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Brooklyn, Bridget. "Something old, something new : divorce and divorce law in South Australia, 1859-1918". Title page, contents and summary only, 1988. http://web4.library.adelaide.edu.au/theses/09PH/09phb872.pdf.
Pełny tekst źródłaDredge, Sarah. "Accommodating feminism : Victorian fiction and the nineteenth-century women's movement". Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36917.
Pełny tekst źródłaIn works of fiction by women, concepts of social justice were not constrained by layers of legal abstraction and the obligatory political vocabulary of "disinterest." Contemporary fiction by women could thus offer some of the most developed articulations of women's changing expectations. This thesis demonstrates that the Victorian novel provides a distinct synthesis of, and contribution to, arguments grouped under the rubric of the "woman question." The novel offers a perspective on feminist politics in which conflicting social interests and demands can be played out, where ethical questions meet everyday life, and human relations have philosophical weight. Given women's traditional exclusion from the domain of legitimate (authoritative) speech, the novels of Gaskell, the Bronte's, and Eliot, traditionally admired for their portrayal of moral character, play a special role in giving voice to the key political issues of women's rights, entitlements, and interests. Evidence for the political content and efficacy of these novels is drawn from archival sources which have been little used in literary studies (including unpublished materials), as well as contemporary periodicals. Central among these is the English Woman's Journal. Conceived as the mouthpiece of the early women's movement, the journal offers a valuable record of the feminist activity of the period. Though it has not been widely exploited, particularly in literary studies, detailed study of the journal reveals close parallels between the ideological commitments and concerns of the women's movement and novels by mid-Victorian women.
Pinson, Guillaume 1973. "Fiction du monde : analyse littéraire et médiatique de la mondanité, 1885-1914". Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102151.
Pełny tekst źródłaA first part explores the organisation of the topics and the main genre of the mundane society in the press, applying the social discourse theory. The analysis is based on the perusal of a set of representative daily newspapers (Le Gaulois, Le Figaro) and of weekly and monthly publications (Le Grand monde, La Vie parisienne, Femina notably, as well as around thirty other titles). It shows that the mundane society in the newspaper is constrained by a poetics stemming from the characteristics of press writing: collective writing, periodicity of the publication, text length limitation and reference to reality. Some texts are tempted by fiction, even though they keep a reality-based referential, whereas other texts that are openly fictitious, fit the mundane fiction into the newspaper.
The second part is based on the general conclusion of the first part: the mundane society in the newspaper is a represented society, made of for a distant and anonymous public. With the advent of the medias in the 19th century, the mundane society has entered into the era of mediations and "industrial writing". Some writers, from Bourget to Proust, take these upheavals into account and present the mundane society as a metaphor of the mass media society. This is done following three main axes: the temptation of withdrawal of the fiction into a closed world (psychological and mundane movement impulsed by Goncourt with Cherie, prolonged by Bourget and Hervieux notably); the games of exchange between the novel and the newspaper (Maupassant, Toulet, Legrand, amongst others); and finally, the isolation of the mundane world and the aesthetic work on mediations (Rolland, Colette, Mirbeau, Lorrain et Gide notably). All these writings address the question of sociability at the era of the triumph of mediations: what room is left for the mundane society, for direct encounter, for exchange, in a world of mediation and mass media coverage? for immediate connections in a society of mediated ties? The epilogue proposes a journalistic reading of A la recherche du temps perdu, synthesis-work which inaugurates a modern and sociological perception: it is in the world of the imagined mundane society, distant and represented in the mass media, that the narrator draws the resources for his observation of the world.
Jenkins, Jennifer Lei. "Failed mothers and fallen houses: Gothic domesticity in nineteenth-century American fiction". Diss., The University of Arizona, 1993. http://hdl.handle.net/10150/186122.
Pełny tekst źródłaRivest, Mélanie. "Nouveau théatre et nouveau roman : la quête d'un art perdu". Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79975.
Pełny tekst źródłaMathews, Peter David 1975. "Strategies of realism : realist fiction and postmodern theory". Monash University, Centre for Comparative Literature and Cultural Studies, 2001. http://arrow.monash.edu.au/hdl/1959.1/8656.
Pełny tekst źródłaTam, Ho-leung Adrian, i 譚灝樑. "Realism, death and the novel: policing and doctoring in the nineteenth century". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B41757828.
Pełny tekst źródłaMoore, Richard. "Christianity and paganism in Victorian fiction". Thesis, University of Wales Trinity Saint David, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683121.
Pełny tekst źródłaStrecker, Geralyn. "Reading prostitution in American fiction, 1893-1917". Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1213148.
Pełny tekst źródłaDepartment of English
Behin, Bahram. "Aspects of the role of language in creating the literary effect : implications for the reading of Australian prose fiction /". Title page, contents and abstract only, 1997. http://web4.library.adelaide.edu.au/theses/09PH/09phb419.pdf.
Pełny tekst źródłaIngham, Michael Anthony. "Theatre of storytelling : the prose fiction stage adaptation as social allegory in contemporary British drama /". Thesis, Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20275961.
Pełny tekst źródłaFung, Kit-ting, i 馮潔婷. "Decolonizing fictions: the subversion of 19thcentury realist fiction". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31953001.
Pełny tekst źródłaDudley, Shawna L., i University of Lethbridge Faculty of Arts and Science. "A chameleon role : how adoption functions in nineteenth-century British fiction". Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 2001, 2001. http://hdl.handle.net/10133/130.
Pełny tekst źródła150 leaves : ill. ; 28 cm.
Johnson, Alfred B. "Net work : social networks, disruptive agency, and innovation in Howells, Fitzgerald, Heller, Pynchon, and Gibson". Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1343471.
Pełny tekst źródłaDepartment of English
Kisawadkorn, Kriengsak. "American Grotesque from Nineteenth Century to Modernism: the Latter's Acceptance of the Exceptional". Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278030/.
Pełny tekst źródłaShannon, Josephine E. "From discourse to the couch : the obscured self in eighteenth- and nineteenth-century epistolary narrative". Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=34533.
Pełny tekst źródłaI examine this claim---and the metaphors defining it---in two ways. First, by focusing on selected letters, I foreground each writer's language as an agent of internal conflict. In so doing, I am able to formulate distinctive questions regarding the potential of epistolary narratives to transform emotional or psychological schisms into fictions which become explicitly creative texts. Secondly, I analyze the changing nature of the fictions which emerge through this process. My findings conclude that authors' letters must be read, at least very often, as a constituent part of their literary work and as interpretive models of a shifting dynamic of psychological expression.
Johnston, Susan 1964. "Calling the question : women and domestic experience in British political fictions, 1787-1869". Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39928.
Pełny tekst źródłaCattell, Victoria Fayrer. "Irony and alazony in the English Künstlerroman". Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65961.
Pełny tekst źródłaCampbell, Stephanie 1983. "Le sublime, le grotesque et le meurtre spectaculaire : l'esthétique de la violence dans le drame romantique". Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=116056.
Pełny tekst źródłaWright, Charlotte M. "Plain and Ugly Janes: the Rise of the Ugly Woman in Contemporary American Fiction". Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278032/.
Pełny tekst źródłaPenazzi, Leonardo. "The fellow (novel) ; and Australian historical fiction, debating the perceived past (dissertation)". University of Western Australia. School of Social and Cultural Studies, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0070.
Pełny tekst źródłaWalker, Gore Clare Helen. "Plotting disability : physical difference, characterisation, and the form of the novel, 1837-1907". Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709332.
Pełny tekst źródłaNash, Andrew. "Kailyard, Scottish literary criticism, and the fiction of J.M. Barrie". Thesis, University of St Andrews, 1998. http://hdl.handle.net/10023/15199.
Pełny tekst źródłaStelle, Ginger. "A swipe at the dragon of the commonplace : a re-evaluation of George MacDonald's fiction". Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1974.
Pełny tekst źródłaWeeda-Zuidersma, Jeannette. "Keeping mum : representations of motherhood in contemporary Australian literature - a fictocritical exploration". University of Western Australia. School of Social and Cultural Studies, 2007. http://theses.library.uwa.edu.au/adt-WU2007.0054.
Pełny tekst źródłaBirge, Amy Anastasia. ""Mislike Me not for My Complexion": Shakespearean Intertextuality in the Works of Nineteenth-Century African-American Women". Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc278175/.
Pełny tekst źródłaPicq, Elisabeth. "Popular fiction in France and England, 1860-1875 : convention, irony and ambivalence in the novels of Paul Féval and Wilkie Collins". Thesis, University of St Andrews, 2000. http://hdl.handle.net/10023/11112.
Pełny tekst źródłaThoday, Heather Frances. "Lived spaces of representation : thirdspace and Janette Turner Hospital's political praxis of postmodernism /". Title page, abstract and table of contents only, 2004. http://web4.library.adelaide.edu.au/theses/09PH/09pht449.pdf.
Pełny tekst źródłaMargrave, Christie L. "Women and nature in the works of French female novelists, 1789-1815". Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/6391.
Pełny tekst źródłaMighall, Robert. "The brigand in the laboratory : a study of the discursive exchange between Gothic fiction and nineteenth-century medico-legal science". Thesis, University of Wales Trinity Saint David, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683119.
Pełny tekst źródłaFan, Yiting. "Capital and the heroine : reconfiguring gender in the Victorian novel". HKBU Institutional Repository, 2011. https://repository.hkbu.edu.hk/etd_ra/1293.
Pełny tekst źródłaGötting, Elena Rebekka. "Challenging maleness : the new woman's attempts to reconstruct the binary code". Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/6612.
Pełny tekst źródłaJackson, Lisa Hartsell. "Wandering Women: Sexual and Social Stigma in the Mid-Victorian Novel". Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2572/.
Pełny tekst źródłaBromling, Laura Cappello, i University of Lethbridge Faculty of Arts and Science. "From the pens of the contrivers : perspectives on fiction in the nineteenth-century novel". Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 2003, 2003. http://hdl.handle.net/10133/154.
Pełny tekst źródłaiv, 120 leaves ; 28 cm.
Grogan, Bridget Meredith. ""Abject dictatorship of the flesh" : corporeality in the fiction of Patrick White". Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001554.
Pełny tekst źródłaLyons, Sara J. "The sacrifice of honey (fiction) ; The depiction of the media in The shark net, Evil angels and The sacrifice of honey (thesis)". University of Western Australia. English, Communication and Cultural Studies Discipline Group, 2006. http://theses.library.uwa.edu.au/adt-WU2006.0055.
Pełny tekst źródłaDavids, Courtney Laurey. "From Chawton to Oakland : configuring the nineteenth-century domestic in Catherine Hubback's writing". Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/86585.
Pełny tekst źródłaENGLISH ABSTRACT: This thesis engages the ideological ambivalence about the nineteenth-century middle-class domestic that emerged at mid-century by focusing on the non-canonical British and Californian writing of a fairly unknown but prolific author, Catherine Hubback, Jane Austen’s niece. It explores the tension between ideology and practice in Hubback’s writing, and argues that her work simultaneously challenges and endorses the ideal of domesticity. To the extent that it challenges this ideal, Hubback’s fiction, in its representation of domestic practice, negotiates class and gender ideologies that play out in the middle-class home. The thesis also traces how her endorsement of middle-class domesticity became more pronounced in the story and letters she wrote after her emigration to California, taking the form of overt criticism of American femininity and domesticity. Hubback’s concern with women’s position in relation to law and marriage is read within the context of developments in the genre of domestic fiction. My close reading of four novels – The Younger Sister, May and December: A Tale of Wedded Life, The Wife’s Sister; or, The Forbidden Marriage and Malvern; or, The Three Marriages – examines Hubback’s representation of marital and domestic configurations that are consistently viewed in relation to the social and legal position of women. The novels explore alternative options for women’s lives illustrated by their negotiation of the constraints of middle-class womanhood on their own terms; in marriage, or by choosing not to marry. Similarly, my discussion of Victorian masculinity in Hubback’s fiction focuses on the concern with moral and industrious middle-class manhood that establishes middle-class values as the definition of proper Englishness. As part of this discussion, I demonstrate how Hubback’s fiction reworks middle-class masculinity in order to establish a model for marriage that ensures domestic stability and ultimately the order of the English nation. In the final chapter of this thesis, I continue my exploration of Englishness and domestic ideology by reading Hubback’s short story and letters from California. In contrast to the ideological ambivalence registered in the novels, these texts more overtly subscribe to middle-class English values. My reading of Hubback’s work for this thesis thus aims to contribute to an understanding of the complex interrelation between ideology, domestic practice and literature in the nineteenth-century.
AFRIKAANSE OPSOMMING: Hierdie tesis ondersoek die ideologiese ambivalensie aangaande die negentiende eeuse middelklashuishouding wat teen die middel van die eeu te voorskyn getree het deur te fokus op die nie-kanonieke Britse en Kaliforniese skryfwerk van ʼn redelik onbekende,dog produktiewe,skrywer, Catherine Hubback, Jane Austen se niggie. Dit ondersoek die verhouding tussen ideologie en praktyk in Hubback se skryfwerk en voer aan dat haar werk die ideaal van huishoudelikheid gelyktydig uitdaag en goedkeur.In soverre dit hierdie ideal uitdaag, baan Hubback se fiksie, deur middle van die voorstelling van huishoudelike praktyke,ʼn weg deur die klas-en geslagsideologieë wat in die middelklaswoning afspeel.Die tesis ondersoek ook hoe haar ondersteuning van middelklashuishoudelikheid meer prominent geword het in die verhale en briewe wat sy na haar emigrasie na Kalifornieë geskryf het, en wat die vorm aangeneem het van openlike kritiek teenoor Amerikaanse vroulikheid en huishoudelikheid. Hubback se belangstelling in die posisie van vroue ten opsigte van die wet en die huwelik word gesien in die konteks van ontwikkelinge in die genre van huishoudelikefiksie. My bestudering van vier romans – The Younger Sister, May and December: A Tale of Wedded Life, The Wife’s Sister; or, The Forbidden Marriage en Malvern; or, The Three Marriages – ondersoek Hubback se voorstelling van konfigurasies in die huwelik en in die huishouding wat deurgaans beskou word ten opsigte van die sosiale en wetlike posisie van vroue. Die romans ondersoek alternatiewe opsies vir vroue se lewens wat geïllustreer word deur die wyse waarop hulle hul weg baan deur die beperkings wat op hulle geplaas is as vroue van die middelklas; in die huwelik, of deur te verkies om nie te trou nie.My bespreking van Viktoriaanse manlikheid in Hubback se fiksie focus ook op die belangstelling in morele en hardwerkende middelklasmanlikheid wat middelklaswaardes as die definisie van ware Engelsheid bepaal. As deel van hierdie bespreking demonstreer ek hoe Hubback se fiksie middelklasmanlikheid hersien om ʼn model vir die huwelik te skep wat huishoudelike stabiliteit en uiteindelik ook die orde van die Engelse nasie verseker. In die laaste hoofstuk van die tesis sit ek my ondersoek van Engelsheid en die huishoudelike ideologie voort deur Hubback se kortverhaal en briewe van Kalifornieë te lees. In teenstelling met die ideologiese ambivalensie wat in die romans geregistreer word, onderskryf hierdie tekste meer openlik die waardes van die Engelse middelklas. My lees van Hubback se werk vir hierdie tesis poog dus om by te dra tot ʼn begrip van die komplekse onderlinge verhouding tussen ideologie, huishoudelike praktyk en die letterkunde in die negentiende eeu.
Bloss, Hazel Ruth. "'Die Zeit der innern Weltumseglungen': representation of the people and examination of the self in the works of Berthold Auerbach (1812-1882) and Wilhelm Heinrich Riehl (1823-1897)". Thesis, University of Oxford, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491575.
Pełny tekst źródłaPoston, Craig A. (Craig Alan). "The Problematic British Romantic Hero(ine): the Giaour, Mathilda, and Evelina". Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278684/.
Pełny tekst źródłaBell, Alan Nigel. "The male novelist and the 'woman question' George Meredith's presentation of his Heroines in The Egoist (1879) and Diana of the Crossways (1885)". Thesis, Rhodes University, 2008. http://hdl.handle.net/10962/d1002245.
Pełny tekst źródłaSouza, Simone Cristina Mendonça de. "Primeiras impressões : romances publicados pela Impressão Regia do Rio de Janeiro (1808-1822)". [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270281.
Pełny tekst źródłaTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: Dentre os muitos títulos publicados entre 1808 e 1822 na Impressão Régia do Rio de Janeiro, este trabalho se concentra nos romances. Os títulos dos documentos e das obras diversas publicados nesse período foram catalogados ainda no século XIX. Entretanto, boa parte dos exemplares já havia desaparecido, fazendo com que o método utilizado para identificação dos títulos incluísse os anúncios de jornais. Como também eram anunciadas publicações feitas em Lisboa, havia a dúvida quanto à delimitação das que efetivamente foram editadas na Impressão Régia do Rio de Janeiro. A confusão de locais de impressão levantava a hipótese de uma relação editorial entre a Impressão Régia estabelecida na colônia e sua congênere lisboeta. Tal hipótese foi refutada após investigarmos a casa impressora portuguesa e os títulos de romances nela editados. Concluímos que somente seria possível definir quais foram os romances feitos pela primeira casa impressora oficialmente instalada no Brasil com a localização dos exemplares e a confirmação, pelos dados das folhas de rosto, de que foram impressos no Rio de Janeiro. Por meio de buscas, localizamos quase todos os romances catalogados e delimitamos os que saíram dos prelos da Impressão Régia do Rio de Janeiro. No processo, traçamos a história editorial de cada um deles, verificamos de que maneira eram anunciados pelos livreiros nos jornais e analisamos esses livros do ponto de vista material e textual. Raros e de localização trabalhosa, esses romances são atualmente pouco lembrados ou totalmente desconhecidos. No entanto, têm sua importância nos estudos sobre a circulação de livros no período colonial e em anos posteriores e, certamente, fizeram parte da formação do gosto do público por livros do gênero
Abstract: Among many titles published between 1808 and 1822 by Impressão Régia (Royal Printing) from Rio de Janeiro, this thesis concentrates on the novels. In the 19th century the organization of documents and different works published in such period began. However, a significant part of the copies had already disappeared at that time. So, the method used for identifying the titles included newspaper announcements. As publications made in Lisbon were also announced, there was a doubt regarding the delimitation of the ones which had been effectively published by the Impressão Régia from Rio de Janeiro. The confusion about printing places supported the hypothesis about an editorial relation between the Impressão Régia established in the colony and its congener in Lisbon. Such hypothesis was refuted by us after investigating the Portuguese printing house and the titles of novels published by it. We concluded that it would only be possible to define which novels were published by the first printing house officially established in Brazil by means of the localization of the copies and the confirmation, through the data printed on the title page, that they were printed in Rio de Janeiro. We localized almost every novel which were catalogued and delimited those which originated from the press of Impressão Régia from Rio de Janeiro. During the process, we framed the editorial history of each one of them, verify the way they were announced by the booksellers in the newspapers and analyzed these books from the material and textual points view. Being rare and hard to be located, nowadays, these novels are seldom remembered or totally unknown. Nevertheless, they are important for studies about the circulation of books during the colonial period and the subsequent years, and they definitely played an important part in forming the audience's taste for novel reading
Doutorado
Historia e Historiografia Literaria
Doutor em Teoria e História Literária
Volz, Jessica A. "Vision, fiction and depiction : the forms and functions of visuality in the novels of Jane Austen, Ann Radcliffe, Maria Edgeworth and Fanny Burney". Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/4438.
Pełny tekst źródłaTait, Lisa Olsen. "Mormon Culture Meets Popular Fiction: Susa Young Gates and the Cultural Work of Home Literature". Diss., CLICK HERE for online access, 1998. http://patriot.lib.byu.edu/u?/MTNZ,25499.
Pełny tekst źródłaAndré, Valérie. "Le roman de libertinage, 1782-1815: de l'exhumation à la réhabilitation?" Doctoral thesis, Universite Libre de Bruxelles, 1996. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212334.
Pełny tekst źródłaRibeiro, Cristina Betioli. "Um norte para o romance brasileiro : Franklin Tavora entre os primeiros folcloristas". [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270280.
Pełny tekst źródłaTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: Esta tese baseia-se no estudo e análise do conjunto de romances de Franklin Távora, denominado por ele de Literatura do Norte. O principal objetivo é mostrar em que medida o autor se vale da cultura popular, das memórias e da cor local nortistas como instrumentos para fundar história e literatura nacionais. Nesta perspectiva, apresentamos as principais discussões sobre folclore e nacionalidade, as idéias fundamentais da Escola de Recife e a interação do romancista com o pensamento da ¿geração de 70¿ do século XIX. Além de focalizar a trajetória intelectual do escritor, examinamos o seu conhecido embate com José de Alencar, travado nas Cartas a Cincinato, e os métodos de composição que foram sendo sedimentados na sua prosa de ficção, ao longo de suas críticas e no seu projeto literário. Por fim, apresentamos as análises dos cinco romances da Literatura do Norte: O Cabeleira, O Matuto, Lourenço, Um Casamento no arrabalde e O Sacrifício
Abstract: This thesis intends to investigate the literary project of Franklin Távora, that he called by Literatura do Norte. The most important objective is to show how folklore, memories and local colors of North are utilized to build national history and literature. In this way, we introduce the principal discussions about folklore and nationality, the fundamental ideas of Escola de Recife and how the author is envolved by 70th generation of XIXth century. Moreover, we examine the polemic with José de Alencar, in Cartas a Cincinato, and the creation methods developed by Távora in his criticism and literary project. At last, we analyse the five novels of Literatura do Norte: O Cabeleira, O Matuto, Lourenço, Um Casamento no arrabalde e O Sacrifício
Doutorado
Literatura Brasileira
Doutor em Teoria e História Literária
Hart, Hilary 1969. "Sentimental spectacles : the sentimental novel, natural language, and early film performance". Thesis, University of Oregon, 2004. http://hdl.handle.net/1794/297.
Pełny tekst źródłaThe nineteenth-century American sentimental novel has only in the last twenty years received consideration from the academy as a legitimate literary tradition. During that time feminist scholars have argued that sentimental novels performed important cultural work and represent an important literary tradition. This dissertation contributes to the scholarship by placing the sentimental novel within a larger context of intellectual history as a tradition that draws upon theoretical sources and is a source itself for later cultural developments. In examining a variety of sentimental novels, I establish the moral sense philosophy as the theoretical basis of the sentimental novel's pathetic appeals and its theories of sociability and justice. The dissertation also addresses the aesthetic features of the sentimental novel and demonstrates again the tradition's connection to moral sense philosophy but within the context of the American elocution revolution. I look at natural language theory to render more legible the moments of emotional spectacle that are the signature of sentimental aesthetics. The second half of the dissertation demonstrates a connection between the sentimental novel and silent film. Both mediums rely on a common aesthetic storehouse for signifying emotions. The last two chapters of the dissertation compare silent film performance with emotional displays in the sentimental novel and in elocution and acting manuals. I also demonstrate that the films of D. W. Griffith, especially The Birth of a Nation, draw upon on the larger conventions of the sentimental novel.
Walker, Stanwood Sterling. "The classical-historical novel in nineteenth-century Britain". Access restricted to users with UT Austin EID, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3036607.
Pełny tekst źródłaSilva, Ozangela de Arruda. "Pelas rotas dos livros = circulação de romances e conexões comerciais em Fortaleza (1870-1891)". [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270037.
Pełny tekst źródłaDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: Esta dissertação buscou conhecer as formas de circulação dos romances em Fortaleza nas três últimas décadas do século XIX. Tornou-se clara, no decorrer da pesquisa, a existência de uma rede profissional que conectava os mercadores instalados em Fortaleza com livreiros e editores de diversas localidades brasileiras e algumas cidades europeias. Tendo isto em vista, buscou-se perceber os títulos e autores em circulação no período, bem como apresentar algumas estratégias de distribuição e divulgação dos romances utilizadas pelo mercado editorial do século XIX
Abstract: This dissertation investigates the circulation of novels in Fortaleza in the last three decades of the nineteenth century. During our research, a professional network that connects the merchants installed in Fortaleza with booksellers and publishers from various places in Brazil and some European cities, has come to light. Being aware of that, we have tried to elicit the titles and authors circulating along the period, as well as the strategies used for novel distribution in the editorial market
Mestrado
Historia e Historiografia Literaria
Mestre em Teoria e História Literária
Roberts, Timothy Paul English UNSW. "Little terrors:the child???s threat to social order in the Victorian bildungsroman". Awarded by:University of New South Wales. English, 2005. http://handle.unsw.edu.au/1959.4/23930.
Pełny tekst źródłaWatson, Anna Elizabeth. "Music lessons and the construction of womanhood in English fiction, 1870-1914". Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/5479.
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