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Rozprawy doktorskie na temat „Bach”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 30 lipca 2024

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1

Klingfors, Gunno. "Bach går igen : källkritiska studier i JS Bachs uppförandepraxis /". Göteborg : Göteborgs universitet, 1991. http://catalogue.bnf.fr/ark:/12148/cb36955876f.

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2

Viteri, Villanueva Wálter, Rosalino Vicente Rojas, Cobos Alejandro Vásquez, Wong Eduardo William Tam i Padilla Daniel Osores. "Edificio Bach". Universidad Peruana de Ciencias Aplicadas - UPC. Escuela de Postgrado, 2009. http://hdl.handle.net/10757/273994.

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El objetivo de este trabajo es promover, proyectar, construir y vender edificios multifamiliares que van dirigidos principalmente a satisfacer la demanda existente en los diferentes niveles socio – económicos de nuestro medio y a la necesidad creciente que tienen los inmigrantes peruanos de invertir en bienes inmuebles Además de generar un negocio que se mantenga a lo largo del tiempo, mediante la colocación en el mercado de productos de buena calidad, con un buen servicio post-venta, creando una marca propia
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3

Chentowa, Sofia. "Bach und Schostakowitsch". Musikgeschichte in Mittel- und Osteuropa ; 5 (1999), S. 85-98, 1999. https://ul.qucosa.de/id/qucosa%3A15627.

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Schostakowitsch hat beide Bände des Wohltemperierten Klaviers bereits als 12jähriger gespielt, als er das Klavierspiel bei Ignati Gljasser, einem Schüler von Hans von Bülow, erlernte. So hat ein Petersburger Junge die deutsche Schule kennengelernt. Im Konservatorium studierte Schostakowitsch später das Klavierspiel bei dem hervorragenden Pädagogen Leonid Nikolajew, einem Schüler von Sergei Tanejew. Bei ihm herrschte der Kontrapunkt der strengen Schreibart vor. Nikolajew schenkte den Werken Bachs eine große Aufmerksamkeit.
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4

Budde, Elmar. "Webern und Bach". Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A37209.

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Chentowa, Sofia. "Bach und Schostakowitsch". Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-224605.

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Schostakowitsch hat beide Bände des Wohltemperierten Klaviers bereits als 12jähriger gespielt, als er das Klavierspiel bei Ignati Gljasser, einem Schüler von Hans von Bülow, erlernte. So hat ein Petersburger Junge die deutsche Schule kennengelernt. Im Konservatorium studierte Schostakowitsch später das Klavierspiel bei dem hervorragenden Pädagogen Leonid Nikolajew, einem Schüler von Sergei Tanejew. Bei ihm herrschte der Kontrapunkt der strengen Schreibart vor. Nikolajew schenkte den Werken Bachs eine große Aufmerksamkeit.
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6

Kempen, Suzanne van. "Bach - musikpädagogisch betrachtet". Frankfurt, M. Berlin Bern Bruxelles New York, NY Oxford Wien Lang, 2008. http://d-nb.info/996278222/04.

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7

Geck, Martin. "Bach und der Pietismus". Bärenreiter Verlag, 2000. https://slub.qucosa.de/id/qucosa%3A36642.

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8

Schuler, Manfred. "Bach in der Popularmusik". Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A37256.

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9

Brusniak, Friedhelm. "Fritz Buschs Bach-Bearbeitungen". Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A37260.

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10

Linsley, Dennis Edward. "Melodic inversion in J. S. Bach's keyboard suites / by Dennis Edward Linsley". Connect to title online (Scholars' Bank), 2008. http://hdl.handle.net/1794/7770.

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11

Chung, Erin H. "The Well-tempered clavier by J.S. Bach : a performance guide to twelve selected preludes and fugues arranged in order of ascending difficulty /". Thesis, Connect to this title online; UW restricted, 1996. http://hdl.handle.net/1773/11280.

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12

Keen, Basil Sidney Charles. "The Bach choir, 1876-1928". Thesis, Goldsmiths College (University of London), 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.407853.

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13

Dahlhaus, Carl. "Bach-Rezeption und ästhetische Autonomie". Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A37182.

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14

Allroggen, Gerhard. "J.S. Bach und E.T.A. Hoffmann". Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A37201.

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15

Szeskus, Reinhard. "Bach und die Leipziger Universitätsmusik". Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A37243.

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16

Kabisch, Thomas. "Zur Bach-Rezeption Franz Liszts". Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A37253.

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17

Kim, Jin-Ah. "Bach, Leipzig und die Aufklärung". Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A71940.

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18

Ungureanu, Radu. "Bach : "Sei solo á violino"". Doctoral thesis, Universidade de Aveiro, 2010. http://hdl.handle.net/10773/1264.

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Doutoramento em Música - Violino
Ao abordar este tema, pretendemos oferecer um possível quadro de meios interpretativos, destinados a uma revelação actualizada do texto bachiano para violino solo. Considerando o manuscrito como fonte básica de informações, são analisados vários aspectos componísticos – ritmo, articulações, polifonia, harmonia, estrutura –, seleccionando os itens ou as características com incidência directa e maiores repercussões sobre a interpretação. Procurou-se encontrar convergências entre: a) a suposta representação sonora do autor, na época, e as especificidades do violino e do arco modernos, b) as dificuldades características do texto e os meios técnicos disponíveis na arte violinística actual, c) as exigências estéticas contemporâneas e a valiosa experiência conquistada, nas últimas décadas, pela interpretação em maneira barroca, autêntica, e com instrumentos originais.
By tackling this topic, we pretend to offer a possible frame of interpretative means that reveals an actual presentation of the Bach’s text dedicated to the solo violin. We considered the manuscript as the main information source and we analyzed the different compositional aspects – rhythm, articulations, polyphony, harmony, structure – selecting the points and the characteristics with direct incidence and main consequence on the interpretation. We tried to find the convergences between: a) the assumpted sound representation of the author and the specificities of the modern violin and bow, b) the characteristic difficulties of the text and the technical means on actual violinistic use, c) the contemporary esthetic demands and the valuable last decades practice on interpretation in the authentic styl, playing the original instruments.
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19

Dias, Vivian Lis Ferreira Nogueira. "Johann Ludwig Bach : o Bach de Meiningen revelado pela analise de dois de seus motetes". [s.n.], 2002. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284205.

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Orientadores: Helena Jank, Eduardo Ostergren
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-03T16:07:28Z (GMT). No. of bitstreams: 1 Dias_VivianLisFerreiraNogueira_M.pdf: 9752860 bytes, checksum: fdcbcb0800d20af82d0b0c3d1f0320aa (MD5) Previous issue date: 2002
Resumo: Esta dissertação tem como objetivo a análise de dois motetes do compositor barroco alemão Johann Ludwig Bach (1677-1731), primo em terceiro grau do mestre Johann Sebastian Bach (1685-1750). Dividido em quatro capítulos, o primeiro apresenta um levantamento de dados biográficos do compositor, envolvendo a contextualização histórico-geográfica, grau de parentesco e relacionamento com Johann Sebastian Bach. O segundo capítulo focaliza o desenvolvimento histórico do motete, desde os seus primórdios até o período barroco. Um estudo detalhado dos motetes "Unsere Trübsal" e "Das ist meine Freude", compreendendo a análise das estruturas formal, harmônica e melódica é o conteúdo do terceiro capítulo. As conclusões obtidas na análise são determinantes para que se estabeleçam os parâmetros interpretativos de cada composição e, ao mesmo tempo, fornecem resultados que confirmam a existência de fortes conexões entre texto e música, evidenciadas pela identificação de diversas figuras retórico-musicais, de acordo com a classificação proposta por George Büelow e Dietrich Bartel. A última parte da dissertação propõe ao regente coral, parâmetros para a interpretação destas obras, tendo como determinante principal a estreita relação entre elementos musicais e retóricos, em consonância com o ideal musical do barroco alemão de valorização do texto através da música, confirmado pelas referências de diversos tratados de época
Abstract: The study and analysis of two motets by the German baroque composer Johann Ludwig Bach (1677-1731) is the purpose of this dissertation. Divided in four chapters, the first examines the composer' s biography within an historical-geographic context as well as family relationship to his cousin by third degree Johann Sebastian Bach. The second examines the development of the motet from the earliest beginnings to its more mature form in the baroque period. A detailed study of motets "Unsere Tübsal" and "Das ist meine Freude" ftom the standpoint of formal, harmonic and melodic analysis, provides elements that help determine interpretive parameters for the performance of each composition. Important aspects of music and text relationship have also been observed as well as identification of musical-rhetorical figures in conformity with George Buelow' s and Dietrich Bartel's classification. The last chapter examines the relationship between the musical and rhetorical elements of sacred vocal music of the German baroque whose ideals were to strongly emphasize text through music. Historical treatises are also referred to in order to support these observations
Mestrado
Mestre em Artes
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20

Sandberger, Wolfgang. "Das Bach-Bild Phlipp Spittas : ein Beitrag zur Geschichte der Bach-Rezeption im 19. Jahrhundert /". Stuttgart : F. Steiner, 1997. http://catalogue.bnf.fr/ark:/12148/cb35869634t.

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21

Ngo, Nightingale. "From the Baroque to the Classical: The Organ Works and Contributions of W. F. Bach, C. P. E. Bach, J. C. Bach, and J. Krebs". Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_theses/187.

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Johann Sebastian Bach is considered the foremost organist and composer of organ music of his time. His vast knowledge of the instrument and his ability to reveal the organ?s brilliance were unparalleled, taking the organ to its peak in the Baroque era. Bach perfected many musical styles and forms of the day, and also became well-known for his improvisational skills. However, by the end of Bach?s life, the styles and forms began to change. The forms Bach knew so well slowly gave way to new ideas, signaling the beginning of what music historians label the ?Classical? period. It was during this time that the popularity of the organ began to decline. Bach?s children left behind their father?s musical styles to try new, emerging styles. Although several did continue to compose for the organ, they composed mainly for other keyboard instruments or orchestras. In the middle of the eighteenth century, the Enlightenment changed not only the role of the church, but also people?s view of the church as well. Liturgical changes were made and the organ was viewed as part of the old style. Orchestras replaced the organ and, for the most part, organists either improvised or took a step back from their duties. However, the decline of organ music in the classical period did not equate to its complete disappearance. Bach?s compositions lost favor with the general public after his death, and his successors were left to carry on his legacy and the art of the organ. While Bach?s contributions to the organ world are vast and well-documented, the works of his successors are less familiar. This thesis will focus primarily on the organ repertoire of Bach?s successors during the period of change, the Pre-Classical period. The contributions of Bach?s best-known pupil, Johann Krebs, have been well documented, and research on Krebs is the starting point for this thesis. Research on Bach?s children and his other pupils is available, but one would be hard-pressed to find more than one or two articles of any length on their individual contributions. This thesis will attempt to combine the research on Bach?s sons and students, and reveal their contributions to organ literature as a bridge between Baroque and Classical periods. The first chapter will discuss Bach?s keyboard contributions, as well as styles prevalent in the Pre-Classical period. The second through fourth chapters will discuss Bach?s sons ? Wilhelm Friedemann, Carl Philipp Emanuel, and Johann Christian, respectively. The fifth and sixth chapters will include Johann Ludwig Krebs and Bach?s last two pupils. Research for this thesis primarily relies on books and scholarly articles about the Bach family and organ literature of the time period. Databases such as JStor, WorldCat, and the New Grove Dictionary of Music and Musicians have been used to locate articles and recent findings. Research on this particular subject is not adequately covered in English. Most are written in Bach?s native language, German, with very few translated into the English language. This thesis covers both German and English articles, books, and journals on the topic.
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22

Riethmüller, Albrecht. "Bachs Musik als Busonis Gegenwart. Die Formel ”Bach-Busoni” und die Idee der Bearbeitung". Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A37259.

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23

Nörder, Anike [Verfasser], Thorsten [Akademischer Betreuer] Bach i Klaus [Akademischer Betreuer] Köhler. "Diastereoselektive C-H Aminierungen benzylischer Methylengruppen / Anike Nörder. Gutachter: Thorsten Bach ; Klaus Köhler. Betreuer: Thorsten Bach". München : Universitätsbibliothek der TU München, 2012. http://d-nb.info/1036728005/34.

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24

Breitenbücher, Barbara [Verfasser], Thorsten [Akademischer Betreuer] Bach i Thomas [Akademischer Betreuer] Kiefhaber. "Studien zur Totalsynthese von Bioxalomycin β2 / Barbara Breitenbücher. Gutachter: Thorsten Bach ; Thomas Kiefhaber. Betreuer: Thorsten Bach". München : Universitätsbibliothek der TU München, 2012. http://d-nb.info/1054753164/34.

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25

Elbon, Virginia Elizabeth. "Symmetry and proportion generative and formative procedures of J.S. Bach's Brandenburg concerto no. 3 /". Morgantown, W. Va. : [West Virginia University Libraries], 2001. http://etd.wvu.edu/templates/showETD.cfm?recnum=1961.

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Thesis (M.M.)--West Virginia University, 2001.
Title from document title page. Document formatted into pages; contains vii, 33 p. : music, ill. (some col.). Vita. Includes abstract. Includes bibliographical references (p. 31-32).
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26

Strmac, Marija. "Ökotoxikologische Untersuchung und Bewertung verschiedener Kompartimente in kleinen Fliessgewässern mit Hilfe von Zellkulturen sowie Embryonen und Larven des Zebrabärblings (Danio rerio)". [S.l. : s.n.], 1999. http://deposit.ddb.de/cgi-bin/dokserv?idn=961834374.

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27

Säfström, Lovisa. "Cellosvit nr 1 av J.S. Bach". Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2082.

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28

Forchert, Arno. "Bach und die Tradition der Rhetorik". Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A37205.

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29

Felix, Werner. "Wie familiär war Johann Sebastian Bach?" Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A37242.

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30

Wehnert, Martin. "Zur thematischen Pluralität bei J.S. Bach". Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A37245.

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31

Jers, Norbert. "Zur Bach-Rezeption des ”neoklassizistischen” Strawinsky". Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A37254.

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32

Fellinger, Imogen. "Bach - Händel - Schütz 1885 und 1985". Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A38286.

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33

Ko, Ching-Tzy. "Dynamic markings in Bach cello suites /". Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/11427.

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34

Hiemke, Sven. "Die Bach-Rezeption Charles-Marie Widors /". Frankfurt am Main ; Bern ; Paris : P. Lang, 1994. http://catalogue.bnf.fr/ark:/12148/cb35730222r.

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35

Heinemann, Michael. "Die Bach-Rezeption von Franz Liszt /". Köln : Studio, 1995. http://catalogue.bnf.fr/ark:/12148/cb357825583.

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36

Peters, Manfred. "Johann Sebastian Bach als Klang-Redner : die Dispositio der römischen Oratorie als Beitrag zum Formverständnis ausgewählter Instrumentalfugen". Saarbrücken Pfau, 2005. http://bvbr.bib-bvb.de:8991/F?func=service&docl̲ibrary=BVB01&docn̲umber=014738632&linen̲umber=0001&funcc̲ode=DBR̲ECORDS&servicet̲ype=MEDIA.

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37

Türke, Andreas [Verfasser], Wolfgang [Akademischer Betreuer] [Gutachter] Bach i Magnus [Gutachter] Ivarsson. "Microbial life at the glass-palagonite interface / Andreas Türke ; Gutachter: Wolfgang Bach, Magnus Ivarsson ; Betreuer: Wolfgang Bach". Bremen : Staats- und Universitätsbibliothek Bremen, 2016. http://d-nb.info/1141277662/34.

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38

Tröster, Andreas [Verfasser], Thorsten [Akademischer Betreuer] Bach, Thorsten [Gutachter] Bach i Wolfgang [Gutachter] Eisenreich. "Enantioselektive, Triplett-sensibilisierte Photoreaktionen mit sichtbarem Licht / Andreas Tröster ; Gutachter: Thorsten Bach, Wolfgang Eisenreich ; Betreuer: Thorsten Bach". München : Universitätsbibliothek der TU München, 2019. http://d-nb.info/1177241463/34.

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39

Wienhold, Sebastian [Verfasser], Thorsten [Akademischer Betreuer] Bach, Thorsten [Gutachter] Bach i Lukas [Gutachter] Hintermann. "Synthese des C1-C40-Gerüsts von Pulvomycin / Sebastian Wienhold ; Gutachter: Thorsten Bach, Lukas Hintermann ; Betreuer: Thorsten Bach". München : Universitätsbibliothek der TU München, 2019. http://d-nb.info/1240832621/34.

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40

Karatas, Zeyneb Verfasser], Thorsten [Akademischer Betreuer] [Bach, Thorsten [Gutachter] Bach i Wolfgang [Gutachter] Eisenreich. "Studien zu Übergangsmetall-katalysierten C-H Funktionalisierungen / Zeyneb Karatas ; Gutachter: Thorsten Bach, Wolfgang Eisenreich ; Betreuer: Thorsten Bach". München : Universitätsbibliothek der TU München, 2018. http://nbn-resolving.de/urn:nbn:de:bvb:91-diss-20180115-1404990-1-0.

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41

Karatas, Zeyneb [Verfasser], Thorsten [Akademischer Betreuer] Bach, Thorsten [Gutachter] Bach i Wolfgang [Gutachter] Eisenreich. "Studien zu Übergangsmetall-katalysierten C-H Funktionalisierungen / Zeyneb Karatas ; Gutachter: Thorsten Bach, Wolfgang Eisenreich ; Betreuer: Thorsten Bach". München : Universitätsbibliothek der TU München, 2018. http://d-nb.info/1152006800/34.

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42

Grübel, Michael [Verfasser], Thorsten [Akademischer Betreuer] Bach, Thorsten [Gutachter] Bach i Corinna R. [Gutachter] Hess. "Photoredox Chemistry with Nickel-based Catalysts / Michael Grübel ; Gutachter: Thorsten Bach, Corinna R. Hess ; Betreuer: Thorsten Bach". München : Universitätsbibliothek der TU München, 2019. http://d-nb.info/1217405852/34.

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43

Sackmann, Dominik. "Bach und Corelli : Studien zu Bachs Rezeption von Corellis Violinsonaten op. 5 unter besonderer Berücksichtigung der "Passagio-Orgelchoräle" und der langsamen Konzertsätze /". München ; Salzburg : Katzbichler, 2000. http://catalogue.bnf.fr/ark:/12148/cb37120125j.

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44

Franklin, James Christopher. "Sitting Next to Bach: the Influence of Js Bach on Sven-david Sandström’s Bach Motet Project with a Focus on the Motets “Der Geist Hilft” and “Singet Dem Herrn”". Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc700027/.

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In many of his choral works, Swedish composer Sven-David Sandström has sought a connection with the musical masters of the past. The number of Sandström works that bear a strong connection to Bach’s music is quite extensive and includes High Mass (1994), Magnificat (2005), the six motets (2003-2008) which constitute the Bach Motet Project under current discussion, and St. Matthew Passion, which recently premiered in Germany and Sweden in 2014. This study explores the extent to which Sven-David Sandström emulated the motets of J.S. Bach in the composition of his own motets. Further, this paper investigates these motets as a collection and examines two individual works within the collection as case studies for in-depth analysis. Ultimately, through analysis and discussion of the text, the division of text, the scoring of the motets, points of imitation, and specific compositional devices, the discussion explains how Sandström pays homage to Bach in the Motet Project primarily through the use of similar structural elements while maintaining his unique compositional voice to forge his own expressive path.
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45

Fackler, Philipp Hans [Verfasser], Thorsten [Akademischer Betreuer] Bach i Klaus [Akademischer Betreuer] Köhler. "Bifunktionelle Oxidationskatalysatoren für einen Wasserstoffbrücken-vermittelten Chiralitätstransfer / Philipp Hans Fackler. Gutachter: Thorsten Bach ; Klaus Köhler. Betreuer: Thorsten Bach". München : Universitätsbibliothek der TU München, 2012. http://d-nb.info/1038527279/34.

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46

Bach-Preckwinkel, Heiko [Verfasser]. "Zentralwechselrichter in der Photovoltaik / Heiko Bach-Preckwinkel". Paderborn : Universitätsbibliothek, 2018. http://d-nb.info/1153824655/34.

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47

Winkler, Klaus. "Bach-Choralzitate in Kompositionen des 20. Jahrhunderts". Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A37261.

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Butt, John. "Who Is Speaking in the Bach Passions?" Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A71884.

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AUCLAIR, FRANCIS. "L'interpretation des oeuvres de j. S bach". Université Marc Bloch (Strasbourg) (1971-2008), 1997. http://www.theses.fr/1997STR20068.

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Streszczenie:
Etude de tous les documents d'epoque et de tous les textes litteraires et musicaux de bach concernant l'interpretation de son oeuvre musicale
Study of every theorical and musical texts about the interpretation of the musical works of j. S. Bach
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Medine, David. "Bach, Ligeti, Saariaho, and Pisaro a recital /". Diss., [La Jolla, Calif.] : University of California, San Diego, 2009. http://wwwlib.umi.com/cr/ucsd/fullcit?p1464864.

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Streszczenie:
Thesis (M.A.)--University of California, San Diego, 2009.
Title from first page of PDF file (viewed July 7, 2009). Available via ProQuest Digital Dissertations. Includes disc containing sound files of the recital, PDF text of thesis, and PDF file with recital program.
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