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Artykuły w czasopismach na temat "Bahram Beyzaie"
Pak-Shiraz, Nacim. "Exploring the City in the Cinema of Bahram Beyzaie". Iranian Studies 46, nr 5 (wrzesień 2013): 811–28. http://dx.doi.org/10.1080/00210862.2013.789745.
Pełny tekst źródłaGhanoonparvar, M. R. "Collective Identity and Despotism: Lessons in Two Plays by Bahram Beyzaie". Iranian Studies 46, nr 5 (wrzesień 2013): 753–64. http://dx.doi.org/10.1080/00210862.2013.789741.
Pełny tekst źródłaMahmoodi-Bakhtiari, Behrooz, i Mahsa Manavi. "The Mongol Invasion in Iranian Drama: The Case of Bahram Beyzaie". Iranian Studies 46, nr 5 (wrzesień 2013): 765–89. http://dx.doi.org/10.1080/00210862.2013.789742.
Pełny tekst źródłaMirmasoomi, Mahshid. "Hamartia and Catharsis in Shakespeare’s King Lear and Bahram Beyzaie’s Death of Yazdgerd". International Letters of Social and Humanistic Sciences 74 (listopad 2016): 16–25. http://dx.doi.org/10.18052/www.scipress.com/ilshs.74.16.
Pełny tekst źródłaAmjad, Hamid. "From the Land of the Pure, in Search of the Lost Origin: An Interview with Bahram Beyzaie onSiyavush-Khani(Siyavush Recitation) and its Mythological and Literary Roots". Iranian Studies 46, nr 5 (wrzesień 2013): 721–36. http://dx.doi.org/10.1080/00210862.2013.789739.
Pełny tekst źródłaTalajooy, Saeed. "Reformulation ofShahnamehLegends in Bahram Beyzaie's Plays". Iranian Studies 46, nr 5 (wrzesień 2013): 695–719. http://dx.doi.org/10.1080/00210862.2013.789735.
Pełny tekst źródłaFarhadi, Ramin, i Mohammad Amin Mozaheb. "History, Aporia and Politics in Bahram Beyzaie’s Death of Yazdgerd". Annals of Language and Literature 2, nr 2 (2018): 19–25. http://dx.doi.org/10.22259/2637-5869.0202004.
Pełny tekst źródłaRutherford, Anne. "Film, trauma és az enunciatív jelen". Apertura 15, nr 3 (2020): 1–24. http://dx.doi.org/10.31176/apertura.2019.15.3.1.
Pełny tekst źródłaForouzani, Farzaneh, Narges Mohammadi Badr, Mostafa Gorji i Shahin Haghighi. "The Role of Language in Processing Various Characters in Bahram Beyzai’s Play: One Thousand and First Night". Journal of History Culture and Art Research 6, nr 1 (28.02.2017): 8. http://dx.doi.org/10.7596/taksad.v6i1.698.
Pełny tekst źródłaKhalili Kolahian, Shiva. "An analytical study of the ritual ceremonies in Iranian performing arts, a case study of Travellers". CINEJ Cinema Journal 8, nr 2 (3.12.2020): 217–46. http://dx.doi.org/10.5195/cinej.2020.260.
Pełny tekst źródłaRozprawy doktorskie na temat "Bahram Beyzaie"
Emad, Mona. "Les oeuvres théâtrales de Bahram Beyzaie : la forme traditionnelle du théâtre et sa modernisation". Thesis, Montpellier 3, 2018. http://www.theses.fr/2018MON30073.
Pełny tekst źródłaBorn in 1938 in Iran, Bahram Beyzaie is considered as a great filmmaker and playwright of his generation. While some of his films are well known, his theater is less famous abroad because it has been little translated or performed. For him theater is the place where to keep in touch with tradition, not to just preserve it, but to reach today’s public and fight against amnesia. He thus feeds his plays, his films, his tales and his narrations of the forgotten dramatic legacy of his country. This thesis proposes to examine the influence, in his dramatic work, of traditional Iranian performances such as Ta'zieh, Naghali or the Art of Storytelling, Puppet Theater and Siyâh Bâzi or Farce, as well as the traces of the myths and history of Iran. In everything he writes, a prominent place is dedicated to the Persian language used with utmost virtuosity. Many excerpts of texts on the theater and plays are here translated for the first time into French. A very rich iconography, mainly of his own staging of his plays, illustrates the study. Beyzaie continues his artistic work in California where he is presently an author in exile
Talajooy, Saeed Reza. "Mythologizing the transition : a comparative study of Bahram Beyzaee and Wolfe Soyinka". Thesis, University of Leeds, 2008. http://etheses.whiterose.ac.uk/406/.
Pełny tekst źródłaSheikhi, Shoustari Masoud. "An investigation into representations of women in Iranian New Wave cinema". Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/10150.
Pełny tekst źródłaNajmi, Fahimeh. "L'identite nationale et le théâtre en Iran (sous le règne des Pahlavi)". Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030053.
Pełny tekst źródłaWhile the traditional Iranian performances have been, in the late years, an object for theatre studies, notably outside of Iran, research on « Theatre in Iran » is still to be developed.This study zooms on a crucial period in contemporary Iranian history, when in a verycomplex context the earnest endeavours of three specialists, Mir Seyfeddin Kermanshahi, Abdolhossein Noushin and Shahin Sarkissian, succeeded in launching a theatre that, claiming the status of art, out passed the boundaries of plain entertainment or pure propaganda and wasable to consider the fundamental questionings of the Iranian people and notably the question of identity.The determining factor to be considered in their enterprise is doubtlessly their Occidental formation, in Russia and in France, and their confrontation with the European movement of Art Theatre
Książki na temat "Bahram Beyzaie"
Gholipour, Farshid, red. Divan-e dialogue-e Bahram Beyzaie. Tehran, Iran: dayere-ye sefid, 2021.
Znajdź pełny tekst źródłaAfshārī, Maryam. Taḥlīlī bar bāztāb-i usṭūrah dar sīnamā-yi Bahram Beyzaie. Tihrān: Intishārāti Rawshangarān va Muṭālaʻāt-i Zanān, 2015.
Znajdź pełny tekst źródłaKāvah, ʻAlī Riz̤ā. Bahrām Bayz̤āʼī va "Vaqtī hamah khvābīm": Bahram Beyzaie and When we are all asleep. Wyd. 8. Tihrān: Intishārāt-i Nīlā, 2019.
Znajdź pełny tekst źródłaHūshang, Allāhʹvardī Amīr, red. Khīrah bih fānūs-i khayāl: Justārī dar namādʹhā va usṭūrahʹhā-yi chahār fīlm-i Bahram Beyzaie (Ragbār, Gharībah va mih, Kulāgh, Marg-i Yazdagird). Iṣfahān: Naqsh-i Khvurshīd, 2001.
Znajdź pełny tekst źródłaTalajooy, Saeed, red. The Plays and Films of Bahram Beyzaie. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9780755652723.
Pełny tekst źródłaGharībah-yi buzurg: Zindagī va ās̲ār-i Bahrām Bayz̤āʼī. Tehran, Iran: Nashr-i S̲ālis̲, 2004.
Znajdź pełny tekst źródłaGoft-o-Goo ba Bahram Beyzai. Tehran, Iran: Agah, 1993.
Znajdź pełny tekst źródłaTalajooy, Saeed. Iranian Culture in Bahram Beyzaie's Cinema and Theatre: Paradigms of Being and Belonging. Bloomsbury Publishing Plc, 2023.
Znajdź pełny tekst źródłaCzęści książek na temat "Bahram Beyzaie"
"Bahram Beyzaie". W Iranian Cinema Uncensored. I.B.Tauris, 2016. http://dx.doi.org/10.5040/9780755609185.ch-002.
Pełny tekst źródłaBeyzaie, Bahram, i Amir Roshan. "‘At the END of A Century’ (1996)". W Counter-Memories in Iranian Cinema, 229–46. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474479752.003.0013.
Pełny tekst źródłaTalajooy, Saeed. "History and Iranian drama: The case of Bahram Beyzaie". W Preceptions of Iran. I.B.Tauris, 2014. http://dx.doi.org/10.5040/9780755611621.ch-011.
Pełny tekst źródła"Bahram Beyzaie’s contour in time". W Iranian Culture in Bahram Beyzaie’s Cinema and Theatre. I.B. Tauris, 2023. http://dx.doi.org/10.5040/9780755648696.0005.
Pełny tekst źródła"The Journey (1972)". W Iranian Culture in Bahram Beyzaie’s Cinema and Theatre. I.B. Tauris, 2023. http://dx.doi.org/10.5040/9780755648696.0009.
Pełny tekst źródła"Uncle Moustache (1970)". W Iranian Culture in Bahram Beyzaie’s Cinema and Theatre. I.B. Tauris, 2023. http://dx.doi.org/10.5040/9780755648696.0007.
Pełny tekst źródła"The Puppet Trilogy (1962–3)". W Iranian Culture in Bahram Beyzaie’s Cinema and Theatre. I.B. Tauris, 2023. http://dx.doi.org/10.5040/9780755648696.0006.
Pełny tekst źródła"Conclusion". W Iranian Culture in Bahram Beyzaie’s Cinema and Theatre. I.B. Tauris, 2023. http://dx.doi.org/10.5040/9780755648696.0012.
Pełny tekst źródła"Notes". W Iranian Culture in Bahram Beyzaie’s Cinema and Theatre. I.B. Tauris, 2023. http://dx.doi.org/10.5040/9780755648696.0013.
Pełny tekst źródła"Downpour (1971–2)". W Iranian Culture in Bahram Beyzaie’s Cinema and Theatre. I.B. Tauris, 2023. http://dx.doi.org/10.5040/9780755648696.0008.
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