milan: Libri Scheiwiller, 2005.

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3

Elena, Roncalli, i International Balzan Foundation, red. The Balzan prizewinners' research projects: An overview 2012. Milano: Fondazione Internazionale Premio E. Balzan, 2012.

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4

Bellinzona (Switzerland). Civica galleria d'arte, red. La raccolta Eugenio Balzan a Bellinzona, 1944-2012. Milano: Skira, 2012.

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5

Gallian, Chiara. The Eugenio Balzan collection of 19th and 20th century Italian paintings. Treviso]: Antilia, 2017.

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6

Mout, M. E. H. N., Stauffacher Werner i International Balzan Foundation, red. Truth in science, the humanities and religion: Balzan Symposium 2008: organized by the International Balzan foundation at the University of Lugano (Università della Svizzera italiana) 16-17 May 2008 : proceedings. Dordrecht: Springer, 2010.

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7

Balzan, Luigi. A carretón y canoa: La aventura científica de Luigi Balzan por Sudamérica (1885-1893). Lima, Perú: Institut de recherche pour le dévelppement, 2008.

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8

Balzan, Luigi. A carretón y canoa: La aventura científica de Luigi Balzan por Sudamérica (1885-1893). Lima, Perú: Institut de recherche pour le dévelppement, 2008.

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9

Clara, López Beltrán, red. A carretón y canoa: La aventura científica de Luigi Balzan por Sudamérica (1885-1893). Lima, Perú: Institut de recherche pour le dévelppement, 2008.

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10

Walter, Rüegg, red. Meeting the challenges of the future: A discussion between the two cultures : Balzan Symposium 2002 : organized by the International Balzan Foundation at the Royal Society, London, 13-14 May 2002 : proceedings. [Firenze]: L. S. Olschki, 2003.

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11

Claire, Barel-Moisan, Diaz José-Luis, Bara Olivier i Groupe international de recherches balzaciennes., red. Balzac avant Balzac. Saint-Cyr-sur-Loire, France: C. Pirot, 2006.

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12

Backes, Jean Louis. Balzac. Tours: Publication de l'Université François-Rabelais, 1997.

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13

Rosa, Annette. Balzac. Paris: A. Colin, 1992.

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14

Michael, Tilby, red. Balzac. London: Longman, 1995.

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15

Senigalliesi, Livio. Balkan. Brescia: Edizioni del Museo, 2001.

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16

Guise, René. Balzac. Nancy: Press universitaires de Nancy, 1994.

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17

Troyat, Henri. Balzac. [Paris]: Flammarion, 1995.

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18

Taillandier, François. Balzac. [Paris]: Gallimard, 2005.

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19

Paris, Jean. Balzac. [Paris]: Balland, 1986.

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20

Gautier, Théophile. Balzac. [Bordeaux?]: Castor astral, 2011.

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21

Piazza, Mario. Universo Balan: Le monde de Balan = The Balan universe. Milano: Abitare Segesta, 2001.

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22

Grgic, Ana. Early Cinema, Modernity and Visual Culture. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463728300.

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Streszczenie:

At the end of the nineteenth century, the Balkans were animated by cultural movements and socio-political turmoil with the onset of the collapse of the empires. Around the same period, the proliferation of print media and the arrival of moving images gradually transformed urban life, and played an important role in the creation of national and regional cultures. Based on archival research that explores previously overlooked footage and early press materials, Early Cinema, Modernity and Visual Culture: The Imaginary of the Balkans is the first study on early cinema in the region from a transnational and cross-cultural perspective. This book investigates how the unique geopolitical positioning of the Balkan space and the multicultural identity of its communities influenced and shaped visual culture and the development of early cinema until World War I. It highlights how early moving images and foreign film productions contributed to the construction of Balkanist and semi-colonial discourses. Building on approaches such as ‘new cinema history’, ‘vernacular modernity’ and ‘polycentric multiculturalism’ to counter Eurocentric modernity paradigms and to reframe hierarchical relations between centres and peripheries, this monograph adopts an alternative methodology for interstitial spaces. Using the notion of the haptic, it examines the relationship between the new medium and regional visual culture. By doing so, it establishes new connections between moving image artefacts and print media, early film practitioners and intellectuals, the socio-cultural context and cultural responses to the new visual medium in the Balkan region.

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23

Bruneau, Philippe. Guide Balzac. [Paris]: Hazan, 1997.

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24

Guichardet, Jeannine. Balzac-mosaïque. Clermont-Ferrand: Presses universitaires Blaise Pascal, 2007.

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25

Füruzan. Balkan Yolcusu. Istanbul: Yapi Kredi Yayinlari, 1996.

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26

Owen, David. Balkan Odyssey. New York: Harcourt Brace, 1995.

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27

Griffiths, Huw I., Boris Kryštufek i Jane M. Reed, red. Balkan Biodiversity. Dordrecht: Springer Netherlands, 2004. http://dx.doi.org/10.1007/978-1-4020-2854-0.

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28

Tavassoli Zea, Zahra. Balzac Reframed. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-30615-1.

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29

Maranki, Ahmet. Balkan mezalimi. İstanbul: Timaş Yayınları, 1993.

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30

Tarnstrom, Ronald L. Balkan battles. Lindsborg, Kan: Trogen Books, 1998.

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31

Olschki, Leo S. Balzan Papers II 2019. Leo S Olschki, 2019.

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32

Eugenio Balzan: 1874-1953 a biography. Milano: Editore Ulrico Hoepli, 2007.

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33

The Balzan prizewinners' research projects: An overview. Milan: Fondazione Internazionale Balzan, Milano, 2010.

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34

Foundation, International Balzan. Truth in Science, the Humanities and Religion: Balzan Symposium 2008. Springer, 2010.

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35

Foundation, International Balzan. Truth in Science, the Humanities and Religion: Balzan Symposium 2008. Springer, 2014.

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36

Strohm, Reinhard. Studies on a Global History of Music: A Balzan Musicology Project. Taylor & Francis Group, 2018.

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37

Strohm, Reinhard. Studies on a Global History of Music: A Balzan Musicology Project. Taylor & Francis Group, 2018.

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38

Strohm, Reinhard. Studies on a Global History of Music: A Balzan Musicology Project. Taylor & Francis Group, 2018.

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39

Strohm, Reinhard. Studies on a Global History of Music: A Balzan Musicology Project. Taylor & Francis Group, 2018.

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40

Studies on a Global History of Music: A Balzan Musicology Project. Taylor & Francis Group, 2018.

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41

Eugenio Balzan, 1874-1953: Una vita per il "Corriere," un progetto per l'umanità. Milano: Rizzoli, 2014.

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42

Storia di una collezione d'arte tra Ottocento e Novecento: La raccolta Eugenio Balzan. Lugano: Cornèr, 2006.

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43

Eugenio Balzan (1874-1953): Una vita per il "Corriere," un progetto per l'umanità. Milano: Rizzoli, 2001.

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44

Siprio, P'er. Balzac sans masque / Bal'zak bez maski. Molodaya Gvardiya, 2003.

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45

Schuerewegen, Franc. Balzac contre Balzac. CDU SEDES, 1995.

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46

Katsikas, Stefanos. Proselytes of a New Nation. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197621752.001.0001.

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The purpose of this book is to explore the conversion of Muslims to Eastern Orthodox Christianity (Orthodox Christianity) during the Greek War of Independence and the life of the converts during the war and the first three decades of the postindependence years (1821–1862). The book looks at the neophytes’ relations with the Greek and Ottoman states, as well as the ways in which the neophytes merged into Greek society. Since Greek national identity is inextricably linked to Orthodox Christianity, the book discusses the extent to which conversion assisted the neophytes’ integration into Greek society. The book aims to delve into the little-researched field of religious conversions in the Balkans in modern times, with emphasis on the conversion of Muslims to Christianity. The Greek case is not the only case in the modern Balkans where Muslims converted to Eastern Christian Orthodoxy. Pomaks, Bulgarian-speaking Muslims, were subjected to forcible conversion during the Balkan Wars (1912–1913) and in the 1940s, whereas in the Cold War era, the Bulgarian communist authorities initiated programs aimed at religious and ethnic assimilation of Pomaks and Turkish-speaking Muslims. Conversions of Muslims to Christian Orthodoxy also occurred in Serbia, Romania, and elsewhere in the Balkans. Yet, while Balkan historiography has focused on the Islamization of Christians in the region during the Ottoman period, it has paid little attention to the inverse process of Christianization of Muslims in the age of nationalism.

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47

Hall, Richard C., red. War in the Balkans. ABC-CLIO, LLC, 2014. http://dx.doi.org/10.5040/9798216033660.

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This authoritative reference follows the history of conflicts in the Balkan Peninsula from the 19th century through the present day. TThe Balkan Peninsula, which consists of Albania, Bulgaria, Romania, Moldova, and the former Yugoslavia, resides in the southeastern part of the European continent. Its strategic location as well as its long and bloody history of conflict have helped to define the Balkans’ role in global affairs. This singular reference focuses on the events, individuals, organizations, and ideas that have made this region an international player and shaped warfare there for hundreds of years. THistorian and author Richard C. Hall traces the sociopolitical history of the area, starting with the early internal conflicts as the Balkan states attempted to break away from the Ottoman Empire to the assassination of Archduke Franz Ferdinand that ignited World War I to the Yugoslav Wars that erupted in the 1990s and the subsequent war crimes still being investigated today. Additional coverage focuses on how these countries continue to play an important role in global affairs and international politics.

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48

Dufaux, Jean, i Joëlle Savey. Balzac. GLENAT, 1994.

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49

Vachon. Balzac. XYZ Editeur, 1996. http://dx.doi.org/10.14375/np.9782892611700.

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50

Tilby, Michael. Balzac. Redaktor Michael Tilby. Routledge, 2017. http://dx.doi.org/10.4324/9781315505299.

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