Gotowa bibliografia na temat „Automobile (New York, N.Y. : 1903)”

n 1956 se publicaba una novela muy especial, The Nun's Story, de Kathryn Hulme, que alcanzó el número uno de la lista de best-sellers del New York Times y que Hollywood adaptó al cine en 1959 con un director y una actriz principal excepcionales: Fred Zinnemann y Audrey Hepburn. Desde el demoledor análisis de Joseph Conrad, con su Heart of Darkness (1899, 1903) de los desmanes coloniales bajo la tutela del rey de los belgas Leopoldo II, sucedidos en torno a las orillas del río Congo, ninguna otra creación, inspirada en dicho río africano, había llegado a ser tan popular como la que nos ocupa. La España de finales de los años cincuenta no permaneció ajena a este fenómeno de sorprendente popularidad. La novela se tradujo en 1957 y en tan solo cuatro años conoció dieciséis ediciones. La película posterior se dobló y exhibió en las salas españolas de inmediato; traducción, recepción, novela popular, cine, Congo colonial.

Making modern science: a historical survey. By Peter J. Bowler and Iwan Rhys Morus. Chicago and London: University of Chicago Press, 2005. Pp. viii+528. ISBN 0-226-06861-7. $25.00.The morals of measurement: accuracy, irony and trust in late Victorian electrical practice. By Graeme J. N. Gooday. Cambridge: Cambridge University Press, 2004. Pp. xxv+285. ISBN 0-521-43098-4. L40.Victorian relativity: radical thought and scientific discovery. By Christopher Herbert. Chicago and London: University of Chicago Press, 2001. Pp. xv+302. ISBN 0-226-32733-7. $21.00.Engineering empires: a cultural history of technology in nineteenth-century Britain. By Ben Marsden and Crosbie Smith. Basingstoke and New York: Palgrave and Macmillan, 2005. Pp. xi+351. ISBN 0-333-77278-4. L58.The electric vehicle: technology and expectations in the automobile age. By Gijs Mom. Baltimore and London: Johns Hopkins University Press, 2004. Pp. xiii+423. $54.95.When physics became king. By Iwan Rhys Morus. Chicago and London: University of Chicago Press, 2005. Pp. xii+303. ISBN 0-226-54202-5. $25.00.Masters of theory: Cambridge and the rise of mathematical physics. By Andrew Warwick. Chicago and London: University of Chicago Press, 2003. Pp. xiv+572. ISBN 0-226-87374-9. $95.00.Over the past three decades, a growing number of historians of science and (to a lesser extent) historians of technology have offered compelling cultural histories that depict the inextricable links between the content of scientific and technological knowledge and the context in which it was created. Rather than assuming at face value that science is a trans-temporal body of knowledge, these historians describe the scientific enterprise as being culturally contingent. Most of the socio-cultural histories of science of the 1980s and 1990s were synchronic, focusing on various aspects of science and culture during a relatively short span of time. As important and successful as those studies were, a number of historians feared that the discipline was losing sight of the longue durée. Precisely because scientific theories and practices can be successful over long periods of time and throughout different cultures, micro-histories with a penchant for contextualizing, while necessary, seemed insufficient. The question was then raised: could the analytical tools and historiographies offered by these earlier microanalyses be applied diachronically? A number of recent works discussed in this review article have answered this question with a resounding ‘yes.’ By focusing on macro-historical themes, such as pedagogy, standardization, imperialism, credibility, and trustworthiness, these works detail the importance of science and technology to Victorian society, and illustrate how the social relations typical of the period shaped physical and technical knowledge.

The present writing was elaborated from speculations about possible encounters between philosophy, education and music. On the margins of music, where philosophy seeks some penetration, the theme of a supposed refusal to assimilation is announced, demanding the resumption of questions such as the permanence of a zone of indetermination not reached by the representational effort. This unavoidable opacity of the musical phenomenon moves it to a nocturnal dimension, a common destiny to everything that escapes the totalizing interests of a language committed to the objectifcation and nomination of things and of those conventionally called other. The nocturnal in philosophy and in music is object of reflections of Derrida and other thinkers, from which it is possible to glimpse a widening of the world, just where it is evident the merely formal character of the limits between what is said and unsaid, between what is human and what’s not. The text presented here includes some of these philosophical reflections, compared to musical creations that insinuate this nocturnal character, like those of Debussy. Additionally, possible consequences of the weakening of representational politics to subjectivation processes and alterity relations are highlighted, opening space for a thought about an education not compromised with the centrality of the human.ResumoA presente escrita foi elaborada a partir de especulações sobre possíveis encontros entre flosofa, educação e música. Nas margens da música, onde a flosofa busca alguma penetração, o tema de uma suposta recusa à assimilação se anuncia, exigindo a retomada de questões como a permanência de uma zona de indeterminação não alcançada pelo esforço representacional. Essa opacidade incontornável do fenômeno musical desloca-o para uma dimensão noturna, destino comum a tudo que escapa aos interesses totalizantes de uma linguagem comprometida com a objetivação e nomeação das coisas e dos que, a partir dela própria, se convencionou chamar de outros. O noturno na flosofa e na música é objeto de reflexões de Derrida e de outros pensadores, a partir das quais é possível vislumbrar uma ampliação do mundo, justamente onde se evidencia o caráter meramente formal dos limites entre o que é dito e não dito, entre o que é humano ou não. O texto aqui apresentado inclui algumas dessas reflexões filosóficas, cotejadas com criações musicais que insinuam esse caráter noturno, como as de Debussy. Adicionalmente, são destacadas possíveis consequências do enfraquecimento da política representacional para processos de subjetivação e relações de alteridade, abrindo espaço para um pensamento sobre educação não comprometido com a centralidade do humano.Keywords: Nocturne, Music, Philosophy, Subjectivation.Palavras-chave: Noturno, Música, Filosofia, Subjetivação.ReferencesBACHELARD, Gaston. A água e os sonhos: ensaio sobre a imaginação da matéria. Trad. Antonio P. Danesi. São Paulo: Martins Fontes, 1997.BULANCEA, Gabriel. Conexiones y divergencia entre el pensamiento de Claude Debussy y la estética impresionista y simbolista. Revista Filomusica, n.83, pp.1-4, abr.-jun. 2007.CABRERA, Honatan F. Dar la mano. Sobre algunos trazos y trances del poema en el pensamiento de la alteridade: Levinas, Celan, Derrida. 2013, 173f. Dissertação (Mestrado em Filosofia). Faculdade de Filosofia PUC-RS: Programa de Pós-Graduação em Filosofia, 2013.DERRIDA, Jacques. O animal que logo sou. Trad. Fábio Landa. 2ed. São Paulo: Editora Unesp, 2011.DERRIDA, Jacques. Cette nuit dans la nuit de la nuit… Rue Descartes, n.42, Politiques de lacommunauté, pp.112-127, nov.2003, Disponível em http://www.jstor.org/stable/40978797, acessado em 09/11/2015.DERRIDA, Jacques. A voz e o fenômeno: introdução ao problema do signo na fenomenologia de Husserl. Trad. Lucy Magalhães. Rio de Janeiro: Jorge Zahar Ed., 1994(a).DERRIDA, Jacques. “The Spatial Arts: An Interview with Jacques Derrida”. In: Deconstruction and the Visual Arts: Art, Media, Architecture. Ed. Brunette, Peter y David Willis. New York: Cambridge University Press, 1994(b).DERRIDA, Jacques. Points de suspension. Entretiens. Elisabeth Weber (org). Paris: Galilée, 1992.DERRIDA, Jacques. “Cequi reste à force de musique”. In: Psyché. Inventions de l’autre. Paris: Galilée, 1987.DURÁN, Cristóban. Una voz temblorosa. Música y auto-afección en Jacques Derrida. Aisthesis, n.58, pp.45-58, 2015.GRAY, P.M.; KRAUSE, B.; ATEMA, J.; PAYNE, R.; KRUMHANSL, C.; BAPTISTA, L. The Music of Nature and the Nature of Music. Science, v.291, n.5501, p.52-54, jan. 2001.GUIGUE, Didier. Estética da sonoridade: a herança de Debussy na música para piano do século XX. São Paulo: Perspectiva; Brasília: CNPq; João Pessoa: UFPB, 2011.HANDKE, Peter. Numa noite escura saí da minha casa silenciosa. Cruz quebrada, Portugal: Casa das Letras, 2006.HARARI, Yuval N. Sapiens: uma breve história da humanidade. Trad. Janaína Marcoantonio. Editora J&PM, 2015.JANKÉLÉVITCH, Vladimir. La musique et l’ineffable. Paris: Seuil, 1983.JOÃO DA CRUZ, São. Obras completas. Tradução das Carmelitas descalças de Fátima (Portugal) e Carmelitas descalças do convento de Santa Tereza (Rio de Janeiro). Petrópolis: Vozes, 2002.LAMUR, Jorge P. Entre a vanguarda e a tradição: considerações sobre dois momentos na obra musical de Claude Debussy (1894-1915). Curitiba: Faculdade de Letras e Artes, Universidade Federal do Paraná, 2010. Monografia.MALLET, Marie L. La musique en respect. París: Galilée, 2002.NIETZSCHE, Friedrich. Aurora: reflexões sobre preceitos morais. Tradução, notas e posfácio de Paulo César de Souza. São Paulo: Companhia das Letras, 2004.OLIVEIRA, Clovis S. G. Nietzsche e a experiência musical: três momentos, três luminosidades. Primeiro momento A música: espelho da noite. II Colóquio Internacional Nietzsche, Pessoa, Rosa, Freud. Belo Horizonte: PUC Minas Gerais, 2015(a).OLIVEIRA, Clovis S. G. Atributos privativos e musicais do fenômeno noturno. Aletria, Belo horizonte, v.25, n.1, pp.165-182, 2015(b).OLIVEIRA, Clovis S. G. O elogio à noite em Vladimir Jankélévitch (1903-1985). Mirabilia, n.20. Arte, crítica e mística, pp.414-424. Jan.-jun. 2015(c).RODRIGUES, Felipe V. Fisiologia da música: uma abordagem comparativa. Revista de Biologia, v.2, pp.12-17, jun.2008.SCHOPENHAUER, Arthur. O mundo como vontade e representação. Coleção Os Pensadores. São Paulo: Abril Cultural, 1980.SEEGER, Anthony. Por que os índios Suyá cantam para suas irmãs? In: VELHO, G. (Org.) Arte e Sociedade: ensaios de sociologia da arte. Rio de Janeiro: Zahar Editores, 1977.THOREAU, Henry D. Walden ou a vida nos bosques. Trad. Astrid Cabral. São Paulo: Ground, 2007.

В статье рассматривается история раскопок крупнейшей римской гробницы, а именно мавзолея императора Цезаря Августа. Основное внимание уделяется результатам недавних археологических работ и тому, как они повлияли на представление о памятнике. Гробница первого римского императора в пост-античную эпоху претерпела различные трансформации и неоднократные грабежи, в результате которых сильно пострадала. Памятнику находили практическое применение вплоть до 1930-х гг. За многовековую историю мавзолей использовали как каменоломню, крепость, которую не раз разрушали, виноградник, сад, амфитеатр для корриды, театр и концертный зал. Первые археологические работы на территории памятника проводились уже в XVI в. Именно с них начинается история исследования монумента и результаты, полученные тогда, до сих пор имеют большое значение для науки. На протяжении длительного времени после эпохи Ренессанса объект изучался только периодически, в связи с какими-либо строительными работами, проводившимися на его территории. Работы на памятнике активизируются с начала XX в. Масштабные раскопки состоялись в 1920-30-е гг. Их проведение диктовалось не научными целями: Бенито Муссолини стремился использовать римское наследие в своей пропаганде. Тем не менее, в результате проведенных работ мавзолей был не только освобожден от пост-античных наслоений, но полученные тогда результаты заложили современное представление о памятнике. Интерес к мавзолею возобновляется только через семьдесят лет. Непосредственным толчком было решение реконструировать мавзолей и площадь вокруг него. В результате раскопок, проведенных департаментом культурного наследия столицы Рима, были получены археологические данные, изменяющие взгляд на внешний облик монумента и позволяющие поставить точку в дискуссии по данному вопросу. Библиографические ссылки Agnoli N., Carnabuci E., Caruso G., Maria Loreti E. Il Mausoleo di Augusto. Recenti scavi e nuove ipotesi ricostruttive // Apoteosi. Da uomini a dei. Il Mausoleo di Adriano, Catalogo della Mostra / Eds. Abbondanza L., Coarelli F., Lo Sardo E. Roma: Munus, Palombi, 2014. P. 214–229. Albers J. Die letzte Ruhestätte des Augustus: Neue Forschungsergebnisse zum Augustusmausoleum // Antike Welt. 2014. №4. P. 16–24. Betti F. Il Mausoleo di Augusto. Metamorfosi di un monument // Mausoleo di Augusto. Demolizioni e scavi. Fotografi e 1928/1941 / Ed. F. Betti. Milano: Electa, 2011. P. 20–41. Borg B. Roman Tombs and the Art of Commemoration: Contextual Approaches to Funerary Customs in the Second Century CE. Cambridge: Cambridge University Press, 2019. 368 p. Boschung D. Tumumuls Iuliorum – Mausoleum Augusti // Hefte des Archäologischen Seminars der Universität Bern. 1980. №6. S. 38–41. Buchner E. Ein Kanal für Obelisken vom Mausoleum des Augustus in Rom // Antike Welt. Vol. 27. №3. S. 161–168. Carnabucci E., Agnoli N., Maria Loreti E. Mausoleo di Augusto. 2012. URL: http://www.fastionline.org/excavation/micro_view.php?fst_cd=AIAC_2307&curcol=sea_cd-AIAC_4480. Дата обращения 30.05.2020 Coletti C.M., Naria Loreti E. Piazza Augusto Imperatore, excavations 2007–2011: the late antiquetransformations // MAAR. 2016. № 61. P. 304−325. Collini M. A., Ciglioli G.Q. Relazione della prima campagna di scavo nel Mausoleo di Augusto // BCom.1926. №54. Р. 191−237. Davies P.J.E. Death and the Emperor: Roman Funerary Monuments from Augustus to Marcus Aurelius. Cambridge, New York: Cambridge University Press, 2000. 256 p. Diebner S. Tombs and Funerary Monuments // A Companion to the Archaeology of the Roman Republic / Ed. J. DeRose Evans. Malden: Wiley-Blackwell, 2013. P. 67−80. Fugate Brangers S. L. Political Propaganda and Archaeology: The Mausoleum of Augustus in the Fascist Era // International Journal of Humanities and Social Science 2013. № 3. Р. 126–135. Fugate Brangers S. L. The mausoleum of Augustus: expanding meaning from its inception to present day. PhD diss. Louissville, 2007. 220 p. Gatti G. Nuove osservazioni sul Mausoleo di Augusto // L'Urbe 1938. № 3. P. 1–17. Giglioli, G.Q. and A. M. Colini. II Mausoleo d'Augusto. Milan and Rome: Bestetti e Tumminelli, 1930. 51 p. Hase Salto M. A. von «L'augusteo» Das Augustusmausoleum im Wandel der Geschichte // Antike Welt. 1997. № 28. S. 297–308. Hesberg H., Panciera S. Das Mausoleum des Augustus. Der Bau und seine Inschriften. München: Bayerische Akademie der Wissenschaften, 1994. 199 p. Johnson M.J. The Mausoleum of Augustus: Etruscan and Other Infl uences on its Design // Etruscan Italy. Etruscan Infl uences on the Civilizations of Italy from Antiquity to the Modern Era / Ed. John F. Hall. Provo, 1996. P. 217–239. La Manna S., G. Caruso, Agnoli N., Carnabucci E., Loreti E., Documento preliminare alla progettazione. 2008 URL: http://sovraintendenzaroma.it/sites/default/fi les/storage/original/application/368fc32a188973a80557f3f49e3409f3.pdf. Дата обращения 28.05.2020. Lanciani R. Storia degli scavi di Roma e notize intorno le collezioni Romane di antichità. Vol. II. Roma: Ermanno Loescher&Co, 1903. 277 p. Lanciani R. The Ruins and Excavations of Ancient Rome. London: Mac Millan, 1897. 700 p. McFeaters, A. P. The Past Is How We Present It: Nationalism and Archaeology in Italy from Unifi cation to WWII // Nebraska Anthropologist. 2007. №33. P. 49–69. Mirabilia Romae e codicibus vaticanis emendate / G. Parthey (ed.). Berolini: in aedibus Frederici Nicolai, 1869. 85 p. Nash E. Pictorial Dictionary of Ancient Rome. Vol .I. London: A Zimmer Ltd., 1961. 532 p. Ortolani G. Ipotesi sulla struttura architettonica originaria del Mausoleo di Augusto // BCom. 2004. Vol. 105, P. 197–222. Parker J. 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A different name than English literature, ‘Anglo-Indian Literature’, was given to the body of literature in English that emerged on account of the British interaction with India unlike the case with their interaction with America or Australia or New Zealand. Even the Indians’ contributions (translations as well as creative pieces in English) were classed under the caption ‘Anglo-Indian’ initially but later a different name, ‘Indo-Anglian’, was conceived for the growing variety and volume of writings in English by the Indians. However, unlike the former the latter has not found a favour with the compilers of English dictionaries. With the passage of time the fine line of demarcation drawn on the basis of subject matter and author’s point of view has disappeared and currently even Anglo-Indians’ writings are classed as ‘Indo-Anglian’. Besides contemplating on various connotations of the term ‘Indo-Anglian’ the article discusses the related issues such as: the etymology of the term, fixing the name of its coiner and the date of its first use. In contrast to the opinions of the historians and critics like K R S Iyengar, G P Sarma, M K Naik, Daniela Rogobete, Sachidananda Mohanty, Dilip Chatterjee and Gayatri Chakravorty Spivak it has been brought to light that the term ‘Indo-Anglian’ was first used in 1880 by James Payn to refer to the Indians’ writings in English rather pejoratively. However, Iyengar used it in a positive sense though he himself gave it up soon. The reasons for the wide acceptance of the term, sometimes also for the authors of the sub-continent, by the members of academia all over the world, despite its rejection by Sahitya Akademi (the national body of letters in India), have also been contemplated on. References Alphonso-Karkala, John B. (1970). Indo-English Literature in the Nineteenth Century, Mysore: Literary Half-yearly, University of Mysore, University of Mysore Press. Amanuddin, Syed. (2016 [1990]). “Don’t Call Me Indo-Anglian”. C. D. Narasimhaiah (Ed.), An Anthology of Commonwealth Poetry. Bengaluru: Trinity Press. B A (Compiler). (1883). Indo-Anglian Literature. Calcutta: Thacker, Spink and Co. PDF. Retrieved from: https://books.google.co.in/books?id=rByZ2RcSBTMC&pg=PA1&source= gbs_selected_pages&cad=3#v=onepage&q&f=false ---. (1887). “Indo-Anglian Literature”. 2nd Issue. Calcutta: Thacker, Spink and Co. PDF. Retrieved from: http://www.jstor.org/stable/60238178 Basham, A L. (1981[1954]). The Wonder That Was India: A Survey of the History and Culture of the Indian Sub-Continent before the Coming of the Muslims. Indian Rpt, Calcutta: Rupa. PDF. Retrieved from: https://archive.org/details/TheWonderThatWasIndiaByALBasham Bhushan, V N. (1945). The Peacock Lute. Bomaby: Padma Publications Ltd. Bhushan, V N. (1945). The Moving Finger. Bomaby: Padma Publications Ltd. Boria, Cavellay. (1807). “Account of the Jains, Collected from a Priest of this Sect; at Mudgeri: Translated by Cavelly Boria, Brahmen; for Major C. Mackenzie”. Asiatick Researches: Or Transactions of the Society; Instituted In Bengal, For Enquiring Into The History And Antiquities, the Arts, Sciences, and Literature, of Asia, 9, 244-286. PDF. Retrieved from: https://archive.org/details/in.ernet.dli.2015.104510 Chamber’s Twentieth Century Dictionary [The]. (1971). Bombay et al: Allied Publishers. Print. Chatterjee, Dilip Kumar. (1989). Cousins and Sri Aurobindo: A Study in Literary Influence, Journal of South Asian Literature, 24(1), 114-123. Retrieved from: http://www.jstor.org/ stable/40873985. Chattopadhyay, Dilip Kumar. (1988). A Study of the Works of James Henry Cousins (1873-1956) in the Light of the Theosophical Movement in India and the West. Unpublished PhD dissertation. Burdwan: The University of Burdwan. PDF. Retrieved from: http://ir.inflibnet. ac.in:8080/jspui/bitstream/10603/68500/9/09_chapter%205.pdf. Cobuild English Language Dictionary. (1989 [1987]). rpt. London and Glasgow. Collins Cobuild Advanced Illustrated Dictionary. (2010). rpt. Glasgow: Harper Collins. Print. Concise Oxford English Dictionary [The]. (1961 [1951]). H. W. Fowler and F. G. Fowler. (Eds.) Oxford: Clarendon Press. 4th ed. Cousins, James H. (1921). Modern English Poetry: Its Characteristics and Tendencies. Madras: Ganesh & Co. n. d., Preface is dated April, 1921. PDF. Retrieved from: http://hdl.handle.net/ 2027/uc1.$b683874 ---. (1919) New Ways in English Literature. Madras: Ganesh & Co. 2nd edition. PDF. Retrieved from: https://archive.org/details/in.ernet.dli.2015.31747 ---. (1918). The Renaissance in India. Madras: Madras: Ganesh & Co., n. d., Preface is dated June 1918. PDF. Retrieved from: https://archive.org/details/in.ernet.dli.2015.203914 Das, Sisir Kumar. (1991). History of Indian Literature. Vol. 1. New Delhi: Sahitya Akademi. Encarta World English Dictionary. (1999). London: Bloomsbury. Gandhi, M K. (1938 [1909]). Hind Swaraj Tr. M K Gandhi. Ahmedabad: Navajivan Publishing House. PDF. Retrieved from: www.mkgandhi.org/ebks/hind_swaraj.pdf. Gokak, V K. (n.d.). English in India: Its Present and Future. Bombay et al: Asia Publishing House. PDF. Retrieved from: https://archive.org/details/in.ernet.dli.2015.460832 Goodwin, Gwendoline (Ed.). (1927). Anthology of Modern Indian Poetry, London: John Murray. PDF. Retrieved from: https://archive.org/details/in.ernet.dli.2015.176578 Guptara, Prabhu S. (1986). Review of Indian Literature in English, 1827-1979: A Guide to Information Sources. The Yearbook of English Studies, 16 (1986): 311–13. PDF. Retrieved from: https://www.jstor.org/stable/3507834 Iyengar, K R Srinivasa. (1945). Indian Contribution to English Literature [The]. Bombay: Karnatak Publishing House. PDF. Retrieved from: https://archive.org/details/ indiancontributi030041mbp ---. (2013 [1962]). Indian Writing in English. New Delhi: Sterling. ---. (1943). Indo-Anglian Literature. Bombay: PEN & International Book House. PDF. Retrieved from: https://archive.org/details/IndoAnglianLiterature Longman Dictionary of Contemporary English. (2003). Essex: Pearson. Lyall, Alfred Comyn. (1915). The Anglo-Indian Novelist. Studies in Literature and History. London: John Murray. PDF. Retrieved from: https://archive.org/details/in.ernet. dli.2015.94619 Macaulay T. B. (1835). Minute on Indian Education dated the 2nd February 1835. HTML. Retrieved from: http://www.columbia.edu/itc/mealac/pritchett/00generallinks/macaulay/ txt_minute_education_1835.html Mehrotra, Arvind Krishna. (2003). An Illustrated History of Indian Literature in English. Delhi: Permanent Black. ---. (2003[1992]). The Oxford India Anthology of Twelve Modern Indian Poets. New Delhi: Oxford U P. Minocherhomji, Roshan Nadirsha. (1945). Indian Writers of Fiction in English. Bombay: U of Bombay. 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