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Gotowa bibliografia na temat „Authors, Italian – 20th century – Biography”

Autor: Grafiati

Data publikacji: 29 lipca 2024

Data aktualizacji: 31 lipca 2024

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Artykuły w czasopismach na temat "Authors, Italian – 20th century – Biography"

Kusenko, Olga I. "St. Petersburg Bessarion of fin de siècle. (Review on A.A. Giovanardi “Pensare il confine. Vladimiro Zabughin tra Oriente e Occidente”. Roma: Edizioni di storia e letteratura, 2021. 274 p.)". History of Philosophy 28, nr 1 (2023): 140–45. http://dx.doi.org/10.21146/2074-5869-2023-28-1-140-145.

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The art historian Alessandro Giovanardi has recently published a monograph on one of the important representatives of the Russian religious-philosophical renaissance of the beginning of 20th century – Vladimir Nikolayevich Zabugin. This volume, written in Italian, aims to provide a comprehensive overview of Zabugin's intellectual biography, philosophical and aesthetic ideas and opens up a completely unknown corpus of the author’s works as well as the history of the reception of his heritage. The monograph underlines the contribution of Vladimir Zabugin in Italian and European humanitarian culture and defines his heritage as a rare synthesis of the finest erudition and Christian spirituality.

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Sergeev, Sergey. "At the origins of leningrad school of engineering psychology: Sukhodolsky Gennady Vladimirovich". Ergodesign, nr 1 (15.03.2022): 72–76. http://dx.doi.org/10.30987/2658-4026-2022-1-72-76.

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The scientific biography and the role of Professor Sukhodolsky Gennady Vladimirovich in forming and developing Leningrad School of Ergonomics and Engineering Psychology in the 80s of the 20th century are considered. The circle of authors who formed the core of Leningrad (St. Petersburg) scientific school of engineering psychology and ergonomics is outlined.

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Pilipetchi, Serghei. "THE BIOGRAPHY OF M. CEBOTARI IN MONOGRAPHIC STUDIES". Studiul artelor şi culturologie: istorie, teorie, practică, nr 1(42) (sierpień 2022): 43–48. http://dx.doi.org/10.55383/amtap.2022.1.08.

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The article contains information about the monographic studies, which investigate the biography of the outstanding singer and film actress of the first half of the 20th century - Maria Cebotari. This subject constituted a field of research both for the authors of monographs contemporary to the prima donna and those of our days - representatives of different countries and specializations. In this context, the most important of their works (books, brochures, articles), which have scientific value are described and analyzed. Although M. Cebotari`s biography is widely presented, it can be supplemented with new investigations, thanks to the immense artistic heritage of the diva.

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Peset, José Luis. "Mad houses, Writing and Madness in the Spanish Silver Age". Culture & History Digital Journal 11, nr 1 (21.06.2022): e012. http://dx.doi.org/10.3989/chdj.2022.012.

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The authors of naturalism and the avant-garde in Spain attach great importance to illness and especially mental illness and mad houses. The vision of the mental asylum is presented in the literary mirrors of three authors - with very different biography - who wrote in the first decades of the 20th century, in their writings the presentation of the asylum, considered successively as punishment, as experience and as liberation, is changing. Antonio Hoyos y Vinent, Alfonso Vidal y Planas and Andrés Valentín Álvarez y Álvarez are mainly studied.

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Andrei, Paolo, C. Richard Baker i Massimo Sargiacomo. "Public Sector Accounting in Italy at the Beginning of the 20th Century: The Contributions of Fabio Besta". Accounting Historians Journal 44, nr 1 (1.06.2017): 35–50. http://dx.doi.org/10.2308/aahj-10521.

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ABSTRACT The 19th century and the first decades of the 20th century were particularly important for the development of accounting theory. Various accounting historians have emphasized the key role of Italian scholars during this period (Amaduzzi 2001; Bariola 1897; Ceccherelli 1915; Luchini 1898; Melis 1950). One of the most important of these scholars was Fabio Besta. This paper presents both a biography of Fabio Besta and a discussion of his contributions to accounting thought. There are two primary motivations for this paper; namely (1) to contribute to the biographical strand of accounting history research, and (2) to develop a better understanding of the history of public sector/state accounting. Besta is acknowledged as one of the most important Italian scholars of the accounting discipline. His work, focusing on public administration, is remarkable for its clarity and depth, and it is of particular interest today for researchers of business and management, especially with regard to those aspects that differentiate private sector from public administration. Over a century after his death, Besta's work continues to be of great interest. In fact, the debate concerning accounting methods in the public sector has not yet been completely resolved, with the process of change from cash-based to accrual-based accounting still taking place in many countries.

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Piskurewicz, Jan. "Roman Pollak (1886–1972) i jego rola w rozwoju stosunków naukowych i kulturalnych polsko-włoskich". Kwartalnik Historii Nauki i Techniki 67, nr 3 (3.10.2022): 43–90. http://dx.doi.org/10.4467/0023589xkhnt.22.023.16326.

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Roman Pollak (1886–1972) and His Role in the Development of Polish-Italian Scientific and Cultural Relations This article characterizes the biography and endeavors of Roman Pollak (1886–1972) – an outstanding Polish literary scholar who also contributed greatly to the development of Polish-Italian scientific and cultural relations in the 20th century. His interest in Italian culture manifested itself at an early age, and he later expressed it in his scientific work. During the interwar period, he was a professor of Polish Language and Literature at the University of Rome and a delegate of the Ministry of Religious Affairs and Public Education to Italy. During his service, he contributed to the revival of the existing polonophile circles and institutions in Italy, as well as the creation of many new ones, which also operated after World War II. The year 2022 marks the 50th death anniversary of Pollak.

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Alekseev, Оleksii. "Rural memoirs of Southern Ukraine of the 20th century : prosopographic approach". Universum Historiae et Archeologiae 4, nr 1 (25.12.2021): 147. http://dx.doi.org/10.15421/26210402.

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The aim : to consider the application of prosopographic approaches in the study of biographies of authors of peasant memoirs in order to identify common features that laid the conditions for the emergence of memoir practices among the peasants of the Southern Ukraine in the 20th century; to analyze the potential of prosopography for researching general processes. The article considers the application of the prosopographic method to the study of biographies of authors of peasant memoirs in order to identify common features that created conditions for the emergence of memoir practices among the peasants of southern Ukraine in the twentieth century. Modern historical science suggests that individuals having their own little life stories are present behind all processes and events. New directions and principles of historical research are becoming increasingly important. The prosopographic method is one of them. Under prosopography we understand the scientific method of studying individual biographies of authors of historical sources in order to create a “collective biography” of a certain social group on their basis. Methods: analytical, historical, comparative, system-structural. The article author uses methods of specific scientific activity, empirical research and general logic. Practical meaning: recommended for use by scholars for historical research; provides opportunities for the use of this issue in theoretical and methodological and source studies. Originality: research, in particular on the choice of research source base and methodology of its analysis. Scientific novelty: creation of a collective portrait of a peasant author of a memoir source. Conclusions: on the basis of the analysis with the involvement of prosopographic research methods we have the opportunity to create a conditional collective portrait of a peasant of the Southern Ukraine of the twentieth century, the author of the memoir. When creating a “biography” of a peasant author, the following features are distinguished: common social origin, primary education, teaching and educational skills, psychological characteristics, propensity for creative activity, external influences. The materials collected by the researchers from the Zaporizhzhia branch of the NASU Institute of Ukrainian Archaeography and Source Studies named after M. S. Hrushevsky and the History Faculty of the Zaporizhzhia National University and published as a part of collections titled “Sources on the History of the Southern Ukraine”, “Antiquities of the Southern Ukraine” and “Ascension Antiquities”, are used as sources in the analysis. The purpose of the current investigation is to identify the causes and conditions that prompted particular peasants of the Southern Ukraine to create their own historical narrative – memoirs. Another goal is to create a “collective portrait” of an average author using prosopographic methods. The article investigates through the analysis of biographies the background of peasant authors, which singled them out from the general mass of peasants. It also highlights an “average author” as a “historical figure” and analyzes his attribution to a particular era, place, social group and culture. The use of prosopographic methods in the study of biographies of Southern Ukrainian peasants, who distinguished themselves by creating their own memoirs, allows to determine those aspects of the era and the position of the little man who chose to create their own historical excursions contrary to general trends and understanding the risks of totalitarian system. The creation of prosopographical (collective biographies) portraits of peasant authors is a very important component of the reproduction of general processes that created the conditions for the emergence of peasant narrative sources. The author tries to highlight the modern era in all its aspects through the prism of individual biographies and works of peasant authors. Type of article: scientific and theoretical.

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Ślarzyńska, Małgorzata. "W lustrze przekładu. Translatorska biografia Cristiny Campo". Experimental Translation, nr 47 (2024): 147–64. http://dx.doi.org/10.4467/16891864pc.23.020.18851.

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The subject of this article is the translation work of the Italian writer Cristina Campo (born Vittoria Guerrini), one of the most prominent Italian writers of the 20th century, poet, translator, and essayist, analysed in a biographical key. The aim is to look more closely at Cristina Campo’s biography – described so far in the only biography book (De Stefano 2002), but also recorded in the voluminous correspondence the writer left behind – through the framework of her translation activity. Of interest from this point of view become both her translation choices and reading choices (“the lovely kinsmen of the shelf,” as the writer called her favourite books) – related to a large extent to Campo’s literary temperament, her experiences in her private life, and her friends – as well as her choice of translation activity itself, largely conditioned by the need to spend a large part of her life in seclusion due to the incurable heart disease that Campo suffered from since her birth. An attempt will be made to answer the question of how illness and other life circumstances influenced her choice of translation activity, the selection of texts to be translated and the translator’s actual working conditions.

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Satkauskytė, Dalia. "The Biography of a Writer as an Argument in (De)Canonisation". Colloquia 53 (4.07.2024): 15–32. http://dx.doi.org/10.51554/coll.24.53.02.

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Despite the conception of the author’s death that was prevalent in the second half of the 20th century, the author’s biography always intervenes indirectly in the canonisation process, either a priori, as an additional argument for canonisation (e.g. participation in the national movement), or a posteriori, when the canonised author acquires, according to Yuri Lotman, the right to a biography. Moreover, biography becomes a significant factor in cases of revising and rewriting the canon, especially when it is related to political changes in society, e.g. in forming a Socialist Realist canon or the case of its radical deconstruction. The focus on biographical texts and authors’ biographies increases significantly in the 21st century, when literature itself tries to erase boundaries between fictional and biographical, and literary scholars discuss whether it is possible to separate the author from his or her work in the contexts of the historical memory and cancel culture. In this theoretical and historical framework, I discuss the role of the biography in the canonisation and decanonisation of a writer, and consider how these processes and the shift in the cultural paradigm influence interpretations of writers’ biographies.

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Nhaueleque, Laura António, i Luca Bussotti. "The Conceptualisation of Africa in the Catholic Church". Social Sciences and Missions 32, nr 1-2 (3.05.2019): 148–76. http://dx.doi.org/10.1163/18748945-03201004.

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Abstract This article aims to show the evolution of the conceptualisation of Africa according to the Catholic Church, using as its key references Daniele Comboni and Adalberto da Postioma, two Italian missionaries who lived in the 19th century and 20th century respectively. Through them, the article attempts to interpret how the Catholic Church has conceived and implemented its relationships with the African continent in the last two centuries. The article uses history to analyse the thought of the two authors using a qualitative and comparative methodology.

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Rozprawy doktorskie na temat "Authors, Italian – 20th century – Biography"

Killinger, Margaret O'Neal. "Helen Knothe Nearing: A Biography". Fogler Library, University of Maine, 2004. http://www.library.umaine.edu/theses/pdf/KillingerMON2004.pdf.

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Diffley, Paul Brian. "Paolo Beni : a biographical and critical study". Thesis, University of Oxford, 1986. http://ora.ox.ac.uk/objects/uuid:fcd4391e-4bfc-41bb-abbd-37ae4ba33158.

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The thesis is divided into three parts. Part One treats Beni's life and works from his birth in 1553 to 1604. His birth, his ancestry, his early education, his early careers, his Jesuit career and its aftermath are described from documentary evidence. His works of this period, most of which are inextricably connected with his life, are also briefly treated, Part Two narrates the events of the remainder of his life: his writing, his teaching, his publishing, his polemical writing, his relationship with his family, his last illness and death. Part Three provides a more ample critical assessment of his major writings after 1604, grouped according to subject-matter. Chapters are devoted to his criticism of Tasso, to his linguistic writings, to his theory and practice of poetry, history and rhetoric. The conclusion summarizes the pattern of his life and reassesses his importance. The Bibliography is divided into two parts. The first contains Beni's writings in three sections: (a) published works, with a note on the Opera omnia; (b) MS works; (c) a chronological reference list of his (mostly unpublished) letters. Part Two contains all other works consulted, MS and printed.

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Kirton, Teneille. "Racial exploitation and double oppression in selected Bessie Head and Doris Lessing texts". Thesis, University of Fort Hare, 2010. http://hdl.handle.net/10353/232.

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During the era of discrimination and disparity in Southern Africa, racial inequality silenced many black writers. It was the white authors that dominated the literary environment presenting their biased views on social and political concerns; the black authors standpoints were seen as unimportant and they were deemed inferior to the white authors. Consequently, it was particularly difficult for black writers to voice their experiences of living in a society riddled with oppression, prejudice and unequal opportunities. The purpose of this study is to critically compare selected texts by African authors Doris Lessing and Bessie Head, which depict the political and social struggles within Southern African society during the era of unequal opportunities. Lessing and Head’s works present incidents of life experiences in Southern Africa from two contrasting viewpoints. The selected texts explored are: The Grass is Singing and “The Old Chief Mshlanga” by Doris Lessing, a white author, in contrast and comparison to the texts: A Question of Power and “The Collector of Treasures” by Bessie Head, a coloured author. The research for this thesis is conducted from an ethnic literary perspective with careful consideration to critical race theory and cultural studies. From this perspective, the focus of the study is on the struggles that affected both the victim and perpetrator during the apartheid era as well as on the idea that those in power determined what was deemed acceptable and unacceptable, behaviourally and ideologically. Specifically, the plight experienced by the female characters living in a patriarchal society, and the segregation and racial inequality faced by the characters of colour is explored by analysing these characters’ influences, pressures and societal manipulations and constraints in the texts. Thus, this study will provide a more in-depth understanding of Southern African society during the apartheid era and the strategic use of literature to spotlight the subjugation and disparity.

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Hans, Birgit. "Surrounded: The fiction of D'Arcy McNickle". Diss., The University of Arizona, 1988. http://hdl.handle.net/10150/184452.

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This study of D'Arcy McNickle (1904-1977) focuses primarily on his literary work: his two novels, The Surrounded (1936) and Wind from an Enemy Sky (1978), the manuscript versions of the two novels, and his short fiction. McNickle regarded fiction as a vehicle to explore his own identity as an American Indian. Of mixed French-Cree-American ancestry McNickle grew up on the Flathead Reservation in western Montana. Cut off from the Reservation and its traditions by a rather unhappy childhood, he struggled throughout his life to reestablish the severed bonds to his roots. In addition to this personal involvement in his fiction, McNickle also considered fiction a proper medium for writing tribal history, one that could include such diverse materials as oral tradition, literature, history, anthropology, etc. The first three chapters of the dissertation provide some background information on the Flathead tribal history, as well as the problems and prejudices McNickle encountered while growing up as a "breed," which led to a rejection of his American Indian heritage. This section ends with a consideration of his pivotal years in New York City when he started to rethink his earlier experiences and took the first step on his journey back to his tribal roots. The middle section, chapter four, gives a brief summary of McNickle's activities during the years he was involved with federal Indian policy. Even though McNickle did not work on any new fiction during those years, he continued his journey in a more detached way through non-fiction and biography. The last two chapters of the dissertation, the final stage of his journey, analyzes McNickle's disassociation from the abstract policies of the Bureau of Indian Affairs and how he turned to fiction once more in order to complete the painful but successful journey back to his tribal roots.

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Hoenle, Sandra Vivian Berta. "Walter Benjamin : the production of an intellectual figure". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape3/PQDD_0021/NQ48647.pdf.

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Mbatsha, Thembisa. "A critical analysis of the screen adaptation of Saule’s Unyana womntu". Thesis, University of Fort Hare, 2012. http://hdl.handle.net/10353/d1018674.

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This research will concentrate on various aspects of the screen adaptation of “Unyana womntu” (Saule, 1989). This study comprises of six chapters. In Chapter 1 of this study, the research aims and objectives are formulated. The research methods that are to be followed will involve a thorough reading of the written text, as well as a comprehensive repetitive viewing of all the episodes of the screen version. In the final part of Chapter 1, background information is provided on the personal life of the author as well as on his contributions to the African literary tradition. Background information on the production of the screen version is also provided. In the Chapter 2, the theoretical aspects of the phenomenon of literary adaptation are discussed. This discussion provides a framework for the analysis of the adaptation of “Unyana womntu” (Saule, 1989) in the remaining chapters of this study. The aim of this chapter is to identify and discuss the most important principles which come into play when the written text is adapted into a screen production. Since the screen production belongs to the genre of the performing arts, this chapter is introduced with a discussion on the performing arts and on the drama, in particular. The section will be concluded with a discussion on the different sub-types of the drama which can be found, including the screen production. The main emphasis is on an analysis of the basic features and principles of the drama in screen format. Since the screen play Unyana Womntu (1998) is based upon a novel by the same title, the literary features of the novel are to be discussed here as well. The specific features of the Xhosa novel will also receive attention.

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Li, Boting, i 李博婷. "Leonard Woolf: towards a literarybiography". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B45697735.

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Muchena, Kudakwashe Christopher. "Dambudzo Marechera: a psychobiographical study". Thesis, Nelson Mandela Metropolitan University, 2013. http://hdl.handle.net/10948/d1020777.

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Marechera the Zimbabwean writer, poet and novelist emerged in the late 1970s as a new voice in African literature, but his writing career lasted less than a decade. It was his iconoclastic, dense style that expressed the psychological disintegration prevalent in Africa during this period and challenged the central beliefs of both the nationalist and post-independence eras. Defying the limitations of nationality, race and culture, Marechera’s writing explores universal issues, particularly urban existence in the late twentieth century. Marechera’s life and work were closely linked. His outspoken views and unorthodox lifestyle brought him into frequent conflict with the authorities and contributed to him being perceived as a cult figure. Through his work and personality he became a major inspiration and role model for the younger generation of writers in Zimbabwe and other African countries. The present study is a psychobiographical case study with the primary aim being to explore and describe the personality development of Dambudzo Marechera (1952-1987) using Alfred Adler’s theory of Individual Psychology. It was through the use of a theory of psychological development that a better understanding of Marechera’s personality, based on his cultural and historical background was achieved and a new interpretation and explanation was reported. The findings of the study can be generalised to the theory of individual psychology through the process of analytical generalization.

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Greenshields, Mary Clare, i University of Lethbridge Faculty of Arts and Science. "The Amazon in the drawing room : Natalie Clifford Barney's Parisian salon, 1909-1970 / Mary Clare Greenshields". Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of English, c2010, 2010. http://hdl.handle.net/10133/2606.

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This thesis is organised into two chapters and an appendix. The first chapter explores the significant American expatriate movement in France in the early part of the twentieth century, in an effort to answer the question ―Why France?‖ The second chapter examines the life and work of Natalie Clifford Barney, an American expatriate writer in Paris, who wrote predominantly in French and ran an important weekly salon for over sixty years. Specifically, her aesthetic and subject matter, her life, and her fraught publishing history are considered. The appendix is a translation of Barney's 1910 book of aphorisms entitled Éparpillements.
v, 110 leaves ; 29 cm

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O’Neill, Patrick Nathaniel. "Paul Solanges : soldier, industrialist, translator : a biographical study and critical edition of his correspondence with Antonio Fogazzaro and Henry Handel Richardson". Monash University. Faculty of Arts. School of Languages, Cultures and Linguistics, 2007. http://arrow.monash.edu.au/hdl/1959.1/53105.

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Paul Solanges was one of the most prolific (in correspondence) and enthusiastic fans of Australian author Henry Handel Richardson (HHR). What was it about him that made HHR invest so much time in his translation of her novel, and to what extent can credence be given to the self-portrait in his letters? This thesis reveals his illegitimate royal background, considers his early career as a cavalry officer in North Africa and in the Franco-Prussian War, and describes his long career as manager of the gasworks in Milan. It also portrays in detail his other life as a translator of songs, short stories and operas from Italian to French. Finally, it compares his relationship with Italian novelist Antonio Fogazzaro to his relationship with HHR. A critical edition of Solanges’s correspondence with Fogazzaro and HHR offers the reader a privileged insight into the life and character of this Franco-Italian littérateur.

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Książki na temat "Authors, Italian – 20th century – Biography"

Lussu, Joyce. Joyce L.: Una vita contro : diciannove conversazioni incise su nastro. Milano: Baldini & Castoldi, 1996.

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Ballestra, Silvia. Joyce L.: Una vita contro : diciannove conversazioni incise su nastro. Milano: Baldini & Castoldi, 1996.

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Siciliano, Enzo. Vita di Pasolini. Firenze: Giunti, 1995.

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Siciliano, Enzo. Vita di Pasolini. Firenze: Giunti, 1995.

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Gardaphe, Fred L. Italian signs, American streets: The evolution of Italian American narrative. Durham, N.C: Duke University Press, 1996.

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name, No. Breaking open: Reflections on Italian American women's writing. West Lafayette, IN: Purdue University Press, 2003.

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editor, Palma Claudia, Schiaffini, Ilaria, 1968- writer of supplementary textual content i Caratozzolo, Vittoria Caterina, writer of supplementary textual content, red. L'Italia esplode: Diario dell'anno 1952. Roma: Viella, 2014.

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Bredeson, Carmen. American writers of the 20th century. Springfield, N.J., U.S.A: Enslow Publishers, 1996.

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Wedel De Stasio, Giovanna, 1953-, Cambon Glauco i Illiano Antonio, red. Twentieth-century Italian poets. Detroit: Gale Research, 1993.

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Campo, Cristina. Lettere a un amico lontano. Wyd. 2. Milano: Libri Scheiwiller, 1998.

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Części książek na temat "Authors, Italian – 20th century – Biography"

Banjanin, Ljiljana. "Una slavista italiana dimenticata. Umberta Griffini, traduttrice, mediatrice e scrittrice". W Biblioteca di Studi Slavistici, 329–41. Florence: Firenze University Press, 2018. http://dx.doi.org/10.36253/978-88-6453-723-8.27.

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Umberta Griffini (1880-1956) may be considered one of the most important figures in Italian Serbo-Croatian Studies before these were formally established. Although she spent a decade, at the beginning of the 20th century, vigorously disseminating Serbian literature, in numerous writings, reviews and a large number of translations of Serbian authors, her work has received insufficient scholary attention. The aim of this article is to shed some light on an interesting woman who was atypical in the Italian cultural panorama of the first decade of the 20th century.

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Haroutyunian, Sona. "Cultural Translation and the Rediscovery of Identity". W Diaspore. Venice: Edizioni Ca' Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-396-0/025.

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This paper aims to underline how hidden selves rediscover their identity when they are translating or are being translated into the language of their ethnic origin. It compares two specific instances in which translations have been the primary means through which two famous Italian women writers, both of whom received thoroughly Italian formal educations and considered themselves thoroughly Italian, or “thoroughly translated women into Italian” to recall Rushdie, rediscovered their Armenian identity. The authors are the late 19th and early 29th century Italian-Armenian poetess Vittoria Aganoor and the late 20th and early 21st century novelist Antonia Arslan.

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Barberio, Michele Gabriele, i Donata Ippolito. "La letteratura spagnola nelle riviste italiane del secondo Novecento Verso un primo censimento". W Biblioteca di Rassegna iberistica. Venice: Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-459-2/008.

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This article examines the results of a research conducted within Italian literary journals of the second half of the 20th century, with the aim of verifying the presence of Spanish-speaking literature in the Italian literary field of journals. The presence of Spanish and Spanish-American literature in this cultural field could be, in fact, indicative of a greater or lesser reception of such authors by the Italian public and cultural agents. After a brief presentation of the applied methodology, the results of the research will be discussed.

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Botteschi, Carolina. "Italian Women Writers Between Femininity and “Feminism”: From the Unification of Italy to the Twentieth Century". W Femininity and Masculinity in the Modernist Culture: Russia and Abroad, 334–48. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/978-5-9208-0740-3-334-348.

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Examining the traits of the female characters offered by a number of prominent women writers in a specific space-time interval of civilisation contributes to identifying the potential relations between the female characters created by women writers and the literary tradition, the historical context and the mentality of an era, which in this case characterise post-Unification Italy and the first decades of the 20th century. Given the distinctive historical and cultural environment in which the Italian women writers of those decades were active, and based on the dichotomous representation of women (“the woman-angel” figure vs the “femme fatale”) in literature, an overview of their experience from the perspective of the “women’s question”, inextricably linked to the “social question”, is presented. In the post-Unification period, writing provided an opportunity for Italian women authors to rethink, and not only from a literary angle, women’s role in the newly-formed society. Through the study of a select group of women writers, an attempt is made to provide a picture of what can be defined as “the Italian interpretation of emancipation and ‛feminism’.” Although there was a small group of women authors who were not afraid to overtly fight for the “women’s question”, demanding for their fellow countrywomen the right to civic engagement in the making of the “new Italy”, in most cases women writers favoured taking, at least outwardly, more conservative stances, only to then present authorial choices that make one wonder whether they had not decided to challenge the system from within.

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Fabiani, Anita. "Spagne di fine millennio". W Biblioteca di Rassegna iberistica. Venice: Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-459-2/007.

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This article offers a survey on how Spain is discussed in the Italian press in the second half of the 20th century (the time of Franco’s death, the Transición period, the newly born democracy). In particular, newspapers such as La Repubblica and L’Unità will be analysed, as their interest for Spanish culture and literature was continuous over the years. The analysis concentrates on the press, rather than on institutional discourse and academic criticism, in order to better trace the patterns of Italian cultural reception of Spanish topics, especially when intellectuals (such as Marcoaldi) and journalists decide to ‘report on’ and ‘narrate’ Spain’s literary identity. The essay analyses a selection of articles by a number of different authors, to make perceptible the polyphonic effect of the various ‘Spains’.

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Bogdanova, Olga A. "Fyodor Dostoevsky’s Novel The Adolescent in the Research of Russian Authors of the First Half of the 20th Century: An Analytical Review". W Dostoevsky’s Novel The Adolescent: Current State of Research, 687–764. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0677-2-687-764.

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The history of the perception of Fyodor Dostoevsky’s novel The Adolescent in the first half of the 20th century is divided into two qualitatively different periods: the Silver Age and the 1920s-1940s. The peculiarity of the first one is the discovery of Dostoevsky as a philosopher and religious thinker, while the second is characterized by the awareness of him as an original artist. Therefore, in the first period, “ideological” and “spiritual” interpretations of The Adolescent prevailed (D.S. Merezhkovsky, V.F. Pereverzev, N.A. Berdyaev, and others), in the second — scientific studies of his poetics and especially of the manuscript corpus (V.L. Komarovich, A.L. Bem, G.I. Chulkov, A.S. Dolinin, and others). The development of the main areas of study of The Adolescent in the 1920s and 1940s (biography, psychoanalysis, and poetics) is considered in chronological order. There is no clear distinction between Soviet and emigrant researchers, although it is stated the difference in the conditions in which they worked. Among more than three dozen works with subtle observations, compelling intuitions, and important discoveries, the article recognizes the peak of the study of The Adolescent during these years in the chapter dedicated to the novel in the book Dostoevsky. Life and Creativity (1947) by the emigrant scholar Konstantin Mochulsky. The work, nourished by almost the entire research discourse on both sides of the USSR border, combines religious-philosophical and formal-aesthetic approaches to the novel and offers a holistic view of its problems; nevertheless, it is free from traces of the ideological coercion that Soviet scientists experienced in the 1930s and 1940s.

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De Michelis, Cesare G. "Gorky at the Origins of Futurism". W Maxim Gorky and World Culture: A Collection of Scientific Articles (Materials of the Gorky Readings 2018 “World Value of M. Gorky (on the 150th Anniversary of the Birth)”, 104–16. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0693-2-104-116.

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At the beginning of the 20th century M. Gorky’s reputation was growing, most of all between the younger authors: A. Beltramelli made a literary falsification and published his novel Fedor Dobriski as his own translation of a Gorky novel. Early, in 1902, Gian Pietro Lucini drew one of the first Gorky’s portrait, and few years later he wrote with I. Cappa the drama Il tempiodella Gloria (1905), describing him as the ruler of the coveted synthesis between political and artistical revolution. When in Italy, Gorky met many italian intellectuals, also Beltramelli; Lucini, who was one of the first supporter of Marinetti, passed to the latter the idea of Gorky as a rebell, and also A. Gramsci spoked of the Marinetti’s destroing capacity as his more relevant feature. Gorky knew Lucini and Beltramelli, also Pascoli, d’Annunzio, but he was not engaged with futurism: it would had been possible, but didn’t happened, and this opportunity is a few studied question of the modernism.

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Streszczenia konferencji na temat "Authors, Italian – 20th century – Biography"

Mazzola, Ettore Maria. "Implementing the lesson of early 20th century traditional buildings for a real sustainability. The examples of Corviale (Rome) and ZEN (Palermo) districts". W HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15633.

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The lesson of the early Italian 20th Century vernacular/traditional buildings and districts by ICP (Social Housing Institute), which were quickly and inexpensively built, suggests the right way to improve our cities while respecting the environment. Moreover, the socio-economic strategy of those days shows what we can do to re-train artisans and generate a vast artisanship, which could reduce the restoration costs of our heritage. As matter of fact that wise way of building aimed not only at providing new decorous houses, but also at generating labor and reducing the future maintenance costs. The success and durability of the buildings of those districts were not accidental: their authors’ assessments, as well as the urban rules conceived on those days, show that everything was carefully planned of a great thanks to an interdisciplinary approach. The use of traditional masonry, that does not need to wait for the hardening times of concrete to be loaded, allowed the quick constructions of those buildings: for instance 6 months for 44 houses of the district San Saba and only 4 for the entire Lot 24 of the Garbatella. These traditional masonry houses, whose revalued building costs were roughly 50% less than current ones, have not needed to be restored for over 100 years and are among the most sought after houses in real estate, (€/sqm 11,000, like in the historical center). Furthermore, the wise construction policy of those days shows us how we can solve the problem of housing, earning public profits from it rather than increasing public debt. The cases studied in this paper regard the projects for the urban regeneration of two wretched suburbs, in Rome and Palermo. They both show how, thanks to the simple reuse of the pre-Fascist laws and tools, as well as of traditional masonry, we can achieve the above-mentioned program

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