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Moore, Laurence James, i res cand@acu edu au. "Sing to the Lord a New Song: a Study of changing musical practices in the Presbyterian Church of Victoria, 1861-1901". Australian Catholic University. School of Arts and Sciences, 2004. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp49.29082005.
Pełny tekst źródłaMarsh, Dana Trombley. "Music, church, and Henry VIII's Reformation". Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670102.
Pełny tekst źródłaPhilp, Robert Henry Haldon, i randj@cqnet com au. "Steel all Through The Church of England in Central Queensland Transplantation and Adaptation 1892-1942". Central Queensland University. School of Humanities, 2002. http://library-resources.cqu.edu.au./thesis/adt-QCQU/public/adt-QCQU20031117.164918.
Pełny tekst źródłaGleeson, Damian John School of History UNSW. "The professionalisation of Australian catholic social welfare, 1920-1985". Awarded by:University of New South Wales. School of History, 2006. http://handle.unsw.edu.au/1959.4/26952.
Pełny tekst źródłaCurtis, Paul Raymond, i res cand@acu edu au. "The Music of Dom Stephen Moreno, OSB: A study of its sources, chronology and context". Australian Catholic University. School of Arts and Sciences, 2006. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp162.11062008.
Pełny tekst źródłaRooney, David, i n/a. "Playing Second Fiddle: A History of the Relationship Between Technology and Organisation in the Australian Music Economy (1901-1990)". Griffith University. School of Arts, 1996. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20050920.154417.
Pełny tekst źródłaLees, Jennifer Anne. "Eisteddfoditis : the significance of the City of Sydney Eisteddfod in Australian cultural history 1933-1941 /". View thesis, 2003. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20051109.114852/index.html.
Pełny tekst źródłaA thesis submitted in requirement for the degree of Doctor of Philosophy - Communication & Media, University of Western Sydney, 2003. Bibliography : leaves 350-372.
Webster, Peter Jonathan. "The relationship between religious thought and the theory and practice of church music in England, 1603-c.1640". Thesis, University of Sheffield, 2001. http://sas-space.sas.ac.uk/3208/.
Pełny tekst źródłaLees, Jennifer Anne, University of Western Sydney, of Arts Education and Social Sciences College i School of Humanities. "Eisteddfoditis : the significance of the City of Sydney Eisteddfod in Australian cultural history 1933-1941". THESIS_CAESS_HUM_Lees_J.xml, 2003. http://handle.uws.edu.au:8081/1959.7/714.
Pełny tekst źródłaDoctor of Philosophy (PhD)
Giselbrecht, Elisabeth Anna. "Crossing boundaries : the printed dissemination of Italian sacred music in German-speaking areas (1580-1620)". Thesis, University of Cambridge, 2012. https://www.repository.cam.ac.uk/handle/1810/283907.
Pełny tekst źródłaBray, Michael Robert. "The liturgical canticle settings for chorus and organ of Ralph Vaughan Williams". Diss., The University of Arizona, 1993. http://hdl.handle.net/10150/186253.
Pełny tekst źródłaHolt, Kamia Walton. "The Sound of Utah: the Presence of Geographical Elements in Music Written About the State of Utah". Diss., CLICK HERE for online access, 1997. http://contentdm.lib.byu.edu/u?/MTGM,35377.
Pełny tekst źródłaProtopopov, Michael Alex, i res cand@acu edu au. "The Russian Orthodox Presence In Australia: The History of a Church told from recently opened archives and previously unpublished sources". Australian Catholic University. School of Philosophy and Theology, 2005. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp87.09042006.
Pełny tekst źródłaRaynes, Christopher David Harlow. "Robert White's "Lamentations of Jeremiah": A history of polyphonic settings of the Lamentations in sixteenth century England". Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185400.
Pełny tekst źródłaHawkins, Cynthia Susan. "Aspects of the musical education of choristers in Church of England choir schools". Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63228.
Pełny tekst źródłaKindley, Carolyn E. "Miriam's timbrel : a reflection of the music of Wesleyan Methodism in America, 1843-1899". Virtual Press, 1985. http://liblink.bsu.edu/uhtbin/catkey/454809.
Pełny tekst źródłaPurba, Mauly 1961. "Musical and functional change in the gondang sabangunan tradition of the Protestant Toba Batak 1860s-1990s, with particular reference to the 1980s-1990s". Monash University, Dept. of Music, 1998. http://arrow.monash.edu.au/hdl/1959.1/8596.
Pełny tekst źródłaKarnas-Haines, Colleen Jillian. "The Church of Jesus Christ of Latter-day Saints/Mormon children's music its history, transmission, and place in children's cognitive development /". College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/2916.
Pełny tekst źródłaThesis research directed by: Music. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
Jones, Todd R. "The Relationship Between Lowell Mason and the Boston Handel and Haydn Society, 1815-1827". UKnowledge, 2017. http://uknowledge.uky.edu/music_etds/83.
Pełny tekst źródłaMcCabe, Juhnke Austin. "Music and the Mennonite Ethnic Imagination". The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1523973344572562.
Pełny tekst źródłaBrady, Josephine Margaret, i res cand@acu edu au. "Sisters of St Joseph: the Tasmanian experience the foundation of the Sisters of St Joseph in Tasmania1887-1937". Australian Catholic University. School of Religious Education, 2005. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp73.09042006.
Pełny tekst źródłaKim, Hae-Jeong. "Liturgy, Music, and Patronage at the Cappella di Medici in the Church of San Lorenzo in Florence, 1550-1609". Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278255/.
Pełny tekst źródłaPorret-Dubreuil, Amélie. "Contribution à l'étude de la restauration de la musique à l'église au xixe siècle au prisme de l'expérience de Félix Clément (1822-1885)". Thesis, Lyon, 2016. http://www.theses.fr/2016LYSES043/document.
Pełny tekst źródła19th century church music is a research area that is greatly expanding. The last 15 years of research has Iead to a better understanding of this expansive subject, but much remains to be examined. ln particular, the 19th century French Church Music Restoration Movement has yet to be studied in its own right.Our goal was to demonstrate the breath of the musicological and multidisciplinary research opportunities related to this movement, and Félix Clément emerged as an ideal starting point. Although he was nota principle leader, he was involve in ail areas of the Church Music Restoration Movement that were open to him. Beyond the field of religion, Clément revealed a real insight, through his work as a Iiturgical chant restorer and his different methodological approaches, and understood the entire complexity of the field. Above all else, his experience allows for a deeper understanding of the societal, political, religious and historiographical currents involved in this kind of work. His work opens the door to many research possibilities relating to the study of the restoration of Iiturgical chant in such a way that an entire field is revealed by looking at his activities. Our study attempts to place the work of Clément in their context in order to extract the political and religious relationship and to define the importance and Iegacy of his work
Pinon-Farah, Marco A. "The Mexican Hydra: How Calderón's Pursuit of Peace Led to the Bloodiest War in Mexican History? Will the Mexican People Inherit a Failed State in 2012?" Scholarship @ Claremont, 2011. http://scholarship.claremont.edu/cmc_theses/200.
Pełny tekst źródłaTreacy, Susan. "English Devotional Song of the Seventeenth Century in Printed Collections from 1638 to 1693: A Study of Music and Culture". Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc331253/.
Pełny tekst źródłaBaratz, Lewis Reece. "The concerted motets of Petrus Hercules Brehy (1673-1737), Zangmeester of the Brussels Collegiate Church of Saints Michael and Gudula". Case Western Reserve University School of Graduate Studies / OhioLINK, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=case1057180238.
Pełny tekst źródłaThomas, Maureen E. "The Divine Communion of Soul and Song: A Musical Analysis of Dante's Commedia". Kent State University Honors College / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1450117394.
Pełny tekst źródłaLindgren, Erika. "MUSIK TILL GUDS ÄRA - SYNDIGT ELLER GOTT? : En studie av kvinnors musicerande i den tidigkristna kyrkan". Thesis, Uppsala University, Department of Archaeology and Ancient History, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-124161.
Pełny tekst źródłaThis thesis aims to investigate and discuss the possibility for women in the early Christian church to make music, which in the ancient Roman society was something complicated. Afemale musician was looked upon as decadent and dissolute. This idea, in combination with the music ideals of the church influenced by the Neoplatonic movement, and the Pauline statement (1 Cor. 14:34-36), cast women to be completely prohibited in participating even in the psalmody during the service. My purpose is to discuss how this was looked upon in different Christian regions, using the church fathers as the main material source, since this has not previously been well documented or studied.
Lochner, Fábián C. "La culture musicale de l'abbaye d'Echtnernach au Moyen Age". Doctoral thesis, Universite Libre de Bruxelles, 1988. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/213380.
Pełny tekst źródłaCichy, Andrew Stefan. "'How shall we sing the song of the Lord in a strange land?' : English Catholic music after the Reformation to 1700 : a study of institutions in Continental Europe". Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:0bdfe9b2-b5c6-48fe-a565-ddb699b72312.
Pełny tekst źródłaKeym, Stefan. "Internationale Konferenz 'Stadtmusikgeschichte in Mittel- und Osteuropa: Die Musik der Religionsgemeinschaften um 1900': Leipzig, 5. und 6. November 2004". Internationale Arbeitsgemeinschaft für die Musikgeschichte in Mittel- und Osteuropa an der Universität Leipzig, 2005. https://ul.qucosa.de/id/qucosa%3A16010.
Pełny tekst źródłaSchell, Sarah. "The Office of the Dead in England : image and music in the Book of Hours and related texts, c. 1250-c. 1500". Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/2107.
Pełny tekst źródłaGilday, Patrick E. "Musical thought and the early German Reformation". Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:0ac3d705-c00e-4fc9-b90c-4902f9b54f8f.
Pełny tekst źródłaCoronado, Guel Luis Edgardo, i Guel Luis Edgardo Coronado. "Dios, Patria y mis Derechos: The Secularization of Patriotism and Popular Legal Culture in Revolutionary Mexico, 1917-1929". Diss., The University of Arizona, 2016. http://hdl.handle.net/10150/621436.
Pełny tekst źródłaRobb, Stuart James. "To begin, continue and complete : music in the wider context of artistic patronage by Pope Alexander VI (1492-1503) and the hymn cycle of CS 15". Thesis, University of Manchester, 2011. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:122374.
Pełny tekst źródłaPerina, Hugo. "L’orgue italien de la Renaissance (1400-1550). Commandes artistiques, savoirs pratiques et usages liturgiques". Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH054.
Pełny tekst źródłaThis thesis offers a social, technical and cultural study of the Renaissance Italian organ. It aims to determine the specificities of practices related to the organ from the 1430s to the mid XVIth century. Brunelleschi’s building of two organ galleries in the cathedral of Florence marks a profound shift in the conception of the organ’s place—a shift that is both spatial (it affects the space of the liturgy) and symbolic. Such a displacement made it necessary for organ builders to adapt their craft. Those innovations are essential characteristics of the organ a la moderna. The diffusion of new aesthetic criteria by craftsmen and their employers can be traced back to three main regions: Tuscany, Veneto and Lombardy. A compilation of buying and hiring agreements is structured as a database of around six hundred and fifty entries. In addition to providing technical data, this corpus makes it possible to study the progressive professionalization of organists and organ builders, in relation to their employers and patrons. The community involved in the process of building the organs is also put back in the broader context of the economic and diplomatic relations between Italian states. The employer therefore becomes a key figure in the diffusion of the organ a la moderna and the professional skills and habits that it involves
Bogdan, Đaković. "Фунционални и стилско-естетски елементи у српској духовној хорској музици прве половине двадесетог века". Phd thesis, Univerzitet u Novom Sadu, Akademija umetnosti u Novom Sadu, 2013. http://www.cris.uns.ac.rs/record.jsf?recordId=94803&source=NDLTD&language=en.
Pełny tekst źródłaUvodno poglavlje sadrži obrazloženje naslova i predmeta studije, kao i kritičku analizu dosadašnjih muzikoloških radova o srpskoj crkvenoj horskoj muzici između dva svetska rata. Sledeće poglavlje posvećeno je Tradicionalnoj crkvenoj umetnosti, njenim osnovnim pojmovima i tumačenjima u 20. veku. U njemu su teorijski razrađeni teološki aspekti autentičnogcrkvenog umetničkog stvaralaštva, sa posebnim osvrtom na problem umetničkogsimvola i njegovog funkcionisanja u liturgijskoj perspektivi, te mestu muzike ubogosluženju kao složenoj sintezi više umetničkih vrsta. Poglavlje Crkveno-umetničko stvaralaštvo i crkvena horska muzika u srpskoj kulturi između dva svetska rata donosi kontekstualno sagledavanje crkvene horske muzike sa crkvenim slikarstvom i crkvenom arhitekturom toga vremena, tumačeći dostignuća srpskih kompozitora kao deo ukupnog procesa razvoja pravoslavne umetnosti pod dejstvom tradicionalnih i modernih elemenata. U četvrtom poglavlju Istorija žanra kroz sagledavanje bogoslužbenih i koncertnih elemenata – stilsko-analitički narativ kao centralnom delu studije izvršena je podela posmatranih kompozicija prema stvaralačkim principima od najednostavnijih obrada i harmonizacija napeva do složenih i veoma originalnih postupaka sa i bez sličnosti sa crkvenim melodijama. Primarna analiza dopunjena je sagledavanjem žanrovsko-izvođačkih karakteristika (dominantno bogoslužbena ili koncertna praksa) koje značajno doprinose određivanju odnosa između funkcionalnih i umetničkih elemenata osmatranih ostvarenja. U poslednjem poglavlju Zaključak pored sumiranja najznačajnijih relevantnih činjenica iz prethodnog toka studije, uz pomoć određivanja opšte hijerarhije odnosa između kompozicionih postupaka (prevlast zapadnog ili pravoslavnog elementa), kao i kroz prepoznavanje tipologije načina usvajanja konvencija (sprovođenje kompozicionih rešenja) objektivno se definišu dostignuća srpskih autora crkvene horske muzike međuratnog perioda.Uspostavljeni kriterijum tretira oba svojstva ove muzike: tradicionalnuvrednost u domenu liturgijsko-funkcionalne upotrebe, kao i umetničkikvalitet po sebi, u okvirima ukupnog razvoja srpske muzike tokom prve polovine 20. veka.
The introductory chapter contains anexplanation of titles and subjects of the paper,critical analysis of previous musicologicalworks on Serbian Church Choral Music of theperiod between two World Wars. The followingchapter is devoted to the Traditional ChurchArt, its basic elements and interpretations from20th century. This part of the study brings thecrucial theological aspects of the authenticChurch аrt, with the special attention to theproblem of artistic symbol and its function inthe liturgical perspective, as well as the positionof music in the liturgical service as synthesis ofseveral disciplines of art. The chapter namedChurch-artistic practice and Church ChoralMusic in the Serbian culture between the twoWorld Wars brings contextual view over theChurch Choral Music together with the Churchvisual art and Church architecture of the periodunderstanding the composers efforts as part ofthe whole artistic evolution of the Orthodox artunder traditional and modern influences. Thefourth chapter The history of the genre throughthe balance of the liturgical and concertelements as a central part of the study offerssegmentation of the composed music on thebasis of compositional approach from thesimple harmonisations to the original andcomplex attitudes with or without the usage ofthe chant. This kind of basic analyse is followedby the division of the performing characteristics(the dominant liturgical or concert practice)which can help in understanding the relationbetween functional and artistic elements of thischoral genre. The final chapter Conclusionbeside summaries of the most important factsfrom the previous parts of the study, through thedefinition of hierarchy of the relations betweencompositional approaches (the domination ofWestern or Orthodox elements) and recognitionthe typology of the usage of conventions (theguidance of compositional solutions) bringsobjective evaluation of the Church ChoralMusic composed by the Serbian authors of thisperiod. The final reached criteria offers theevaluation of both meanings of this music: itstraditional level of liturgical and functional roleand its artistic value as part of the generaldevelopment of the Serbian music of first partof 20th century.
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Reusch, Kathryn. ""That which was missing" : the archaeology of castration". Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:b8118fe7-67cb-4610-9823-b0242dfe900a.
Pełny tekst źródłaOwen, Ceri. "Vaughan Williams, song, and the idea of 'Englishness'". Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:117f2c64-3b63-43aa-9dd3-15a7ce2f9339.
Pełny tekst źródłaYatskaya, Svetlana. "Music and liturgy in early Christianity". Diss., 2001. http://hdl.handle.net/10500/1119.
Pełny tekst źródłaCristian Spirituality, Church History and Missiology
M. Th. (New Testament)
Moses, Roland Hansel. "Pentecostal church music praxis : Indians in the Durban region, 1994-2011". Thesis, 2015. http://hdl.handle.net/10500/22677.
Pełny tekst źródłaArt History, Visual Arts and Musicology
D. Litt. et Phil.
"The indigenization of Gregorian Chant in early twentieth-century China: the case of Vincent Lebbe and his religious congregations". 2007. http://library.cuhk.edu.hk/record=b5893078.
Pełny tekst źródłaThesis (M.Phil.)--Chinese University of Hong Kong, 2007.
Includes bibliographical references (leaves 199-216).
Abstracts in English and Chinese.
Abstract --- p.i-iii
Acknowledgements --- p.iv-v
List of Plates --- p.vii
List of Examples --- p.viii-x
List of Tables --- p.xi
List of Abbreviations --- p.xii-xvi
Chapter Chapter One --- "Introduction: Mission, Liturgy, Music, and the Study of Catholic Church in China" --- p.1-14
Chapter Chapter Two --- Overview of the History of Chinese Catholic Church: Evangelization and Indigenization --- p.15-28
Chapter Chapter Three --- Catholic Liturgy and Music in China: Between Orthodoxy and Participation --- p.29-57
Chapter Chapter Four --- "Vincent Lebbe's Experiences, and the Formation of his Ideas towards Liturgy, Music and Monasticism" --- p.58-75
Chapter Chapter Five --- "The Chant Books of Lebbe: Sources, Structures and Liturgical Practices" --- p.76-110
Chapter Chapter Six --- Stylistic Features of Lebbe's Arrangements of Gregorian Chant for Chinese Language --- p.111-154
Chapter Chapter Seven --- Conclusion: Receptions and Cultural Representation of Vincent Lebbe's Chinese Gregorian Chant --- p.155-170
Appendices
Notes to the Appendices --- p.171
Appendix A - Contents of Lebbe's Chant Book for the Divine Office --- p.172-192
Appendix B - Contents of Lebbe's Chant Book for Benediction --- p.193-195
Appendix C - Contents of Lebbe's Chant Book for the Mass --- p.196-198
Bibliography --- p.199-216
Sanga, Iman. "Muziki wa Injili : the temporal and spatial aesthetics of popular church music in Dar es Salaam, Tanzania (1980s-2005)". Thesis, 2006. http://hdl.handle.net/10413/5177.
Pełny tekst źródłaThesis (Ph.D.)-University of KwaZulu-Natal, Durban, 2006.
"The Organ in “A Secular Age”: Secularization and the Organ in the United States". Doctoral diss., 2020. http://hdl.handle.net/2286/R.I.56978.
Pełny tekst źródłaDissertation/Thesis
Doctoral Dissertation Music 2020
Irwin, Kathy Sue. "Christ ist erstanden: study of a German chorale tradition". 1986. http://hdl.handle.net/2097/22087.
Pełny tekst źródła"Organ Culture in Post-War Poland: 1945 - 2012". Doctoral diss., 2012. http://hdl.handle.net/2286/R.I.14691.
Pełny tekst źródłaDissertation/Thesis
D.M.A. Music 2012
Tuiasosopo, Kuki M. "Pese ma vīʻiga i le Atua : the sacred music of the Congregational Church of Jesus in Sāmoa : ʻO le ʻEkālēsia Faʻapotopotoga a Iēsū i Sāmoa". Thesis, 2005. http://hdl.handle.net/10125/11756.
Pełny tekst źródłaDědečková, Viktorie. "Antonín Celestýn Mentzel a hudba v Broumově v 18. století". Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-338208.
Pełny tekst źródłaWaters, Melville. "The Lutheran orthodoxy of J.S. Bach's Clavierübung III". 1988. http://web4.library.adelaide.edu.au/theses/09MUM/09mumw331.pdf.
Pełny tekst źródłaPapenfus, Anna Francina. "'n Waardebepaling van die nie-amptelike, informele kerklied soos gesing in die erediens in gemeentes van die Nederduitse Gereformeerde Kerk in die PWV". Diss., 1994. http://hdl.handle.net/10500/15739.
Pełny tekst źródłaThe reformed churches have theological and musicological criteria for their hymns, which, however, are not always unambiguous. After the introduction of the Jeugsangbundel (1984) an informal song, with informal accompaniment, entered the worship and forms a prominent part of the singing in Dutch Reformed Churches today. Some congregations compile their own volumes of songs. This study set out to identify these congregations by means of a questionnaire and evaluate the songs. Other relevant information was also required from congregations. 21 % of the respondent congregations sing unapproved songs. They have a larger percentage of young people than those singing official songs. Congregations prefer a balance of formal and informal hymns and both are sung with equal enthusiasm. The melody is the strongest characteristic of the informal song and edification the strongest of the formal hymn. The evaluation, however, shows that a considerable number of songs do not meet the required standard
Art History, Visual Arts & Musicology
M.A. (Musicology)