Gotowe bibliografie tematyczne / Australia – Cultural policy

Gotowa bibliografia na temat „Australia – Cultural policy”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 1 lutego 2022

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Artykuły w czasopismach na temat "Australia – Cultural policy"

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Homan, Shane. "A contemporary cultural policy for contemporary music?" Media International Australia 158, nr 1 (luty 2016): 37–47. http://dx.doi.org/10.1177/1329878x15622077.

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Creative Nation confirmed the shift by federal governments to viewing popular music as part of the Australian cultural economy, where the ‘contemporary music’ industries were expected to contribute to economic growth as much as providing a set of creative practices for musicians and audiences. In the 19 years between Creative Nation and Creative Australia, much has changed. This article examines relationships between the music industries, governments and audiences in three areas. First, it charts the funding of popular music within the broader cultural sector to illuminate the competing discourses and demands of the popular and classical music sectors in federal budgets. Second, it traces configurations of popular music and national identity as part of national policy. Third, the article explores how both national policy documents position Australian popular music amid global technological and regulatory shifts. As instruments of cultural nationalism, Creative Nation and Creative Australia are useful texts in assessing the opportunities and limits of nations in asserting coherent national strategies.
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Laughren, Pat. "Debating Australian Documentary Production Policy: Some Practitioner Perspectives". Media International Australia 129, nr 1 (listopad 2008): 116–28. http://dx.doi.org/10.1177/1329878x0812900112.

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On 1 July 2008, Screen Australia commenced operation as the main Australian government agency supporting the screen production industry. This article considers some of the policy issues and challenges identified by the ‘community of practitioners’ as facing Australian documentary production at the time of the formation of that ‘super-agency’ from the merger of its three predecessor organisations — the Australian Film Commission, the Film Finance Corporation and Film Australia. The article proceeds by sketching the history of documentary production in Australia and identifying the bases of its financial and regulatory supports. It also surveys recent debate in the documentary sector and attempts to contextualise the themes of those discussions within the history of the Australian documentary.
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McShane, Ian. "Productive Nation? Museums, Cultural Policy and Australia’s Productivity Narrative". Museum and Society 14, nr 1 (9.06.2017): 131–45. http://dx.doi.org/10.29311/mas.v14i1.669.

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This article traces the emergence of productivity as a central theme in Australia’s national cultural policy, and discusses some implications of this development for the Australian museum sector. The analysis focuses on two texts – Australia’s two national cultural policies, Creative Nation (1994) and Creative Australia (2013) – to highlight changing policy rhetorics through which cultural heritage and cultural pluralism lose traction, and productivity, innovation and creativity find favour. The article argues that the government’s concern to boost sources of economic growth in twenty-first century Australia focus cultural policy on the arts and creative industries, seen as the locus of innovation and the wellspring of creative activity. The article argues against this narrow construction of productivity and its sources, showing why museums are important contributors to a productivity policy agenda in a culturally diverse and globalized society. Key words: cultural policy, Australia, creative industries, productivity, diversity
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Balasubramanian, Madhan, David S. Brennan, A. John Spencer i Stephanie D. Short. "‘Newness–struggle–success’ continuum: a qualitative examination of the cultural adaptation process experienced by overseas-qualified dentists in Australia". Australian Health Review 40, nr 2 (2016): 168. http://dx.doi.org/10.1071/ah15040.

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Objectives Overseas-qualified dentists constitute a significant proportion of the Australian dental workforce (approximately one in four). The aim of the present study was to provide a better understanding of the cultural adaptation process of overseas-qualified dentists in Australia, so as to facilitate their integration into the Australian way of life and improve their contribution to Australian healthcare, economy and society. Methods Life stories of 49 overseas-qualified dentists from 22 countries were analysed for significant themes and patterns. We focused on their settlement experience, which relates to their social and cultural experience in Australia. This analysis was consistent with a hermeneutic phenomenological approach to qualitative social scientific research. Results Many participants noted that encounters with ‘the Australian accent’ and ‘slang’ influenced their cultural experience in Australia. Most of the participants expressed ‘fascination’ with the people and lifestyle in Australia, primarily with regard to the relaxed way of life, cultural diversity and the freedom one usually experiences living in Australia. Few participants expressed ‘shock’ at not being able to find a community of similar religious faith in Australia, as they are used to in their home countries. These issues were analysed in two themes; (1) language and communication; and (2) people, religion and lifestyle. The cultural adaptation process of overseas-qualified dentists in Australia is described as a continuum or superordinate theme, which we have entitled the ‘newness–struggle–success’ continuum. This overarching theme supersedes and incorporates all subthemes. Conclusion Family, friends, community and organisational structures (universities and public sector) play a vital role in the cultural learning process, affecting overseas-qualified dentist’s ability to progress successfully through the cultural continuum. What is known about the topic? Australia is a popular host country for overseas-qualified dentists. Migrant dentists arrive from contrasting social and cultural backgrounds, and these contrasts can be somewhat more pronounced in dentists from developing countries. To date, there is no evidence available regarding the cultural adaptation process of overseas-qualified dentists in Australia or elsewhere. What does this paper add? This study provides evidence to support the argument that the cultural adaptation process of overseas-qualified dentists in Australia can be viewed as a continuum state, where the individual learns to adapt to the people, language and lifestyle in Australia. The ongoing role of family and friends is primary to a successful transition process. Our research also identifies the positive role played by community and organisational structures, such as universities and public sector employment schemes. What are the implications for practitioners? A potential implication for policy makers is to focus on the positive roles played by organisational structures, particularly universities and the public sector. This can inform more supportive migration policy, as well as strengthen the role these organisations play in providing support for overseas-qualified dentists, thus enabling them to integrate more successfully into Australia’s health care system, economy and society.
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Putnis, Peter. "The Press Cable Monopoly 1895— 1909: A Case Study of Australian Media Policy Development". Media International Australia 90, nr 1 (luty 1999): 139–55. http://dx.doi.org/10.1177/1329878x9909000114.

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In 1909, the Australian Senate conducted a Select Committee of Inquiry on Press Cable Services to Australia in response to claims that a monopoly of such services was in operation and had been organised by a cartel of key Australian newspapers in conjunction with Reuters Telegraph Company. Its report, and the extensive transcripts of evidence that accompany it, provide a detailed insight into arrangements for the receipt and distribution of overseas news in Australia between 1895 and 1909. The Inquiry, in its majority report, declared the arrangements to be ‘a complete monopoly’ in that they ensured that there was only one source of supply in Australia of press cables from the outside world. This paper analyses the findings of the Australian Senate Inquiry and the evidence put before it in terms of the light these shed on Reuters' modus operandi in Australia. It also provides an early case study of Australian government media policy development.
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Rowe, David, Greg Noble, Tony Bennett i Michelle Kelly. "Transforming cultures? From Creative Nation to Creative Australia". Media International Australia 158, nr 1 (luty 2016): 6–16. http://dx.doi.org/10.1177/1329878x16629544.

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This article introduces the Special Issue, ‘Transforming Cultures? From Creative Nation to Creative Australia’. Taking its historical reference point from the 1994 national cultural policy Creative Nation, it outlines the issue’s theoretical foundation in the field theory of Pierre Bourdieu, while also signalling field theory’s limitations in relation to transnationalism, ethnic heterogeneity and Indigeneity. This introduction addresses the specific conditions that require an approach that takes full account of the endogenous and exogenous factors influencing the constitution of culture in Australia from Creative Nation to its 2013 successor national cultural policy, Creative Australia, to the present day and beyond. Finally, the issue’s articles, which cover the broadcast media, sport, music, literature, heritage, and Indigenous art fields, are outlined, as are their contributions to advancing understanding of the key social and policy issues shaping the present conditions and future possibilities of Australian cultural fields in the process of transformation.
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Hunter, Mary Ann. "Redefining ‘Industry’: Young People and Cultural Policy in Australia". Media International Australia 90, nr 1 (luty 1999): 123–38. http://dx.doi.org/10.1177/1329878x9909000113.

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This article considers the place of youth arts and cultures in the cultural industries approach to cultural policy. It argues that the ‘covert economic overlay’ (Brokensha, 1996: 101) of the Australian National Culture–Leisure Industry Statistical Framework privileges certain processes in a ‘government convenient’ model of industry inputs and outcomes, and that the assumptions of this model are challenged by youth-specific and community-based modes of production. Furthermore, it argues that the philosophies and practices of contemporary youth-specific arts organisations have the potential to redefine ‘culture industry’ and contribute to a ‘coherent new paradigm’ of cultural policy (UNESCO, 1995: 232). This paper makes these arguments by examining the place of youth arts and cultures in the existing environment of cultural industrialisation, by considering recent government policy responses to young people's cultural activity and by addressing long-term policy issues for the support of young people and cultural development.
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Mcleay, Colin. "Inventing Australia: a Critique of Recent Cultural Policy Rhetoric". Australian Geographical Studies 35, nr 1 (marzec 1997): 40–46. http://dx.doi.org/10.1111/1467-8470.00006.

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White, Roger, i Bedassa Tadesse. "IMMIGRATION POLICY, CULTURAL PLURALISM AND TRADE: EVIDENCE FROM THE WHITE AUSTRALIA POLICY". Pacific Economic Review 12, nr 4 (październik 2007): 489–509. http://dx.doi.org/10.1111/j.1468-0106.2007.00368.x.

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Van Heekeren, Margaret. "Charles Brunsdon Fletcher, the Sydney Morning Herald, Australia, Asia and the Pacific". Media International Australia 157, nr 1 (listopad 2015): 124–32. http://dx.doi.org/10.1177/1329878x1515700115.

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Based on the premise of journalism as a text resulting from intellectual endeavour, this article undertakes a sustained examination of the thought of author and newspaper editor Charles Brunsdon Fletcher (1859–1946) in relation to Asia and the Pacific. It examines three books and lead newspaper editorials published during Fletcher's time as editor of the Brisbane Courier (1898–1903) and the Sydney Morning Herald (1918–37). Fletcher argued that geographic proximity necessitated closer ties between Australia and her neighbours, while the White Australia policy had restricted Australia's potential for economic and population growth – particularly in the tropical north. Such views placed Fletcher among a small but articulate movement of the period, which encouraged greater understanding of Australia's regional neighbours. In identifying such sentiment in newspaper editorials, this research reveals greater diversity in opinion in Australian journalism on migration and race than was previously known.
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Rozprawy doktorskie na temat "Australia – Cultural policy"

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Early, G. P., i n/a. "Cultural policy in Australia : equity or elitism?" University of Canberra. Administrative Studies, 1986. http://erl.canberra.edu.au./public/adt-AUC20060706.163824.

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Gibson, Lisanne, i L. Gibson@mailbox gu edu au. "Art and Citizenship- Governmental Intersections". Griffith University. School of Film, Media and Cultural Studies, 1999. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20030226.085219.

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The thesis argues that the relations between culture and government are best viewed through an analysis of the programmatic and institutional contexts for the use of culture as an interface in the relations between citizenship and government. Discussion takes place through an analysis of the history of art programmes which, in seeking to target a 'general' population, have attempted to equip this population with various particular capacities. We aim to provide a history of rationalities of art administration. This will provide us with an approach through which we might understand some of the seemingly irreconcilable policy discourses which characterise contemporary discussion of government arts funding. Research for this thesis aims to make a contribution to historical research on arts institutions in Australia and provide a base from which to think about the role of government in culture in contemporary Australia. In order to reflect on the relations between government and culture the thesis discusses the key rationales for the conjunction of art, citizenship and government in post-World War Two (WWII) Australia to the present day. Thus, the thesis aims to contribute an overview of the discursive origins of the main contemporary rationales framing arts subvention in post-WWII Australia. The relations involved in the government of culture in late eighteenth-century France, nineteenth-century Britain, America in the 1930s and Britain during WWII are examined by way of arguing that the discursive influences on government cultural policy in Australia have been diverse. It is suggested in relation to present day Australian cultural policy that more effective terms of engagement with policy imperatives might be found in a history of the funding of culture which emphasises the plurality of relations between governmental programmes and the self-shaping activities of citizens. During this century there has been a shift in the political rationality which organises government in modern Western liberal democracies. The historical case studies which form section two of the thesis enable us to argue that, since WWII, cultural programmes have been increasingly deployed on the basis of a governmental rationality that can be described as advanced or neo-liberal. This is both in relation to the forms these programmes have taken and in relation to the character of the forms of conduct such programmes have sought to shape in the populations they act upon. Mechanisms characteristic of such neo-liberal forms of government are those associated with the welfare state and include cultural programmes. Analysis of governmental programmes using such conceptual tools allows us to interpret problems of modern social democratic government less in terms of oppositions between structure and agency and more in terms of the strategies and techniques of government which shape the activities of citizens. Thus, the thesis will approach the field of cultural management not as a field of monolithic decision making but as a domain in which there are a multiplicity of power effects, knowledges, and tactics, which react to, or are based upon, the management of the population through culture. The thesis consists of two sections. Section one serves primarily to establish a set of historical and theoretical co-ordinates on which the more detailed historical work of the thesis in section two will be based. We conclude by emphasising the necessity for the continuation of a mix of policy frameworks in the construction of the relations between art, government and citizenship which will encompass a focus on diverse and sometimes competing policy goals.
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Wigman, Albertus. "Childhood and compulsory education in South Australia : a cultural-political analysis". Title page, contents and abstract only, 1989. http://web4.library.adelaide.edu.au/theses/09PH/09phw659.pdf.

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Coward, Ann Art History &amp Theory UNSW. "Museums and Australia???s Greek textile heritage: the desirability and ability of State museums to be inclusive of diverse cultures through the reconciliation of public cultural policies with private and community concerns". Awarded by:University of New South Wales. Art History and Theory, 2006. http://handle.unsw.edu.au/1959.4/31957.

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This thesis explores the desirability of Australia???s State museums to be inclusive of diverse cultures. In keeping with a cultural studies approach, and a commitment to social action, emphasis is placed upon enhancing the ability of State museums to fulfil obligations and expectations imposed upon them as modern collecting institutions in a culturally diverse nation. By relating the desirability and ability of State museums to attaining social justice in a multicultural Australia through broadening the concept of Australia???s heritage, the thesis is firmly situated within post-colonial discourse. The thesis analyses State multicultural, heritage, and museum legislation, in New South Wales, Victoria, and Queensland, with regard to State museums as agents of cultural policy. Results from a survey, Greeks and Museums, conducted amongst Australia???s Greeks in Sydney, Melbourne and Brisbane, reveal an anomaly between their museum-going habits and the perception of those habits as expressed by government policies promoting the inclusion of Australians of a non-English speaking background in the nation???s cultural programmes. In exploring the issue of inclusiveness, the thesis highlights the need for cultural institutions to shift the emphasis away from audience development, towards greater audience participation. The thesis outlines an initiative-derived Queensland Model for establishing an inclusive relationship between museums and communities, resulting in permanent, affordable, and authoritative collections, while simultaneously improving the museums??? international reputation and networking capabilities. By using the example of one of the nation???s non-indigenous communities, and drawing upon material obtained through the survey, and a catalogue containing photographs and lists of Greek textile collections found in the Powerhouse Museum (MAAS), Sydney, the National Gallery of Victoria and the Immigration Museum, Melbourne, the Queensland Art Gallery and the Queensland Museum, Brisbane, as well as collections owned by private individuals, the thesis focuses on the role played by museums in constructing social cohesion and inclusiveness.
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May, Harvey Brian. "Australian Multicultural Policy and Television Drama in Comparative Contexts". Queensland University of Technology, 2004. http://eprints.qut.edu.au/15835/.

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This thesis examines changes which have occurred since the late 1980s and early 1990s with respect to the representation of cultural diversity on Australian popular drama programming. The thesis finds that a significant number of actors of diverse cultural and linguistic background have negotiated the television industry employment process to obtain acting roles in a lead capacity. The majority of these actors are from the second generation of immigrants, who increasingly make up a significant component of Australia's multicultural population. The way in which these actors are portrayed on-screen has also shifted from one of a 'performed' ethnicity, to an 'everyday' portrayal. The thesis develops an analysis which connects the development and broad political support for multicultural policy as expressed in the National Agenda for a Multicultural Australia to the changes in both employment and representation practices in popular television programming in the late 1990s and early 2000s. The thesis addresses multicultural debates by arguing for a mainstreaming position. The thesis makes detailed comparison of cultural diversity and television in the jurisdictions of the United States, the United Kingdom and New Zealand to support the broad argument that cultural diversity policy measures produce observable outcomes in television programming.
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Totaro, Genevois Mariella. "Foreign policies for the diffusion of language and culture : the Italian experience in Australia". Monash University, Centre for European Studies, 2001. http://arrow.monash.edu.au/hdl/1959.1/8828.

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O'Donnell, Thomas Vincent, i vincent odonnell@rmit edu au. "An investigation of the dynamics of cultural policy formation : the states' patronage of film production in Australia 1970-1988". RMIT University. Applied Communication, 2006. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20070119.110944.

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In Australia, the decades of the 1960s, 1970s and 1980s were times of a great nationalist revival and cultural self-discovery. In the visual arts, theatre, popular and classical music, and especially in cinema and television, a distinct Australian voice could be heard that was accepted as culturally valid and nationally relevant. The renaissance of local production for cinema and television was reliant on the patronage of the state, first the Commonwealth government with the establishment of the Australian Film Development Corporation and the Experimental Film and Television Fund in 1970 and, later, the Australian Film and Television School. Then from 1972 to 1978 each Australian state established a film support agency to extend that patronage and assure the state of a role in the burgeoning film industry. This thesis relates the stories of the creation and development-and in some cases demise-of those six state film agencies over the period 1970 to 1988. It identifies the influences that directed the creation of each state agency and proposes a qualitative model of the relationships between the influences. It then argues the applicability of the model to the formation of cultural policy in general in a pluralistic democratic society. It also argues that the state film agencies were more influential on national film industry policy than has hitherto been recognised.
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Podkalicka, Aneta Monika. "Lost in translation? Language policy, media and community in the EU and Australia : some lessons from the SBS". Queensland University of Technology, 2007. http://eprints.qut.edu.au/16696/.

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Cultural diversity is a central issue of our times, although with different emphases in the European and Australian context. Media and communication studies have begun to draw on work in translation studies to understand how diversity is experienced across hybrid cultures. Translation is required both for multilingual (multicultural) societies such as Australia and for trans-national entities such as the European Union. Translation is also of increasing importance politically and even emotionally as individual nations and regions face the challenge of globalisation, migration, and the Americanisation of media content. The thesis draws on cultural and media policy analysis. Programming strategies are reviewed and 'conversational' interviews conducted with broadcasting managers and staff at SBS Australia and across multilingual public broadcasters in the EU (BBC WS, Deutsche Welle, ARTE, Radio Multikulti Berlin, Barcelona Televisió). These are used to investigate the issues, challenges, and uses of the multilingual broadcasting logic for Australia's and Europe's cultural realities. This thesis uses the concept of 'translation' as a key metaphor for bridging differences and establishing connections among multicultural citizens in the context of the European Union and Australia. It is proposed that of the two versions of translation - institutional in the EU and mediated in Australia respectively - the mediated version has achieved higher success in engaging ordinary citizens in more affective, informal and everyday forms of cross-cultural communication. Specifically, the experience of the Special Broadcasting Service (Australia's multilingual and multicultural public broadcaster) serves as a model to illuminate the cultural consequences of the failure of the EU to develop translation practices beyond the level of official, institutional and political communication. The main finding is the identification of a need for more mediated interlingual exchange; that is a translation of language policy in Europe into media experience for ordinary citizen-consumers, at both institutional and textual levels.
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Keys, Wendy, i n/a. "Grown-Ups In a Grown-Up Business: Children's Television Industry Development Australia". Griffith University. School of Arts, Media and Culture, 2005. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20060928.135325.

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This dissertation profiles the children's television industry in Australia; examines the relationship between government cultural policy objectives and television industry production practices; and explores the complexities of regulating and producing cultural content for child audiences. The research conducted between 1997 and 2002 confirms that children's television is a highly competitive business dependent on government regulatory mechanisms and support for its existence. For example, the Australian Broadcasting Authority's retaining of mandatory program standards for children's programs to date, is evidence of the government's continued recognition of the conflict between broadcasters' commercial imperatives and the public-interest. As a consequence, the industry is on the one hand insistent on the government continuing to play a role in ensuring and sustaining CTV - however, on the other hand, CTV producers resent the restrictions on creativity and innovation they believe result from the use of regulatory instruments such as the Children's Television Standards (CTS). In fact, as this dissertation details, the ABA's intended policy outcomes are inevitably coupled with unintended outcomes and little new or innovative policy development has occurred. The dissertation begins with an investigation into the social, cultural and ideological construction of childhood within an historical and institutional context. I do this in order to explore how children have been defined, constructed and managed as a cultural group and television audience. From this investigation, I then map the development of children television policy and provide examples of how 'the child' is a consistent and controversial site of tension within policy debate. I then introduce and analyse a selection of established, establishing and aspiring CTV production companies and producers. Drawing on interviews conducted, production companies profiled and policy documents analysed, I conclude by identit~'ing ten key issues that have impacted, and continue to impact, on the production of children's television programming in Australia. In addressing issues of industry development, the question this dissertation confronts is not whether to continue to regulate or not, but rather, how best to regulate. That is, it explores the complexities of supporting, sustaining and developing the CTV industry in ways which also allows innovative and creative programming. This exploration is done within the context of a broadcasting industry currently in transition from analogue to digital. As communications and broadcasting technologies converge, instruments of regulation - such as quotas designed around the characteristics of analogue systems of broadcasting - are being compromised. The ways in which children use television, and the ways in which the CTV producers create content, are being transformed. The ten key issues identified in this dissertation, I propose, are crucial to industry development and policy debate about the future of children's television in Australia. In integrating the study of policy with the study of production, I have given prominence to the opinions and experiences of those working in the industry. In doing so, this dissertation contributes to the growing body of work in Australia which incorporates industry with cultural analysis, and which includes the voices of the content providers.
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Au-Yeung, Shing, i 歐陽檉. "Cultural policy in action: a comparative study of community arts endeavours in Hong Kong and Sydney". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B45155173.

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Książki na temat "Australia – Cultural policy"

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High, Jane. Briefing notes on cultural policy in Australia. [London?]: Arts Council, 1987.

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Brokensha, Peter. Cultural tourism in Australia: A report on cultural tourism. Canberra: Australian Government Publishing Service, 1992.

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Framing culture: Criticism and policy in Australia. North Sydney, NSW, Australia: Allen & Unwin, 1992.

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Culture and customs of Australia. Westport, Conn: Greenwood Press, 2012.

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Spinning the dream: Assimilation in Australia 1950-1970. North Fremantle, W.A: Fremantle Press, 2008.

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By-roads and hidden treasures: Mapping cultural assets in regional Australia. Crawley, Western Australia: UWA Publishing, 2015.

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Arguing the arts: The funding of the arts in Australia. Ringwood, Vic., Australia: Penguin Books, 1985.

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Making it national: Nationalism and Australian popular culture. St. Leonards, N.S.W: Allen & Unwin, 1994.

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Henry, Reynolds. Aborigines and islanders in contemporary Australia. Toronto: Robert F. Harney Professorhsip and Program in Ethnic, Immigration and Pluralism Studies, University of Toronto, 1992.

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Gardiner-Garden, John. Arts policy in Australia: A history of Commonwealth involvement in the arts. Canberra: Dept. of the Parliamentary Library, 1994.

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Części książek na temat "Australia – Cultural policy"

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Secombe, Margaret, i Jerzy Smolicz. "Globalisation, Cultural Diversity and Multiculturalism: Australia". W Second International Handbook on Globalisation, Education and Policy Research, 503–17. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-017-9493-0_29.

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Effeney, Libby, Fethi Mansouri i Maša Mikola. "Migrant Youth and Social Policy in Multicultural Australia: Exploring Cross-Cultural Networking". W Cultural, Religious and Political Contestations, 185–203. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-16003-0_12.

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Knox-Hayes, Janelle, Jarrod Hayes i Erik-Logan Hughes. "Carbon Markets, Values, and Modes of Governance". W Knowledge for Governance, 193–224. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47150-7_9.

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AbstractMarket governance of climate change is situated at the interface of two competing logics: universalistic governance predicated on technocratic norms and the particularities of politics embedded in local cultures. Actors implementing technocratic prescriptions for resolving climate change that rely on metrics to measure the effects of climate change, establish quantitative baselines and price emissions often miss the cultural values and social norms that shape markets. These logics of governance represent important axes along which climate policy can be mapped and assessed. This chapter assesses how policy intersects with these axes and in the process provides a broad-based qualitative and quantitative assessment of how geographically specific socio-cultural factors shape intersubjective understandings of carbon markets in particular. The authors of this chapter adopt a cross-national perspective, examining and evaluating the intersubjective meanings of carbon-market formation drawn from interview data of market makers across the United States, Australia, China, the EU, Japan, and South Korea.
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Malin, Maili. "Diaspora Policies, Consular Services and Social Protection for Finnish Citizens Abroad". W IMISCOE Research Series, 177–91. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-51245-3_10.

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Abstract With 1.6 million Finnish-origin individuals abroad, the focus in Finland has traditionally been on Finnish cultural associations and educational programmes over any other type of engagement with this population. This chapter provides an overview of Finland’s diaspora policies, with a focus on social protection. It shows that Finland does not have a specific global policy of supporting Finns abroad, but rather a regional approach with Nordic countries (Denmark, Iceland, Norway and Sweden). Similarly, this chapter shows that Finland has a somewhat decentralized approach to diaspora engagement by which its strong network of non-profit organizations abroad perform a role traditionally given to public authorities in the area of social protection and consultation. The diaspora policy of the Finnish Government could be characterised as reactionary, since Finnish missions increasingly help Finnish tourists abroad. A strong Nordic cooperation in the field of social protection has widened after huge immigration of Finnish people to Sweden, and bilateral social agreements have been established with countries where Finns have immigrated historically like the United States and Australia.
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Chavura, Stephen A., John Gascoigne i Ian Tregenza. "Culture, gender, sexuality". W Reason, Religion and the Australian Polity, 230–53. Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: Routledge studies in modern history ; Volume 49: Routledge, 2019. http://dx.doi.org/10.4324/9780429467059-11.

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Moutselos, Michalis, i Georgia Mavrodi. "Diaspora Policies, Consular Services and Social Protection for Greek Citizens Abroad". W IMISCOE Research Series, 227–43. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-51245-3_13.

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Abstract The policies of the Greek state vis-à-vis Greek citizens residing abroad are better developed in some areas (pension, cultural/education policy), but very embryonic in others (social protection, family-related benefits). The institutions representing and aggregating the interests of the Greek diaspora, such as the General Secretariat for Greeks Abroad and the World Council of Hellenes abroad of the Ministry of Foreign Affairs, reflect earlier periods of Greek migration during the post-war period, but meet less adequately the needs of recent migrants, especially following the post-2010 Greek economic crisis. At the same time, political parties continue to play an active role in the relationship between diaspora and the homeland. The policies of the Greek state, especially when exercised informally or with regard to cultural and educational programs, are also characterized by an emphasis on blood, language and religious ties, and are offshoots of a long-standing history of migration to Western Europe, North America and Australia. Possible developments, such as the long-overdue implementation of the right to vote from abroad, an official registrar for Greek citizens residing abroad, new programs of social protection in Greece and new economic incentives for return might change the diaspora policies of the Greek state in the next decades.
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Keltie, Emma. "Producing Culture: Australian Media and Creative Policy". W The Culture Industry and Participatory Audiences, 79–117. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-49028-1_5.

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Paterson, Andrew. "Power, Organisational and Police Culture: “The Job”". W Trauma and Resilience in Contemporary Australian Policing, 23–41. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-4416-0_2.

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Porter, Louse E., i Tim Prenzler. "Exploring Gender Differences in the Australian Context: Organizational and Cultural Dimensions of Ethical Attitudes". W Exploring Police Integrity, 287–312. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-29065-8_12.

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Lierse, Sharon. "The Secondary Arts Curricula in Australia, Canada and Malaysia: Issues of Policy and Culture". W Intercultural Studies of Curriculum, 211–28. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-60897-6_10.

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Streszczenia konferencji na temat "Australia – Cultural policy"

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Clarke, Andrew. "Firm ‘culture’ and Corporate Governance in Australia: A New Paradigm?" W 7th Annual International Conference on Law, Regulations and Public Policy – LRPP 2018. GSTF, 2018. http://dx.doi.org/10.5176/2251-3809_lrpp18.50.

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