Gotowe bibliografie tematyczne / Australian poetry

Gotowa bibliografia na temat „Australian poetry”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 29 lipca 2024

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Artykuły w czasopismach na temat "Australian poetry"

1

Berryman, Jim. "Breaking fresh ground: New Impulses in Australian Poetry, an anthology". Queensland Review 23, nr 2 (grudzień 2016): 246–57. http://dx.doi.org/10.1017/qre.2016.32.

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AbstractNew Impulses in Australian Poetry was an anthology of contemporary Australian poetry published in Brisbane in 1968. The book was the idea of two Queensland poets, Rodney Hall and Thomas Shapcott. New Impulses was modelled on international modern poetry anthologies. At the time, this type of anthology was unfamiliar in Australia. Hall and Shapcott declared their intentions in modernist terms: to challenge the literary establishment and to promote the new poetry of the 1960s. It was a new type of anthology for a new type of poetry. This article explores the anthology's Queensland origins and examines its modern themes and influences. It concludes with a discussion of the anthology's impact and legacy from the perspective of Australian literary history, especially the ‘New Australian Poetry’, which it prefigured. In addition to its literary significance, New Impulses was an Australian publishing milestone. The book was the first poetry anthology published by University of Queensland Press. Its success demonstrated the market potential for literary publishing in Australia.
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Čerče, Danica. "Generating Alternative Worlds: The Indigenous Protest Poetry of Romaine Moreton". ELOPE: English Language Overseas Perspectives and Enquiries 7, nr 1 (17.05.2010): 49–59. http://dx.doi.org/10.4312/elope.7.1.49-59.

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Since the 1980s, indigenous authors have had a high profile in Australia and their writing has made a significant impact on the Australian public. Given that poetry has attracted more indigenous Australians than any other mode of creative expression, this genre, too, has provided an important impetus for their cultural and political expression. Discussing the verse of Romaine Moreton, and taking up George Levine’s view (2000) that works of art are able to produce critical disruptions and generate alternative worlds, the article aims to show that Moreton’s mesmerising reflections on origin, dispossession, dislocation and identity of Australian indigenous peoples encouraged national self-reflection and helped create a meaningful existence for the deprived and the dispossessed. It also touches upon some other topics explored in Moreton’s poetry and provides evidence of its universal relevance.
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Maver, Igor. "Slovenia as a locale in contemporary Australian verse". Acta Neophilologica 30 (1.12.1997): 73–75. http://dx.doi.org/10.4312/an.30.0.73-75.

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Despite the fact that the writer Patrick White had worked on his novels for a short while also at Lake Bled in Slovenia at Hotel "Toplice", just like Agatha Christie did at Lake Bohinj, Slovenia has only recently come to feature in mainstream Australian literature, more precisely in contemporary Australian poetry. It should be stressed that Slovenia is thus no longer present only in Slovene migrant poetry written in Australia as has so far been the case: it entered the major contemporary Australian anthologies. This testifies to the fact that Slovenia no longer belongs to the uncharted part of Central Europe on the geographical and consequently also on the Australian literary map. Rather than that Slovenia increasingly makes part of an average Australian 'Grand Tour' travel itinerary in Europe; it has thus become present in the Australian cultural consciousness. In this light two recent Australian poems with Slovenia as a literary locale are discussed, Andrew Taylor's "Morning in Ljubljana" I and Susan Hampton's poem "Yugoslav Story".
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Maver, Igor. "Slovenia as a locale in contemporary Australian verse". Acta Neophilologica 30 (1.12.1997): 73–75. http://dx.doi.org/10.4312/an.30.1.73-75.

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Despite the fact that the writer Patrick White had worked on his novels for a short while also at Lake Bled in Slovenia at Hotel "Toplice", just like Agatha Christie did at Lake Bohinj, Slovenia has only recently come to feature in mainstream Australian literature, more precisely in contemporary Australian poetry. It should be stressed that Slovenia is thus no longer present only in Slovene migrant poetry written in Australia as has so far been the case: it entered the major contemporary Australian anthologies. This testifies to the fact that Slovenia no longer belongs to the uncharted part of Central Europe on the geographical and consequently also on the Australian literary map. Rather than that Slovenia increasingly makes part of an average Australian 'Grand Tour' travel itinerary in Europe; it has thus become present in the Australian cultural consciousness. In this light two recent Australian poems with Slovenia as a literary locale are discussed, Andrew Taylor's "Morning in Ljubljana" I and Susan Hampton's poem "Yugoslav Story".
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Anae, Nicole. "“Brave Young Singers”: children's poetry-writing and 1930s Australian distance education". History of Education Review 43, nr 2 (30.09.2014): 209–30. http://dx.doi.org/10.1108/her-01-2013-0002.

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Purpose – There has been virtually no explication of poetry-writing pedagogy in historical accounts of Australian distance education during the 1930s. The purpose of this paper is to satisfy this gap in scholarship. Design/methodology/approach – The paper concerns a particular episode in the cultural history of education; an episode upon which print media of the 1930s sheds a distinctive light. The paper therefore draws extensively on 1930s press reports to: contextualise the key educational debates and prime-movers inspiring verse-writing pedagogy in Australian education, particularly distance education, in order to; concentrate specific attention on the creation and popular reception of Brave Young Singers (1938), the first and only anthology of children's poetry written entirely by students of the correspondence classes of Western Australia. Findings – Published under the auspices of the Australian Council for Educational Research (ACER) with funds originating from the Carnegie Corporation, two men in particular proved crucial to the development and culmination of Brave Young Singers. As the end result of a longitudinal study conducted by James Albert Miles with the particular support of Frank Tate, the publication attracted acclaim as a research document promoting ACER's success in educational research investigating the “experiment” of poetry-writing instruction through correspondence schooling. Originality/value – The paper pays due critical attention to a previously overlooked anthology of Australian children's poetry while simultaneously presenting an original account of the emergence and implementation of verse-writing instruction within the Australian correspondence class curriculum of the 1930s.
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Innes, C. L., Paul Kane i John McLaren. "Australian Poetry: Romanticism and Negativity". Yearbook of English Studies 29 (1999): 338. http://dx.doi.org/10.2307/3509006.

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Gadd, Bernard, Martin Duwell i Bronwyn Lea. "The Best Australian Poetry 2003". World Literature Today 78, nr 3/4 (2004): 84. http://dx.doi.org/10.2307/40158515.

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Birns, Nicholas. "Christian Mysticism and Australian Poetry". Journal of Australian Studies 38, nr 2 (3.04.2014): 246–47. http://dx.doi.org/10.1080/14443058.2014.904720.

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Singh, Kanwar Dinesh. "Poetry d’amour: The love theme in contemporary Australian poetry". International Journal of Research in English 5, nr 2 (1.01.2023): 155–58. http://dx.doi.org/10.33545/26648717.2023.v5.i2c.146.

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Smiles, David. "John Robert Philip 1927 - 1999". Historical Records of Australian Science 16, nr 2 (2005): 221. http://dx.doi.org/10.1071/hr05008.

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John Philip was struck by a car and killed on Saturday 26 June 1999 in Amsterdam where he was visiting the Centre for Mathematics and Information Science. He was a Fellow of the Royal Society, a Fellow of the Australian Academy of Science, a Fellow of the American Geophysical Union, a Foreign Member of the All-Union (later Russian) Academy of Agricultural Sciences, and only the second Australian Foreign Associate of the US National Academy of Engineering. He was the first non-American recipient of the Robert E. Horton Medal, the highest award for hydrology of the American Geophysical Union. In 1998 he was made an Officer of the Order of Australia for 'service to the science of hydrology, to scientific communication in promoting the interests of science for the community, and to Australian culture through architecture and literature'. This memoir discusses John Philip's character and his work as Australia's most distinguished environmental physicist. It explores his management of science and his role in the Australian Academy of Science as well as his poetry and his fascination with architecture.
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Rozprawy doktorskie na temat "Australian poetry"

1

Bolton, Ken. "At the flash & at the baci /". Title page, contents and abstract only, 2003. http://web4.library.adelaide.edu.au/theses/09PH/09phb6943.pdf.

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Reddy, Colleen. "Ecological consciousness in modern Australian poetry". Thesis, Queensland University of Technology, 1998.

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One of the most significant issues confronting humanity as the twentieth century draws to a close is that concerning environmental degradation. This study posits the dual notion that at the centre of any movement to protect the earth from further degradation there must be a change in the predominant anthropocentric worldview, and that there is a role for poets to help bring about such change by writing ecologically-conscious poetry. The study explains what is meant by ecological consciousness as distinct from a conservation or environmental ethic. There follows a brief discussion of Deep Ecology (the philosophical perspective which, along with others, critiques human domination of nature) and a survey of relevant literature. The growth of an Australian poetic and the concomitant development of an Australian relationship with the land are also surveyed. Then, through a process of close reading, comparative analysis and discourse, the work of a number of poets (both indigenous and non-indigenous) is considered for its ecological awareness. The study highlights some pivotal ideas for the development of a new worldview: these are the development of a non-anthropocentric perspective of nature similar to that embraced by adherents of Deep Ecology; acceptance of the notion that nature is ambivalent (that the cycle of life is also a cycle of death and decay); and the possible use of indigenous people's deeply ecological relationship with the land as a basic model on which to build a new worldview. The study contends that only poetry which is grounded in ecocentrism, rather than anthropocentrism, can claim to be ecologically-conscious. It concludes by reaffirming the need for poets to encourage a change in the prevailing anthropocentric worldview by adopting a deeply-ecological focus on nature in some of their poetry.
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Fitch, Toby Patrick Brian. "Themparks: Alternative Play in Contemporary Australian Poetry". Thesis, The University of Sydney, 2015. http://hdl.handle.net/2123/15993.

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Themparks is a creative and critical thesis consisting of a book of poems—The Bloomin’ Notions of Other & Beau—and two experimental essays that illuminate the praxis behind the book of poems, not by auto-critique, but via a study of other contemporary Australian poets whose poetry involves similar compositional approaches. The Bloomin’ Notions of Other & Beau hijacks the prose poems of Arthur Rimbaud’s famously incomplete manuscript Illuminations and re-verses their content—a “Down Under conceit”—to create “inversions”, radically new poems that are ludic and multiple in form, that complicate authorial subjectivity by employing various methods of (mis)translation and appropriation, and whose subject matter reflects and refracts political and personal fragmentation in twenty-first century Australia. “Themparks”, the first critical essay, is a divagation into thempark by contemporary Australian poet Michael Farrell, the poems of which transpose/depose the structures of poems by John Ashbery; “Themparks” also analyses John Ashbery’s translations of the Illuminations of Arthur Rimbaud via a re-reading of Rimbaud’s famous formulation, “I is an other” (Je est an autre). “Aussi/Or”, the second critical essay, is a disquisition on Stéphane Mallarmé’s late innovative poem Un Coup de dés and its various antipodean versions and (mis)translations written by Christopher Brennan (in 1897), Chris Edwards and John Tranter (both in 2006). Both essays/assays explore the (anti)genre of poetic rewritings of previous poems; both trace certain homosocial poetic lineages from self-consciously “experimental” contemporary Australian poets back through American and Australian postmodernists to early modernist French poets; both raise/raze issues of translation, appropriation, plagiarism, and reproduction while employing—metonymically—some parallel theoretical tropes from psychoanalysis, linguistics, philosophy, and science. The guiding thread—the fil conducteur latent in Mallarmé—between the creative and critical components of this thesis is a poetics of the pun. The pun’s promiscuity highlights the highly libinal nature of language-tampering while working to both associate and dissociate parataxis and parapraxis.
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Burke, Andrew. "Two collections of poetry, Whispering gallery [and] Flight log: Selected Poems 1967-2001: Plus an Essay: The Roots of My Writing". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2001. https://ro.ecu.edu.au/theses/291.

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This presentation includes two collections of poetry and one essay. There are two collections of poetry because one of them, Flight Log, is a 'Selected Poems' which necessarily includes much work not written during the course of my MA. However, I contend that the process of constructing a 'selected' collection is as creative as the editing process one knows through writing poetry, and that respect for one former creativity is a vital part of the artist's continuing productivity. The new manuscript, Whispering Gallery, is the text of my fifth book, published by Sunline Press in November 2001. Originally it was envisaged as a collection of contemporary haibun in a form predominantly created by John Tranter, but creating to a set form became a chore rather than a creative delight, so I returned to a fundamental lyric form for many of the later poems. Hopefully it now has a wide range of tones and moods yet is cohesive through form and content.
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Jeffery, Ella M. "Dead Bolt: Unhomely renovations and contemporary Australian poetry". Thesis, Queensland University of Technology, 2018. https://eprints.qut.edu.au/122955/1/Ella_Jeffery_Thesis.pdf.

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Australia is in the grip of an obsession with house renovation. This practice-led thesis examines how acts of house renovation can be represented, interrogated and contested in lyric poetry, arguing that the renovated house is an unhomely, liminal space. The project consists of a 90-page collection of poetry titled Dead Bolt, and an exegesis titled Intimate Architecture. Using lyric poetry, the project reveals that the renovated house is a deeply unhomely space, one which is both familiar and strangely unfamiliar: a space that encapsulates both the destroyed house of the past and the unknown house of the future.
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Smith, Yvonne J. "Brightness under our shoes the redress of the poetic imagination in the poetry and prose of David Malouf 1960-1982 /". Connect to full text, 2008. http://hdl.handle.net/2123/5139.

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Thesis (Ph. D.)--University of Sydney, 2009.
Title from title screen (viewed July 13, 2009) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of English, Faculty of Arts. Degree awarded 2009; thesis submitted 2008. Includes appendices. Includes bibliography. Also available in print form.
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Davidson, Toby, i tdavidso@deakin edu au. "Born of fire, possessed by darkness : mysticism and Australian poetry". Deakin University. School of Communication and Creative Arts, 2008. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20090218.124155.

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This dissertation is structured around five Australian mystical poets: Ada Cambridge, John Shaw Neilson, Francis Webb, Judith Wright and Kevin Hart. It examines the varieties of Western Christian mysticism upon which these poets draw, or with which they exhibit affinities. A short prelude section to each chapter considers the thematic parallels of their contemporaries, while the final chapter critically investigates constructions of Indigeneity in Australian mystical poetry and the renegotiated mystical poetics of Indigenous poets and theologians. The central argument of this dissertation is that an understanding of Western Christian mysticism is essential to the study of Australian poetry. There are three sub-arguments: firstly, that Australian literary criticism regarding the mystical largely avoids the concept of mysticism as a shifting notion both historically and in the present; secondly, that what passes for mysticism is recurringly subject to poorly defined constructions of mysticism as well as individual poets’ use of the mystical for personal, creative or ideological purposes; thirdly, that in avoiding the concept of a shifting notion critics have ignored the increasing contribution of Australian poets to national and international discourses of mysticism.
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Healey, Margaret. "Place and space in the rhetoric of Australian colonial poetry". Thesis, Federation University Australia, 2002. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/164822.

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"This study focuses on poetry as evidence for the presence of a conceptual side to the nature of place. It utilises the poetry of the early European period in Australia to explore aspects of the manner in which concepts of place are transmitted through a community. It works through this poetry, seeking for rhetoric, for arguments about the nature of place and the values of particular aspects of place, rather than for particularly literary virtues of originality of language use"
Doctor of Philosophy
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McCarthy, Bridie Clare, i bridiecmccarthy@yahoo com au. "At the limits: Postcolonial & Hyperreal Translations of Australian Poetry". Deakin University. School of Communication and Creative Arts, 2006. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20070329.093702.

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This dissertation employs the methodologies of postcolonial theory and hyperreal theory (following Baudrillard), in order to investigate articulations of identity, nation and representation in contemporary Australian poetry. Informed by a comparative analysis of contemporary Latin American poetry and cultural theory (in translation), as a means of re-examining the Australian context, this dissertation develops a new transnational model of Australian poetics. The central thesis of this dissertation is that contemporary Australian poetry engages with the postcolonial at its limits. That is, at those sites of postcoloniality that are already mapped by theory, but also at those that occur beyond postcolonial theory. The hyperreal is understood as one such limit, traceable within the poetry but silenced in conventional postcolonial theory. As another limit to the postcolonial, this dissertation reads Latin American poetry and theory, in whose texts postcolonial theory is actively resisted, but where postcolonial and hyperreal poetics nevertheless intersect. The original critical context constructed by this dissertation enables a new set of readings of Australian identity through its poetry. Within this new interpretative context, the readings of contemporary Australian poetry articulate a psycho-social postcoloniality; offer a template for future transactions between national poetry and global politics; and develop a model of the postcolonial hyperreal.
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Ryan, John C. "Plants, people and place : cultural botany and the Southwest Australian flora". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2011. https://ro.ecu.edu.au/theses/426.

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The Southwest corner of Western Australia has a distinctive culture of flora. In particular, the region is an internationally lauded destination for wildflower tourism. Aesthetic values inform the Southwest’s contemporary culture of flora and its products: photographs of flowers, botanical illustrations, taxonomic schemata and visually based landscape writings. In dynamic combination with sight, however, multi-sensoriality enhances cultures of flora through sensation. Hence, this thesis argues that it is vital to consider how bodily experiences deepen the appreciation of floristic appearances. Through readings of cultural, literary and historical sources, I propose floraesthesis as an embodied aesthetics of plants. The ancient concept of aesthesis, the root of the modern term aesthetics, comprises sensations—induced by the many senses—as gestures of curiosity. Whereas floraesthesis theorises corporeal appreciation, a visual aesthetic tends to distance plants from human appreciators. The latter may posit plants hierarchically as objects of visual art or constructs of quantitative science. This project puts into practice a critical humanities-based model that I call cultural botany. Following a progression of readings from colonial to contemporary times, I trace a continuum from floral aesthetics to floraesthesis through the cultural botany context. Using an integrative Thoreauvian-Heideggerean theoretical framework, I describe floral aesthetics as constituted by culture and language. As Thoreau and Heidegger suggest, embodied appreciation is predicated on language. I then theorise floraesthesis through readings of written and spoken materials: historic and contemporary literatures; colonialera botanical documents; transcriptions of ethnographic interviews; and my poetic enquiries as interludes throughout the text. A qualitative methodology, which I term botanic field aesthetics, comprises poetic practice, ethnographic interviewing and field walking set within an extensive historical context and organised around three places: Lesueur National Park, Fitzgerald River National Park and Anstey-Keane Damplands.
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Książki na temat "Australian poetry"

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Brian, Smith Vivian, red. Australian poetry, 1988: The finest of recent Australian poetry. North Ryde, NSW, Australia: Angus & Robertson Publishers, 1988.

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Ryuntyu, Yuri. Australian contemporary poetry: Dungutti & Narwan people. Armidale, NSW: World Patrick White Intellectual Heritage: Australia, 2010.

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Jim, Haynes, i Australian Broadcasting Corporation, red. An Australian heritage of verse. Sydney: ABC Books for the Australian Broadcasting Corporation, 2000.

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1963-, Kinsella John, red. Landbridge: Contemporary Australian poetry. Todmorden: Arc Publications, 1999.

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1963-, Kinsella John, red. Landbridge: Contemporary Australian poetry. North Fremantle, W.A: Fremantle Arts Centre Press, 1999.

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Igor, Maver, red. Readings in contemporary Australian poetry. Bern: Peter Lang, 1997.

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Wildburger, Eleonore. Politics, power and poetry: An intercultural perspective on aboriginal identity in black Australian poetry. Tübingen: Stauffenburg, 2003.

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Wildburger, Eleonore. Politics, power and poetry: An intercultural perspective on aboriginal identity in black Australian poetry. Tübingen: Stauffenburg, 2003.

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Gane, Todorovski, i Joseph Brodsky Collection (Columbia University), red. Poetry: Poezija. Skopje: Makedonska kniga, 1989.

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1933-1993, Gilbert Kevin, red. Inside Black Australia: An anthology of Aboriginal poetry. Ringwood, Vic., Australia: Penguin, 1988.

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Części książek na temat "Australian poetry"

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Dobrez, Livio. "Australian Poetry". W A Companion to Twentieth-Century Poetry, 281–92. Malden, MA, USA: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470998670.ch22.

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Whittaker, Alison. "Just Poetry". W New Directions in Contemporary Australian Poetry, 71–81. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76287-2_6.

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Whittaker, Alison. "Just Poetry". W New Directions in Contemporary Australian Poetry, 71–81. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76287-2_6.

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Brewster, Anne. "Australian Aboriginal Women’s Protest Poetry". W Claiming Space for Australian Women’s Writing, 245–59. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50400-1_14.

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Lorange, Astrid. "The Work of Poetry". W New Directions in Contemporary Australian Poetry, 193–203. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76287-2_16.

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Lorange, Astrid. "The Work of Poetry". W New Directions in Contemporary Australian Poetry, 193–203. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76287-2_16.

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Hawryluk, Lynda. "Exploring Australian Coastal Gothic: Poetry and Place". W Writing the Australian Beach, 91–107. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-35264-6_6.

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Vickery, Ann. "Revising an Australian Mythos". W New Directions in Contemporary Australian Poetry, 217–28. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76287-2_18.

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Vickery, Ann. "Revising an Australian Mythos". W New Directions in Contemporary Australian Poetry, 217–28. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76287-2_18.

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Jones, Jill. "New Australian Poetry: Deranged and Teeming". W New Directions in Contemporary Australian Poetry, 183–92. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76287-2_15.

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