Gotowe bibliografie tematyczne / Balkar Epic poetry

Spis treści

  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Książki
  4. Części książek
  5. Streszczenia konferencji

Gotowa bibliografia na temat „Balkar Epic poetry”

Autor: Grafiati
Data publikacji: 29 lipca 2024
Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Balkar Epic poetry"

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Asiyat D., Atabieva. "The work of M. Olmezov in the light of the artistic quest of the turn of the century (XX–XXI)." Kavkazologiya 2024, no. 3 (2024): 307–21. http://dx.doi.org/10.31143/2542-212x-2024-3-307-321.

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The article aims to review and at the same time holistically highlight the multidimensional, mul-ti–genre artistic work of Muradin Olmezov, one of the sought-after and authoritative authors of modern Balkar literature. The work outlines several issues related to the identification of leading stylistic trends, a wide range of mastered thematic areas and topical issues, a complex of figura-tive structures, constants, and dominant poetic formulas. In parallel, the main stages of the crea-tive evolution of the poet and playwright are determined. The study examines the value content of the signific
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RASTODER, Šerbo. "In memoriam ZLATAN ČOLAKOVIĆ (Zagreb, 13. II 1955 – Boston, 20. XII 2008)." Lingua Montenegrina 9, no. 1 (2009): 497–500. https://doi.org/10.46584/lm.v3i1.92.

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The author comments on life and work of Zlatan Čolaković, a prominent researcher of the Balkan epic poetry. Čolaković prepared for publishing more than 90.000 verses collected throughout Montenegro by Milman Peri and Albert Lord with associates, and he himself was collecting epic poetry, and prepared the largest ever collection of epic poetry by almost forgotten author Avdo Međedović.
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Kleut, Marija, and Ljiljana Pešikan-Ljuštanović. "Uskoks of Senj: Reality and oral poetic fiction." Kultura, no. 174-175 (2022): 93–112. http://dx.doi.org/10.5937/kultura2275093k.

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The paper examines Uskok poems, especially those dedicated to the Uskoks of Senj, primarily from the point of view of the relationship between epic poems and history. The people of Senj worked from 1537 to 1617, fighting as paid soldiers or volunteers on the side of the Austrian Monarchy, but also going on campaigns on their own, fighting almost to the same extent with the Turkish invaders and the Christians from the wider region. In contrast to the relatively short period of eight decades of their historical presence, the people of Senj have survived in the oral epics in a very wide Balkan ar
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Detelic, Mirjana. "The place of the symbolic city in construction of national imagery: A case of Balkan folklore - two models of epic city." Balcanica, no. 35 (2004): 171–84. http://dx.doi.org/10.2298/balc0535171d.

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This article is based on folklore studies of oral epic tradition in the Serb-Croat (or, depending on territory, Croat-Serbian) language which was common to the majority of former Yugoslavia population (in fact, all but Slovenes and Macedonians). The corpus of 1200 oral epic songs were chosen among other folklore genres because of their strong ideological position which made them the only form of oral literature where town appears as a human habitation clearly defined in time and space. In all other forms of traditional culture, the urban space is imagined and represented either as a miraculous
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NIKČEVIĆ, Milorad. "MONTENEGRIN POETRY AT THE END OF XIX AND BEGINNING OF XX CENTURY FOLLOWING THE WORK OF NIKOLA I PETROVIĆ. - FOLLOWERS AND EPIGONES -." Lingua Montenegrina 6, no. 2 (2010): 277–99. https://doi.org/10.46584/lm.v6i2.188.

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In this paper, the term followers and epigones of Nikola I PetrovićNjegoš refers to the extensive body of poetry created around and after Nikola’s period, i.e. from 80’s and 90’s of the nineteenth century, to the Balkan Wars and the First World War. Overshadowed by work of Nikola I Petrović Njegoš, after whom few poetic authors emerged, they all followed the poetic forms established by their biggest idol Nikola I, as well as by popular Serbian poets of Romanticism, and especially by the affirmed Slavistic poet Jovan Sundečić. They followed their poetry to that extent that, except for Marko Mil
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Petrovic, Sonja. "Milovan Vojicic's epic songs about the Kosovo battle 1389 in the Milman Parry collection of oral literature." Prilozi za knjizevnost, jezik, istoriju i folklor, no. 75 (2009): 21–43. http://dx.doi.org/10.2298/pkjif0975021p.

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In "The Milman Parry Collection of Oral Literature" on Harvard University out of 131 epic songs recorded from Milovan Vojicic, several are dedicated to the popular theme of the Serbian and Balkan epic - the Kosovo Battle 1389 (Prince Lazar and Milos Obilic, The Defeat of Kosovo, ?he Kosovo Tragedy, The Kosovo Field after the Battle, The Death of Mother Jugovici, The Death of Pavle Orlovic at Kosovo, noted in 1933-34 in Nevesinje). The paper examines Vojicic?s Kosovo songs from the perspective of textual, stylistic and rhetoric criticism, poetics, and memory studies. An analysis of Milovan Voji
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Kastrati, Nexhmije. "Ismail Kadare's views on Albanian epic culture and folklore in the literary work "Autobiography of the people in verse"." Technium Social Sciences Journal 33 (July 9, 2022): 587–95. http://dx.doi.org/10.47577/tssj.v33i1.6826.

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It is about one of the literary works discussed numerous times and in many literary dimensions, both national and international, that looks into the efforts, phenomena, history, and naturalness of the Albanian popular culture in front of the great European cultures, particularly those of Balkan countries. The great writer Kadare, who had entered through the great gates in the most important national and historical events and had penetrated very deeply into the social life and the psychology of his people, indeed, would not happen to be by chance and unexpectedly in the rich field of Albanian f
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Qeriqi, Besim. "The Battle of Kosovo 1389 in Modern Discourse." Eminak, no. 1(49) (May 13, 2025): 211–29. https://doi.org/10.33782/eminak2025.1(49).777.

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The purpose of the research paper is to highlight the circumstances of the Battle of Kosovo in 1389 as one of the most important historical events for nations of the Balkan. The main events are analysed and a comparison of versions is presented that modelled a mythological aspect of the battle. The scientific novelty lies in the exploration of different perspectives and versions in an attempt to re-examine this important historical event in the land of the Balkans, to better understand who participated in it, at what scale, how and where this event was recorded historically and why this battle
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Talam, Jasmina, and Irena Miholić. "Voices from the Past: Musical Tradition of Bosnia and Herzegovina Through the Research of Matija Murko." Primerjalna književnost 48, no. 2 (2025). https://doi.org/10.3986/pkn.v48.i2.10.

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Matija Murko is one of the most significant foreign researchers of Bosnian folk music. In 1909, he conducted the first field research in Bosnia and Herzegovina. Since he was unable to obtain adequate recording equipment, Murko took notes in the field and kept detailed records of his observations. He received a grant from the Balkan Commission of the Royal Academy of Sciences in Vienna to study epic poetry in Croatia and Bosnia and Herzegovina during the summers of 1912 and 1913. In 1912, he made the first phonograph recordings in northwestern Bosnia. The following year, in 1913, he continued h
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Rozprawy doktorskie na temat "Balkar Epic poetry"

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Araujo-Rousset, Anthony de. "Figures françaises de Dante : un mythe romantique." Thesis, Lyon, 2018. http://www.theses.fr/2018LYSE3008.

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Ce travail construit une dantologie transcendantale fondée sur la fécondité et la légitimité du commentarisme français tout au long du dix-neuvième siècle. Le nom et l’œuvre de Dante progressent dans la vie de l’esprit et de la culture après la sidération de la Révolution, avec la naissance, l’apogée, le déclin et les suites métamorphosées du Romantisme. Un amour soumis à la loi de la divisibilité de quelques fragments de la Divine Comédie se transforme graduellement en une première dantologie. Des figures archétypiques issues de domaines hétérogènes donnent une armature conceptuelle et poétiq
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De, Araujo Rousset Anthony. "Figures françaises de Dante : un mythe romantique." Thesis, 2018. http://www.theses.fr/2018LYSE3008/document.

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Ce travail construit une dantologie transcendantale fondée sur la fécondité et la légitimité du commentarisme français tout au long du dix-neuvième siècle. Le nom et l’œuvre de Dante progressent dans la vie de l’esprit et de la culture après la sidération de la Révolution, avec la naissance, l’apogée, le déclin et les suites métamorphosées du Romantisme. Un amour soumis à la loi de la divisibilité de quelques fragments de la Divine Comédie se transforme graduellement en une première dantologie. Des figures archétypiques issues de domaines hétérogènes donnent une armature conceptuelle et poétiq
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Książki na temat "Balkar Epic poetry"

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Ufuk, Tavkul, and Atatürk Kültür, Dil, ve Tarih Yüksek Kurumu (Turkey)., eds. Karaçay-Malkar destanları. Türk Dil Kurumu, 2004.

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Skendi, Stavro. Poezia epike gojore e shqiptarëve dhe e sllavëve të jugut. Instituti i Dialogut & Komunikimit, 2007.

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Skendi, Stavro. Poezia epike gojore e shqiptarëve dhe e sllavëve të jugut. Instituti i Dialogut & Komunikimit, 2007.

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Sejko, Veis. Mbi elementet e përbashkëta në epikën shqiptaro-arbëreshe dhe serbokroate. Bargjini, 2002.

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Gooley, Dana. Carl Loewe’s Performative Romanticism. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190633585.003.0004.

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Chapter 3 is about Carl Loewe, a little-known musician who undertook an unprecedented and remarkable task: improvising entire songs, both the melody and the accompaniment, on poems given to him by the audience. This chapter reconstructs Loewe’s methods for performing this difficult feat and describes the cultural impetuses that motivated it. I propose that Loewe’s improvisations, performed mainly on a series of concert tours he undertook in the 1830s, condensed a number of independent cultural strains—the kapellmeister’s fluency in keyboard improvisation, the practice of touring virtuosos, the
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Breckling, Molly M. Mining the Past for New Expressions. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199316090.003.0002.

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Of Mahler’s Des Knaben Wunderhorn songs, eighteen possess the characteristics traditionally associated with the ballad as defined by Goethe: telling a story that passes through time with a discrete beginning, middle, and end that uses any combination of epic, dramatic, and lyrical narrative voices, excepting the purely lyrical. Mahler utilised numerous poetic and musical methods to bring these stories to life in his ballads, one of the most unique being the use of traditional song forms as a device to convey the overarching narrative. At his most complex, Mahler was forced to abandon the tradi
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Bir demet şiir. Mikena, 2008.

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Części książek na temat "Balkar Epic poetry"

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Finnegan, Ruth. "8. Poetry and society." In World Oral Literature Series. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0428.08.

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The chapter ‘Poetry and Society’ delves into the complex relationship between poetic activity and the social institutions in which it is embedded. It begins by exploring how poetry reflects and is shaped by the social structures of a given society, whether through specialist poets who function within the division of labour or through poetry as a tool for cultural transmission across generations. The chapter also highlights poetry's role in unifying culturally diverse regions, such as the traveling poets of West Africa or early Ireland, emphasizing that poetry’s societal functions are often unc
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Perry, Ruth. "Balladry and Enlightenment." In The Ballad World of Anna Gordon, Mrs. Brown of Falkland. Oxford University PressOxford, 2025. https://doi.org/10.1093/9780198939979.003.0008.

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Abstract This chapter looks at the importance of ballads in the Scottish Enlightenment. As surviving artifacts of social life of the past, as orally transmitted poetry, as evidence of an exclusively Scottish culture before the 1707 Act of Union, ballads, with their archaic Scots, interested Scottish intellectuals. “Lady Maisry” is examined for its narrative qualities. Aberdeen scholars studied Homer and orally transmitted epics, and James Macpherson believed he had found a similarly transmitted epic in Gaelic from an early poet he called Ossian. Some contemporary thinkers were skeptical of Oss
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Heringman, Noah. "William Blake, the Ballad Revival, and the Deep Past of Poetry." In Deep Time. Princeton University Press, 2023. http://dx.doi.org/10.23943/princeton/9780691235790.003.0004.

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This chapter discusses William Blake's treatment of deep time in his works, particularly in Songs of Innocence and Experience. It examines Blake's “ballad culture” in greater detail, which encompasses not only the echoes of popular song and the vernacular meters but also his concern with oral composition, his poetic investigation of earlier stages of society, and even his technique of illustration. The chapter then elaborates the six topoi associated with the ballad tradition: the “rude age” of early humanity, conjectural history, the precedent of Homer, the origins of art, survivals, and huma
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Bauman, Richard. "Genre." In Folklore, Cultural Performances, And Popular Entertainments. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195069198.003.0007.

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Abstract A conventionalized discourse type. The term has traditionally been employed in a primarily classificatory sense to designate a literary or folkloric or general discursive category, such as sonnet, legend, oration, or greeting; but recent perspectives have been oriented more toward communicative practice than typology, viewing genre as an orienting framework for the production and interpretation of discourse. Classification has been a concern of literary and rhetorical theory since classical antiquity and has figured prominently in philologically oriented studies of literary history, w
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Streszczenia konferencji na temat "Balkar Epic poetry"

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Štěpánek, Václav. "Čeští dobrovolníci v srbské armádě jako básníci a spisovatelé. Příspěvek k 110. výročí začátku Velké války." In Současná česká a srbská slavistická bádání. Masaryk University Press, 2025. https://doi.org/10.5817/cz.muni.p280-0684-2024-4.

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The paper is dedicated to the 110th anniversary of the outbreak of the Great War, which, as is well known, began with the very unsuccessful attacks of the Austro-Hungarian army on Serbia. The literature of the Czech participants in the Great War is very colourful, both those who wrote about their war journey within the Austrian army and those who, for various reasons, switched to the side of the Triple Entente who fought against their "wider homeland" and returned home, unlike the former, crowned with the glory of heroes. Much has been written about this literature, and it would seem that ther
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