Artykuły w czasopismach na temat „Australian documentary”
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Laughren, Pat. "Debating Australian Documentary Production Policy: Some Practitioner Perspectives". Media International Australia 129, nr 1 (listopad 2008): 116–28. http://dx.doi.org/10.1177/1329878x0812900112.
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On 1 July 2008, Screen Australia commenced operation as the main Australian government agency supporting the screen production industry. This article considers some of the policy issues and challenges identified by the ‘community of practitioners’ as facing Australian documentary production at the time of the formation of that ‘super-agency’ from the merger of its three predecessor organisations — the Australian Film Commission, the Film Finance Corporation and Film Australia. The article proceeds by sketching the history of documentary production in Australia and identifying the bases of its financial and regulatory supports. It also surveys recent debate in the documentary sector and attempts to contextualise the themes of those discussions within the history of the Australian documentary.
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McQuilton, John, Stephen Alomes, Catherine Jones i Brian Hocking. "Australian Nationalism: A Documentary History". Labour History, nr 64 (1993): 149. http://dx.doi.org/10.2307/27509178.
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Nash, Kate. "Goa Hippy Tribe: Theorising Documentary Content on a Social Network Site". Media International Australia 142, nr 1 (luty 2012): 30–40. http://dx.doi.org/10.1177/1329878x1214200105.
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In the 1970s, a wave of young Western hippies descended on the beaches of Goa in India. Forty years later, some of them reconnected on the social network site Facebook and planned a reunion. This event, and the Goan hippy community then and now, are the subjects of a documentary called Goa Hippy Tribe, produced by Australian documentary maker Darius Devas. Funded by Screen Australia, SBS and Screen New South Wales, Goa Hippy Tribe is the first Australian documentary to be produced for the social network site Facebook. In this article, I consider how documentary in a social network context might be theorised. While the concept of the database narrative is most often invoked to explain user interactivity in online documentary, social networks such as Facebook invite different forms of interaction, and therefore raise distinct theoretical questions. In particular, Goa Hippy Tribe demonstrates the potential for the audience to engage creatively and communally with documentary.
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Smaill, Belinda. "Affective authorship: contemporary Asian Australian documentary". Studies in Australasian Cinema 2, nr 2 (styczeń 2008): 157–70. http://dx.doi.org/10.1386/sac.2.2.157_1.
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Jayasuriya, D. L., Lois Foster i David Stockley. "Australian Multiculturalism: A Documentary History and Critique." International Migration Review 23, nr 4 (1989): 967. http://dx.doi.org/10.2307/2546490.
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Roscoe, Jane. "Television: Friend or Foe of Australian Documentary?" Media, Culture & Society 26, nr 2 (marzec 2004): 288–95. http://dx.doi.org/10.1177/0163443704041179.
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Lemon, Barbara, Kerry Blinco i Brendan Somes. "Building NED: Open Access to Australia’s Digital Documentary Heritage". Publications 8, nr 2 (8.04.2020): 19. http://dx.doi.org/10.3390/publications8020019.
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This article charts the development of Australia’s national edeposit service (NED), from concept to reality. A world-first collaboration between the national, state and territory libraries of Australia, NED was launched in 2019 and transformed our approach to legal deposits in Australia. NED is more than a repository, operating as a national online service for depositing, preserving and accessing Australian electronic publications, with benefits to publishers, libraries and the public alike. This article explains what makes NED unique in the context of global research repository infrastructure, outlining the ways in which NED member libraries worked to balance user needs with technological capacity and the variations within nine sets of legal deposit legislation.
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Smaill, Belinda. "Commissioning Difference? The Case of SBS Independent and Documentary". Media International Australia 107, nr 1 (maj 2003): 105–16. http://dx.doi.org/10.1177/1329878x0310700111.
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SBS Independent (SBSI) is the arm of SBS Television responsible for commissioning new work. Since 1994, SBSI has been working in conjunction with other screen funding bodies to commission feature film, short drama, animation and documentary. The charter that dictates the practices of SBS Television also provides guidelines for SBSI, which is consequently required to focus on work that is innovative and concerned with Indigenous issues and cultural diversity. This article focuses on the case of documentary in Australia and the impact of SBSI on a filmmaking community and contemporary documentary culture with particular reference to the Australia by Numbers and Hybrid Life series of half-hour programs. The focus on diversity, and the fact that this is the first Australian television institution to adopt an outsourcing model for almost all production, means that SBSI has formed a unique relationship with independent documentary. Here I examine the specificity and efficacy of this relationship.
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Pale, Sophia E., i Maria A. Drugomilova. "The Image of the Aboriginal Australians in the Reflection of Modern Media". South East Asia: Actual problems of Development, nr 2(51) (2021): 232–42. http://dx.doi.org/10.31696/2072-8271-2021-2-2-51-232-242.
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Media has a huge impact on the perception of particular information. Sometimes, the average person’s knowledge about the world is formed by video rather than by text content. This article describes how media represents Aboriginal Australians’ life through two documentary series shot by the Australian filmmakers in the latest years.
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Lee, J. M. "Australian war strategy 1939–1945: a documentary history". International Affairs 63, nr 2 (1987): 354. http://dx.doi.org/10.2307/3025510.
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Oldham, Paul. "Book Review: Australian Documentary: History, Practices and Genres". Media International Australia 140, nr 1 (sierpień 2011): 175. http://dx.doi.org/10.1177/1329878x1114000127.
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Jayasuriya, D. L. "Book Review: Australian Multiculturalism: A Documentary History and Critique". International Migration Review 23, nr 4 (grudzień 1989): 967–68. http://dx.doi.org/10.1177/019791838902300429.
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Nicholls, Neville. "More on Early ENSOs: Evidence from Australian Documentary Sources". Bulletin of the American Meteorological Society 69, nr 1 (styczeń 1988): 4–6. http://dx.doi.org/10.1175/1520-0477(1988)069<0004:moeeef>2.0.co;2.
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May, Josephine. "Review: Australian Postwar Documentary Film: An Arc of Mirrors". Media International Australia 133, nr 1 (listopad 2009): 173–74. http://dx.doi.org/10.1177/1329878x0913300144.
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Hemelryk Donald, Stephanie. "Shaming Australia". Alphaville: Journal of Film and Screen Media, nr 18 (1.12.2019): 70–90. http://dx.doi.org/10.33178/alpha.18.06.
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This article analyses Australian audiovisual treatments of contemporary refugee experiences of the Australian government’s “Pacific Solution”, which was introduced after the Tampa affair in 2001. I call into question the conventional premise of much documentary filmmaking, that the moving photographic image can reveal the reality of that experience (indexicality). That approach is exemplified, I argue, by Eva Orner’s award-winning film, Chasing Asylum (2014), which aspired to reveal the truth about conditions in the Regional Processing Centre on Nauru and thereby to shock Australian audiences into demanding a change in government policy. The problem with the film is that its reliance on the norms of documentary has the unintended consequence of silencing the detainees and reducing them to the status of vulnerable and victimised objects. The article concludes by comparing Chasing Asylum with an installation by Dennis Del Favero, Tampa 2001 (2015), which exemplifies a nonrepresentational, affect-based aesthetic that says less in order to achieve more in evoking complex refugee stories of dispossession or disappearance.
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Si, Aung, i Myfany Turpin. "The Importance of Insects in Australian Aboriginal Society: A Dictionary Survey". Ethnobiology Letters 6, nr 1 (17.09.2015): 175–82. http://dx.doi.org/10.14237/ebl.6.1.2015.399.
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Insects and their products have long been used in Indigenous Australian societies as food, medicine and construction material, and given prominent roles in myths, traditional songs and ceremonies. However, much of the available information on the uses of insects in Australia remains anecdotal. In this essay, we review published dictionaries of Aboriginal languages spoken in many parts of Australia, to provide an overview of the Indigenous names and knowledge of insects and their products. We find that that native honeybees and insect larvae (particularly of Lepidoptera and Coleoptera) are the most highly prized insects, and should be recognized as cultural keystone species. Many insects mentioned in dictionaries lack scientific identifications, however, and we urge documentary linguists to address this important issue.
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Gooch, Nicole. "REVIEW: Documentary records continuing independence struggle in West Papua". Pacific Journalism Review : Te Koakoa 26, nr 1 (31.07.2020): 309–11. http://dx.doi.org/10.24135/pjr.v26i1.1108.
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The War Next Door, reported by Sally Sara. Foreign Correspondent. Australian Broadcasting Corporation. Broadcast: 12 May 2020. 30 minutes. https://www.abc.net.au/foreign/the-war-next-door/12239998
‘WE GOT to keep on pushing forward,’ sings the band Sorong Samarai, which means from the tip of West Papua, Sorong, to Samari, the island which lies at the eastern tip of mainland Papua New Guinea, Samarai. ‘One people, one soul, one destiny.’
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Fitzgerald, Angela, i Magnolia Lowe. "Acknowledging Documentary Filmmaking as not Only an Output but a Research Process: A Case for Quality Research Practice". International Journal of Qualitative Methods 19 (1.01.2020): 160940692095746. http://dx.doi.org/10.1177/1609406920957462.
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Documentary films play an important role in how we see and position ourselves in the world. While traditionally viewed as a creative practice, documentary filmmaking has been transitioning into the academic world as a way to undertake and engage with research practices. Some question marks remain, however, over the nature of documentary filmmaking as a research method. This paper seeks to build a case for documentary as a research practice using Guba and Lincoln’s quality criteria, which is typically employed to ensure the trustworthiness of collected data, as a frame for sense making. This case for research innovation also draws upon the first author’s previous experiences with video ethnography and the second author’s expertise as a documentary film maker. Their collaboration resulted in a longitudinal research project that foregrounded documentary practices as key to data gathering and sense making. This research project sought to understand the early career experiences of Australian graduate teachers from their perspective. Using this research project as a context, this paper unpacks how seven quality criteria can be explored and addressed using documentary filmmaking as method. This work highlights the possibilities and challenges inherent in innovating in the qualitative methodology space when considering the use of documentary filmmaking practices. It also adds meaningful and practical insights to a growing groundswell of voices that recognize documentary filmmaking as a viable and valuable research method.
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Bohane, Ben. "OBITUARY: A guerrilla and a one-man band". Pacific Journalism Review : Te Koakoa 10, nr 1 (11.10.2019): 201–6. http://dx.doi.org/10.24135/pjr.v10i1.786.
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In the coastal village of Abepura in West Papua, one of Australia and the Pacific’s great underground artists was recently laid to rest. His name was Mark Worth, although he went by a variety of nicknames, including Kurtz, Captain Kino, Captain Kaos and, affectionately, ‘Worthy’. Worth, who died of pneumonia at 45, was one of Australia’s finest frontier cameramen. He aspired to the pantheon of great Australian documentary filmmakers and conflict cameramen – Frank Hurley, Damien Parer and Neil Davis – and his contemporary peers included Dennis O’Rourke, Bob Connelly, Mark Davis and David Brill.
Pictured: Mark Worth / Ben Bohane
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Cunningham, Stuart. "Regionalism in Audiovisual Production: The Case of Queensland". Queensland Review 1, nr 1 (czerwiec 1994): 47–54. http://dx.doi.org/10.1017/s1321816600000490.
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A great deal has been made of the boom in audiovisual production based in southern Queensland (and to some extent in northern Queensland) in the 1990s. This follows a pattern throughout the so-called ‘revival’ period (since the early 1970s) in Australia which has seen successive moments of regional upsurge. In the 1970s, it was South Australia, under the energetic leadership of the South Australian Film Corporation, that saw many of the best feature films and several of the early historical mini-series of the early revival period made in that state (see, for example, Moran). During the early to mid-1980s, Western Australia, with the location of bold production houses such as Barron Films and strong independent documentary traditions, offered robust regional opportunities, culminating in such memorable films as Shame and Fran.
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Pardy, John. "Remembering and forgetting the arts of technical education". History of Education Review 49, nr 2 (12.11.2020): 181–93. http://dx.doi.org/10.1108/her-02-2020-0009.
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PurposeTechnical education in the twentieth century played an important role in the cultural life of Australia in ways are that routinely overlooked or forgotten. As all education is central to the cultural life of any nation this article traces the relationship between technical education and the national social imaginary. Specifically, the article focuses on the connection between art and technical education and does so by considering changing cultural representations of Australia.Design/methodology/approachDrawing upon materials, that include school archives, an unpublished autobiography monograph, art catalogues and documentary film, the article details the lives and works of two artists, from different eras of twentieth century Australia. Utilising social memory as theorised by Connerton (1989, 2009, 2011), the article reflects on the lives of two Australian artists as examples of, and a way into appreciating, the enduring relationship between technical education and art.FindingsThe two artists, William Wallace Anderson and Carol Jerrems both products of, and teachers in, technical schools produced their own art that offered different insights into changes in Australia's national imaginary. By exploring their lives and work, the connections between technical education and art represent a social memory made material in the works of the artists and their representations of Australia's changing national imaginary.Originality/valueThis article features two artist teachers from technical schools as examples of the centrality of art to technical education. Through the teacher-artists lives and works the article highlights a shift in the Australian cultural imaginary at the same time as remembering the centrality of art to technical education. Through the twentieth century the relationship between art and technical education persisted, revealing the sensibilities of the times.
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Attenbrow, Valerie J., i Caroline R. Cartwright. "An Aboriginal shield collected in 1770 at Kamay Botany Bay: an indicator of pre-colonial exchange systems in south-eastern Australia". Antiquity 88, nr 341 (26.08.2014): 883–95. http://dx.doi.org/10.1017/s0003598x00050754.
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A bark shield now in the British Museum can be identified from documentary and pictorial evidence as one collected by Captain Cook during his first voyage to Australia in 1770. Such shields often had special value to their Australian Aboriginal owners and hence might have been exchanged over considerable distances. This particular shield is known to have been collected in Kamay Botany Bay but analysis of the bark of which it is made revealed it to be of red mangrove, a tropical species found today more than 500km distant on the New South Wales north coast. It hence bears valuable testimony to the long-distance exchange networks operating in eastern Australia in the period before the disruption caused by European colonisation.
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Andrews, Kylie. "National History or Post-Industrial Commodity?: Negotiating Australian History Through Television Documentary". History Australia 8, nr 1 (styczeń 2011): 196–214. http://dx.doi.org/10.1080/14490854.2011.11668363.
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Bowker, Sam. "No Looking Back". Australian Journal of Islamic Studies 4, nr 1 (17.07.2019): 18–32. http://dx.doi.org/10.55831/ajis.v4i1.153.
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This is a critical review of changes in the two years since I wrote “The Invisibility of Islamic Art in Australia” for The Conversation in 2016. This includes the National Museum of Australia’s collaborative exhibition “So That You May Know Each Other” (2018), and the rise of the Eleven Collective through their exhibitions “We are all affected” (2017) in Sydney and “Waqt al-Tagheer – Time of Change” (2018) in Adelaide. It considers the representation of Australian contemporary artists in the documentary “You See Monsters” (2017) by Tony Jackson and Chemical Media, and the exhibition “Khalas! Enough!” (2018) at the UNSW.
These initiatives demonstrate the momentum of generational change within contemporary Australian art and literary performance cultures. These creative practitioners have articulated their work through formidable public networks. They include well-established and emerging artists, driven to engage with political and social contexts that have defined their peers by antagonism or marginalisation.
There has never been a ‘Golden Age’ for ‘Islamic’ arts in Australia. But as the Eleven Collective have argued, we are living in a time of change. This is an exceptional period for the creation and mobilisation of artworks that articulate what it means to be Muslim in Australia.
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Given, Jock. "Curating media history: Lessons from the Oxford Bibliography of ‘Australian Broadcasting’". Australian Journalism Review 42, nr 2 (1.11.2020): 225–42. http://dx.doi.org/10.1386/ajr_00037_1.
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This article explores a general question – why and how we do media history – by examining a recent case, the ‘Australian Broadcasting’ entry in Oxford Bibliographies, prepared by this author with research assistance from Rosemary Curtis. Four questions are posed for this bibliography and the wider project of media history: why do we do it? For whom? Where and how do we make resources accessible and comprehensible? And finally, the question that occupies most of this article, what resources do we preserve and curate? The processes used to select and organize the ‘most important sources’ for the Australian Broadcasting entry are discussed, emphasizing the sources most relevant to Australian Journalism Review: News, Currents Affairs, Documentary and Talkback Radio programming.
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Freund, Mandy, Benjamin J. Henley, David J. Karoly, Kathryn J. Allen i Patrick J. Baker. "Multi-century cool- and warm-season rainfall reconstructions for Australia's major climatic regions". Climate of the Past 13, nr 12 (30.11.2017): 1751–70. http://dx.doi.org/10.5194/cp-13-1751-2017.
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Abstract. Australian seasonal rainfall is strongly affected by large-scale ocean–atmosphere climate influences. In this study, we exploit the links between these precipitation influences, regional rainfall variations, and palaeoclimate proxies in the region to reconstruct Australian regional rainfall between four and eight centuries into the past. We use an extensive network of palaeoclimate records from the Southern Hemisphere to reconstruct cool (April–September) and warm (October–March) season rainfall in eight natural resource management (NRM) regions spanning the Australian continent. Our bi-seasonal rainfall reconstruction aligns well with independent early documentary sources and existing reconstructions. Critically, this reconstruction allows us, for the first time, to place recent observations at a bi-seasonal temporal resolution into a pre-instrumental context, across the entire continent of Australia. We find that recent 30- and 50-year trends towards wetter conditions in tropical northern Australia are highly unusual in the multi-century context of our reconstruction. Recent cool-season drying trends in parts of southern Australia are very unusual, although not unprecedented, across the multi-century context. We also use our reconstruction to investigate the spatial and temporal extent of historical drought events. Our reconstruction reveals that the spatial extent and duration of the Millennium Drought (1997–2009) appears either very much below average or unprecedented in southern Australia over at least the last 400 years. Our reconstruction identifies a number of severe droughts over the past several centuries that vary widely in their spatial footprint, highlighting the high degree of diversity in historical droughts across the Australian continent. We document distinct characteristics of major droughts in terms of their spatial extent, duration, intensity, and seasonality. Compared to the three largest droughts in the instrumental period (Federation Drought, 1895–1903; World War II Drought, 1939–1945; and the Millennium Drought, 1997–2005), we find that the historically documented Settlement Drought (1790–1793), Sturt's Drought (1809–1830) and the Goyder Line Drought (1861–1866) actually had more regionalised patterns and reduced spatial extents. This seasonal rainfall reconstruction provides a new opportunity to understand Australian rainfall variability by contextualising severe droughts and recent trends in Australia.
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Williams, George. "J M WilliamsThe Australian Constitution: A Documentary History (Melbourne University Press, Carlton 2005)". Oxford University Commonwealth Law Journal 5, nr 2 (styczeń 2005): 317–21. http://dx.doi.org/10.1080/14729342.2005.11421462.
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Bilbrough, Paola. "Opening Gates and Windows". Departures in Critical Qualitative Research 3, nr 3 (2014): 298–313. http://dx.doi.org/10.1525/dcqr.2014.3.3.298.
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In this essay I discuss the ethical and aesthetic issues involved in making a short auto/biographical documentary, Separation, about an improvised parenting relationship I had with a young Sudanese-Australian man. I contextualize my discussion through reference to representations of Sudanese-Australians in the media, and the tendency towards reductive allegorical representations. I propose that a poetic approach offers a possible way forward in representing aspects of life stories involving shared privacies and/or sensitive cultural material. This suggests important scholarly consideration of an ethics that is specific to visual representation or video/film methods. Such a consideration is applicable both to contexts in which the central concern is an art product or event, and in which the primary concern is research.
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Witt, GB, EJ Moll i RJS Beeton. "Sheep Faeces Under Shearing Sheds: a Documentary of Vegetation Change Using Stable Carbon Isotope Analysis." Rangeland Journal 19, nr 1 (1997): 109. http://dx.doi.org/10.1071/rj9970109.
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In this study we report on a new technique for reconstructing long-tgrm vegetation changes in the Australian rangelands. Sheep faeces, which accumulate annually beneath shearing sheds, provide an untapped and potentially continuous record of vegetation change at a property scale. From stable carbon isotope analysis, inferences about the available vegetation can be made. Our analysis revealed vegetation changes slnce the construction of two sheds, a period of approximately 40 years. Results indicated a significant reduction in the availability of C, grasses on Currawinya (south-west Queensland). However, for the same period there was no significant change in proportion of C, and C, species contributing to the diet of sheep on Talyealye (north-west New South Wales). Given the abundance, age and distribution of shearing sheds in the Australian rangelands, the potential exists to reconstruct a detailed picture of vegetation change at a national scale.
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Wilcock, Scarlet. "(De-)Criminalizing Welfare? The Rise and Fall of Social Security Fraud Prosecutions in Australia". British Journal of Criminology 59, nr 6 (23.04.2019): 1498–519. http://dx.doi.org/10.1093/bjc/azz027.
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Abstract The social security fraud prosecution rate has fallen by approximately 74.9 per cent in Australia since 2010. This is remarkable considering the national dialogue continues to propound a ‘zero tolerance’ approach to fraud in the welfare system. Drawing on interviews with compliance staff from the Australian Department of Human Services, documentary research and a Foucauldian governmentality analytic, this article charts and interrogates the declining welfare fraud prosecution rate in the context of neoliberal welfare reform. It argues that this decline is at least partially the result of the reformulation of the objects of prosecution strategies by staff responsible for their enactment. This finding highlights the importance of localized accounts of welfare administration to supplement and complicate macro analyses of the ‘criminalization of welfare’ in Western industrialized nations.
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Kelly, Piers. "Australian message sticks: Old questions, new directions". Journal of Material Culture 25, nr 2 (4.07.2019): 133–52. http://dx.doi.org/10.1177/1359183519858375.
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Message sticks are tools of graphic communication, once used across the Australian continent. While their styles vary, a typical message stick is a flattened or cylindrical length of wood with motifs engraved on all sides. Carried by special messengers over long distances, their motifs were intended to complement a verbally produced communication such as an invitation, a declaration of war, or news of a death. It was only in the late 1880s that message sticks first became a subject of formal anthropological enquiry at a time when the practice was already in steep transition; very little original research has been published in the 20th century and beyond. In this article, the author reviews colonial efforts to understand these objects, as recorded in documentary and museum archives, and describes transformations of message stick communication in contemporary settings. He summarizes the state-of-the-art in message stick research and identifies the still unanswered questions concerning their origins, adaptations and significance.
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Nichols, Stephen. "Out Of The Box: Popular Notions of Archaeology in Documentary Programmes on Australian Television". Australian Archaeology 63, nr 1 (grudzień 2006): 35–46. http://dx.doi.org/10.1080/03122417.2006.11681836.
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Smaill, Belinda. "Diasporic Subjectivity in Contemporary Australian Documentary: Travel, History and the Televisual Representation of Trauma". Continuum 20, nr 2 (czerwiec 2006): 269–83. http://dx.doi.org/10.1080/10304310600641794.
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Wolfe, Melissa Joy. "Post-Qualitative Filmic Research in Education: Utilizing a “Re/Active Documentary” Methodology". Qualitative Inquiry 23, nr 6 (19.10.2016): 427–37. http://dx.doi.org/10.1177/1077800416673660.
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This article discusses a filmic research methodology that notices the tangible aesthetic affective entanglements of entities. It explicitly notices traces of self as discernible in others as mattering and is understood as an affirmative movement that may enable an uptake of equal opportunity in education. This filmic work with former Australian schoolgirls expands on Bill Nichols’ framing of performative documentary by drawing on Karen Barad’s new materialist theory of intra-action, during the making and multiple re-presentations of the research. This phenomenon demonstrates the political power of the named “re/active documentary” as a perpetual and co-created intra-action with participants, image, “things,” and virtual audience. Difference in this research is not exterior but a movement of connections where the entanglement of participants, researcher, film artifact, and audience are fluid emergent parts co-constituted within the world.
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Bacon, Wendy, i Nicole Gooch. "The making of Ophir - Bougainville stories and silences: An exploration of the documentary". Pacific Journalism Review : Te Koakoa 27, nr 1and2 (30.09.2021): 150–72. http://dx.doi.org/10.24135/pjr.v27i1and2.1218.
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This article focuses on the making of the award-winning film Ophir in the context of issues relevant to journalism and documentary production. It explores how a partnership of filmmakers, scholars and Bougainvillean community leaders worked to create a documentary that goes beyond bare facts to create deeper meaning. Based on an interview with one of the filmmakers, Olivier Pollet, it discusses issues of archival research, gender, distribution and language. It raises ethical questions about how mining company Rio Tinto used an anthropologist to produce covert corporate intelligence in the 1960s. Through a discussion of the work of independent investigative journalist Antony Loewenstein, it considers how recent Australian aid policy was used to shape public debate about options for Bougainville. It highlights the importance of supporting grassroots storytelling that penetrates distorted mainstream media narratives, especially at a time of shifting geopolitical interests.
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McClean, Susan, i Jenny Onyx. "Institutions and Social Change: implementing co-operative housing and environmentally sustainable development at Christie Walk". Cosmopolitan Civil Societies: An Interdisciplinary Journal 1, nr 3 (30.09.2009): 109–31. http://dx.doi.org/10.5130/ccs.v1i3.1095.
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How can institutions contribute to the building of civil society in the twenty- first century? It is clear that the old laissez-faire approach and the more recent neo-conservative reliance on the market have failed to deliver housing for many people. On the other hand the state-based welfare housing model espoused by the Australian Labor Party over the twentieth century has also been beset by problems. Social alienation, and the crisis in affordable housing make the case that individualist approaches to urban living are not working. More communal solutions are needed - solutions attuned to a complex view of civil society outlined by Michael Edwards' tripartite definition. At the same time the onset of global warming now prompts Australians to create more environmentally sustainable ways of living. Addressing the theme of responsibility, this paper focuses on citizenship in its broader environmental, social and active forms. It analyses interviews and documentary evidence concerning the planning and development of Christie Walk, an innovative, medium density eco-city development in Adelaide. The investigation reveals the effects of some Australian institutions on residents' efforts to live socially and environmentally sustainable lives in an urban environment. The paper offers transdisciplinary research and analysis, linking the fields of history, urban housing, community development and environmental theory.
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Kilroy, Peter. "Screening Indigenous Australia: Space, Place and Media in Frances Calvert’s Talking Broken". Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 69, nr 2 (7.06.2016): 139. http://dx.doi.org/10.5007/2175-8026.2016v69n2p139.
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http://dx.doi.org/10.5007/2175-8026.2016v69n2p139Drawing on the fields of postcolonial studies and media theory, this article analyzes Frances Calvert’s 1990 documentary, Talking Broken, which, inter alia, looks at the role of space, place and media amongst Australia’s ‘other’ Indigenous minority, Torres Strait Islanders. The article explores the historical and geographical complexity of the space-place-media relation (particularly in terms of the centre-periphery relations between the Torres Strait and the Australian mainland), and considers the extent to which Calvert – after the Australian bicentenary of 1988 – is able to absorb and playfully challenge such formulations. More broadly, it considers the extent to which contemporary Indigenous media might go further and enact a shift from absorbing and challenging such formulations to taking control of media institutions themselves.
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Mitchell, Tony. "Doppio: a Trilingual Touring Theatre for Australia". New Theatre Quarterly 8, nr 29 (luty 1992): 70–75. http://dx.doi.org/10.1017/s0266464x00006333.
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Doppio is a theatre company which uses three languages – English, Italian, and a synthetic migrant dialect it calls ‘Emigrante’ – to explore the conditions of the large community of Italian migrants in Australia. It works, too, in three different kinds of theatrical territory, all with an increasingly feminist slant – those of multicultural theatrein-education; of community theatre based in the Italian clubs of South Australia; and of documentary theatre, exploring the roots and the past of a previously marginalized social group. The company's work was seen in 1990 at the Leeds Festival of Youth Theatre, but its appeal is fast increasing beyond the confines of specialisms, ethnic or theatric, and being recognized in the ‘mainstream’ of Australian theatrical activity. Tony Mitchell – a regular contributor to NTQ, notably on the work of Dario Fo – who presently teaches in the Department of Theatre Studies in the University of Technology in Sydney, here provides an analytical introduction to the company's work, and follows this with an interview with one of its directors and co-founders, Teresa Crea.
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Pacey, Fiona, Jennifer Smith-Merry, James Gillespie i Stephanie D. Short. "National health workforce regulation". International Journal of Health Governance 22, nr 1 (6.03.2017): 5–14. http://dx.doi.org/10.1108/ijhg-01-2016-0005.
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Purpose In 2010, Australia introduced the National Registration and Accreditation Scheme for the health professions (the Australian scheme) creating a legislative framework for a national system of health workforce regulation, delivering a model of collective (and multi-level) government involvement in regulatory activities. The purpose of this paper is to examine how its governance arrangement compares to different national systems and other health regulatory bodies in Australia. Design/methodology/approach This qualitative case study is informed by documentary analysis in conjunction with policy mapping. This is part of a larger project investigating the policy pathway which led to establishment of the Scheme. The authors compare the Scheme with other Australian health standard setting and regulatory bodies. Findings The Australian scheme’s governance model supported existing constitutional arrangements, and enabled local variations. This facilitated the enduring interest of ministers (and governments) on matters of health workforce and articulated the activities of the new regulatory player. It maintains involvement of the six states and two territories, with the Commonwealth Government, and profession-specific boards and accreditation agencies. This resulted in a unique governance framework delivering a new model of collective ministerial responsibility. The governance design is complex, but forges a new way to embed existing constitutional arrangements within a tripartite arrangement that also delivers National Boards specific to individual health professions and an organisation to administer regulatory activities. Originality/value This study demonstrates that effective design of governance arrangements for regulatory bodies needs to address regulatory tasks to be undertaken as well as the existing roles, and ongoing interests of governments in participating in those regulatory activities. It highlights that a unique arrangement, while appearing problematic in theory may in practice deliver intended regulatory outcomes.
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Khorana, Sukhmani. "‘Now I fight for belonging’". Alphaville: Journal of Film and Screen Media, nr 14 (24.01.2018): 61–73. http://dx.doi.org/10.33178/alpha.14.03.
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This article addresses cosmopolitan cinema through the figure of a former refugee in an Australian-made documentary, Constance on the Edge (Belinda Mason, 2016). Beginning with an overview of cosmopolitanism as a project and a political ideal, as well as its relevance now, I then trace its manifestation in the discourses of refugee advocacy that have been evident in Australia over the last couple of decades. This helps set the stage for a close reading of the film, in which a Sudanese asylum seeker who has been resettled in a regional town with her family is struggling to find a sense of belonging in her new home. I argue that such an instance of cosmopolitan cinema facilitates the audience’s capacity to see both similarities and differences in the refugee other, thereby enabling a politics of solidarity that is simultaneously in dialogue with global and national discourses.
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Lee, Lisa. "A Case From Australia's War Crimes Trials: Lieutenant-General Nishimura, 1950". Deakin Law Review 18, nr 2 (1.12.2013): 337. http://dx.doi.org/10.21153/dlr2013vol18no2art42.
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In the aftermath of World War II, Australia undertook domestic trials of suspected Japanese war criminals between 1945 and 1951. This article focuses on Australia’s war crimes trial of Lieutenant-General Nishimura as held at the Los Negros court in mid-June 1950, and the subsequent petitioning period and confirmation process. The Australian war crimes courts were military courts vested with broad discretionary powers that facilitated the expeditious trials of accused. The procedure of war crimes courts differed from that of field general courts-martial in two main areas: admissible evidence and sentencing range — and this article highlights concomitant problems arising during the trial and subsequent case on review. This article examines the prosecution of the case entirely on documentary evidence; the impact of low admissibility thresholds for evidence; issues regarding the voluntariness and reliability of witness evidence; and the option of capital punishment in the Nishimura trial.
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Dixon, Sally. "Multilingual Repertoires at Play: Structure and Function in Reported Speech Utterances of Alyawarr Children". Languages 6, nr 2 (23.04.2021): 79. http://dx.doi.org/10.3390/languages6020079.
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While there is increasing international interest in approaching language analysis with the prism of repertoire, research on repertoire on the Australian continent is still very much in the shadow of “traditional” language-centric documentary work. This paper will explore the question of how users of Australian, English-lexified contact varieties exploit their multilingual repertoires to achieve local, conversation–organizational ends. Drawing upon a corpus of video recordings from Ipmangker, a Central Australian Aboriginal community, and using the analytical methods of interactional and comparative variationist linguistics, I examine the production of reported speech by four 6- to 7-year-old Alyawarr children in a play session at home. A set of prosodic, phonological, morphological and discourse-pragmatic features are shown to form a coherent set of linguistic elements with which these multilingual children can contrast reported speech from the surrounding talk. Moreover, the use of reported speech in play not only allows the children to organize their interaction, but responds to and constructs the epistemic landscape of play.
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Hooper, Carole. "The unsaintly behaviour of Mary Mackillop: her early teaching career at Portland". History of Education Review 47, nr 2 (1.10.2018): 186–96. http://dx.doi.org/10.1108/her-10-2017-0019.
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Purpose Mary Mackillop, the only Australian to have been declared a “saint” by the Roman Catholic Church, co-founded the Institute of the Sisters of St Joseph, a religious congregation established primarily to educate the poor. Prior to this, she taught at a Common School in Portland. While she was there, the headmaster was dismissed. The purpose of this paper is to examine the extent to which the narrative accounts of the dismissal, as provided in the biographies of Mary, are supported by the documentary evidence. Contemporary records of the Board of Education indicate that Mary played a more active role in the dismissal than that suggested by her biographers. Design/methodology/approach Documentary evidence, particularly the records of the Board of Education, has been used to challenge the biographical accounts of Mary Mackillop’s involvement in an incident that occurred while she was a teacher at the Portland Common School. Findings It appears that the biographers, by omitting to consider the evidence available in the records of the Board of Education, have down-played Mary Mackillop’s involvement in the events that led to the dismissal of the head teacher at Portland. Originality/value This paper uses documentary evidence to challenge the account of the Portand incident, as provided in the biographies of Mary Mackillop.
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Wines, Graeme, i Helen Scarborough. "Australian government budget balance numbers". Accounting Research Journal 28, nr 2 (7.09.2015): 120–42. http://dx.doi.org/10.1108/arj-01-2014-0001.
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Purpose – The purpose of this paper is to analyse the nature and comparability of budget balance (surplus/deficit) numbers headlined by the Australian Commonwealth Government and the governments of the six Australian States and the two Australian Territories. It does this in the context of the transition to Australian accounting standard AASB 1049 Whole of Government and General Government Sector Financial Reporting. Design/methodology/approach – A case study research method is adopted, based on a content/documentary analysis of the headline budget balance numbers in the general government sector budget statements of each of the nine governments for the eight financial years from 2004-2005 to 2011-2012. Findings – Findings indicate some variation in the measurement bases adopted and a number of departures from the measurement bases prescribed in the reporting frameworks, including AASB 1049. Findings also reveal that none of the nine governments have headlined a full accrual based budget balance number since the implementation of AASB 1049 in 2008. Research limitations/implications – While the study focuses on the Australian general government sector environment, it has significant implications in highlighting the ambiguity in the government budget balance numbers presented and the monitoring and information asymmetry problems that can arise. Research findings have wider relevance internationally in highlighting issues arising with the public sector adoption of accrual accounting. Practical implications – The paper highlights the manner in which governments have been selective in the manner in which they present important budget aggregates. This has important practical and social implications, as the budget balance number is one of the most important measures used to evaluate a government’s fiscal management and responsibility. Originality/value – The paper represents the first detailed examination of aspects of the effect of the transition to AASB 1049.
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King, Kylie Elizabeth, Marisa Schlichthorst, Matthew J. Spittal, Andrea Phelps i Jane Pirkis. "Can a documentary increase help-seeking intentions in men? A randomised controlled trial". Journal of Epidemiology and Community Health 72, nr 1 (3.11.2017): 92–98. http://dx.doi.org/10.1136/jech-2017-209502.
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BackgroundWe investigated whether a public health intervention—a three-part documentary called Man Up which explored the relationship between masculinity and mental health, well-being and suicidality—could increase men’s intentions to seek help for personal and emotional problems.MethodsWe recruited men aged 18 years or over who were not at risk of suicide to participate in a double-blind randomised controlled trial. Participants were randomly assigned (1:1) via computer randomisation to view Man Up (the intervention) or a control documentary. We hypothesised that 4 weeks after viewing Man Up participants would report higher levels of intention to seek help than those who viewed the control documentary. Our primary outcome was assessed using the General Help Seeking Questionnaire, and was analysed for all participants. The trial was registered with the Australian New Zealand Clinical Trials Registry (ACTRN12616001169437, Universal Trial Number: U1111-1186-1459) and was funded by the Movember Foundation.ResultsThree hundred and fifty-four men were assessed for eligibility for the trial and randomised to view Man Up or the control documentary. Of these, 337 completed all stages (nine participants were lost to follow-up in the intervention group and eight in the control group). Linear regression analysis showed a significant increase in intentions to seek help in the intervention group, but not in the control group (coef.=2.06, 95% CI 0.48 to 3.63, P=0.01).ConclusionsOur trial demonstrates the potential for men’s health outcomes to be positively impacted by novel, media-based public health interventions that focus on traditional masculinity.Trial registration numberACTRN12616001169437, Results.
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Pimenta, Cláudia Oliveira. "Avaliação da educação infantil na Austrália: contribuições para o Brasil". Estudos em Avaliação Educacional 29, nr 70 (23.04.2018): 108. http://dx.doi.org/10.18222/eae.v29i70.5143.
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<p>Este artigo tem o propósito de apresentar resultados de investigação cujo objetivo foi identificar eventuais contribuições da experiência de avaliação da educação infantil australiana para a análise de iniciativas da mesma natureza, em curso no Brasil. Tem como base análise documental e informações coletadas in loco, quando da realização de estágio de pesquisa no exterior, na <em>Graduate School of Education</em> da Universidade de Melbourne, Austrália, em 2016. Os resultados do estudo evidenciam que o desenho avaliativo australiano reflete a preocupação com dimensões da qualidade consideradas fundamentais pela legislação e documentos norteadores da educação infantil no Brasil, ainda que os contextos social e educacional de ambos os países sejam bem diferentes. Ademais, indicam a importância da articulação e colaboração entre entes federados para a implantação de políticas voltadas para a primeira infância.</p><p><strong>Palavras-chave:</strong> Avaliação da Educação; Educação Infantil; Qualidade da Educação; Austrália.</p><p> </p><p><strong><em>Evaluación de la educación infantil en Australia: contribuciones para Brasil</em></strong></p><p><em>Este artículo tiene el propósito de presentar resultados de una investigación que tuvo el objetivo de identificar eventuales contribuciones de la experiencia de evaluación de la educación infantil australiana para analizar iniciativas de la misma naturaleza en curso en Brasil. Su base es el análisis documental e informaciones recogidas in loco, cuando se realizó la práctica de investigación en el exterior, en la </em>Graduate School of Education<em> de la Universidad de Melbourne, Australia, en el 2016. Los resultados del estudio evidencian que el diseño evaluativo australiano refleja la preocupación con dimensiones de la calidad consideradas como fundamentales por la legislación y documentos orientadores de la educación infantil en Brasil, aunque los contextos social y educacional de ambos países sean bastante diferentes. Además, indican la importancia de la articulación y colaboración entre entes federados para la implantación de políticas destinadas a la primera infancia.</em></p><p><strong><em>Palabras clave:</em></strong><em> Evaluación de la Educación; Educación Infantil; Calidad de la Educación; Australia.</em></p><p><em> </em></p><p><strong><em>Evaluation of early childhood education in Australia: contributions for Brazil</em></strong></p><p><em>This article aims to present research results intended to identify possible contributions from the Australian experience in evaluation early childhood education, in order to analyze similar initiatives existent in Brazil. It is based on documentary analysis and information collected in loco, when we conducted research internship abroad, at the </em>Graduate School of Education<em> of the University of Melbourne, Australia, in 2016. The results of the study show that the Australian evaluation initiative reflects the concern with dimensions of quality which are considered fundamental, by the legislation and documents guiding children’s education in Brazil, even though the social and educational contexts are very different in both countries. Furthermore, they indicate the importance of articulation and federative collaboration between federal, state and municipal governments for the deployment of policies focused on early childhood.</em></p><strong><em>Keywords:</em></strong><em> Education Assessment; Early Childhood Education; Quality of Education; Australia.</em>
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Riley, Emily, Peter Sainsbury, Phil McManus, Ruth Colagiuri, Francesca Viliani, Angus Dawson, Elizabeth Duncan, Yolande Stone, Tracy Pham i Patrick Harris. "Including health impacts in environmental impact assessments for three Australian coal-mining projects: a documentary analysis". Health Promotion International 35, nr 3 (5.05.2019): 449–57. http://dx.doi.org/10.1093/heapro/daz032.
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Abstract Notwithstanding the historical benefits of coal in aiding human and economic development, the negative health and environmental impacts of coal extraction and processing are of increasing concern. Environmental impact assessments (EIAs) are a regulated policy mechanism that can be used to predict and consider the health impacts of mining projects to determine if consent is given. The ways in which health is considered within EIA is unclear. This research investigated ‘How and to what extent are health, well-being and equity issues considered in Environmental Impact Assessments (EIAs) of major coal mining projects in New South Wales, Australia’. To this end we developed and applied a comprehensive coding framework designed to interrogate the publicly available environmental impact statements (EISs) of three mines in New South Wales (NSW), Australia, for their inclusion of health, well-being and equity issues. Analysis of the three EISs demonstrates that: the possible impacts of each mine on health and well-being were narrowly and inadequately considered; when health and well-being were considered there was a failure to assess the possible impacts specific to the particular mine and the communities potentially affected; the cumulative impacts on human health of multiple mines in the same geographical area were almost completely ignored; the discussions of intragenerational and intergenerational equity did not demonstrate a sound understanding of equity and, it is essential that governments’ requirements for the EIA include detailed analysis of the health, well-being, equity and cumulative impacts specific to the proposed mine and relevant communities.
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Goldfish, Su, Joanna Newman i Julie Ewington. "The last Goldfish". Alphaville: Journal of Film and Screen Media, nr 18 (1.12.2019): 128–44. http://dx.doi.org/10.33178/alpha.18.10.
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A few years before filmmaker Su Goldfish’s father, Manfred Goldfish, died she interviewed him on camera. He was reluctant to talk about the uncomfortable truths of his past, his previous marriage, his two other children and the persecution and murder of his family in Germany. “You can watch all that in a documentary”, he used to say to her. The Last Goldfish (Su Goldfish, 2017) became that documentary. This article contains three responses to the film. The first section, “Losing Harry”, written by Su Goldfish, focuses on the impact Manfred’s experiences had on his son Harry, connecting that experience to the despair of children currently held in the Australian Regional Processing Centre on Nauru. The second part, “Internment”, is written by historian Dr Joanna Newman whose research on refugees in the British West Indies grounds Manfred’s reluctant memories of rescue and internment in Trinidad in historical fact. The third section of this composite reflection, “Citizen of the World”, is a response from curator and scholar Julie Ewington who reflects on the film’s unravelling of hidden traumas and the unspoken histories in families.
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Allen, Jeanne Maree, i Julie Rimes. "A review of program evaluations in an Australian independent school: Participants’ perspectives". Australian Journal of Education 58, nr 3 (24.07.2014): 262–77. http://dx.doi.org/10.1177/0004944114542983.
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This article reports on ways in which one Australian independent school seeks to develop and sustain best practice and academic integrity in its programs through a system of ongoing program evaluation, involving a systematic, cyclical appraisal of the school’s suite of six faculties. A number of different evaluation methods have been and continue to be used, each developed to best suit the particular program under evaluation. In order to gain an understanding of the effectiveness of this process, we conducted a study into participants’ perceptions of the strengths and weaknesses of the four program evaluations undertaken between 2009 and 2011. Drawing on documentary analysis of the evaluation reports and analysis of questionnaire data from the study participants, a number of findings were generated. These findings are provided and discussed, together with suggestions about ways in which the conceptualisation and conduct of school program evaluations might be enhanced.
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Preeshl, Dr Artemis, i Foster Johns. "The American Elizabethan Accent in the Ocracoke Brogue". Education, Language and Sociology Research 3, nr 1 (11.03.2022): p62. http://dx.doi.org/10.22158/elsr.v3n1p62.
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To some ears, the Ocracoke “Brogue,” an unusual accent of Ocracoke (North Carolina) sounds Shakespearean. Data from interviews with three Ocracoke Brogue speakers and Wolfram’s Ocracoke Brogue documentary informed this study. In the context of the Brogue’s background, key samples from Wolfram’s film revealed that though Ocracoke speakers tended towards centralization and backing of vowel realizations, monophthongization tended to be the chief remnant of Original Pronunciation of Shakespeare’s English. Influences on linguistic changes in the context of tourism and climate change were considered. Future study on the Croatoan language and comparison of Australian accents to the Ocracoke Brogue were inspired by this research.