Gotowa bibliografia na temat „Authors, Canadian – 21st century – Biography”
Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych
Zobacz listy aktualnych artykułów, książek, rozpraw, streszczeń i innych źródeł naukowych na temat „Authors, Canadian – 21st century – Biography”.
Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.
Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.
Artykuły w czasopismach na temat "Authors, Canadian – 21st century – Biography"
1
Newton, Paul, i Jose da Costa. "School autonomy and 21st century learning: the Canadian context". International Journal of Educational Management 30, nr 7 (12.09.2016): 1279–92. http://dx.doi.org/10.1108/ijem-11-2015-0151.
Pełny tekst źródłaStreszczenie:
Purpose The purpose of this paper is to report on the policy and practice contexts for school autonomy and twenty-first century learning in Canadian provinces. Design/methodology/approach This paper reports on an analysis of policies in Canadian provinces (particularly the provinces of Alberta and Saskatchewan). The authors review policies related to school autonomy and twenty-first century learning initiatives. Findings In this paper, the authors argue that autonomy is a complicated and multi-levelled phenomena with a measure of autonomy devolved from the state to local school divisions, and yet other elements of autonomy devolved to the school and to individual teachers. The link between autonomy and twenty-first century learning are unclear as yet. This paper attempts to establish the policy contexts for school autonomy and twenty-first century learning without making claims about a causal relation between the two. Originality/value The originality of this paper lies in its description of autonomy beyond the school level. Autonomy, as a construct, is rarely examined as a dynamic process among multiple layers of the educational system.
2
Satkauskytė, Dalia. "The Biography of a Writer as an Argument in (De)Canonisation". Colloquia 53 (4.07.2024): 15–32. http://dx.doi.org/10.51554/coll.24.53.02.
Pełny tekst źródłaStreszczenie:
Despite the conception of the author’s death that was prevalent in the second half of the 20th century, the author’s biography always intervenes indirectly in the canonisation process, either a priori, as an additional argument for canonisation (e.g. participation in the national movement), or a posteriori, when the canonised author acquires, according to Yuri Lotman, the right to a biography. Moreover, biography becomes a significant factor in cases of revising and rewriting the canon, especially when it is related to political changes in society, e.g. in forming a Socialist Realist canon or the case of its radical deconstruction. The focus on biographical texts and authors’ biographies increases significantly in the 21st century, when literature itself tries to erase boundaries between fictional and biographical, and literary scholars discuss whether it is possible to separate the author from his or her work in the contexts of the historical memory and cancel culture. In this theoretical and historical framework, I discuss the role of the biography in the canonisation and decanonisation of a writer, and consider how these processes and the shift in the cultural paradigm influence interpretations of writers’ biographies.
3
Martínez Serrano, Leonor María. "A fragment of the world, a piece of human consciousness: Tim Bowling’s "The Bone Sharps" (2007) and "The Tinsmith" (2012)". Journal of English Studies 15 (28.11.2017): 135. http://dx.doi.org/10.18172/jes.3058.
Pełny tekst źródłaStreszczenie:
Canadian novelist, poet and essayist Tim Bowling is one of the most prestigious authors in 21st-century Canadian letters. A prolific and versatile author, he has published twelve poetry collections, four novels, a memoir and a work of creative non-fiction so far. This paper looks at two of his novels, "The Bone Sharps" (2007) and "The Tinsmith" (2012), tools of knowledge that explore not just human consciousness as the lens through which we make sense of reality, including our selves, but also history, memory and identity, epistemology and ethics. A fragment of the world and a piece of human consciousness: this is what both novels are.
4
Gould, Anthony Morven, i Guillaume Desjardins. "Smart for whom? Cost ambiguity as corporate strategy in the 21st century telco sector". info 17, nr 2 (9.03.2015): 59–79. http://dx.doi.org/10.1108/info-08-2014-0035.
Pełny tekst źródłaStreszczenie:
Purpose – This paper aims to expose techniques that telco vendors use for maximising revenue from their clients. Although the five-point strategy unearthed was based on the Canadian telco industry, it is interpreted as generic to the digital-age. Design/methodology/approach – Findings are based on focus groups with telco vendors and client perception data. Inductive reasoning is used to generalise findings to other distinctively digital-age industries. Findings – This paper finds five generic techniques that are used within the Canadian telecommunications (telco) industry to ensure that customers cannot control the cost of a smartphone. These techniques are described as an array of telco hybrid offerings, each with its own cost-structure and pricing strategy; the underestimation problem; devices are not geostationary; third-party agreements; and death-by-a-thousand-qualifications. Research limitations/implications – The research develops theory about modularity and platform technologies. Practical implications – Findings and insights have implications for strengthening consumer protection arrangements in the teleco industry, as well as other distinctively digital-age industries. Originality/value – This paper elaborates theory (particularly with respect to platform technologies and modularity). It interprets the flexibility that comes with modern technology as having a specific downside for consumers, namely, the removal of their capacity to control cost. As far as the authors have been able to ascertain, such an interpretation has not hitherto been presented. It is hoped that the classification of findings will become something of a public policy template for ensuring consumer protection.
5
Матрусова, А. Н., i А. А. Соломонова. "PUSHKIN - AN IMAGE AND A PRECEDENT PHENOMENON IN RUSSIAN SONG TEXTS OF THE 20TH–21ST CENTURIES". Russkii iazyk za rubezhom, nr 2(303) (24.04.2024): 32–40. http://dx.doi.org/10.37632/pi.2024.303.2.006.
Pełny tekst źródłaStreszczenie:
В статье поднимается вопрос о функционировании имени Пушкина как прецедентного феномена в русской песенной поэзии от второй трети ХХ века до первой четверти XXI века. Отмечается, что прецедентность самого имени органично сочетается с использованием цитат пушкинских текстов, отсылками к биографии поэта и культурному контексту как Пушкинской, так и современной эпохи. В связи с этим авторы приходят к выводу, что потенциал прецедентности таких имен, как Пушкин, не снижается, а, скорее, наоборот, нарастает по мере изменения и раскрепощения текстовой песенной культуры современного русскоязычного пространства. The article raises the question of the functioning of the name Pushkin as a precedent phenomenon in Russian song poetry from the second third of the 20th century to the first quarter of the 21st century. It is noted that the precedent nature of the name itself is organically combined with the use of quotations from Pushkin’s texts, references to the poet’s biography and the cultural context of both Pushkin and the modern era. In this regard, the authors come to the conclusion that the precedent potential of such names as Pushkin does not decrease, but rather, on the contrary, increases as the textual song culture of the modern Russian-speaking space changes and becomes emancipated.
6
Mikhalchuk, Hanna. "The Contests of Young Writers of the Belarusian PEN Centre and their Role in the Consolidation of Writers in the Belarusian Literary Process at the Beginning of the 21st Century". Studia Białorutenistyczne 17 (1.02.2024): 177–94. http://dx.doi.org/10.17951/sb.2023.17.177-194.
Pełny tekst źródłaStreszczenie:
The article provides a review of the contests of young writers held by the Belarusian PEN Centre in 2003–2006 and 2009–2012. The aim of the research is to determine the role of these contests in the consolidation of writers in the Belarusian literary process at the beginning of the 21st century. The author proves that for a certain circle of contemporary Belarusian authors, winning contests, as well as participation in events organized for the winners (such as literature seminars, roundtables, presentations of collections published in the outcome of contests), became an important part of their creative and professional biography. The authors themselves value highly the role ofcontests in their creative formation. The events organized for the winners influenced the formation of knowledge of finalists on the current literary process, created an opportunity to improve literary skills and publication of texts sent to a contest, to give authors a possibility to get to know each other better and, in addition, they resulted in the establishment of a creative and professional cooperation, which continued after the end of the contest. Such contests played an important role in the emergence of an informal youth literary circle, united around the person of Andrej Khadanovich, the main coordinator of contests and contest events, as well as in the formation of a circle of young literary activists around the Belarusian PEN Centre. The results of the research proved that literary contests - as one of the most important forms of consolidation of the environment of the writers – had a significant influence on many processes and phenomena of Belarusian literature of the 21st century.
7
Ovcharenko, Nataliia. "Poetological dominants of historical memory in works of asian immigrant writers in Canada". Слово і Час, nr 6 (26.11.2020): 87–101. http://dx.doi.org/10.33608/0236-1477.2020.06.87-101.
Pełny tekst źródłaStreszczenie:
Poetological dominants of historical memory in works of asian immigrant writers in Canada
The paper highlights the development of literature related to the historical memory concept of Canadian immigrants from Asian countries. It covers the period of the late 20th ― first decades of the 21st century. The complex of problems, analyzed and structured within the semantic field of the modern historical memory concept, is often applicable both to Canada and Ukraine. The research broadens the knowledge of Canadian literature introducing the names of researchers and writers new to Ukrainian literary studies. The paper overviews the interpretations of Canadian Asian immigrants’ dispositions within the paradigm of modern arts and humanities. The focus is on the issues of double identity, the coherence of ethnic and North American mentality. The researcher generalizes the poetical aspects of the works by Ying Chen, Kim Thui, Joy Kogawa, Michael Ondaatje. Attention has been paid to the definition of discursive parameters, which allow shaping the concept of historical memory in ‘mosaic’ Canadian society; the issues of identities; the main markers of Canadian historical strategies; and versatile patterns of literary texts.
The participation of Canada in the global dialog, which involves its culture and literature, plays probably the most important role in the debate on Canadian polyethnic literature. Regional, national, and international features demand some combined definition. The research explicates modern historical memory strategies in the context of conventional territory with its specific spatial and temporal characteristics. The author demonstrates the main local views on peculiarities of the Canadian literary process of the 2nd half of the 20th ― early 21st century and analyzes literary texts. All the novels show profound connection between representatives of Canadian literature, who may seem essentially different but manifest temporal and subjective similarity.
The paper lists the names of authors working within the ‘double vision’ formula suggested by N. Frye. This approach focuses on the elements of North American culture pertaining to Canadian multicultural world structure as well as traditional cultures of the writers’ ancestral homelands. The paper also considers the generation paradigm, structured on the basis of social and historical algorithms and psychological markers. The types of generational modes (Kim Thuy, Michael Ondaatje) in literature were combined through a common denominator ― canadianness ― based on a double identity.
8
Kupets, Lyubov A. "Where does Russian Music Begin? The Case of Mikhail Glinka in the Biographical Series of “The Lives of Wonderful People”". Music Scholarship / Problemy Muzykal'noj Nauki, nr 1 (2022): 143–55. http://dx.doi.org/10.33779/2782-3598.2022.1.143-155.
Pełny tekst źródłaStreszczenie:
Since the second half of the 19th century, the figure of Mikhail Glinka has become the dominant one for constructing the total history of Russian music and understanding the significance of other Russian composers. Among the multitude of historical and theoretic research works pertaining to Russian musicology, especially noteworthy is the publication of the musician’s biography in the popular scholarly series “The Lives of Wonderful People” for the period of 1892– 2019. A long-term analysis of the author’s narratives in the historical and cultural context revealed the mechanisms of cultural recycling in the interpretation of Glinka’s personality and work: the phenomenon of “forgetting” and the effects of “double recycling” and the “personal approach.” Several models of biography are traced, the features of which resonate with the historical, cultural, and political guidelines of the era as well as with the professional preferences of the authors of these books. The book about Glinka written during the Silver Age of Russian culture presents a kind of a “life guide,” which peculiarly conflates the Victorian biographical canon and the psychological essay bearing a positivist accent. The Soviet image of the composer was being formed gradually, becoming fixed in the 1940s and 1950s. In its case, both the tendency to visualize narratives associated with the influence of the cinematograph (from the “novel about the composer” to the “movie plot for the young generation”) and the ideological partisanship in Glinka’s biography (the maximal approach to the canons of socialist realism) become characteristic feature. In the 21st century the leading principle in designing the image of the composer is the demythologization of the Soviet canon and the fundamental orientation towards the Internet public consisting primarily of the generation of millennials.
9
Schaefer, A. L., i M. V. Dodson. "Cellular and Molecular Biology: A new section for Canadian Journal of Animal Science". Canadian Journal of Animal Science 78, nr 4 (1.12.1998): 461–62. http://dx.doi.org/10.4141/a98-063.
Pełny tekst źródłaStreszczenie:
As we approach the 21st century, it is appropriate to re-evaluate the sectional coverage of this scientific journal. Having done this over the course of the past 10 to 11 months, and having observed all proprieties of the Canadian Society of Animal Science, we hereby disclose that a new section is being added to the Canadian Journal of Animal Science. This new section is named: "Cellular and Molecular Biology". Dr. Michael V. Dodson of Washington State University (USA) is the section's first Associate Editor. Members of the Society and participants of the worldwide scientific community are welcome to submit scientific articles for inclusion in this section through the normal channels outlined in the journal's instructions to authors. Because this is the inaugural issue for the new section, papers from six different laboratories are included, covering the topics: cellular and molecular aspects of leptin, cellular and molecular biology of muscle growth and development, oocyte development, genetic markers, and molecular biology of the calpain system. As time passes we will encourage other laboratories to write papers, especially if initial submittals are slow, but we expect that a majority of future papers will be non-solicited "data" papers. As always, authority for style, scope and content resides with the Journals Policy Subcommittee and ultimately with the membership of the Canadian Society of Animal Science. Consequently, should there be any constructive criticism by Society membership about the new section as it has been founded, we will consider fine-tuning the section. Key words: Cellular and molecular biology
10
Осовский, О. Е., i В. П. Киржаева. "Mikhail Mikhaylovich Bakhtin: Reconstructing a Scholarly Biography ( Part 1)". Вестник Рязанского государственного университета имени С.А. Есенина, nr 4(69) (16.02.2021): 90–102. http://dx.doi.org/10.37724/rsu.2020.69.4.011.
Pełny tekst źródłaStreszczenie:
В статье представлена реконструкция научной биографии выдающегося мыслителя ХХ века М. М. Бахтина, влияние которого на развитие гуманитарных наук в России и за ее пределами не просто сохраняется в XXI веке, но становится более заметным. Понимание того, как формируется и эволюционирует мысль М. М. Бахтина на протяжении 1910–1970-х годов, какие влияния она испытывает и в диалоге с какими школами и течениями получает завершение, — одна из важнейших целей бахтиноведения как междисциплинарного направления гуманитаристики последних десятилетий. Особое значение в этом контексте приобретают Собрание сочинений М. М. Бахтина, издание которого завершилось в 2012 году, исследования В. Л. Махлина, Н. И. Николаева, Н. А. Панькова, Н. Д. Тамарченко, Л. А. Гоготишвили, М. Холквиста, Г. С. Морсона, К. Эмерсон, Г. Тиханова, К. Брендиста, статьи и очерки С. Г. Бочарова, В. В. Кожинова, В. Н. Турбина и др. С опорой на междисциплинарный подход, приемы микроистории и идею «малого времени» авторами дано комплексное описание жизни и творчества М. М. Бахтина на основе новейших разысканий отечественного и зарубежного бахтиноведения, собственных исследований 1990–2010-х годов, предложена периодизация научной биографии ученого, охарактеризованы основные достижения, прослежена эволюция философско-эстетических взглядов и исследовательской методологии, обозначены научный и социокультурный контексты работ невельско-витебского периода, «Проблем творчества Достоевского», исследований о романе, рукописи о Рабле, поздних текстов и фрагментов. В первой части статьи предлагается реконструкция жизни и творчества ученого с раннего периода до публикации «Проблем творчества Достоевского» и вынесения приговора по делу «Воскресения». The article reconstructs a scholarly biography of M. M. Bakhtin, an outstanding philosopher of the 20th century, whose influence on the development of humanities in Russia and abroad can hardy be overestimated and remains strong even in the 21st century. One of the most important goals of Bakhtin studies as an interdisciplinary humanitarian research of recent decades is the investigation of M. M. Bakhtin’s philosophy and its evolution during the 1910s–1970s as well as the study of external factors, philosophical schools and trends that influenced Bakhtin’s philosophy. M. M. Bakhtin’s collected works (published in 2012), research works conducted by V. L. Makhlin, N. I. Nikolayev, N. A. Pankov, N. D. Tamarchenko, L. A. Gogotisjvili, M. Kholkvist, G. S. Morson, K. Emerson, G. Tikhanov, K. Brendist, articles and essays written by S. G. Bocharov, V. V. Kozhinov, B. N. Turbin, and other works gain special significance in the present context. The authors of the article describe M. M. Bakhtin’s life and work through the prism of an interdisciplinary approach, employ the methods of microhistory and the idea of little time, rely on the investigations of Russian and foreign scholars working in the field of Bakhtin studies and their own research conduced in the 1990s-2010s. The article focuses on some landmarks of the philosopher’s scholarly biography, characterizes his major achievements, investigates the evolution of his philosophical and aesthetical views and his research methodology, characterizes the scholarly and socio-cultural contexts of Bakhtin’s work in Newel and Vitebsk, analyzes Bakhtin’s “Problems of Dostoyevsky’s Poetics”, investigates his manuscript about Rabelais and his late works. The first part of the article attempts to reconstruct the philosopher’s life and work starting with the early period and finishing with the “Problems of Dostoyevsky’s Poetics” and the exile caused by the Voskresenie case.
Rozprawy doktorskie na temat "Authors, Canadian – 21st century – Biography"
1
Domareki, Mary. "La Voix Defie: Une Etude de L'oeuvre Autobiographique de Claire Martin - The Voice that Defied: A Study of the Autobiographical Works of Claire Martin". Fogler Library, University of Maine, 2004. http://www.library.umaine.edu/theses/pdf/DomarekiM2004.pdf.
Pełny tekst źródła
2
Beauchamp, Claude. "Henry-Emile Chevalier et le feuilleton canadien-français (1853-1860)". Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61277.
Pełny tekst źródłaStreszczenie:
Henry-Emile Chevalier was forced in exile by the December 1851 Coup d'Etat in France. In March 1853, he came to Montreal and joined Georges-Hippolythe Cherrier who had just started a new periodical called La Ruche Litteraire Illustree. In addition, during his stay in Montreal, Chevalier worked for several periodicals, was an active member of the Institut canadien de Montreal, and wrote many novels and serials depicting Canada's exoticism. This thesis will provide the most accurate biography of Chevalier up to date, it will also present an analysis of the exoticism in his novels and serials (1853-1960), and of his contribution to the evolution of serials in French Canada.
3
O'Connor, Clémence. "'Pour garder l'impossible intact' : the poetry of Heather Dohollau". Thesis, St Andrews, 2009. http://hdl.handle.net/10023/791.
Pełny tekst źródła
4
Hiebert, Luann E. "Encountering maternal silence: writing strategies for negotiating margins of mother/ing in contemporary Canadian prairie women's poetry". 2016. http://hdl.handle.net/1993/31201.
Pełny tekst źródłaStreszczenie:
Contemporary Canadian prairie women poets write about the mother figure to counter maternal suppression and the homogenization of maternal representations in literature. Critics, like Marianne Hirsch and Andrea O’Reilly, insist that mothers tell their own stories, yet many mothers are unable to. Daughter and mother stories, Jo Malin argues, overlap. The mother “becomes a subject, or rather an ‘intersubject’” in the text (2). Literary depictions of daughter-mother or mother-child intersubjectivities, however, are not confined to auto/biographical or fictional narratives. As a genre and potential site for representing maternal subjectivities, poetry continues to reside on the margins of motherhood studies and literary criticism.
In the following chapters, I examine the writing strategies of selected poets and their representations of mothers specific to three transformative occasions: mourning mother-loss, becoming a mother, and reclaiming a maternal lineage. Several daughter-poets adapt the elegy to remember their deceased mothers and to maintain a connection with them. In accord with Tanis MacDonald and Priscila Uppal, these poets resist closure and interrogate the past. Moreover, they counter maternal absence and preserve her subjectivity in their texts. Similarly, a number of mother-poets begin constructing their mother-child (self-other) relationship prior to childbirth. Drawing on Lisa Guenther’s notions of “birth as a gift of the feminine other” and welcoming the stranger (49), as well as Emily Jeremiah’s link between “‘maternal’ mutuality” and writing and reading practices (“Trouble” 13), I investigate poetic strategies for negotiating and engaging with the “other,” the unborn/newborn and the reader. Other poets explore and interweave bits of stories, memories, dreams and inklings into their own motherlines, an identification with their matrilineage. Poetic discourse(s) reveal the limits of language, but also attest to the benefits of extra-linguistic qualities that poetry provides. The poets I study here make room for the interplay of language and what lies beyond language, engaging the reader and augmenting perceptions of the maternal subject. They offer new ways of signifying maternal subjectivities and relationships, and therefore contribute to the ongoing research into the ever-changing relations among maternal and cultural ideologies, mothering and feminisms, and regional women’s literatures.May 2016
Książki na temat "Authors, Canadian – 21st century – Biography"
1
Pick, Alison. Between gods. Toronto]: Doubleday Canada, 2014.
Znajdź pełny tekst źródła
2
Shaw, Richard H. Loving enemy: 21st century energy crisis : a novel. Calgary: R.H. Shaw, 1997.
Znajdź pełny tekst źródła
3
Aldersey-Williams, Hugh. The adventures of Sir Thomas Browne in the 21st century. London: Granta Books, 2015.
Znajdź pełny tekst źródła
4
Dowrick, Stephanie. In the company of Rilke: Why a 20th-century visionary poet speaks so eloquently to 21st-century readers yearning for inwardness, beauty & spiritual connection. Crows Nest, N.S.W: Allen & Unwin, 2009.
Znajdź pełny tekst źródła
5
Castagna, Valentina. Re-reading Margery Kempe in the 21st century. Bern: Peter Lang, 2011.
Znajdź pełny tekst źródła
6
Castagna, Valentina. Re-reading Margery Kempe in the 21st century. Bern: Peter Lang, 2011.
Znajdź pełny tekst źródła
7
Beausoleil, Claude. Alma: Récit. Montréal: XYZ éditeur, 2006.
Znajdź pełny tekst źródła
8
Shadow maker: The life of Gwendolyn MacEwen. Toronto: HarperPerennialCanada, 2001.
Znajdź pełny tekst źródła
9
Sullivan, Rosemary. Shadow maker: The life of Gwendolyn MacEwen. Toronto: HarperCollins, 1996.
Znajdź pełny tekst źródła
10
Sullivan, Rosemary. Shadow maker: The life of Gwendolyn MacEwen. Toronto: Harper Collins, 1995.
Znajdź pełny tekst źródłaCzęści książek na temat "Authors, Canadian – 21st century – Biography"
1
"Biography of Authors". W Democratic and Authoritarian Political Systems in 21st Century World Society, 241–46. transcript Verlag, 2020. http://dx.doi.org/10.1515/9783839451267-009.
Pełny tekst źródła
2
"Biography of Authors". W Democratic and Authoritarian Political Systems in 21st Century World Society, 241–46. transcript Verlag, 2020. http://dx.doi.org/10.14361/9783839451267-009.
Pełny tekst źródła