Rozprawy doktorskie na temat „Australian fiction – 21st century”
Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych
Sprawdź 50 najlepszych rozpraw doktorskich naukowych na temat „Australian fiction – 21st century”.
Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.
Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.
Przeglądaj rozprawy doktorskie z różnych dziedzin i twórz odpowiednie bibliografie.
Gray, Nigel. "His story, a novel memoir (novel) ; and Fish out of water (thesis)". University of Western Australia. School of Social and Cultural Studies, 2009. http://theses.library.uwa.edu.au/adt-WU2009.0095.
Pełny tekst źródłaFlynn, Warren. "Fragments of the moon (novel) ; and". University of Western Australia. School of Social and Cultural Studies, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0073.
Pełny tekst źródłaDedman, Stephen. "Techronomicon (novel) ; and The weapon shop : the relationship between American science fiction and the US military (dissertation)". University of Western Australia. School of Social and Cultural Studies, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0093.
Pełny tekst źródłaAllen, Claire. "Beyond postmodernism : London fiction at the millenium". Thesis, University of Northampton, 2010. http://nectar.northampton.ac.uk/8845/.
Pełny tekst źródłaRaulerson, Joshua Thomas. "Singularities: technoculture, transhumanism, and science fiction in the 21st Century". Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/2968.
Pełny tekst źródłaWest, Mark Peter. "Between times : 21st century American fiction and the long sixties". Thesis, University of Glasgow, 2014. http://theses.gla.ac.uk/5621/.
Pełny tekst źródłaAkhtar, Jaleel. "Dismemberment in the fiction of Toni Morrison". Thesis, University of Sussex, 2015. http://sro.sussex.ac.uk/id/eprint/53849/.
Pełny tekst źródłaCrotty, Tammy J. "Left of mainstream : genre fiction and its ability to transcend formula". Virtual Press, 2005. http://liblink.bsu.edu/uhtbin/catkey/1313073.
Pełny tekst źródłaDepartment of English
Halliday, Sophie. "Representations of gender and subjectivity in 21st century American science fiction television". Thesis, University of East Anglia, 2014. https://ueaeprints.uea.ac.uk/51483/.
Pełny tekst źródłaSmith, Olga. "Between reality and fiction : the art of French photography since the 1970s". Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610275.
Pełny tekst źródłaBakker, Barbara. "Arabic dystopias in the 21st century : A study on 21st century Arabic dystopian fiction through the analysis of four works of Arabic dystopian narrative". Thesis, Högskolan Dalarna, Arabiska, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:du-27968.
Pełny tekst źródłaBakker, Barbara. "Arabic dystopias in the 21st century : A study on 21st century Arabic dystopian fictionthrough the analysis of four works of Arabic dystopian narrative". Thesis, Högskolan Dalarna, Arabiska, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:du-28495.
Pełny tekst źródłaLee, Jason Eng Hun. "'All is not Well in the world' : critical cosmopolitanism in twenty-first century fiction". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/197089.
Pełny tekst źródłapublished_or_final_version
English
Doctoral
Doctor of Philosophy
Mason, Anthony, i n/a. "Australian coverage of the Fiji coups of 1987 and 2000: sources, practice and representation". University of Canberra. Communication, 2009. http://erl.canberra.edu.au./public/adt-AUC20090826.144012.
Pełny tekst źródłaLyssa, Alison. "Performing Australia's black and white history acts of danger in four Australian plays of the early 21st century /". Thesis, Electronic version, 2006. http://hdl.handle.net/1959.14/714.
Pełny tekst źródłaSubmitted in fulfilment of the requirements for the degree of Masters in English in the Division of Humanities, Dept. of English, 2006. Bibliography: p. 199-210.
Gill, Josephine Ceri. "Race, genetics and British fiction since the Human Genome Project". Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610822.
Pełny tekst źródłaGuzman-Medrano, Gael. "Post-Revolutionary Post-Modernism: Central American Detective Fiction by the Turn of the 21st Century". FIU Digital Commons, 2013. http://digitalcommons.fiu.edu/etd/917.
Pełny tekst źródłaBurns, Kathryn E. "This other Eden exploring a sense of place in twentieth-century reconstructions of Australian childhoods /". Connect to full text, 2006. http://hdl.handle.net/2123/1691.
Pełny tekst źródłaTitle from title screen (viewed 25 March 2008). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of English, Faculty of Arts. Degree awarded 2007; thesis submitted 2006. Includes bibliographical references. Also available in print form.
Majola, Fundile Lawrence. "Good-Gooder-Goodest". Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1015657.
Pełny tekst źródłaAmabali am asekelwe ezilokishini yaye ahambelana neemeko ezimaxongo zokuphila zasezilokishini apho yaye amanye asukela kwixesha lengcinezelo yesizwe esimnyama. Imiba echatshazelwa kula mabali iquka intlupheko, intiyo kwakunye nokuphilisana koluntu ezilokishini, phantsi kwezo meko. Amabali la ndizame ukuwenza alandele indlela yokubalisa yhenkwenkwana enguSkhumba, ethi ibone iqwalasele iimeko zokuphila zabantu bohlanga lwayo. Ingqokelela esisiqendu sokuqala yona ibhalwe ze yangeniswa ngesiNgesi.
This thesis is presented in two parts: English and isiXhosa.
Dougherty, Mary Ann. "Betrayal : Short Stories". PDXScholar, 2015. https://pdxscholar.library.pdx.edu/open_access_etds/2233.
Pełny tekst źródłaCarvalho, Alyssa May. "The novel as cultural and historical archive: an examination of Marlene van Niekerk's Agaat (2006)". Thesis, Nelson Mandela Metropolitan University, 2009. http://hdl.handle.net/10948/1224.
Pełny tekst źródłaPenazzi, Leonardo. "The fellow (novel) ; and Australian historical fiction, debating the perceived past (dissertation)". University of Western Australia. School of Social and Cultural Studies, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0070.
Pełny tekst źródłaZaharchenko, Tanya. "Where the currents meet : frontiers of memory in the post-Soviet fiction of East Ukraine". Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708117.
Pełny tekst źródłaMahlangu, Songeziwe. "Penumbra". Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1015207.
Pełny tekst źródłaMusavengana, Shelter K. "Before before & after after". Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1017775.
Pełny tekst źródłaHeuschele, Margaret, i n/a. "The Construction of Youth in Australian Young Adult Literature 1980-2000". University of Canberra. Creative Communication, 2007. http://erl.canberra.edu.au./public/adt-AUC20081029.171132.
Pełny tekst źródłaMasters, Benjamin Scott. "The ethics of excess : style and morality in British fiction since the 1960s". Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648740.
Pełny tekst źródłaShishkin, Timur. "Marginalized Characters in Contemporary American Short Fiction". PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/297.
Pełny tekst źródłaBehin, Bahram. "Aspects of the role of language in creating the literary effect : implications for the reading of Australian prose fiction /". Title page, contents and abstract only, 1997. http://web4.library.adelaide.edu.au/theses/09PH/09phb419.pdf.
Pełny tekst źródłaKuit, Henali. "Dear space dad and other stories". Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1017774.
Pełny tekst źródłaCartwright, Robert Oliver. "Third crime unlucky". Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1015729.
Pełny tekst źródłaHolgate, Ben. "Porous borders : the amorphous nature of magical realist fiction in Asia and Australasia". Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:32abdfeb-baa7-40ee-b721-89b66bc74043.
Pełny tekst źródłaDuggan, Lucy. "Reading the city : Prague in Czech and Czech-German narrative fiction since 1989". Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:3827cf9c-fa91-4fb5-aa7e-8942de885729.
Pełny tekst źródłaWelstead, Adam. "Dystopia and the divided kingdom : twenty-first century British dystopian fiction and the politics of dissensus". Thesis, University of St Andrews, 2019. http://hdl.handle.net/10023/17104.
Pełny tekst źródłaRawlins, Isabel Bethan. "Counting planes". Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001816.
Pełny tekst źródłaKingston, Matthew Patrick. "(Re)inventing the Novel: Examining the Use of Text and Image in the Twenty-First Century Novel". Fogler Library, University of Maine, 2008. http://www.library.umaine.edu/theses/pdf/KingstonMP2008.pdf.
Pełny tekst źródłaMatters, Emily Helene. "AENEAS IN THE ANTIPODES The teaching of Virgil in New South Wales schools from 1900 to the start of the 21st century". University of Sydney. Classics and Ancient History, 2005. http://hdl.handle.net/2123/716.
Pełny tekst źródłaMorgan, Jane Mary Kathleen. "Like Katherine". Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001814.
Pełny tekst źródłaMolino, Nicolene Chloe. "Dog wars : a Victorian steampunk adventure". Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001815.
Pełny tekst źródłaCarstens, Johannes Petrus (Delphi). "Uncovering the apocalypse : narratives of collapse and transformation in the 21st century Fin de Siècle". Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/85700.
Pełny tekst źródłaENGLISH ABSTRACT: This dissertation examines the idea of apocalypse through the lens of science fiction (sf) written during the current fin de siècle period. I have dated this epoch, known as the information era, as starting in 1980 with the advent of personal computing and ending in approximately 2020 when the functional limits of silicon-based digital manufacturing and production are expected to be reached. By surveying the field of contemporary sf, I identify certain trends and subgenres that relate to particular aspects of apocalyptic thought, namely, conceptions of the ‘terror of history,’ the sublimity of accelerated techno-scientific advance, the ‘affective turn’ in media-culture and posthuman philosophy. My principal method of inquiry into how the apocalypse is imagined or ‘figured’ in sf is the concept of hyperstition – a neologism (combining the words ‘hyper’ and ‘superstition’) coined by the Cybernetic Culture Research Unit (CCRU). Hyperstition describes an aesthetic response whereby cultural fictions – principally, ideas relating to apocalypse – are imagined as transmuting into material realities. I begin by scrutinizing two posthumanist works of theory-fiction (theory written in the mode of sf) by the CCRU and 0rphan Drift which anticipate immanent human extinction and imagine the inception of a new evolutionary cycle of machine-augmented evolution This sensibility is premised on the sociallydestabilising cycles of exponential growth that characterise information-era technological developments, particularly in the digital industries, as well as the accelerated human impact on the natural environment. Central to my argument is the romantic materialist philosophy of Deleuze and Guattari and their concepts of accelerationism, schizoanalysis and Bodies without Organs (BwO’s). Their ontology is constructed around the idea that exponential rates of development necessitate a new aesthetic paradigm that ventures beyond philosophies of human access. The narrative of apocalypse, approached from this perspective, can be interpreted in catastrophic or anastrophic terms; either as a permanent ending or as the beginning of something radically new. Using hyperstition, I also investigate the sf of Russell Hoban, Michael Swanwick, Brian Stableford, Charles Stross, Dan Simmons, M. John Harrison and Paul McAuley to see not only how these authors interpret the concept of cultural acceleration, but also to identify common threads. Countering the catastrophic ‘death of affect’ postulated by theorists such as Jean Baudrillard and Paul Virilio with the anastrophic rejoinder of cyberdelic information-era countercultures, I conclude by investigating the new ‘affective turn’ in contemporary media theory. The works of theoretical fiction and sf that I investigate are informed, as I demonstrate, by the Situationist techniques of psychogeography, dérive and detournement, as well as by the literary tropes of 18th and 19th century fin de siècle Gothic and dark Romantic fiction.
AFRIKAANSE OPSOMMING: Hierdie proefskrif ondersoek die idee van apokalips deur die oogpunt van wetenskap fiksie (wf) soos geskryf gedurende die huidige ‘fin de siècle’ tydperk. Ek dateer hierdie epog, bekend as die inligtings-era, as die tydperk wat in 1980 begin met die koms van persoonlike rekenaars en nagenoeg eindig in 2020, wanneer die funksionele limiete van silikon gebaseerde digitale vervaardiging en produksie na verwagting bereik sal word. Deur die veld van kontemporêre wf in oënskou te neem, identifiseer ek sekere neigings en sub-genres wat vergelyk met sekere kenmerke van apokaliptiese denke, naamlik: begrippe soos die ‘verskrikking van geskiedenis’, die verhewendheid van versnelde tegno-wetenskaplike vooruitgang, die ‘emosionele omkeer’ in media-kultuur en post-humanistiese filosofie. My primêre metode van ondersoek van hoe die apokalips voorgestel of ‘beskryf’ kan word in wf, is die begrip van hiper-bygelowigheid - ‘n neologisme (samevoeging van die woorde ‘hiper’ en ‘bygeloof’) soos geskep deur die Kubernetiese Kultuur Navorsings-Eenheid (KKNE) en Nick Land, medestigter van die KKNE. Hiper-bygelowigheid beskryf die proses waarvolgens kulturele versinsels - hoofsaaklik opvattings met betrekking tot apokalips – in materiële realiteite omgeskakel kan word. Ek ondersoek ek twee post-humanistiese werke van teorie-fiksie (teorie geskryf volgens die wf metode) deur KKNE en 0rphan Drift, wat inherente menslike uitwissing verwag en die ontstaan van ‘n nuwe evolusionêre siklus van masjien-toename voorstel. Hierdie proses is gebaseer op die sosiaal-destabiliserende siklus van eksponensiële groei wat kenmerkend is van die inligtings-era se tegnologiese ontwikkelinge, veral in die digitale industrie, sowel as versnelde menslike impak op die natuurlike omgewing. Die kern van my beredenering is die goties-materialisties-teoriese standpunt soos deur Land ingeneem, sowel as die romanties-materialistiese filosofie van Deleuze en Guattari. Hierdie gevalle van neo-materialistiese (of objek-georiënteerde) filosofië word toegelig deur ‘n apokalipties-teoretiese basis bekend as akseleerasionisme. Hierdie uitgangspunt is ontwikkel rondom die idee dat die eksponensiële tempo van ontwikkeling ‘n klimaks sal bereik in ‘n evolusionêre ‘wipplank punt’ en dat ‘n nuwe estetiese paradigma nodig is wat dit bokant die filosofie van menslike vermoë kan waag sodat daar oor hierdie waarskynlikheid geteoretiseer kan word. Die beskrywing van apokalips, soos vanuit hierdie oogpunt beskou, kan vertolk word in beide katastrofiese of anastrofiese terme of as ‘n permanente einde of as die begin van iets wat radikaal nuut sal wees. Deur gebruik te maak van die hiperbygelowigheidsteorie, wat ‘n onderafdeling is van akseleerasionisme, ondersoek ek WF van Russell Hoban, Michael Swanwick, Brian Stableford, Charles Stross, Dan Simmons, M. John Harrison and Paul McAuley ten einde vas te stel hoe hierdie skrywers die konsep van kulturele akseleerasie interpreteer, maar ook om gemeenskaplike leidrade te identifiseer. Met teenargumentering ten opsigte van die katastrofiese ‘dood van affek’ gepostuleer deur teoretici soos Jean Baudrillard en Paul Virillio met die anastrofiese samevoeging van kuberdeliese inligtings-era-kontra-kulture, ondersoek ek die nuwe ‘gemoedsomkeer’ in kontemporêre mediateorie. Die werke van teoretiese fiksie, sowel as baie van die ander gevalle van wf wat ek ondersoek en soos deur my gedemonstreer, word toegelig deur Situasienistiese tegnieke van psigo-geografie, dérive en detournement, sowel as deur die literêre menigtes van die 19de eeu ‘fin de siècle’ donker Romantiese en Gotiese fiksie.
Madingwane, June. "Kaffirmeid and other stories". Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1015659.
Pełny tekst źródłaMaharaj, Keshav. "Rehab is for quitters". Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1011901.
Pełny tekst źródłaReed, Graham Conan. "The talisman". Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001817.
Pełny tekst źródłaWoudstra, Ruth. "Touching Brýnstone". Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1015032.
Pełny tekst źródłaWeeda-Zuidersma, Jeannette. "Keeping mum : representations of motherhood in contemporary Australian literature - a fictocritical exploration". University of Western Australia. School of Social and Cultural Studies, 2007. http://theses.library.uwa.edu.au/adt-WU2007.0054.
Pełny tekst źródłaWest, Sydney Yorke. "Representaciones de La Malinche en las narrativas de la conquista: Una nueva perspectiva en el siglo XXI". Thesis, Boston College, 2013. http://hdl.handle.net/2345/bc-ir:104433.
Pełny tekst źródłaEn la tradición mexicana, la figura de La Malinche ha llegado a representar un paradigma importante para explorar el legado de la conquista. A fines del siglo XX, Kimberle López señaló el surgimiento de un nuevo tipo de narrativa de la conquista, una que se esforzaba por revisar las narrativas antiguas para que éstas pudieran mejor explicar las realidades y la identidad de los latinoamericanos contemporáneos. Como tal, la desilusión y las injusticias de la opresión han surgido como temas principales en la literatura histórica de la época posmoderna. Debido a este empeño, se están recuperando las identidades que antes sufrían el efecto de ser olvidadas por una tradición histórica que se negaba a reconocer su valor en la representación del pasado. Si se encuentra uno de los primeros retratos de La Malinche en la Historia verdadera de la conquista de la Nueva España de Bernal Díaz del Castillo, los comentarios críticos de Octavio Paz y Carlos Fuentes evidencian la presencia de una dicotomía problemática con respecto a la representación de esta figura. Además, la publicación de Malinche por Laura Esquivel ha sacado a la luz el trauma de la conquista y, por consiguiente, ha cuestionado las mismísimas estructuras e ideas que sofocaban las voces de la gente, como Malinalli, que se quedaban en las márgenes de la historia. Imaginando una nueva versión de la conquista a través de los ojos de su protagonista, esta autora logra ampliar la narrativa del pasado para que la participación de todos, especialmente las mujeres, sea una realidad. Al expandir los límites de la representación del pasado mediante la libertad imaginativa de la literatura, hemos podido llevar una suerte de justicia, sea ésta poética, a las personas cuyas identidades que se perdieron en la lucha para el poder
Thesis (BA) — Boston College, 2013
Submitted to: Boston College. College of Arts and Sciences
Discipline: Romance Languages and Literatures Honors Program
Discipline: Romance Languages and Literatures
Fetile, Khanyisa. "An analysis of the representation of sexual abuse in selected post-apartheid novels". Thesis, Nelson Mandela Metropolitan University, 2015. http://hdl.handle.net/10948/3822.
Pełny tekst źródłaJohnson, Alfred B. "Net work : social networks, disruptive agency, and innovation in Howells, Fitzgerald, Heller, Pynchon, and Gibson". Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1343471.
Pełny tekst źródłaDepartment of English
Blumberg, Lucy E. "A Tale of Two Sisters: An Exploration of the Marquis de Sade and 21st Century Western Cultural Production". Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/717.
Pełny tekst źródłaNjovane, Thandokazi. ""The wings of whipped butterflies" : trauma, silence and representation of the suffering child in selected contemporary African short fiction". Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1004214.
Pełny tekst źródłaAdobe Acrobat 9.54 Paper Capture Plug-in