Artykuły w czasopismach: „Australian Broadcasting Corporation”

1

Barr, Trevor. "The BBC Charter Review". Australian Journal of Telecommunications and the Digital Economy 4, nr 1 (7.04.2016): 54. http://dx.doi.org/10.18080/ajtde.v4n1.50.

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Both the British Broadcasting Corporation (BBC) and the Australian Broadcasting Corporation (ABC) are being subjected to close scrutiny, but from different quarters. During the lead up to the British general election in 2015, the Cameron Conservative government issued a Green Paper, BBC Charter Review, July-October 2015, which broke new ground in terms of the scope of such an enquiry for its level of institutional criticism. Whilst ostensibly the document only purported to raise options for future change, and invited public submissions for consideration, there has been widespread concern about the possible serious intentions of the government for the corporation’s future. Though the ABC appears to be subject to much less vitriolic attack than its British counterpart, it too faces a range of threats and abuses. Paradoxically, such aggressive scrutiny comes at a time when both broadcasting corporations enjoy record audiences, continuing high levels of public trust, and on-line market leadership as a result their successful development of new digital platforms.

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Barr, Trevor. "The BBC Charter Review". Journal of Telecommunications and the Digital Economy 4, nr 1 (7.04.2016): 54–64. http://dx.doi.org/10.18080/jtde.v4n1.50.

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Both the British Broadcasting Corporation (BBC) and the Australian Broadcasting Corporation (ABC) are being subjected to close scrutiny, but from different quarters. During the lead up to the British general election in 2015, the Cameron Conservative government issued a Green Paper, BBC Charter Review, July-October 2015, which broke new ground in terms of the scope of such an enquiry for its level of institutional criticism. Whilst ostensibly the document only purported to raise options for future change, and invited public submissions for consideration, there has been widespread concern about the possible serious intentions of the government for the corporation’s future. Though the ABC appears to be subject to much less vitriolic attack than its British counterpart, it too faces a range of threats and abuses. Paradoxically, such aggressive scrutiny comes at a time when both broadcasting corporations enjoy record audiences, continuing high levels of public trust, and on-line market leadership as a result their successful development of new digital platforms.

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Vujanic, Ana. "The future of the Australian Broadcasting Corporation in Australia’s ‘chilling’ mediascape". Australian Journalism Review 43, nr 1 (1.06.2021): 115–32. http://dx.doi.org/10.1386/ajr_00060_7.

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Two decades after Pierre Bourdieu published On Television and Journalism chronicling the decline of French public broadcasting and serious news, Australia’s national broadcaster, the Australian Broadcasting Corporation (ABC), is in the throes of a similar decline. Besieged by a combination of funding cuts, allegations of political interference, pressure from the commercial media sector, nepotism and legislative frameworks at both federal and state levels that have sent a chill through Australian journalism, the ABC is facing challenging times. Through long-form interviews with journalists and senior bureau figures from the ABC Brisbane Bureau, this study seeks to gauge the extent to which the landscape for conducting public interest journalism in Australia has changed since 2018 and what the future of the ABC may look like.

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Rando, Gaetano. "Broadcasting in Italy: Democracy and Monopoly of the Airwaves". Media Information Australia 40, nr 1 (maj 1986): 39–48. http://dx.doi.org/10.1177/1329878x8604000109.

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Australia, as compered with some overseas countries, has a stable and continuous radio and television history. The price has been the creation of an oligopolistic commercial sector which is much stronger than the national broadcaster, the Australian Broadcasting Corporation. Public (community) broadcasting is still confined to a sector starved of funds; public TV still a pipedream. Ethnic radio and multicultural television, through the Special Broadcasting Service, have a short history which is far from smooth and under constant threat for TV to be merged with the ABC.

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Clark, Andrew. "Your Asia-Pacific Network: The use of Radio Australia by the Australian Government". Pacific Journalism Review : Te Koakoa 9, nr 1 (1.09.2003): 80–101. http://dx.doi.org/10.24135/pjr.v9i1.758.

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This article examines the use of Radio Australia by the Australian Government. It examines the extent that the Australian Government's foreign policy goals are reflected in the charter and programming of Radio Australia. The paper begins with a brief historical look at Radio Australia followed by description and analysis of the role of an intermediary between the government and the station, which, in this case, is the Australian Broadcasting Corporation (ABC), the parent company of Radio Australia; the programme philosophy of, and programming offered by Radio Australia, and criticisms of Radio Australia from within the Pacific.

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Dezuanni, Michael, Stuart Cunningham, Ben Goldsmith i Prue Miles. "Teachers’ curation of Australian screen content for school-based education". Media International Australia 163, nr 1 (8.03.2017): 87–96. http://dx.doi.org/10.1177/1329878x17693701.

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This article outlines how teachers curate Australian screen content for use in classrooms from pre-school to senior secondary school. It suggests teachers use their professional knowledge of curriculum and pedagogy to arrange screen resources, curriculum concepts and student experiences to promote learning. This complex curatorial process adds value to broadcaster and producer curation processes that aim to position cut-down clips and educational resources for classroom use. The article draws on a national research project that undertook interviews with 150 teachers in schools across Australia. The authors suggest the ongoing digital disruption of the school sector presents both opportunities and challenges for the Australian Broadcasting Corporation, The Special Broadcasting Service and the Australian Children’s Television Foundation.

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Aisbett, Kate. "Production of Australian Children's Drama: Is There a Future?" Media International Australia 93, nr 1 (listopad 1999): 41–50. http://dx.doi.org/10.1177/1329878x9909300106.

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To mark the twentieth anniversary of the introduction of the children's programs classification scheme (1979–99), the Australian Broadcasting Authority, the Australian Children's Television Foundation and the Australian Film Finance Corporation commissioned a joint research project on C classification programs. The research investigated trends in programming over the 20 years of the classification scheme and current issues related to the financing of children's programs. This paper explores current developments in the production and broadcast of children's television in Australia and the place of regulation in facilitating the community's desire for quality Australian children's programs.

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Chubb, Philip, i Chris Nash. "The Politics of Reporting Climate Change at the Australian Broadcasting Corporation". Media International Australia 144, nr 1 (sierpień 2012): 37–48. http://dx.doi.org/10.1177/1329878x1214400107.

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This article examines a particular moment in journalism at the Australian Broadcasting Corporation, with the aim of elucidating the link between public-sector journalism and political controversy in the recent Australian response to climate change. The particular moment in question involved the reporting of visits to Australia in early 2010 by two international commentators on anthropogenic climate change, Christopher Monckton and James Hansen, and an unprecedented attack by the chairman of the ABC on the professional performance of ABC journalists in reporting on this issue. We use this case study to canvass the explanatory merits of several scholarly perspectives on journalistic bias: the well-known ‘balance as bias’ argument by the Boykoffs (2004), the less well-known but incisive ‘independence/ impartiality couplet’ argument by Stuart Hall (1976) and Bourdieusian field analysis.

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Spigelman, James. "The ABC and Australia's Media Landscape". Media International Australia 146, nr 1 (luty 2013): 12–24. http://dx.doi.org/10.1177/1329878x1314600105.

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This address from the Chairman of the Australian Broadcasting Corporation was presented at the RIPE@2012 conference in Sydney on 5 September 2012. It examines the challenges of digital technology currently facing the Australian media landscape.

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Harrison, Kate. "RCTS: A Review of the Policy Process". Media Information Australia 38, nr 1 (listopad 1985): 24–28. http://dx.doi.org/10.1177/1329878x8503800109.

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The political problems surrounding the provision of a commercial television service to viewers in remote areas first surfaced publicly in the 1984 Australian Broadcasting Tribunal (ABT) Inquiry into Satellite Program Services (SPS). The Australian Broadcasting Corporation (ABC) had already worked out its Homestead and Community Broadcasting Satellite Service (HACBSS) scheme for bringing ABC TV to remote areas via the satellite, but there remained considerable uncertainty as to the provision of commercial television to remote areas. The Minister for Communications asked the Tribunal to examine this issue in the course of its Inquiry.

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Martin, Fiona. "Pulling Together the Abc: The Role of ABC Online". Media International Australia 93, nr 1 (listopad 1999): 103–17. http://dx.doi.org/10.1177/1329878x9909300111.

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Public service broadcasters facing multiple threats to their existence are simultaneously grappling with their transition to an era of digital broadcasting and networked information services. At stake is the continued need for a ‘public sphere’ in an increasingly diversified, commodified mediascape. This article draws on interviews with key ABC personnel between 1997 and 1998, press reports and relevant academic literature to examine the development of the Australian Broadcasting Corporation's online publishing activities in the context of a recent proposal to part-privatise ABC Online. It considers the role of ABC Online as an ‘information broker’ in the public domain, and as a catalyst for changing modes of cultural production within the corporation. It then challenges the 1997 Mansfield Review's assessment of ABC Online as a ‘non-core’ activity of the corporation. Finally, it outlines options for future resourcing of the service, dependent on further research outcomes.

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Jacka, Liz. "Review: Whose ABC? The Australian Broadcasting Corporation 1983–2006". Media International Australia 122, nr 1 (luty 2007): 205–6. http://dx.doi.org/10.1177/1329878x0712200128.

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Burns, Maureen Elizabeth. "Public Service Broadcasting meets the Internet at the Australian Broadcasting Corporation (1995–2000)". Continuum 22, nr 6 (grudzień 2008): 867–81. http://dx.doi.org/10.1080/10304310802419395.

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Sitas, Freddy, Dianne L. O'Connell, Cathelijne H. Van Kemenade, Mark W. Short i Kun Zhao. "Breast cancer risk among female employees of the Australian Broadcasting Corporation in Australia". Medical Journal of Australia 192, nr 11 (czerwiec 2010): 651–54. http://dx.doi.org/10.5694/j.1326-5377.2010.tb03665.x.

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Griffen-Foley, Bridget. "Kindergarten of the Air: From Australia to the world". Radio Journal:International Studies in Broadcast & Audio Media 17, nr 2 (1.10.2019): 179–99. http://dx.doi.org/10.1386/rjao_00004_1.

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This article considers the radio programme for kindergarten-aged children that the Australian Broadcasting Commission (ABC) launched during the Second World War and continued to broadcast until 1985. Kindergarten of the Air, thought to be the ‘first of its kind in the world’, was to inspire interest from, and similar programmes throughout, the British empire and beyond. The article examines the imperial and international broadcasting networks that enabled the exchange of ideas and initiatives within the field of educational broadcasting, and the export of one of Australia’s most successful radio initiatives, while also considering the willingness of the British Broadcasting Corporation (BBC) to be influenced by a dominion broadcaster.

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McGarry, Jade, Halim Rane i Kasun Ubayasiri. "Framing Islam and Islamism in the Australian news media: A content analysis of the Australian Broadcasting Corporation and The Australian". Australian Journalism Review 45, nr 2 (1.10.2023): 233–55. http://dx.doi.org/10.1386/ajr_00134_7.

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Representations of Muslims in the Australian media have been overwhelmingly negative and stereotypical, affecting the way non-Muslims perceive Islam. Research also suggests anti-Islam and anti-Muslim sentiment in Australia tend to conflate the religion of Islam with political Islam, often termed Islamism. This research examines how Australia’s newspaper of record The Australian and the public broadcaster the Australian Broadcasting Corporation (ABC), reported on and at times conflated Islam and Islamism, between 2018 and 2019. While there is a significant volume of literature on media representations of Islam and Muslims, few studies consider the distinction between Islam and Islamism in the news media. By examining instances where The Australian and the ABC conflate Islam and Islamism, this article posits that such reporting needs to be recognized as it contributes to misinformation, pejorative public sentiments about Islam and Muslims, and reinforces extremist propaganda.

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Lloyd, Justine. "“A Girdle of Thought Thrown around the World”". Feminist Media Histories 5, nr 3 (2019): 168–94. http://dx.doi.org/10.1525/fmh.2019.5.3.168.

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This article outlines impulses toward internationalism in women's programming during the twentieth century at two public service broadcasters: the Canadian Broadcasting Corporation (CBC) in Canada and the Australian Broadcasting Commission (ABC) in Australia. These case studies show common patterns as well as key differences in the establishment of an international frame for the modern domestic sphere. Research conducted in paper and audio recording archives relating to nonfiction programming for women demonstrates pervasive tensions between women's international versus national solidarities. The article argues that these contradictions must be highlighted—rather than papered over in a simplistic understanding of such programming as reflecting a binary domestic ideology of private versus public, home versus world—to fully understand media history and cultural memory from a gendered perspective.

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Gaber, Ivor, i Rodney Tiffen. "Politics and the media in Australia and the United Kingdom: parallels and contrasts". Media International Australia 167, nr 1 (10.04.2018): 27–40. http://dx.doi.org/10.1177/1329878x18766721.

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Australia and Britain share many common aspects in their democratic political and media systems, but there are also important differences. Perhaps the single most important media difference is that television has been a much more important element in the UK political communication system than it has been in Australia. The British Broadcasting Corporation is a much bigger and more central institution than the Australian Broadcasting Corporation, and commercial TV in Britain has a much stronger public service mandate. The British press has a national structure which can give it a substantive collective role, although its right-wing dominance means it has been a less-than-benign influence on public life. Both countries are facing rapid changes, with partisan political divisions in flux and the digital environment disrupting traditional media models. In this article, we seek to interrogate the commonalities and differences between the media and political systems operating in Australia and the United Kingdom. After tracing some important differences in their institutional structures, the dominant theme of our later analysis is that in both systems, and in both countries, the overarching narrative is one of disruption. And we pose the question – Will the current disruptions widen or narrow these differences?

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Baker, Jeannine. "Australian Women Working in British Broadcasting in the 1930s and 1940s". Feminist Media Histories 5, nr 3 (2019): 140–67. http://dx.doi.org/10.1525/fmh.2019.5.3.140.

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This article analyzes the connections between gender, labor, and mobility by tracing the transnational careers of two Australian women who began working at the British Broadcasting Corporation (BBC) in the 1930s and 1940s: Peggie Broadhead and Muriel Howlett. Both participated in the production of media content aimed at British diasporic audiences while at the same time negotiating their own Australian national identity and sense of belonging, within an imperial framework. A close study of institutional and private archives reveals that these professional responsibilities and tensions resulted in the formation of a new transnational identity of “Dominions broadcaster.” This article reveals the agency and adaptability of Australian women working in international broadcasting, and argues that through their labor and mobility they inscribed and made real the idea of imperial and Commonwealth networks.

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Ginsburg, Faye. "Station Identification: The Aboriginal Programs Unit of the Australian Broadcasting Corporation". Visual Anthropology Review 9, nr 2 (wrzesień 1993): 92–97. http://dx.doi.org/10.1525/var.1993.9.2.92.

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Kramer, Leonie. "Whose ABC?: The Australian Broadcasting Corporation 1983-2006 - by K.S. Inglis". Australian Journal of Public Administration 66, nr 1 (marzec 2007): 121–23. http://dx.doi.org/10.1111/j.1467-8500.2007.00520_1.x.

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Madsen, Virginia. "Innovation, women’s work and the documentary impulse: pioneering moments and stalled opportunities in public service broadcasting in Australia and Britain". Media International Australia 162, nr 1 (24.11.2016): 19–32. http://dx.doi.org/10.1177/1329878x16678933.

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This article explores the roles of some of the key women producers, broadcasters and writers who were able to work within the British Broadcasting Corporation (BBC) and Australian Broadcasting Corporation (ABC) from their foundational periods to the 1950s. Despite the predominantly male culture of radio broadcasting from the 1920s to the 1970s, this article considers the significance and long-term impacts of some of these overlooked female pioneers at the forefront of developing a range of new reality and ‘talk’ forms and techniques. While the article draws on primary BBC research, it also aims to address these openings, cultures and roles as they existed historically for women in the ABC. How did the ABC compare in its foundational period? Significantly, this paper contrasts the two organisations in the light of their approaches to modernity, arguing that BBC features, the department it engendered, and the traditions it influenced, had far reaching impacts; one of these relating to those opportunities opened for women to develop entirely new forms of media communication: the unrehearsed interview and actuality documentary programmes.

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Supeno, Bana. "The Presence of Portuguese and Indonesia in Timor Leste as Depicted by Australian and British Broadcasting Corporation". NOBEL: Journal of Literature and Language Teaching 11, nr 1 (30.04.2020): 69–82. http://dx.doi.org/10.15642/nobel.2020.11.1.69-82.

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The discussion in this paper is intended to describe how Australian Broadcasting Corporation (ABC) and British Broadcasting Corporation (BBC) views Timor Leste during the period of Portuguese occupation, Indonesia’s presence, until the present-day conditions. Using some van Dijk’s models of CDA to examine the statements to represent its history in some editorials published by ABC and BBC news resources, the analysis was carried out at the levels of selected statements with regard to the linguistic features of lexical choices, nominalization, passivization, and overcompleteness. The results of the analysis show that the statements constructed by ABC and BBC’s news editorials as the news discourse about the history of Timor Leste in such relations are discursively biased in terms of CDA. With various differences in terms of the linguistic features, the result also in line with the view that both ABC and BBC’s statements are mostly dichotomizing Portuguese into ‘Us’ while Indonesia into ‘Them’ in terms of van Dijk’s ‘ideological square’.

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Hawkins, Gay. "The Special Broadcasting Service in the Twenty-First Century". Media International Australia 133, nr 1 (listopad 2009): 26–30. http://dx.doi.org/10.1177/1329878x0913300107.

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This paper considers the recent inquiry of the Department of Broadband, Communications and the Digital Economy into the future of public service media in a digital environment in the context of both the author's own work on the history of the Special Broadcasting Service (Ang et al., 2008) and the continuing obligations and challenges that public service media face in terms of the wider remit of helping audiences to negotiate the reality of cultural diversity and difference. It focuses on how SBS has contributed to an expanded understanding of the nature of citizenship in contemporary Australian society, challenges it faces in extending that understanding of citizenship to expanded public participation in the creation and distribution of media content, and its current and future relationship to the Australian Broadcasting Corporation.

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HUNT, SIMON. "(I'M A BACK DOOR MAN An Essay for the Australian Broadcasting Corporation". Perfect Beat 4, nr 4 (4.10.2015): 29–33. http://dx.doi.org/10.1558/prbt.v4i4.28708.

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Alcock, Jamie, i George Docwra. "A simulation analysis of the market effect of the Australian Broadcasting Corporation". Information Economics and Policy 17, nr 4 (październik 2005): 407–27. http://dx.doi.org/10.1016/j.infoecopol.2005.02.001.

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Miragliotta, Narelle, i Wayne Errington. "The Rise and Fall and Rise Again of Public Broadcasting? The Case of the Australian Broadcasting Corporation". Australian Journal of Public Administration 71, nr 1 (marzec 2012): 55–64. http://dx.doi.org/10.1111/j.1467-8500.2012.00755.x.

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Gooch, Nicole. "REVIEW: Documentary records continuing independence struggle in West Papua". Pacific Journalism Review : Te Koakoa 26, nr 1 (31.07.2020): 309–11. http://dx.doi.org/10.24135/pjr.v26i1.1108.

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The War Next Door, reported by Sally Sara. Foreign Correspondent. Australian Broadcasting Corporation. Broadcast: 12 May 2020. 30 minutes. https://www.abc.net.au/foreign/the-war-next-door/12239998 ‘WE GOT to keep on pushing forward,’ sings the band Sorong Samarai, which means from the tip of West Papua, Sorong, to Samari, the island which lies at the eastern tip of mainland Papua New Guinea, Samarai. ‘One people, one soul, one destiny.’

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Turner, Graeme. "Surviving the post-broadcast era: The international context for Australia’s ABC". Media International Australia 158, nr 1 (7.01.2016): 17–25. http://dx.doi.org/10.1177/1329878x15616514.

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While much of the discussion of the current condition of the Australian Broadcasting Corporation (ABC) has been very much located within the Australian context, there is some point to widening the frame and considering the situation of the ABC within a more international context. In many locations, the rationale for the public broadcaster – the provision of information, education and entertainment for the public good – has not easily survived what has been dubbed the post-broadcast era, increasingly shaped by commercialisation, neo-liberalism, de-regulation and privatisation. The tendencies in the Australian context are not as clear as the international ones, however, and so the comparison between the international and the national contexts frames the account developed by this article.

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Cunningham, Stuart. "Under Great Pressure, a Diamond is Being Formed: The SBS over Time". Media International Australia 133, nr 1 (listopad 2009): 15–18. http://dx.doi.org/10.1177/1329878x0913300104.

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This article observes a paradox in the recent history of the Special Broadcasting Service. It is argued that, in contrast to the Australian Broadcasting Corporation, the role and general direction of SBS were not extensively debated as part of the ‘culture wars’ that occurred during the years of the Howard government. While that made SBS a less fraught space during that period, it may now be a factor in the comparative lack of support being given by the Rudd Labor government to SBS in comparison with the ABC, as some of the ‘special’ status of SBS has been blunted by its drift towards more mainstream programming and a mixed economy of commercial advertising, as well as government funding.

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Madsen, Virginia M. "‘We are all content makers now’: Losing form and sense at the ABC?" Australian Journalism Review 42, nr 2 (1.11.2020): 243–60. http://dx.doi.org/10.1386/ajr_00038_1.

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This article considers the rise of discourses emerging with the digital ‘content revolution’ at the Australian Broadcasting Corporation (ABC), in the context of severe budget cuts and restructures since the emergence of Brian Johns’ 1996 ‘One ABC’ policy. The article explores key decisions, rhetorics and thinking surrounding the radical dismembering of ABC’s unique ideas and cultural outlet Radio National (now ‘RN’) from 2012 onwards, as it was forced to jettison core parts of its programming and shed specialist and experienced staff. The article seeks to identify how – under the influence of an infectious complex of ideas and discourses associated with ‘digital convergence’, neo-liberalism and managerialism – conditions were in place that favoured the expansion of platform-agnostic journalism and of related topical ‘content’ across the ABC at the expense of other forms and understandings of this ‘rich mix’ network. Core aspects of the ‘project’ as it had evolved over decades were endangered and diluted. Drawing on important historical and comparative research, the article argues that RN is relinquishing its historic ‘special status’ as a media leader in ideas and cultural broadcasting in Australia.

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Giotis, Chrisanthi. "Dismantling the Deadlock: Australian Muslim Women’s Fightback against the Rise of Right-Wing Media". Social Sciences 10, nr 2 (13.02.2021): 71. http://dx.doi.org/10.3390/socsci10020071.

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In Australia, as in other multicultural countries, the global Islamophobic discourse linking Muslims to terrorists to refugees results in the belief of an “enemy within”, which fractures the public sphere. Muslim minorities learn to distrust mainstream media as the global discourse manifests in localised right-wing discussion. This fracturing was further compounded in 2020 with increased media concentration and polarisation. In response, 12 young Australian Muslim women opened themselves up to four journalists working for the Australian Broadcasting Corporation (ABC). They engaged in critical journalism research called Frame Reflection Interviews (FRIs). The process gave journalists important knowledge around the power dynamics of Islamophobia and empowered participants to help shape new media discourses tackling Islamophobia. This paper proposes that the FRIs are one method to rebuild trust in journalism while redistributing risk towards the journalists. These steps are necessary to build a normatively cosmopolitan global public sphere capable of breaking the discursive link between refugees and terrorism and fighting back against the rise of the far right.

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Keyzer, Patrick. "Freedom of speech issues in Peach v Toohey and a hypothetical variant of that case". Pacific Journalism Review : Te Koakoa 10, nr 1 (1.04.2004): 139–52. http://dx.doi.org/10.24135/pjr.v10i1.784.

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The purpose of this article is to consider the tensions within Australian free speech jurisprudence based on a hypothetical variant of the facts of the decision of the Supreme Court of the Northen Territory in Peach v Toohey. In particular, this article briefly explores the competing legal interests that operate when journalists seek access to restricted areas, in this case aborginal land, in the course of an investigation. After considering the case and the issues it raises the author develops a hypothetical that draws out some of the deeper tensions in this area of the law. The article concludes with proposals for new apporoaches to the test developed by the High Court of Australia in Lange v Australian Broadcasting Corporation for the balancing of freedom to discuss political and governmental affairs—including the public right to know — against other legitimate objectives such as the maintence of property rights and the privacy interests that can be associated with propety rights.

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Roy, James. "Sharing Cultures: an ABC/CBC Radio Drama Exchange". Canadian Theatre Review 85 (grudzień 1995): 15–18. http://dx.doi.org/10.3138/ctr.85.003.

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On an unseasonably hot day of 28° C late in September, 1994, the National Executive Producer of Radio Drama for the Australian Broadcasting Corporation arrived in Toronto. I could not help pointing out that his first visit to Canada was beginning with superb weather. David Britton was here to direct Judith Thompson’s new radio drama, Stop Talking Like That, the Canadian half of a double co-commission project that cbc Radio Drama had initiated with its counterpart at abc. On the way in from the airport he informed me gently that Perth, where he lives in Western Australia, had already experienced several days of more than 30°C, although September is their seasonal equivalent of March. Even though Canada is regularly beat out by the glorious Australian climate, this friendly rivalry over the weather has continued to be a theme scattered through the discussions of radio dramas and air dates in the frequent fax and telephone contacts since our first meeting.

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Bacon, Wendy, i Tom Morton. "EDITORIAL: Independent journalism". Pacific Journalism Review 18, nr 1 (31.05.2012): 6. http://dx.doi.org/10.24135/pjr.v18i1.285.

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Discussion about the role of journalism in universities too often leaves the impression that our main, and even only game, should be producing employees for major media corporations. This issue of Pacific Journalism Review assumes much more than that. The theme for the issue is investigative journalism, particularly material presented at the ‘Back to the Source’ investigative journalism conference hosted by the Australian Centre for Independent Journalism (ACIJ) and the Australian Broadcasting Corporation in Sydney in September 2011. This was the second regional investigative journalism conference; the first, hosted by the Pacific Media Centre, provided the theme for PJR (MIJT, 2011). These conferences, and indeed Pacific Journalism Review, are based on the notion that the goal of university based journalism is to develop links between journalists—whether full-time employees of major companies, freelancers, academics or students—in order to promote a more independent and critical culture of journalism in our region, without which democracy cannot flourish. This goal suggests a relationship much wider and more challenging than simply the production of qualified journalists.

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Stewart, Daniel. "Protecting Privacy, Property, and Possums: Australian Broadcasting Corporation V Lenah Game Meats Pty Ltd". Federal Law Review 30, nr 1 (marzec 2002): 177–201. http://dx.doi.org/10.1177/0067205x0203000106.

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Jennings, Ros. "Ageing across Space and Time: Exploring Concepts of Ageing and Identity in the Female Ensemble Dramas Tenko and Call the Midwife". Journal of British Cinema and Television 14, nr 2 (kwiecień 2017): 179–95. http://dx.doi.org/10.3366/jbctv.2017.0362.

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This article focuses on two female ensemble dramas Tenko (BBC/Australian Broadcasting Corporation, 1981–5) and Call the Midwife (BBC, 2012–) and uses an ageing studies lens to explore the way that the ensemble format provides a particularly rich insight into the relationship between women, ageing and understandings of women's identity over time. The two dramas provide complex and evocative links between the spaces and times of British politics, culture and society in different historical periods enabling a highly nuanced engagement with the ideological constructions of concepts of age and women's gendered identities.

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Flew, Terry. "The Special Broadcasting Service after 30 Years: Public Service Media and New Ways of Thinking about Media and Citizenship". Media International Australia 133, nr 1 (listopad 2009): 9–14. http://dx.doi.org/10.1177/1329878x0913300103.

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This article considers the distinctive ways in which the Special Broadcasting Service (SBS) has evolved over its history since 1980, and how it has managed competing claims to being a multicultural yet broad-appeal broadcaster, and a comprehensive yet low-cost media service. It draws attention to the challenges presented by a global rethinking of the nature of citizenship and its relationship to media, for which SBS is well placed as a leader, and the challenges of online media for traditional public service media models, where SBS has arguably been a laggard, particularly when compared with the Australian Broadcasting Corporation (ABC). It notes recent work that has been undertaken by the author with others into user-created content strategies at SBS and how its online news and current affairs services have been evolving in recent years.

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Woolley, Bruce. "Teaching Undergraduate Journalism Students Foreign Correspondence: Can It Be Done?" Asia Pacific Media Educator 27, nr 1 (21.04.2017): 85–102. http://dx.doi.org/10.1177/1326365x17701794.

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The University of Queensland has conducted five international field reporting courses in India and Vietnam since 2012,1 as well as three more courses based on similar work integrated learning principles (i.e., intensive, immersive and experiential) on campus at St Lucia in Brisbane during the same period. Previous research has found them to be valuable pedagogical innovations that have led to solid academic outcomes. The students themselves have also reported enjoying greater self-confidence, better reporting and technical skills, and increased employment prospects as a direct result of taking part in these courses. Some of that research is re-examined in this article but in a new light, given that the main focus here is on whether these courses in fact deliver on another important promise: to teach the core skills required of a foreign correspondent. To discover what those core skills might be, the researcher explored the extensive literature written by former and current correspondents about their experiences and their lessons learned. He also approached 12 former colleagues at the British Broadcasting Corporation (BBC), the Australian Broadcasting Corporation (ABC) and the Canadian Broadcasting Corporation (CBC), all of whom have been high profile international reporters, correspondents and producers, and invited them to offer their unstructured reflections on this question. These insights have then been filtered and assessed through the researcher’s own reflections of working as a foreign correspondent for the ABC in London between 1984 and 1987. The results are both encouraging and challenging. They suggest that while the students and their teachers are largely satisfied with the reporting, technical and personal skills that have been taught and learned, many correspondents consider that their core attributes include extensive experience in senior reporting roles prior to heading overseas, where the basic skills have been honed to the highest degree. That, of course, is something that no undergraduate could ever claim to have achieved.

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Hess, Kristy, i Angela Ross. "Exploring small newspaper attitudes to a collaborative approach with Australia’s primary public broadcaster (ABC)". Australian Journalism Review 44, nr 2 (1.11.2022): 229–43. http://dx.doi.org/10.1386/ajr_00105_1.

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Collaborative approaches to news production are increasingly being trialled across the globe in an attempt to alleviate a well-documented crisis in local news. Of particular interest to Australian policy-makers is the BBC Local Democracy Reporting project which funds journalists to be based in local news outlets to provide local government reporting, as well as data journalism initiatives. There is political will that such an approach could be adopted by the Australian Broadcasting Corporation to support the nation’s rural and regional news provisions. This article draws on data from six interpretive focus groups involving 50 news workers from independent Australian local news publishers to consider whether smaller publishers would welcome a collaborative approach with the ABC. It finds that a one-size-fits-all collaborative approach is unlikely to be suitable for the Australian regional media landscape and that more work is needed developing an understanding of an appropriate framework that may be tailored to best meet the needs of different local news outlets.

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Fulton, Janet, Paul Scott i Christina Koutsoukos. "A push from the bush: An introduction to the Australian Broadcasting Corporation’s Remote Communities Project". Australian Journalism Review 42, nr 1 (1.06.2020): 77–92. http://dx.doi.org/10.1386/ajr_00020_1.

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In early 2018, the Australian Broadcasting Corporation (ABC) launched a ‘slow journalism’ initiative, funded by the ABC’s Remote Communities Project (RCP). Reporters and producers from regional and local ABC radio stations were invited to pitch for funding that would facilitate up to two weeks in remote, rural and regional communities to create stories that would provide audiences with insight into life outside of metropolitan cities. The ABC labelled this project ‘slow journalism’ because the reporters were working without the time constraints highly influential in contemporary work practices associated with delivering bulletins, online updates and fast turnarounds of workflows. Through interviews undertaken with personnel involved in the initiative, including reporters, producers and ABC management, this article analyses the pilot project carried out in December 2017. The article also examines the pilot project’s influence in shaping project implementation as well as its relationship to ‘slow journalism’, as defined in previous academic studies. We contend that while the RCP contains elements commonly associated with slow journalism, it also adds to the understanding of slow journalism as both a practice and a concept by discovering characteristics specific to public broadcasting models such as that reflected by the ABC.

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Craig, Geoffrey. "How Does A Prime Minister Speak?" Journal of Language and Politics 12, nr 4 (31.12.2013): 485–507. http://dx.doi.org/10.1075/jlp.12.4.01cra.

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This paper investigates how political subjectivity is framed and expressed through language use in television political interviews. The paper argues that Bourdieu’s concepts of habitus and field provide a useful framework for analyses of political subjectivity in news media interviews, but it also argues that the more sociological emphasis of Bourdieu’s theory cannot sufficiently account for the constitutive importance of discourse in the agency of the habitus and the boundaries and authority of different fields. As such, the analysis also draws on critical discourse analysis to demonstrate how Prime Ministerial discourse involves negotiations of different constitutive features of an individual subjectivity, and also negotiations between a particular habitus and the exigencies of the journalistic and political fields. Through an analysis of interviews of former Australian Prime Minister Kevin Rudd on influential Australian Broadcasting Corporation (ABC) programmes, Insiders and the 7.30 Report, it is argued that the Prime Minister attempts to exercise political authority through an ensemble of discourses, initiating different relations with the interviewers, political colleagues and opponents, leading public figures in other fields, and the Australian public.

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Cutler, Tessa L., Nicola J. Reavley i Anthony F. Jorm. "How ‘mental health smart’ are you? Analysis of responses to an Australian Broadcasting Corporation News website quiz". Advances in Mental Health 16, nr 1 (25.04.2017): 5–18. http://dx.doi.org/10.1080/18387357.2017.1317581.

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Dovey, Ken, Steve Burdon i Robert Simpson. "Creative leadership as a collective achievement: An Australian case". Management Learning 48, nr 1 (3.08.2016): 23–38. http://dx.doi.org/10.1177/1350507616651387.

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In this article, we examine the construct of ‘leadership’ through an analysis of the social practices that underpinned the Australian Broadcasting Corporation television production entitled The Code. Positioning the production within the neo-bureaucratic organisational form currently adopted by the global television industry, we explore new conceptualisations of the leadership phenomenon emerging within this industry in response to the increasingly complex, uncertain and interdependent nature of creative work within it. We show how the polyarchic governance regime characteristic of the neo-bureaucratic organisational form ensures broadcaster control and coordination through ‘hard power’ mechanisms embedded in the commissioning process and through ‘soft power’ relational practices that allow creative licence to those employed in the production. Furthermore, we show how both sets of practices (commissioning and creative practices) leverage and regenerate the relational resources – such as trust, commitment and resilience – gained from rich stakeholder experience of working together in the creative industries over a significant period of time. Referencing the leadership-as-practice perspective, we highlight the contingent and improvisational nature of these practices and metaphorically describe the leadership manifesting in this production as a form of ‘interstitial glue’ that binds and shapes stakeholder interests and collective agency.

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Hutchinson, Jonathon. "Public Service Media and Social TV: Bridging or Expanding Gaps in Participation?" Media International Australia 154, nr 1 (luty 2015): 89–100. http://dx.doi.org/10.1177/1329878x1515400112.

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The public service media (PSM) remit requires the Australian Broadcasting Corporation (ABC) to provide for minorities while fostering national culture and the public sphere. Social media platforms and projects – specifically ‘social TV’ – have enabled greater participation in ABC content consumption and creation; they provide opportunities for social participation in collaborative cultural production. However it can be argued that, instead of deconstructing boundaries, social media platforms may in fact reconstruct participation barriers within PSM production processes. This article explores ABC co-creation between Twitter and the # 7DaysLater television program, a narrative-based comedy program that engaged its audience through social media to produce its weekly program. The article demonstrates why the ABC should engage with social media platforms to collaboratively produce content, with # 7DaysLater providing an innovative example, but suggests skilled cultural intermediaries with experience in community facilitation should carry out the process.

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Li, Yanli. "Addressing Growth in Viewership Through Various Media Streams Within the ABC: A Review of Enterprise Architecture and Proposed Solutions". Asian Journal of Social Science Studies 4, nr 4 (6.11.2019): 107. http://dx.doi.org/10.20849/ajsss.v4i4.694.

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The objective of this report is to identify and review the implementation, use, maintenance, and extension of existing technology systems within the ABC (Australian Broadcasting Corporation) organization and establish success factors for enhancing their sustainability and flexibility to evolving user requirements and how data is transferred within the organizational system. It will go through a revised Enterprise architecture strategy that has been adapted to the fast paced technologically enabled changing market.Currently, the ABC is experiencing a growth in viewers/customers due to new streams of media, public interest, generational targeting therefore and the widespread adoption of accessing news via social media. This EA (enterprise architecture) strategy will be implementing new technology through capital investment which will optimize the ABCs operational capabilities.This report firstly analyzed the problem of ABC current situation which followed by coming up with an improved TOGAF approach, an implementing plan and an expected result in the end.

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Coory, M. "Statistical inference is overemphasized in cluster investigations: the case of the cluster of breast cancers at the Australian Broadcasting Corporation studios in Brisbane, Australia". Internal Medicine Journal 38, nr 4 (kwiecień 2008): 288–91. http://dx.doi.org/10.1111/j.1445-5994.2007.01617.x.

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Sumartojo, Shanti. "Tweeting from the past: Commemorating the Anzac Centenary @ABCNews1915". Memory Studies 13, nr 4 (28.05.2017): 400–415. http://dx.doi.org/10.1177/1750698017709873.

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This article argues that the digital world has introduced new complexities to state commemoration of the past and public engagement with those efforts. It focuses on how national narratives are transmitted by and through particular digital lieux de mémoire; on how the archival trace of the past is presented as lively and emergent, even when the people it represents are long dead; and the implications for the temporalities of national history and memory of new digital forms of state commemoration. To make these arguments, it draws on the April 2015 ‘live tweeting’ by the Australian Broadcasting Corporation of the Anzac landing on the Gallipoli peninsula. It will use material from Twitter handle @ABCNews1915 to trace some of the links between state commemoration and the digital world, a relationship that has become more urgent in light of the increasing use of social media to articulate state-sponsored history and to communicate between states and individuals.

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Craig, Geoffrey. "Perpetual Crisis: The Politics of Saving the ABC". Media International Australia 94, nr 1 (luty 2000): 105–16. http://dx.doi.org/10.1177/1329878x0009400111.

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In recent years there has been a rally to ‘save’ the Australian Broadcasting Corporation (ABC). This paper explores the assumptions about the national broadcaster which often inform such rescue attempts. The ABC seems to have entered a state of ‘perpetual crisis ‘following government funding cuts, political accusations of bias, issues of structural change and the Mansfield inquiry. Even more than usual, the identity, functions and future of the national broadcaster have become a public issue. While fully supporting a strong national public broadcaster as a space for public contestation, I argue that saving the ABC should not render it ‘safe’, returning it to some prior privileged state and established identity. Rather, drawing on an ‘agonistic model of democratic politics’. I argue that the ABC needs to be conceptualised as a site which produces ‘dilemmatic space’ and that the crises of the ABC are those which necessarily constitute the institution as a public broadcaster.

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Hutchinson, Jonathon. "From Fringe to Formalisation: An Experiment in Fostering Interactive Public Service Media". Media International Australia 155, nr 1 (maj 2015): 5–15. http://dx.doi.org/10.1177/1329878x1515500103.

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The role assumed by institutions that directly develop and support online communities has emerged as a crucial factor in the development of self-governance models for online communities engaging in collaborative practices. Commonly, online communities reject top-down governance models in favour of a meritocracy that positions users in authoritative positions because of their online performance. Scholarly research into online communities suggests that their governance models are horizontal, even where the community platforms are being developed or supported by commercial institutions. Questions of authority and power emerge when institutional, top-down governance models intersect with online community meritocracy in day-to-day communicative activities and while engaging in creative production. This article examines an experiment in fostering interactive public service media by users of the now-defunct ABC Pool through the case study of Ariadne. It tracks how early user-driven ideas for creativity were aligned with the interests of the Australian Broadcasting Corporation through a process of community self-governance alongside cultural intermediation.

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