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Artykuły w czasopismach na temat "Avant-garde (aesthetics)"
Davis González, Ana. "La vanguardia de los Contemporáneos, una estética de la dilación". Literatura Mexicana 33, nr 1 (6.03.2022): 149–77. http://dx.doi.org/10.19130/iifl.litmex.2022.33.1.7122x15.
Pełny tekst źródłaPaškevica, Beata. "ANNA (ASJA) LĀCIS AT THE CROSSROADS OF CULTURES AND IDEOLOGIES". Culture Crossroads 8 (13.11.2022): 63–69. http://dx.doi.org/10.55877/cc.vol8.161.
Pełny tekst źródłaImre Szemán. "Aesthetics and Politics After the Avant-Garde". Criticism 50, nr 2 (2009): 313–17. http://dx.doi.org/10.1353/crt.0.0061.
Pełny tekst źródłaManhas, Sumedha. "Nordau’s warning- Aesthetics under siege". International Journal of English Literature and Social Sciences 8, nr 5 (2023): 188–90. http://dx.doi.org/10.22161/ijels.85.30.
Pełny tekst źródłaIbrahim, Areeg. "Sonali Pahwa, Theaters of Citizenship: Aesthetics and Politics of Avant-Garde Performance in Egypt". Modern Drama 64, nr 2 (czerwiec 2021): 250–52. http://dx.doi.org/10.3138/md.64.2.br06.
Pełny tekst źródłaNowicka, Daria. "Awangarda panoramicznie". Poznańskie Studia Slawistyczne, nr 18 (28.04.2020): 305–17. http://dx.doi.org/10.14746/pss.2020.18.19.
Pełny tekst źródłaBurdman, Javier. "Lyotard and Democratic Aesthetics: The Sublime, the Avant-Garde, and the Unpresentable". Journal of Social and Political Philosophy 3, nr 1 (luty 2024): 37–51. http://dx.doi.org/10.3366/jspp.2024.0071.
Pełny tekst źródłaCoase, Hal. "Delimit / De-limit: Barbara Guest at Kandinsky’s Window". Text Matters: A Journal of Literature, Theory and Culture, nr 13 (27.11.2023): 127–42. http://dx.doi.org/10.18778/2083-2931.13.07.
Pełny tekst źródłaAlekseyeva, Julia. "Vertov and the Avant-Garde Documentary: Dreaming Reality in the 1960s, from the USSR to Japan". Film History: An International Journal 35, nr 2 (czerwiec 2023): 1–25. http://dx.doi.org/10.2979/fih.00001.
Pełny tekst źródłaHewitt (book author), Andrew, i Antonio Franceschetti (review author). "Fascist Modernism: Aesthetics, Politics, and the Avant-Garde". Quaderni d'italianistica 15, nr 1-2 (1.10.1994): 315. http://dx.doi.org/10.33137/q.i..v15i1-2.10295.
Pełny tekst źródłaRozprawy doktorskie na temat "Avant-garde (aesthetics)"
Pitkin, Carissa. "Against Expression?: Avant-garde Aesthetics in Satie's "Parade"". University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1595499202615172.
Pełny tekst źródłaKleberg, Lars. "Theatre as action : Soviet Russian avant-garde aesthetics /". Houndsmills, Basingstoke, Hampshire : Macmillan Press, 1993. http://www.loc.gov/catdir/enhancements/fy0808/95184875-b.html.
Pełny tekst źródłaLee, Sze Wah Sarah. "Aesthetics of experiment : Imagism, Vorticism and the European avant-garde". Thesis, Goldsmiths College (University of London), 2016. http://research.gold.ac.uk/19690/.
Pełny tekst źródłaBoezaart, Kim. "Contemporary avant-garde jewellery in South Africa". Thesis, Stellenbosch : Stellenbosch University, 2000. http://hdl.handle.net/10019.1/51665.
Pełny tekst źródłaENGLISH ABSTRACT: This study considers the dynamics and nature of neo-avant-garde jewellery with specific reference to contemporary South African (neoavant- garde) jewellery. In Chapter One defensible working descriptions of the terms "avant-garde" and "neo-avant-garde" are established in order to establish some manageable conclusions regarding their application to jewellery design. These descriptions are derived from a consideration of the concepts in contemporary aesthetic discourse. Chapter Two considers the role, justifications and implications of adornment with a view to isolating the development, influences and nature of neo-avant-garde jewellery. A distinction is drawn between the aesthetics, ontology and art-relevant status of such jewellery and commercial or mainstream jewellery. Chapter Three analyses specific examples of contemporary South African avant-garde jewellery in the light of the above-mentioned distinctions. Works are considered in relation to the transgression of material, the transgression of taste, the transgression of integrity of form and the integration of narrative and parochial content and attempts to demonstrate that an appropriate critical posture in regard to such jewellery is art, rather than craft-relevant. In Chapter Four general influences regarding themes and concepts apparent in the author's body of practical work are discussed. An annotated catalogue supplements the general discussion.
AFRIKAANSE OPSOMMING: CONTEMPORARY AVANT-GARDE JEWELLERY IN SOUTH AFRICA Hierdie studie ondersoek die dinamika en karaktereienskappe van neoavant- garde juweliersware, met spesifieke verwysing na kontemporêre Suid-Afrikaanse neo-avant-garde juweliersware. In Hoofstuk Een word die terme "avant-garde" en "neo-avant-garde" beskryf. Die doel hiervan is om uiteindelik die omvattende gebruike en definisies van hierdie terme (met betrekking op kontemporêre estetika) vas te lê. Hoofstuk Twee gee 'n oorsig aangaande die redes vir- en implikasies van fisieke versiering. Die ontwikkeling, invloede en aard van neo-avant-garde juweliersware word bespreek en gekontrasteer met komersiêle jeweliersware. In lig van die bogenoemde onderskeidings verwys Hoofstuk Drie na spesifieke Suid-Afrikaanse voorbeelde van neo-avant-garde juweliersware. Hierdie voorbeelde word oorweeg in terme van hul oorskryding van tradisionele grense aangaande materiaalgebruik, smaak, integriteit van vorm en die integrasie van relaas. Die studie poog om die relevansie van neo-avant-garde juweliersware as kuns eerder as kunsvlyt te demonstreer. In Hoofstuk Vier word die outeur se praktiese werke bespreek deur middel van 'n geannoteerde katalogus. Die katalogus word voorafgegaan deur 'n bespreking van invloede, temas en konsepte van die deurlopende ooreenkomste in die outeur se werke verduidelik.
Nicholls, Tracey. "It does too matter : aesthetic value(s), avant-garde art, and problems of theory choice". Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100665.
Pełny tekst źródłaCooper, Allison Ann. "Disanimate modernism literature, painting and aesthetics in wartime and post World War I Italy /". Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1693038441&sid=7&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Pełny tekst źródłaGao, Minglu. "The '85 Movement Avant-garde art in the post-Mao era /". online access from Digital dissertation consortium, 1999. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9960497.
Pełny tekst źródłaAttwood, Adam Imbrogno. "Aesthetic literacy through the avant-garde| Establishing an aesthetically responsive curriculum". Thesis, Washington State University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3715154.
Pełny tekst źródłaThe purpose of this exploratory case study is to identify, develop, and posit an aesthetically responsive curriculum theory as a praxis approach for preparing K-8 pre-service teachers in aesthetic literacy throughout their teacher education program. I explore two approaches in the literature that have thus far consisted of the (1) practitioner and (2) theorist models of arts-integration. In this study, these two approaches are fused together as a praxis to posit a solution to the problem of the arts being removed from the curriculum in times of budget cuts. From my analysis of the survey data from pre-service K-8 teachers (n = 37 in 2012; n = 34 in 2014) and my analysis of a broad selection of the literature in curriculum theory, aesthetics, and teacher education, I developed what I call archeophisomorphic (ArchPM) theory for a praxis model of arts-integration for social studies in particular. I designed an ArchPM-based curriculum product in the form of an illustrated book as an example to begin implementing a new aesthetic literacy through the integration of the arts into social studies and language literacy. Through this theory-driven practice of aesthetic literacy development, teacher educators may foster exploration of aesthetics as an applied philosophical inquiry in which its application is in the form of curriculum products for teaching aesthetic literacy.
Parrino, Francesco. "Between the avant-garde and fascist modernism : Alfredo Casella's aesthetics and politics". Thesis, Royal Holloway, University of London, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.544134.
Pełny tekst źródłaMao, Jianxiong. "A study about the "cultural orientation" in Chinese avant-garde art". Morgantown, W. Va. : [West Virginia University Libraries], 2000. http://etd.wvu.edu/templates/showETD.cfm?recnum=1346.
Pełny tekst źródłaTitle from document title page. Document formatted into pages; contains iii, 50 p. : ill. (some col.). Includes abstract. Includes bibliographical references (p. 35-36).
Książki na temat "Avant-garde (aesthetics)"
Dietrich, Scheunemann, red. Avant-garde/Neo-avant-garde. Amsterdam: Rodopi, 2005.
Znajdź pełny tekst źródła1955-, Hopkins David, i Schaffner Anna Katharina, red. Neo-avant-garde. Amsterdam: Rodopi, 2006.
Znajdź pełny tekst źródłaM, Bercot, red. Avant-garde & modernité. Paris: Champion, 1988.
Znajdź pełny tekst źródłavan, Broekhuizen Dick, Teeuwisse Jan i Museum Beelden aan Zee, red. Xiānfēng!: Beeldhouwkunst van de Chinese avant-garde = Chinese avant-garde sculpture. Zwolle: Waanders, 2005.
Znajdź pełny tekst źródłaDugneanu, Paul, Nicolae Șarambei i Valentin F. Mihăescu. Romanian avant-garde: Anthology. Bucharest: The Foreign Languages Press Group "Romania", 1998.
Znajdź pełny tekst źródłaPindera, Agnieszka. The Avant-Garde Museum. Redaktor Muzeum Sztuki w. Łodzi. Lodz: Muzeum Sztuki, 2020.
Znajdź pełny tekst źródła1893-1952, Strzemiński Władysław, Centre Georges Pompidou, Muzeum Sztuki w. Łodzi i Haags Gemeentemuseum, red. Katarzyna Kobro, Wladyslaw Strzeminski: Une avant-garde polonaise = a Polish avant-garde. Paris: Centre Pompidou, 2018.
Znajdź pełny tekst źródłaOliva, Achille Bonito. Trans avant garde international. Milano: Giancarlo Politi, 1987.
Znajdź pełny tekst źródłaF, Kovtun E., i Gosudarstvennyĭ russkiĭ muzeĭ (Saint Petersburg, Russia), red. Russian avant-garde: The uncompleted chapters. [Saint Petersburg]: Palace Editions, 1999.
Znajdź pełny tekst źródłaManalili, Fatima. The avant-garde collection. Redaktor Orange County Museum of Art (Calif.). Newport Beach, California: Orange County Museum of Art, 2014.
Znajdź pełny tekst źródłaCzęści książek na temat "Avant-garde (aesthetics)"
Hanna, Kifah. "Gender Dialectics: Hudā Barakāt’s Aesthetics of Androgyny". W Feminism and Avant-Garde Aesthetics in the Levantine Novel, 95–123. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137545916_5.
Pełny tekst źródłaFielding, James Matthew. "Ethics and Aesthetics Are One: Wittgenstein and the Avant-Garde". W The Movement of Thought: Wittgenstein on Time, Change and History, 253–73. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-29261-3_6.
Pełny tekst źródłaArchambeau, Robert. "The Aesthetic Anxiety: Avant-Garde Poetics, Autonomous Aesthetics, and the Idea of Politics". W Art and Life in Aestheticism, 139–58. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230583498_9.
Pełny tekst źródłaHanna, Kifah. "Introduction". W Feminism and Avant-Garde Aesthetics in the Levantine Novel, 1–13. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137545916_1.
Pełny tekst źródłaHanna, Kifah. "The Vicious Cycle: Contemporary Literary Feminisms in the Mashriq". W Feminism and Avant-Garde Aesthetics in the Levantine Novel, 15–37. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137545916_2.
Pełny tekst źródłaHanna, Kifah. "The Gendered Subject: Literary Existentialism in Ghādah al-Sammān’s “Beirut Tetralogy”". W Feminism and Avant-Garde Aesthetics in the Levantine Novel, 39–67. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137545916_3.
Pełny tekst źródłaHanna, Kifah. "Saḥar Khalīfeh’s Resistance Literature: Toward a Palestinian Critical Realism". W Feminism and Avant-Garde Aesthetics in the Levantine Novel, 69–94. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137545916_4.
Pełny tekst źródłaHanna, Kifah. "Afterword". W Feminism and Avant-Garde Aesthetics in the Levantine Novel, 125–33. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137545916_6.
Pełny tekst źródłaColby, Georgina. "The Small Press, Avant-Garde Aesthetics and the Politics of Disidentification". W New Directions in Book History, 237–70. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-48784-3_12.
Pełny tekst źródłaHeuvel, Mike Vanden. "Good Vibrations: Avant-Garde Theatre and Ethereal Aesthetics from Kandinsky to Futurism". W Vibratory Modernism, 198–214. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137027252_10.
Pełny tekst źródłaStreszczenia konferencji na temat "Avant-garde (aesthetics)"
Menshikov, L. "AESTHETIC AND ART HISTORY APPROACHESIN THE METHODOLOGY OF GENRE-STYLE RESEARCH OF NEO-AVANT-GARDE ACTIONISM". W Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2551.978-5-317-06726-7/80-85.
Pełny tekst źródłaKolb, Fabian. "Tanztheater und filmische Ästhetik. Cineastische Einflüsse und Gestaltungsweisen in den Kompositionen für die Ballets Suédois 1920–1925". W Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.60.
Pełny tekst źródłaLus Arana, Luis M. "La Ligne Claire de Le Corbusier. Time, Space, and Sequential Narratives". W LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.814.
Pełny tekst źródłaDieckmann, Clare. "Jet Crossings: Flying Hybrid Machines Over Rose Bay Seaplane Airport (1938)". W The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. PLACE NAME: SAHANZ, 2023. http://dx.doi.org/10.55939/a5017p4oya.
Pełny tekst źródłaElias, Larissa, i Maria Luisa Garrido. "The conception of “fashion-sculpture” in Rei Kawakubo’s costumes for the choreography “Scenario”(1997)". W LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.118.
Pełny tekst źródłaCova Morillo, Miguel Angel De la. "Le Corbusier y Charles Lasnon: De las maquetas blancas de los Salones de Otoño a los plan-reliefs del nuevo urbanismo". W LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.729.
Pełny tekst źródłaRaporty organizacyjne na temat "Avant-garde (aesthetics)"
Klengel, Susanne. Pandemic Avant-Garde Urban Coexistence in Mário de Andrade’s Pauliceia Desvairada (1922) after the Spanish Flu. Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, grudzień 2020. http://dx.doi.org/10.46877/klengel.2020.30.
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