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Murcia, Thierry. "Jésus dans la littérature talmudique". Thesis, Aix-Marseille, 2012. http://www.theses.fr/2012AIXM3076.
Pełny tekst źródłaThis study presents a survey and a systematic analysis of the passages of Talmudic literature (Mishna – Tosefta – Palestinian Talmud – Babylonian Talmud – Midrashim), relative to Jesus or are supposed to be. The documents are examined, criticized and confronted to other sources of Jewish or Christian origin (Hellenistic Jewish literature, Jewish Apocrypha, rabbinic sources, Targumim, Toledot Yeshu – New Testament, Apostolic Fathers, Church Fathers). The investigation tries to answer to several questions: - What did the rabbis exactly know about Jesus? - Has their information any historical value? - Has their perception undergone some evolution? - Did the rabbis of the Talmud have access to the Gospels as a written source? The conclusion of this thesis is that all these documents are rooted in their Sitz im leben. They obviously attest – contra Peter Schäfer (Jesus in the Talmud, 2007) – that the rabbis had no direct acquaintance with the Gospels as written documents. This study also shows, concerning the Babylonian Talmud, that all the passages relative to Jesus belong to the last editorial layer of this corpus (VIIe-VIIIe century)
Eluther, Ena. "L'africanité dans la littérature caribéenne". Thesis, Le Mans, 2013. http://www.theses.fr/2013LEMA3001.
Pełny tekst źródłaCan the africanity of caribbean cultures come down to distant survivals, or constitute the foundation of these cultures ? Literature, as a mirror of peoples, as a painting of cultures, as art, allows to perceive the cultural and literary continuity between the african continent and its caribbean diaspora. The comparison of english-speaking and french-speaking novels from the Caribbean and from West Africa and Central Africa shows common cultural features and literary topoi from one area to the other : colonial trauma, protection and adaptation of ancestral legacy, common spiritual values, linguistic problematics, paintings of resistance struggles in which the writer himself is in the frontline. This comparative study, which sometimes draws from caribbean and african oral literature, as from caribbean spanish-speaking literature, suggests that one should view the afro-caribbean cultural expressions as an extension of african cultural expressions, offering in this way a large panorama of the cultural and literary black world. From 1921 to the early years 2000, this analysis takes into account the changes of african and caribbean literatures and the societies they represent. Have the changes definitively broken the african civilizational unity, the cultural links between Africa and the Americas ? On the contrary, the reading of the novels of the corpus shows an homogeneous and coherent picture of cultural and literary expressions of Africa and its caribbean diaspora, so doing putting Africa back into the center of caribbean culture
Cally, Jean William. "LA BÊTE DANS LA LITTÉRATURE FANTASTIQUE". Phd thesis, Université de la Réunion, 2007. http://tel.archives-ouvertes.fr/tel-00457638.
Pełny tekst źródłaDiop, Alioune. "L'imaginaire animalier dans la littérature arabe". Paris 4, 1999. http://www.theses.fr/1999PA040180.
Pełny tekst źródłaDubreuil, Philippe. "Les injures dans la littérature latine". Perpignan, 2011. http://www.theses.fr/2011PERP1069.
Pełny tekst źródłaThe subject of this thesis is the research of the contribution of the antique latin abusive literary practise to the social complexity and to the imaginative world. The thesis develops, in three distinct parts, a statistical, linguistic, literary and sociological study of the abusive terms in all the literary genres (125 texts and 50 authors) from IIIrd century BC to the fell of Rome in 475. It includes : - Abuses and Latin language (Volume I). Through a corpus of 1370 words and 2344 quotations, the author studies the different types of abusive words, their origins, constructions, senses and how they are employed in the latin sentences. - Abuses and latin literature (Volumes II and III). The author lists the uses (frequency and density) of abusive terms in theatre, in speeches, in poetry and in prose (philosophical or political studies, novels, correspondence. . . ). He studies the role and the functions of abuses in the texts and the connection they have with poetry, rhetoric and eloquence. - Abuses and antique roman Society (Volume IV) where is analyzed the social field of abuses according to the social groups, the Men/Women relations and the different forms of the practice of abusing naming. A special chapter is devoted to the antique roman imaginative world of abuses. The conclusion is about the civilizing role of abuses as welle in the antique Rome as in our collective unconscious. The corpus of words and quotations is detailed in a lexicon Latin-French and an index French-Latin (tome V). The lexicon is also available in. Pdf format as a CD-Rom
Benachir, Hynde. "Le "haiku" dans la littérature hispanique". Thesis, Bordeaux 3, 2016. http://www.theses.fr/2016BOR30036/document.
Pełny tekst źródłaThe purpose of this thesis is set at a crossroads between linguistics and literature since it is about the haiku in Hispanic literature, which we aim to characterize as a poetic form in the Spanish-speaking literary context and as a "prototype" of the brief from the perspective of its discursive and enunciative terms. Traditionally associated with Japanese culture, in which it takes root, the haiku is one of the shortest poetic forms in the world. With its seventeen syllables in all, it compels to the greatest thoroughness in the choice of words, a concise expression and a "condensation" of the meaning that make it a succint poem, often to be pondered after reading. Neither verse nor rhyme are part of the metrical constraints of the Japanese haiku. Its aesthetics, influenced by Zen Buddhism, aims to be contemplative, supported by the subjectivity of the poetic voice, which appears as a "witness of the world", only transposing facts that are sometimes "unimportant", often trivial, yet nonetheless a part of any person's daily life. In Western poetry, the haiku has no equivalent, owing as much to its brevity as to its "puristic" aesthetics. However, it should be noted that it is strongly represented in contemporary Hispanic literature. Neither the Orientalism from the beginning of the XXth century nor the poetic re-assessments started by the Modernists and carried on by the Avant-Garde movements are enough to explain this enthusiasm of the Spanish-speaking poets for this Japanese poem. Indeed, Hispanic literature took hold of this literary phenomenon as soon as the first translations of Japanese anthologies were published, in the 1910s. There is, however, no linguistic connection between the haiku and Spanish-speaking poets. Nevertheless, the first collections of haikus also date back to the 1910s, which indicates that there was no latency between the appearance of the haiku and its adaptation into Spanish. Starting from these observations, we attempted, through a multi-focal approach notably based on literal analysis, to retrace this poetic form's literary and linguistic path, from the Japanese rice paper rolls to the so-called "Hispanic" haiku
Vincent, Manon. "Les animaux dans la littérature hellénistique". Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040225.
Pełny tekst źródłaOur study focuses on animals in Hellenistic literature. We deliberately chose to work on a large text corpus in order to highlight the multiple representations of the animal appearing in the texts of the period. The first part of this study is devoted to animal imagery through which the authors describe the characters and human qualities, exposing, to a lesser extent, the analogue relationship between animals. The second part aims to show existing relationships, symbolic or real, between man and animal. The staging of the animals in the story reflects thepractices and ways of thinking of the Hellenistic society towards the animal. The last part of this study presents the attempts to objectify the behaviours and qualities of the animal. In that sense, it shows the rise of philosophical schools and sciences of the period by the philosophical and didactic approach to animal nature. In texts, Hellenistic thought reveals the continual tension between belief and knowledge, between cultural representations and "scientific data" of the animal. If the authors conceive man as belonging to the animal biological continuum, they stand out by the assertion of their superiority in an intellective perspective
Lambert, Jérôme. "Excès de confiance des chargés d'affaires bancaires dans les décisions d'octroi de crédit aux entreprises". Thesis, Montpellier 2, 2011. http://www.theses.fr/2011MON20025/document.
Pełny tekst źródłaThis work analyzes bankers' overconfidence in the granting process. Empirical and experimental work provides evidences that experts' judgment and students' judgment could differ. We have replicated our study on students and measure overconfidence and attitudes toward risk.In a first qualitative study, we analyze the bankers' overconfidence thanks to the interviews we made. We highlight their overconfidence; however we could not find any link such as cause/effect with their decisions.We extend our work with an experimentation with bankers and students. After measuring different forms of overconfidence and attitudes toward risk, we have tested the impact of overconfidence on a assets' study. Each participant had to judge, evaluate and decide to invest in different assets. The first results show that no differences can be made between bankers and students on the overconfidence and attitudes toward risk. Nevertheless, in the assets' study, students tend to form a global preference and revise their judgment during their investment (intervention of the risk aversion). On the opposite, bankers are influenced by the overconfidence bias and the evaluation stage when they form their investment choices
Quilhot-Gesseaume, Brigitte. "Les représentations de la littérature étrangère dans l'enseignement de littérature des lycées". Aix-Marseille 1, 2000. http://www.theses.fr/2000AIX10072.
Pełny tekst źródłaLevassort, Laurent. "La femme dans la littérature fantastique contemporaine". Paris 10, 2000. http://www.theses.fr/2000PA100166.
Pełny tekst źródłaLouviot, Myriam. "Poétique de l'hybridité dans les littératures postcoloniales". Strasbourg, 2010. https://publication-theses.unistra.fr/public/theses_doctorat/2010/LOUVIOT_Myriam_2010.pdf.
Pełny tekst źródłaSince the 80s, the postcolonial literatures have been raising increasing interest. Through a corpus of francophone and anglophone novels (from Chamoiseau, Condé, Kourouma, Waberi, Naipaul, Okri, Roy and Rushdie), this study intend to give a clear definition of the notion of hybridity, which is often associated to these literatures. Then, it analyses the way this hybridity is expressed in the novels and tries to show in which way it inscribes itself in an identity strategy. Postcolonial novels, with their diverse and sometimes contradictory heritage, are born on shaky ground, especially as their intended audience is often complex and as they often depend on recognition from Europe. They are peripheral literatures, whose place and legitimacy are not guaranteed. As such, they need to specify their context of enunciation all the more carefully and to develop a very specific scenography. It appears that these literatures rely on an ethos of loss, which is certainly felt as a suffering, but also as liberating. The hybrid also questions the notion of belonging. Embodiment of many identity aporias, it forces to think anew the traditional references. Finally, hybrid discourse, pervaded by perpetual negociation, sets itself up to be a new discourse, the reflection of the today’s changing world. Rather than to represent the identity crisis exclusively as the unhappy condition of the postcolonial individual, the postcolonial literatures turn it into a privileged position from which to elaborate new ways to be in the world
Moussa, Souleiman Obsieh. "L'oralité dans la littérature de la Corne de l'Afrique : traditions orales, formes et mythologies de la littérature pastorale, marques de l'oralité dans la littérature". Phd thesis, Université de Bourgogne, 2012. http://tel.archives-ouvertes.fr/tel-00796155.
Pełny tekst źródłaObsieh, Moussa Souleiman. "L'oralité dans la littérature de la Corne de l'Afrique : traditions orales, formes et mythologies de la littérature pastorale, marques de l'oralité dans la littérature". Thesis, Dijon, 2012. http://www.theses.fr/2012DIJOL016/document.
Pełny tekst źródłaThe Horn of Africa has a traditional oral literature which is rich and varied as the rest of the continent, starting from pastoral mythology to poetry, legend and storytelling. But with the social upheaval which occurred with the arrival of European settlers and the introduction of writing, the chain of transmission of the oral tradition is threatened. Many Europeans have sought to describe the habits and customs of these people. Whereas on the other hand, the writers from the Horn of Africa are often inspired by giving it (orality) and a new way of doing it. The following research work strives to reflect traditional forms of orality and their impact on modern literature
Lévesque, Geneviève. "Une écriture à l'oeuvre dans Malicroix d'Henri Bosco". Thesis, Université Laval, 2010. http://www.theses.ulaval.ca/2010/27043/27043.pdf.
Pełny tekst źródłaThis thesis schematizes, in Malicroix by Henri Bosco, the process that presides to the writing of the novel itself. Using a poietic approach, we consider the text as a writer’s poetic that takes a fictional form. A phenomenological perspective allows us to study the novel from the point of view of perception, and mythocritique enables us to reflect on the perception of the world – especially the world of the text – through the angle of the sacred and its symbols. Reconstructing the horizontal and vertical structures of the novel, we reflect on diverse aspects of the text and of the scriptural process. The reading horizon constitutes the first chapter of our thesis and offers a triple view on the novel: the story and the characters, the spatiotemporal context and the mythical point of view. In the second chapter are elaborated two central notions, the figures and the chronotopes. Two groups of figures emerge, one associated with the writer as creator of the text and the other, with the process of expression. The figures play distinct roles in the conception and expression and are represented in Malicroix by way of the characters. The chronotopes study divides the novel in eleven times-spaces that constitute the basis of the figures’ progression through the text. The third chapter details how the figures cross the chronotopes’ series, drawing the scriptural route inscribed in eleven successive situations in the text. The last chapter contains two parts. The first examines the writer’s poetic that Bosco published under the title « L’exaltation et l’amplitude ». The second, which constitutes the final objective of our study, integrates the elements of this writer’s poetic in the eleven successive situations, producing a description of the stages of the scriptural process followed by Bosco while writing Malicroix.
Closson, Marianne. "L'imaginaire démoniaque dans la littérature française (1550-1650) : genèse de la littérature fantastique". Paris 10, 1998. http://www.theses.fr/1998PA100157.
Pełny tekst źródłaLéontaridou, Théodora. "Le mythe troyen dans la littérature française". Paris 3, 2008. http://www.theses.fr/2008PA030013.
Pełny tekst źródłaFrom the 16th Century until the 20th, le troyan myth emerges in a variety of forms in French literature with famous or less known works but of equal significance as they convey the climate and the spirit of an era. The reason why all of these writers go into mythology could be partly explained by the imitation of ancients applied to the French letters of the 16th and 17th centuries. How this material is transformed, what the writers are expressing through the legends and the myths, which is the relationship of the transformed materiel with the initial, are some of the questions that this research is requested to explore. During the period of the Absolutism in which the freedom of expression is limited, the myth is proved to be a secure means which offers the security of the distance, the suitable frame and the flexibility of the mythological material which are processed by the creators. It becomes the vehicle of doubt and criticism of various grades against authority. The end of this political period removes from the myth this function. But it doesn’t stop its use in literature and the theater. This is because the myth is capable of putting again questions for the vital causes which deal with the human race, such as the woman, the war, the xenophobia
Ameziane, Amar. "Tradition et renouvellement dans la littérature kabyle". Paris, INALCO, 2008. http://www.theses.fr/2008INAL0028.
Pełny tekst źródłaJames-Raoul, Danièle. "La parole empêchée dans la littérature arthurienne". Paris 4, 1992. http://www.theses.fr/1992PA040148.
Pełny tekst źródłaThe arthurian romances are elaborated out of a kind of game on communication being broken or failing which the here will be commissioned to restore, clarify or impose. The ancient fund of celtic mythology together which tradition and variety of psychological and social codes combine to weig in turn upon the heroes' longues, thus makinf the hindered speech - in manifgold facets - onr of the central motifs of arthurian literature. It is all the more evident as the impeded world always sets its seal to the human destiny from sheere silence to a sibylin ot veiled discourse or else a temporarily impossibl utlerance: it is afantastic stepping-stone to the attainment of knowledge, to the happy development of personality, and to the revival of genuine and promising speech a recall of the divine model. Repress the flow of speech and it tells better: actually this is what all those romances paradoxically teach and this lesson is to foundin their advancingnarrative as well as in their rhetoric. Indeed, the writers themselves constantly seem to restain their discourse, to stopi to hold it in; but is pnlu have it guessed, or even supplied by the reader following an infernal process of addition. The paradox which appears between the huge amount of writing in the arthurian literature and the way words are refrained stands merely as a semblance: when performed in the fiction of romances the speech keeps being hindered and therefore the stream of the words used in the arthurien book runs endlessly
Couchaux, Brigitte. "Le mythe de Lilith dans la littérature". Paris 4, 1991. http://www.theses.fr/1991PA040133.
Pełny tekst źródłaRenaud, Jean. "Les archipels écossais dans la littérature norroise". Paris 4, 1986. http://www.theses.fr/1986PA040012.
Pełny tekst źródłaStepping stones of the viking expansion towards west, the scottish isles (shetland, orknney, hebrides) occupy a good place in old norse literature (sagas, scaldic poems). Among the numerous sources, there are especially orkneyinga saga (for orkney) and hakonar saga (for the hebrides). Besides, some poems were composed in the isles. The history of the scottish isles is presented as seen through the norse texts, often compared to scottish and irish sources, and like wise the different elements of civilisation (society, institutions). The scottish isles were at a cross-roads of the scandinavian world, but they also were a meeting-point of two cultures : nordic and celtic
Labrunye, Hélène. "La lecture fictive dans la littérature fantastique". Rouen, 1998. http://www.theses.fr/1998ROUEL312.
Pełny tekst źródłaBarrovecchio, Anne-Sophie. "Histoire de Bélisaire dans la littérature française". Paris 4, 2005. http://www.theses.fr/2005PA040049.
Pełny tekst źródłaThe Byzantine general Belisarius is simultaneously a great conqueror and a blind beggar, a historical personage and a figure of legend. He appears repeatedly in literature and the arts across Europe from the sixth century to the present. His importance has been noted before, but up till now he has never been the object of a broad and far-reaching synthesis. The present study, which is based on a vast bibliographical investigation of major and minor sources, retraces more than fifteen hundred years of history of the theme, emphasising in particular its legacy in French literature. It is important to show just how universal this forgotten figure once was, and this study maps out definitively the history of a hero who became a myth during his very long peregrinations. Its point of departure, still famous today, is the treatment of Belisarius during the Enlightenment
Gourmaud-Gonzáles, Aline. "Migrations et métissages dans la littérature caribéenne". Thesis, Tours, 2012. http://www.theses.fr/2012TOUR2013/document.
Pełny tekst źródłaThis research work deals with Caribbean literature and more precisely with the issue of narration. A literary corpus will be used to study migrations and amalgamations within societies living in Cuba, Puerto Rico and the Dominican Republic. Caribbean writers have always been very concerned with History, and their attempts to describe their own society have been a constant phenomenon since the early 20th century. Thanks to this thesis, we will try to see whether all the contributions brought along via migratory movements toward, inward and outward Caribbean have been acknowledged by the culture of the host countries. The study is divided in three parts: the first will present the concepts and the historical background alluded to in the novels and short stories, the second will consist in a textual analysis, the third will focus on some authors' points of view. Marta Rojas, Luis López Nieves and Marcio Veloz Maggiolo have been asked five questions about Caribbean literature, their own oeuvre and their sources of inspiration. Thanks to their answers, we will try to figure whether nowadays Caribbean literature should be considered as one or many
Danou, Gérard. "Le corps souffrant : littérature et médecine". Paris 7, 1993. http://www.theses.fr/1992PA070132.
Pełny tekst źródłaScientific medicine sees only mechanical bodies, it doesn't see the inner desires. Bodies live everyday trhough a number of obscure phenomenon : emotions, tiredness, pain. Literature, as born from the desires of the writing subject, on the entwined borders of world and language, gives us a subtle approach on life's experiments, through the analogical link reading is. Let us read jean reverzy's fatigue, marguerite duras' douleur, j. M. G. Le clezio's feverish emotions, or thomas mann. Literature's alchemy tells us about the pains of mind; what does it say about physical illnesses (cancer, aids)? with herve guibert and other writers, technical medicine comes into literature. Along with aids, irrationality, causality, fear of strangers are back, as in the time of plague and lepers. But what of the physician's pain, his disgust over the scarred body ? what can be his reaction to disgust ? to the other person's death, a forecast of his own ? the works of several doctor-writers explore the mysteries of patient-doctor relationship and restore that part of the physician's self which had been held back, day after day, by his medical practice. Doctor-writers stand on a tight line between caring for the others and caring for one self; bertween curing the ill and secretly fighting for his own salvation
Maravelia, Amanda-Alice. "Les astres dans les textes religieux en Egypte antique et dans les "hymnes orphiques" helléniques". Limoges, 2004. http://www.theses.fr/2004LIMO2005.
Pełny tekst źródłaMiskovsky, Isabelle. "La relation au lecteur dans le roman contemporain pour la jeunesse". Paris 10, 2002. http://www.theses.fr/2002PA100102.
Pełny tekst źródłaThe novel for young people has evolved since the 80ies toward a rich and complex relationship between the authors and their readers, perceptible in literary works. The ambivalent functions which have defined for long the specific novel style for young people, i. E. To untertain and to educate, are questioned nowadays. The writers are anxious to get away from a too simplistic reading agreement and to commit themselves to a wider social and artistic search concerning a larger audience. Starting from the two main objectives which however persist unsaid ( and which corresponde to the srong expectations of those who publish and prescribe). The thesis studies how the authors modify the rules of this style for young through subtle compromises and determined transgressions in order to make their own voice heard. .
Mihalovici, Florina-Liliana. "Le mythe de l'ogre dans la prose francophone contemporaine". Limoges, 2013. http://aurore.unilim.fr/theses/nxfile/default/76db441e-32c6-4755-a9d3-19b424e209be/blobholder:0/2013LIMO2013.pdf.
Pełny tekst źródłaBased on the features of mythological, historical and tradition ogres, this thesis questions the rehabilitation and timeliness of the myth of the ogre in a corpus of texts from the most varied French territories. The thesis is structured into five thematic chapters. The first chapter focuses on the birth of the ogre as myth and iconic character of culture and oral tradition in different territories. The second chapter discusses the regimes and tyrants which reign in the ogre: if "ogre" is the name for any tyrannical leader and dictator, he is represented in the texts by a variety of names and faces. In continuation of this research, the third chapter deals with the myth of the ogre from a social and familial perspective. The new avatars of the ogre in the contemporary are the fathers: destructive fathers, suffocating/degrading ones, and practitioners of a metaphorical cannibalism. Excessiveness lies in the violence with which they govern their families. In a Freudian perspective, the fourth chapter focuses on the relationship (sexual) impossible between parents and their offspring generated by symbolic castration, incest and sexual debauchery. The final chapter builds on the declination of the female ogre, ogress in the proposed body. Stunning character, which taking the most seductive forms, is inside only a monster ready to satisfy all her desires of any kind. The revival of the myth of the ogre in contemporary French prose is all too visible
Kim, Sun-Yi. "Illusion et réalité dans le théâtre de Molière". Paris 3, 1999. http://www.theses.fr/1999PA030162.
Pełny tekst źródłaDelangle, Lucrèce. "Le réalisme merveilleux : une révolution dans la représentation littéraire du réel". Bordeaux 3, 2011. http://www.theses.fr/2011BOR30019.
Pełny tekst źródłaMagical realism, real marvellous, marvellous realism: notions extremely misread in France nowadays, or completely amalgamated in a terminological confusion almost as wide as the lexical field they cover. With this alarming acknowledgement in mind, and having noticed the recurrence of numerous common characteristics in texts which were related to them equally, we had as ambition in our work to offer a synthetic definition, under a global appellation of marvellous realism, a literary mode in full measure, distinct from the fantastic or from the marvellous in which it thinks however they are so often attached. For this reason, and to have a corpus which illustrates this enlarging sphere of influence in a rather broad way geographically, we leans on the texts of five authors coming from very different horizons : Haitian René Depestre, Mexican Juan Rulfo, of the Ivory Coast Ahmadou Kourouma, the native Indian writer, Salman Rushdie and one of first Gypsy writers, Matéo Maximoff. Their peculiar writings allowed us to arrest the literary aim of this mode, its impact on the renewal of the codes of representation of the real and beyond, its interest as far as the evolution of contemporary literature is concerned
Sai͏̈da, Ilhem. "Mysticisme et désert à partir d'exemples dans la littérature française et la littérature maghrébine de langue française". Grenoble 3, 1994. http://www.theses.fr/1994GRE39020.
Pełny tekst źródłaThe purpose of this work is to study the relation which exists between the mystcism and the desert, taking as a base some examples from the french litterature and the maghrebean litterature in french language in the light of of both holy books : the bible and the coran as being the first spiritual source, of which i spoke about in the first part. This one is about the cosmic imperfection and the space of death as a consequence of drught where the human being learns about his condition : his finishing and his relation with his creator. Starting with the second main part the center of interest is the litterature in which remains the impact of the holly books concerning the travel and the originary truth azs well as the profane space and time which allow the passage to the initiation and the discovery of symbols of transcendance and the presence of the verb. In the third part, the absolute reality give way to the completness and the learning of the mystical act, conceived as a painful birth of the writing and therefore an exil to the life. At least the writing and therefore an exil to the life. At least the writing is a one-way trip, a destiny to take on and a light to reach in the alchimy of the perfect happiness
Gianino, Dominique. "Le thème du masque dans la littérature romantique". Paris 12, 1997. http://www.theses.fr/1997PA120020.
Pełny tekst źródłaSINCE A LONG TIME, MASK HAS BEEN THE MAN'S FAITHFUL FELLOW. FUNERAL, CEREMONIAL OR POMPES MASKS, GREEK THEATRE ONES, IT HAS BEEN WITH ALL MAN'S LIVE GREAT EVENTS, BEFORE ILLUSTRATE, MASTERLY WAY, CARNIVAL FRENZIES. THIS ANONYMOUS GUARANTUOR, SYNONYMOUS WITH MYSTERY, COULD ONLY FASCINATE AND INVADE EVERY THE ARTISTICS DOMAINS : PAINTING, OPERA OR MOVING PICTURES, BUT THERE IS A PLACE WHERE IT EXCELS : THE LITERATURE IN WHITCH IT HAS REIGNED FOR MANY CENTURIES. INDEED, MAKING-UP, FAKING, DISGUISES, DRESSING UP, NETS, SETS, JEWELLERY, ALL ARE WORKING TOWARDS REINFORCING ITS MYSTERY AND FASCINATING POWER. SCULPTURE AND PAINTING ARE USING MYSTERY AND FASCINATION, WHO ARE ONLY ABLE TO BETWITCH ROMANTIC LITERATURE AT A TIME IN WHICH MAN DOESN'T FEEL WELL HIMSELF, IN HIS LIFE, AND IS LOOKING FOR A LOOSING HIMSELF. FOR EXEMPLE TWINS, DOUBLES OR SPLITS INTO TWO PERSONALITIES. THIS DISTRAUGHT SEARCH FOR IDENTITY CAN BE DONE WITH OR without MASK'S HELP, BUT IT ALWAYS STAYS IN THIS FRANTIC SEARCH. ALSO IT'S THIS SEARCH THAT PURSUE EVERY DISFIGURED MEN, WHO ARE BEAUTY'S EXCLUDED, AND SOCIETY AND WORLD TOO. SOCIAL MEANING OF MASK, DISGUISE OR TRAVESTY, IS ALREADY VERY IMPORTANT. THIS EXCLUSION IS IN MAN'S CREATIONS WITHOUT REALLY KNOW REACH OF ITS ACTS. ALL THIS WHILE, DEVIL USE A DISPLAY OF MASKS AND METAMORPHOSIS WHICH EMERGE ON A MASK'S HORRIFIC VISION. ON ITS OWN, POPULAR NOVEL STAGE THIS PROPERTY, WELL KNOWN TO TAKE ONE'S REVENGE ON SOMEONE, DISPENSING JUSTICE OR, ON THE CONTRARY, TO ACCOMPLISH PIRATED ACTS. IT'S ALL THIS PALETTE, AT ONE AND THE SAME TIME, COLOURED AND DARK, WHIC H CONCERNS MASK IN PARTICULAR, AND THAT TWENTIETH CENTURY INHERITS, NOT ONLY IN LITERATURE PART BUT IN ONE WHO IS BORN WITH THIS CENTURY ; THE CINEMA
Aarab, Hassan. "Perspectives sur le personnage : le personnage dans l'espace". Paris 5, 1999. http://www.theses.fr/1999PA05H067.
Pełny tekst źródłaGeorgopoulou-Goulette, Stavroula. "La femme esclave dans la tragédie grecque : féminin et dépendance dans l'imagination poétique". Paris 10, 1997. http://www.theses.fr/1997PA100210.
Pełny tekst źródłaThe slave woman in the greek tragedy treat of the many faces of feminine dependence in the drama of aeschylus, sophocles and euripides : dependence of the captivity of war, dependence de facto of the auxiliaries characters (classicals formes of the enslavement), divin dependence (enslavement of a double sens), metaphorical dependence. The main subject of this study is the free woman that became slave, the femal slavery as lost liberty, and his bonds with the form and the tragic material : in the tragic fiction, the enslavement is only possible in the imaginative dependence, the enslavement is already realized in the real dependence. From slavery with juridical status to metaphoric slavery, we are also in a real system of dependences reflecting the adverse idea - of the liberty and independence independence of cities and people, independence of the woman in front of the patriarcal society too. If the classic philology form the base of this entreprise, our doctoral belong too as part of the new studies on the woman and femal element, using a problematic based on the concepts of gender and sexual difference - dimension justified from the fact justly that the accidental slavery in the drama is essentialy femal, and not male. Beyond this element of sex, the social class and the condition, the ethnic origin and the age are examined in order to define of the persona of the slave woman
Salas, Alexandre. "Figures paradoxales de la sainteté dans la littérature moderne et contemporaine". Paris 7, 2012. http://www.theses.fr/2012PA070086.
Pełny tekst źródłaIt is only when Christianity ended shaping society that literature began to freely question the various categories of mystic and holiness through playful, erotic and controversial rewritings on the life of saints. In a era when Christianity gradually declines in various parts of the world when hagiography is taken over by writers who transform it and use it for their own purpose, in a time when the sacred fades away as much as it has spread - which, as we shall see, raise the question of secular holiness -, literature seems to succeed to religion, which implies that art turns out to be sacralized. We can wonder if the disenchantment of the world paradoxically goes hand in hand with a kind of literary enchantment. Does art, like religion, engender its own saints? If there are true believers in literature, then is it possible to dissociate real literary fait from blasphemy? Thus, we shall question the various conditions that may constitute a theology of contemporary literature, through the close scrutiny of the relationship between Modernity an the sacred and holiness
Sun, Yu-der. "La révolution intérieure : la femme adultère dans les littératures chinoise (Pan Jinlian) et occidentale (Emma Bovary, Anna Karenine, Effi Briest et Edna Pontellier)". Limoges, 1999. http://www.theses.fr/1999LIMO2011.
Pełny tekst źródłaSabot, Philippe. "Pratiques d'écriture, pratiques de pensée : le statut philosophique de l'expérience littéraire du suréalisme à nos jours". Lille 3, 1999. http://www.theses.fr/1999LIL30002.
Pełny tekst źródłaAl-Omaisi, Ebtesam. "L’image de la femme dans la littérature yéménite". Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030018.
Pełny tekst źródłaThe objective of the study is to highlight the image or the different images of womanas it appears in the work of four contemporary Yemenite short story writers. Indeed, havewomen been represented similarly, whatever the approached problems? And whatever theauthor is? Or are there any variants and changes and if so how they are asserted?The thesis therefore aims to show a variety of kind of female characters that had beenstaged, and the enunciative and narrative strategies adopted by each author. The thesis iscomposed of three parts: The first one introduces brief historical overview of Yemeniliterature. The second part addresses the issue of patriarchy and matriarchy, particularly inYemen.As for the last part, it consists in analyzing the corpus of new limits. It is divided intotwo parts: The first one which includes five chapters mainly focused on two contradictoryimages of woman: submissive woman and woman rebel. The second one emphasizes onlove and sexuality and underlines the love affair in case of adultery, or married couples andfinally exposed; according to two short-story writers; the ironic inversion of the allocatedroles respectively to man and woman
Meredith, Laurie Catherine Ann. "La Métisse mythique dans la littérature ouest-canadienne". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/MQ64922.pdf.
Pełny tekst źródłaMoncecchi, Guillermo. "Détection du langage spéculatif dans la littérature scientifique". Phd thesis, Université de Nanterre - Paris X, 2013. http://tel.archives-ouvertes.fr/tel-00800552.
Pełny tekst źródłaShcherbakova, Anna. "Éros, corps, sexualité dans la littérature russe contemporaine". Thesis, Université Grenoble Alpes (ComUE), 2016. http://www.theses.fr/2016GREAL025/document.
Pełny tekst źródłaRussian literature was known until the last decade of the twentieth century for its «chasteness» and the modest way with which it approached sexual desire. It however experienced a serious upheaval in the 1990s, when Soviet censorship disappeared, and the country opened itself to market and Western liberal values. Eroticism then blossomed even in mainstream literature. But a quarter of a century later, sexual euphoria seems to have cooled down. The starting point of this study was an interrogation about how does contemporary Russian literature view sex, desire, and the rights of the flesh. It was developed along four main themes, representing fundamental concepts of the erotic tradition, which, however, take very particular shapes in the context of Russian culture, dominated by Orthodox view of the body and sexuality : thanatic Eros, on the connection between desire for life and for death, anti-procreative Eros, on the troubled relationship between sex and procreation, utopian Eros, which explores the role of sex in utopic projects, and hedonistic Eros, interested in sex outside of any utilitarian paradigm, except pleasure of the senses. We will try to evaluate how much and in what ways contemporary Russian writers still retain the traditional picture of Eros, body, and sex, how they strive to free themselves from it, and with what success. We hope that this study will contribute to foster more scholarly research on this subject, which is still quite underdeveloped in French-speaking countries
Alves, Alcione Correa. "Trois figures de créolisation dans la littérature antillaise". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2008. http://hdl.handle.net/10183/13379.
Pełny tekst źródłaA presente dissertação visa ao estudo da crioulização, entendida como processo, em dois romances representativos da literatura antilhana contemporânea: Texaco (1992), do escritor martinicano Patrick Chamoiseau; e La belle créole (2001), da escritora Maryse Conde, de Guadalupe. O presente estudo examina, com base nos conceitos de crioulização (abordagem teórica) e figura (abordagem metodológica), as estratégias discursivas pelas quais se dá o processo de crioulização nos dois romances. Do ponto de vista teórico, esta dissertação recorre ao conceito de crioulização, extraído de textos fundadores tais como Éloge de la créolité (1989) e Écrire en pays dominé (1997), de Patrick Chamoiseau, bem como Introduction à une poétique du Divers (1995), de Édouard Glissant. Do ponto de vista metodológico, esta dissertação é tributária das definições de figura e imaginário coletivo, formuladas pelo ensaísta quebequense Gérard Bouchard principalmente nas obras Genèse des nations et cultures du Nouveau Monde : Essai d´histoire comparée (2001) e Raison et contradiction: le mythe au secours de la pensée (2003). A partir da leitura dos dois romances, verifica-se a eficácia de cada uma das três figuras estudadas – débrouillard; étranger; artiste/intellectuel – mediante leituras centradas em uma hipótese de trabalho: o processo de crioulização, sob o signo da tensão e do choque, enseja equilíbrios instáveis, provisórios, que superam (provisoriamente) as contradições peculiares ao contexto de cada obra literária. Tomar aqui a figura como categoria de análise permite apreender a complexidade de alguns aspectos do imaginário coletivo antilhano.
Soler, Joelle. "Ecritures du voyage dans la littérature latine tardive". Paris 4, 2001. http://www.theses.fr/2001PA040133.
Pełny tekst źródłaIn their factual narratives, Roman travelers represent their itineraries as means of foundation, through which they can assert their Greco-Roman identity and that of the landscape they cross. In contrast, the fiction of Apuleius elaborates a very different image of traveling, conceived as an exploration through which the traveler encounters the foreign, at the risk of losing his/her identity. .
Ojeda, Avellaneda Ana Cecilia. "Le mythe bolivarien dans la littérature latino-américaine". Paris 3, 1996. http://www.theses.fr/1996PA03A186.
Pełny tekst źródłaThe objective of this research is to study and understand the configuration, evolution and the functioning of a myth, the bolivarian myth, which was born during the era of hispanic american independence (1810-1830) and is still present and alive in the cultur and particulary in the latin-american literature. Until today, the historic figure of simon bolivar was the subject of innunmberable historic, political and social studies which were enclosed and imprisoned in the ideological conceptions. These conceptions fragmented and limited his significance. That is why through a panoramic view of the evolution of this figure in the latin-american literature of the xixth and xxth centuries, we propose in the first place to extract the personage from the traditional conception in which he was trapped and in the second place to bring a few elements which explain the configuration of a myth, in particular the bolivarian myth and also its permanency, its path and its survival at the heard of society where it was forged. Our processes will be organised from a bibliographical corpus which starts by a text of bolivar hilself, "mi delirio sobre el chimborazo", writtn in 1822, and ends with the novel of gabriel garcia marquez, "el general en su laberinto", written in 1989. Between these two texts we'll establish a spectrum of the most representative works in the domain of literary genre of that time which support the literary period, of neoclassism, romantisism, modernism, vanguardism and contemporary latin-american literature
Cabaillot, Claire. "Les états du monde dans la littérature italienne". Paris 3, 1991. http://www.theses.fr/1993PA030097.
Pełny tekst źródłaIn line with the g. Duby school, this research outlines italian medieval society not from an outsider's consideration, but, on the contrary, from information provided by those directly involved. Not only does this research examine the representation of society as recorded in the archives but it equally endeavours to portray the concept its contemporaries had of it. Initially handed down by the representatives of the italian priesthood, the image of society - of how society should be- is adopted by preachers and then by didactic and moralizing poets who approach its analysis from a secular viewpoint. Literary works also offer an interesting insight into the feeling experienced by individuals and groups regarding their respective positions. In examining the categories considered by boccacio and sacchetti and their portrayal on the one hand, and in pondering over the direct or indirect intervention of the authors on the other hand, this study aims at determining the poles between wich the perception of each social group lies and, from a broader point of view, the expectations which the authors may hardour when considering it
Lévy, Messod. "Le thème de l'exil dans la littérature biblique". Paris 8, 2003. http://www.theses.fr/2003PA082500.
Pełny tekst źródłaThe main object of the Theme of exile in the biblical literature is the study of the wandering and exiles of Jewish people. It is also the very acute perception that this People can have of exile and certainly even more the understanding of the evolution of the prophetical perceptions. The term exile includes a group of representations and realities (expulsion, wandering, political enslavement, dispersion, desire of freedom) which, have reappeared and deepened during every biblical period. And it appears that the status of exile is immanent in the weakness: every time men are incline to renounce their partnership with God they face the above-mentioned situations. These are the main lines which define the nature of exile and which constitute the first part of this work. In view of studying these exiles it, then, seemed interesting to us, to proceed with a reading and analyses of the first outward signs of this illness which physically and morally eats away the individual who is affected by it. To this end, we have obviously consulted the Pentateuch which describes its structure ; the Prophets who present and diachronically disclose its dimension. And despite all the efforts to go closely into this Theme which have made it possible to understand the correlations and to establish these deductions, the historical side has never been dissociated from the religious, social and psychological aspects. This combination is what gives this subject its real value, its history
Fürstenberger, Nathalie. "Le mythe grec dans la littérature argentine contemporaine". Paris 3, 1995. http://www.theses.fr/1996PA030020.
Pełny tekst źródłaThe study of greek mythology and of its usage in contemporary argentinian literature has showed us that the mythe do not only get their strengh from an aesthetic writing. At the beginning of the 20th century, intertextual practice conveyed the collectif and individual worries of writers. The various aspects of argentinian literature testify to the plasticity and flexibility of its mythology and reveal its permeability to past and present times
Comoy, Fusaro Edwige. "La névrose dans la littérature italienne (1865-1922)". Paris 4, 2003. http://www.theses.fr/2003PA040187.
Pełny tekst źródłaFrom 1865 neurosis became a major topos in Italian literature. This phenomenon coincided with both significant developments in psychiatry and the triumph of positivism. Writers were much influenced by science, which could not properly define what neurosis was, and therefore referred to it as a form of degeneration of civilised man. Yet men of letters were taking a far more innovative view of it than men of science. Authors were intuitively discovering the nature and mechanisms of neuroses, although with no help from psychoanalysis - the present study goes no further than 1922, thus covering a period when Freudian ideas had not yet begun to pervade literature. With its undiscovered physical location, neurosis represented a major challenge for scientists, while writers exploited its semantic vacuum in order to explore research tracks that would diverge from pure anatomy. The topos therefore became rich and multi-faceted, passing on through generations and different currents of thoughts while preserving its effectiveness. If writers of Scapigliatura showed to be avant-garde in their ignoring of any progressive value attached to chronology, there actually existed a general tendency among writers to no longer consider neurotics as mentally ill and substancially different from normality. For most of them, neurosis infact mirrored all those invisible instances that concur to constitute the ego. Archetypes and topoi that characterise the trend of literary neuroses are means of defence: both pathology and the link between neurotics and specific social categories (artists, women, aristocrats) are clear signs of reluctance towards the subversive discovery of the unconscious. As time went by, writers became disillusioned, and with Pirandello and Tozzi human condition embraced neurosis, which finally appeared under the light of a redefined normality
Lion, Brigitte. "L'idée de bonheur dans la littérature suméro-akkadienne". Paris 1, 1993. http://www.theses.fr/1993PA010567.
Pełny tekst źródłaThe analysed sources are literary cuneiform tablets in akkadian and sumerian from the third to first millenium b. C. The first condition of human's happiness is the agreement with the divine will. Leaving descendants is the most important individual wish, it is the best form of survival in such a civilization that does not believe in the next world. Less important is the search of material well-being. The necessity of living in society is showed by everyone's wish to integrate into a harmonious familial and social frame : loneliness is always feeled negatively. Those yearnings are perceptible through nice descriptions of collective feasts in social concord and abundance of goods. Happiness is easily imagined in a distant past with which one must renew by following the tradition. Present happiness is also appreciated, but there is no interest for the future which is frightening. Human realization has the known world as ideal spatial frame : the steppe scares and faraway worlds did not give rise to utopia. Divine happiness follow the same model as human happiness, but there are two differences : immortality and divine idleness (gods created men in order to make them work for them). The oldest representations of the general scheme appear in some particular social groups studies, like soldiers or nomads, which develop an ethic sometimes opposite to the ideals above-mentioned
Allorge-Courtin, Marie. "Les rues de Rome dans la littérature latine". Paris 4, 2007. http://www.theses.fr/2007PA040139.
Pełny tekst źródłaLatin writers give an often negative and stereotypical image of the streets of Rome, out of step with the reality as evidenced by other legal, archaeological or epigraphical sources. Far from being anecdotal, those literary descriptions provide a profund reflection on the city and the brought forth material, societal, political, economical, philosophical, and moral issues. Place of ciculation and encounters, the street is depicted as and ugly, untidy, and violent world despite the control of the authorities. The partial view of the everyday life given by the image of the streets in Urbs mainly contributes to the criticism of the urban civilisation as the journeys within the city symbolise the societal divides that structure the Roman siciety. Among the satirists of the imperial era, this criticism coexists with a personal attachment to the streets, a world of propitious to poetic inspiration
Macé, Marie-Anne. "Recherches narratives dans la littérature française : 1970-1979". Rennes 2, 1989. http://www.theses.fr/1989REN20001.
Pełny tekst źródłaThe French literature of the 1970s is both narcissistic and demanding, compelling a revision of narrative forms. Writing styles emerge from the story; narrative activity showing a preference for equality between narrator and character, focusing on complete viewpoints the words and thoughts of a hero are reproduced though the psycho-narration, according to evolutive conventions and manifesting themselves as polyphonic constructions. The setting for the narrative is created by the shifts in time, pace, and plot. The novel dissociates itself from slow transformation constraints by the expedient of break; duration is acted out between contractions and expansions; it is linked to the imagination while historical time remains discrete. Descriptive hypertrophy overturns textual frontiers; the sense of space rests on the pre-determined, founding itself on musings; the semiotics of space open on to the hermeneutics and ideological gambles. Structure is marked by discord: uncertainty, superimposition, unexpected twists in the story, repetitions, reflexion effects and intertextual references. The character loses his supremacy but remains obvious and clear-cut, oscillating between appearances and physical being; he reveals the unconscious; he is sometimes kept in a relational context, portraying the signs of a social referent. This period remains an aesthetic adventure for writers as well as readers