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Artykuły w czasopismach na temat "Avant-garde (music)"
GRAHAM, STEPHEN. "From Microphone to the Wire: Cultural change in 1970s and 1980s music writing". Twentieth-Century Music 16, nr 3 (30.04.2019): 531–55. http://dx.doi.org/10.1017/s1478572218000336.
Pełny tekst źródłaCalico. "Music in Avant-Garde Periodicals". Journal of Modern Periodical Studies 8, nr 2 (2018): 157. http://dx.doi.org/10.5325/jmodeperistud.8.2.0157.
Pełny tekst źródłaRedhead, Lauren. "THE AVANT GARDE AS EXFORM". Tempo 72, nr 286 (6.09.2018): 7–16. http://dx.doi.org/10.1017/s0040298218000311.
Pełny tekst źródłaMedić, Ivana. "The Impossible Avant-garde of Vladan Radovanović". Musicological Annual 55, nr 1 (20.06.2019): 157–76. http://dx.doi.org/10.4312/mz.55.1.157-176.
Pełny tekst źródłaLipták, Michal. "Body, Music and Electronics: Pierre Schaeffer and the Phenomenology of Music". Studia Universitatis Babeș-Bolyai Philosophia 67, nr 1 (5.04.2022): 45–74. http://dx.doi.org/10.24193/subbphil.2022.1.03.
Pełny tekst źródłaAtton, Chris. "Listening to ‘difficult albums’: specialist music fans and the popular avant-garde". Popular Music 31, nr 3 (październik 2012): 347–61. http://dx.doi.org/10.1017/s0261143012000281.
Pełny tekst źródłaMĂNĂILESCU, Sorana. "Versions of Post Avant-Garde Music". Bulletin of the Transilvania University of Braşov. Series VIII:Performing Arts 13(62), nr 1 (20.06.2020): 117–26. http://dx.doi.org/10.31926/but.pa.2020.13.62.1.13.
Pełny tekst źródłaPereverzeva, M. V. "The Works of Contemporary Composers in the Teaching Repertoire of the Music Institutions: Mastering Problem". Contemporary problems of social work 6, nr 4 (30.12.2020): 29–35. http://dx.doi.org/10.17922/2412-5466-2020-6-4-29-35.
Pełny tekst źródłaFerguson, John R., i Andrew R. Brown. "Fostering a Post-Digital Avant-Garde: Research-led teaching of music technology". Organised Sound 21, nr 2 (30.06.2016): 127–37. http://dx.doi.org/10.1017/s1355771816000054.
Pełny tekst źródłaVasic, Aleksandar. "Serbian Literary Magazine and avant-garde music". Muzikologija, nr 5 (2005): 289–306. http://dx.doi.org/10.2298/muz0505289v.
Pełny tekst źródłaRozprawy doktorskie na temat "Avant-garde (music)"
Rievers, Henrique André Christiano. "Physiological Perspectives of Avant-garde Music". Doctoral thesis, Humboldt-Universität zu Berlin, 2021. http://edoc.hu-berlin.de/18452/24062.
Pełny tekst źródłaIt is our thesis that, even though the theatricalization of music is a crucial aspect of the Neue Musik – one that gain even more prominence on the post-1945 scenario –, it is also an expression of a corporeal turn in music. To speak of a corporeal turn in music also means an attempt to overcome a form of dualism. It is an attempt to unify music making and music perception. This is what will be attempted here. Through the works of avant-garde composers, an attempt to build an understanding of music perception in the context of a corporeal turn in music will be made. From the perception of the body and corporeity to the move from “listening” to “perceiving” and, finally, in the concept of the work of music as a phenomenal field, a physiological perception of the avant-garde will be developed.
Pitkin, Carissa. "Against Expression?: Avant-garde Aesthetics in Satie's "Parade"". University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1595499202615172.
Pełny tekst źródłaBerman, Nancy. "Primitivism and the Parisian avant-garde, 1910-1925". Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38149.
Pełny tekst źródłaFrench critics of Le Sacre viewed the work as a portrayal of Russian "Otherness" against which they could assert or question their own identity. Whereas the primitivism of Le Sacre was understood to be radical, excessive, even prophetic and apocalyptic, the primitivism of Les Noces was perceived as a manifestation of the classicist "call to order" and as an emblem of American-style mechanization. That it was also understood in terms of the post-war avant-garde's emphasis on classical ideals of austerity, dryness, and sobriety reflects the Purists' belief that machines heralded the new classicism.
Jazz was the ultimate symbol of both primitivism and modernity, and was initially hailed by the avant-garde as a revivifying source for the French tradition. In their attempt to neutralize the racial and political threats perceived to be inherent in jazz, the avant-garde emphasized its rationality, precision, and economy. La Creation du monde represents the avant-garde's complete assimilation of jazz and l'art negre into the French classical tradition.
Rievers, Henrique André Christiano [Verfasser]. "Physiological Perspectives of Avant-garde Music / Henrique André Christiano Rievers". Berlin : Humboldt-Universität zu Berlin, 2021. http://nbn-resolving.de/urn:nbn:de:kobv:11-110-18452/24062-8.
Pełny tekst źródłaMadrid-González, Alejandro Luis. "Writing modernist and avant-garde music in Mexico performativity, transculturation, and identity after the revolution, 1920-1930 /". Connect to this title online, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1054237342.
Pełny tekst źródłaTitle from first page of PDF file. Document formatted into pages; contains xv, 238 p.; also includes music, graphics Includes bibliographical references (p. 218-238). Available online via OhioLINK's ETD Center
Moroncini, Barbara Serena. "Experimental music after Los Angeles site, power, self, sound /". Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1706818091&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Pełny tekst źródłaSharp, Charles Michael. "Improvisation, identity and tradition experimental music communities in Los Angeles /". Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1779690111&sid=13&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Pełny tekst źródłaMing, Christina Tio Ee. "The Avant Garde and its 'others' orientalism in contemporary art music /". Thesis, Online version, 2000. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.364724.
Pełny tekst źródłaSacau-Ferreira, Enrique. "Performing a political shift : avant-garde music in Cold War Spain". Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:df601c57-c9f0-4320-9a3a-8493ecf1101a.
Pełny tekst źródłaMaslowiec, Anna. "Sonorism and the Polish Avant-Garde 1958-1966". Phd thesis, Sydney Conservatorium of Music, 2008. http://hdl.handle.net/2123/8205.
Pełny tekst źródłaKsiążki na temat "Avant-garde (music)"
Duteurtre, Benoît. Requiem pour une avant-garde. Paris: R. Laffont, 1995.
Znajdź pełny tekst źródłaRobert, Adlington, red. Otherwise engaged: Avant-garde music and the sixties. New York: Oxford University Press, 2008.
Znajdź pełny tekst źródłaDuteurtre, Benoît. Requiem pour une avant-garde: Essai. Paris: Les Belles Lettres, 2006.
Znajdź pełny tekst źródłaLarry, Austin, i Kahn Douglas 1951-, red. Source: Music of the avant-garde, 1966-1973. Berkeley: University of California Press, 2011.
Znajdź pełny tekst źródłaLarry, Austin, i Kahn Douglas 1951-, red. Source: Music of the avant-garde, 1966-1973. Berkeley: University of California Press, 2011.
Znajdź pełny tekst źródłaThe new music: The avant-garde since 1945. Wyd. 2. Oxford [Oxfordshire]: Oxford University Press, 1987.
Znajdź pełny tekst źródłaSitsky, Larry. Music of the repressed Russian avant-garde, 1900-1929. Westport, Conn: Greenwood Press, 1994.
Znajdź pełny tekst źródłaCohen, Brigid Maureen. Stefan Wolpe, music and the twentieth-century avant-garde. New York: Cambridge University Press, 2012.
Znajdź pełny tekst źródłaMayer, Günter. Musik-Avantgarde: Zur Dialektik von Vorhut und Nachhut ; eine Gedankensammlung für Günter Mayer zum 75. Geburtstag. Oldenburg: Bis-Verlag der Carl von Ossietzky Universität Oldenburg, 2006.
Znajdź pełny tekst źródłaGallo, Guadalupe. Gestionar, mezclar, habitar: Claves en los emprendimientos musicales contemporáneos. Ciudad Autónoma de Buenos Aires: Gorla, 2017.
Znajdź pełny tekst źródłaCzęści książek na temat "Avant-garde (music)"
Braguinski, Nikita. "Avant-garde becomes pop's aide". W Mathematical Music, 103–10. London: Focal Press, 2022. http://dx.doi.org/10.4324/9781003229254-16.
Pełny tekst źródłaWarden, Claire. "Crossing Genres: Movement and Music". W British Avant-Garde Theatre, 147–75. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137020697_6.
Pełny tekst źródłaDorf, Samuel N., Heather MacLachlan i Julia Randel. "The Classical Avant-Garde". W Anthology to Accompany Gateways to Understanding Music, 425–26. New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003041542-54.
Pełny tekst źródłaČurda, Martin. "Music and avant-garde discourse in inter-war Czechoslovakia". W The Music of Pavel Haas, 29–55. New York: Routledge, 2020. | Series: Ashgate studies in theory and analysis of music after 1900: Routledge, 2020. http://dx.doi.org/10.4324/9780429433351-2.
Pełny tekst źródłaKřupková, Lenka. "“Ideologically Progressive Art” Meets Western Avant-Garde". W The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 155–64. Belgrade ; Ljubljana: Institute of Musicology SASA ; University of Ljubljana, Faculty of Social Sciences, 2020. http://dx.doi.org/10.18485/music_diplomacy.2020.ch10.
Pełny tekst źródłaKřupková, Lenka. "“Ideologically Progressive Art” Meets Western Avant-Garde". W The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 155–64. Belgrade ; Ljubljana: Institute of Musicology SASA ; University of Ljubljana, Faculty of Social Sciences, 2020. http://dx.doi.org/10.18485/music_diplomacy.2020.ch10.
Pełny tekst źródłaGoldman, Jonathan. "Open Works on Record". W Revisiting the Historiography of Postwar Avant-Garde Music, 152–71. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315108162-8.
Pełny tekst źródłaKuo, Tiffany. "A New Patronage Model in Postwar America". W Revisiting the Historiography of Postwar Avant-Garde Music, 111–27. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315108162-6.
Pełny tekst źródłaNarimoto, Rica. "Heritage within the avant-garde? Traditional and contemporary musics in post-war Japan". W Music as Heritage, 258–77. Abingdon, Oxon; New York, NY: Routledge, 2018. | Series: SOAS musicology series: Routledge, 2018. http://dx.doi.org/10.4324/9781315393865-13.
Pełny tekst źródłaBolesławska, Beata. "The symphony in post-avant-garde times: 1974–1994". W The Symphony and Symphonic Thinking in Polish Music Since 1956, 149–96. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315552385-4.
Pełny tekst źródłaStreszczenia konferencji na temat "Avant-garde (music)"
Kolb, Fabian. "Tanztheater und filmische Ästhetik. Cineastische Einflüsse und Gestaltungsweisen in den Kompositionen für die Ballets Suédois 1920–1925". W Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.60.
Pełny tekst źródłaDanilova, A. V. "Analysis of Russian avant-garde music in the university course "Fundamentals of theoretical musicology"". W ТЕНДЕНЦИИ РАЗВИТИЯ НАУКИ И ОБРАЗОВАНИЯ. НИЦ «Л-Журнал», 2019. http://dx.doi.org/10.18411/lj-02-2019-91.
Pełny tekst źródłaTrifan, Aurelia. "Socialist modernism – a way of disseminating a new ideology in the architecture of entertainment buildings". W Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.14.
Pełny tekst źródłaIstileulova, Yelena. "STEAM Approach: SMS (Stories Based on Music about Scientists) on Artificial Intelligence Created by Jacob Bruce (1669–1735)". W Socratic lectures 10. University of Lubljana Press, 2024. http://dx.doi.org/10.55295/psl.2024.ii15.
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