Rozprawy doktorskie na temat „Auditory perception”
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Akeroyd, Michael Alexis. "Auditory perception of temporal asymmetry". Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243023.
Pełny tekst źródłaLea, Andrew P. "Auditory modelling of vowel perception". Thesis, University of Nottingham, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.315235.
Pełny tekst źródłaTalling, Janet C. "Porcine perception of auditory stimuli". Thesis, University of Edinburgh, 1996. http://hdl.handle.net/1842/13076.
Pełny tekst źródłaWilkie, Sonia. "Auditory manipulation of visual perception". Thesis, View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/39802.
Pełny tekst źródłaWilkie, Sonia. "Auditory manipulation of visual perception". View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/39802.
Pełny tekst źródłaThesis accompanied by CD-ROM with demonstration of possible creative applications. A thesis presented to the University of Western Sydney, College of Arts, MARCS Auditory Laboratories, in fulfilment of the requirements for the degree of Master of Arts (Honours). Includes bibliographies. Thesis minus demonstration CD-ROM also available online at: http://handle.uws.edu.au:8081/1959.7/39849.
Storms, Russell L. "Auditory-visual cross-modal perception phenomena". Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 1998. http://handle.dtic.mil/100.2/ADA355474.
Pełny tekst źródłaDissertation supervisor(s): Michael J. Zyda. "September 1998." Includes bibliographical references (p. 207-222). Also Available online.
Ash, Roisin L. "Perception of structure in auditory patterns". Thesis, University of Stirling, 1998. http://hdl.handle.net/1893/26669.
Pełny tekst źródłaButcher, Andrew. "Free field auditory localization and perception". Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of Mathematics and Computer Sciencce, c2011, 2011. http://hdl.handle.net/10133/3113.
Pełny tekst źródłaviii, 61 leaves : ill. ; 29 cm
Dooley, Gary John. "The perception of auditory dynamic stimuli". Thesis, University of Cambridge, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.253843.
Pełny tekst źródłaMerchel, Sebastian [Verfasser]. "Auditory-Tactile Music Perception / Sebastian Merchel". Aachen : Shaker, 2014. http://d-nb.info/106326569X/34.
Pełny tekst źródłaBardolf, Lynnette Bosse. "Divided attention, perception, and auditory recall". [Gainesville, Fla.] : University of Florida, 2006. http://purl.fcla.edu/fcla/etd/UFE0014926.
Pełny tekst źródłaDEVALLEZ, Delphine. "Auditory perspective: perception, rendering, and applications". Doctoral thesis, Università degli Studi di Verona, 2009. http://hdl.handle.net/11562/337377.
Pełny tekst źródłaIn our appreciation of auditory environments, distance perception is as crucial as lateralization. Although research work has been carried out on distance percep- tion, modern auditory displays do not yet take advantage of it to provide additional information on the spatial layout of sound sources and as a consequence enrich their content and quality. When designing a spatial auditory display, one must take into account the goal of the given application and the resources available in order to choose the optimal approach. In particular, rendering auditory perspec- tive provides a hierarchical ordering of sound sources and allows to focus the user attention on the closest sound source. Besides, when visual data are no longer available, either because they are out of the visual eld or the user is in the dark, or should be avoided to reduce the load of visual attention, auditory rendering must convey all the spatial information, including distance. The present research work aims at studying auditory depth (i.e. sound sources displayed straight ahead of the listener) in terms of perception, rendering and applications in human com- puter interaction. First, an overview is given of the most important aspects of auditory distance perception. Investigations on depth perception are much more advanced in vision since they already found applications in computer graphics. Then it seems nat- ural to give the same information in the auditory domain to increase the degree of realism of the overall display. Depth perception may indeed be facilitated by combining both visual and auditory cues. Relevant results from past literature on audio-visual interaction eects are reported, and two experiments were carried out on the perception of audio-visual depth. In particular, the in uence of auditory cues on the perceived visual layering in depth was investigated. Results show that auditory intensity manipulation does not aect the perceived order in depth, which is most probably due to the lack of multisensory integration. Besides, the second experiment, which introduced a delay between the two auditory-visual stimuli, re- vealed an eect of the temporal order of the two visual stimuli. Among existing techniques for sound source spatialization along the depth di- mension, a previous study proposed the modeling of a virtual pipe, based on the exaggeration of reverberation in such an environment. The design strategy follows a physics-based modeling approach and makes use of a 3D rectangular Digital Waveguide Mesh (DWM), which had already shown its ability to simulate complex, large-scale acoustical environments. The 3D DWM resulted to be too resource consuming for real-time simulations of 3D environments of decent size. While downsampling may help in reducing the CPU processing load, a more ef- cient alternative is to use a model in 2D, consequently simulating a membrane. Although sounding less natural than 3D simulations, the resulting bidimensional audio space presents similar properties, especially for depth rendering. The research work has also shown that virtual acoustics allows to shape depth perception and in particular to compensate for the usual compression of distance estimates. A trapezoidal bidimensional DWM is proposed as a virtual environment able to provide a linear relationship between perceived and physical distance. Three listening tests were conducted to assess the linearity. They also gave rise to a new test procedure deriving from the MUSHRA test and which is suitable for direct comparison of multiple distances. In particular, it reduces the response variability in comparison with the direct magnitude estimation procedure. Real-time implementations of the rectangular 2D DWM have been realized as Max/MSP external objects. The rst external allows to render in depth one or more static sound sources located at dierent distances from the listener, while the second external simulates one moving sound source along the depth dimension, i.e. an approaching/receding source. As an application of the rst external, an audio-tactile interface for sound naviga- tion has been proposed. The tactile interface includes a linear position sensor made by conductive material. The touch position on the ribbon is mapped onto the lis- tening position on a rectangular virtual membrane, modeled by the 2D DWM and providing depth cues of four equally spaced sound sources. Furthermore the knob of a MIDI controller controls the position of the mesh along the playlist, which allows to browse a whole set of les by moving back and forth the audio window resulting from the virtual membrane. Subjects involved in a user study succeeded in nding all the target les, and found the interface intuitive and entertaining. Furthermore, another demonstration of the audio-tactile interface was realized, using physics-based models of sounds. Everyday sounds of \frying", \knocking" and \liquid dripping" are used such that both sound creation and depth rendering are physics-based. It is believed that this ecological approach provides an intuitive interaction. Finally, \DepThrow" is an audio game, based on the use of the 2D DWM to render depth cues of a dynamic sound source. The game consists in throwing a virtual ball (modeled by a physics-based model of rolling sound) inside a virtual tube (modeled by a 2D DWM) which is open-ended and tilted. The goal is to make the ball roll as far as possible in the tube without letting it fall out at the far end. Demonstrated as a game, this prototype is also meant to be a tool for investi- gations on the perception of dynamic distance. Preliminary results of a listening test on the perception of distance motion in the virtual tube showed that duration of the ball's movement in uences the estimation of the distance reached by the rolling ball.
Chen, Yuxiao. "Multimodal Perception of Auditoria: Influence of Auditory and Visual Factors on Preference". Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/29773.
Pełny tekst źródłaDelmotte, Varinthira Duangudom. "Computational auditory saliency". Diss., Georgia Institute of Technology, 2012. http://hdl.handle.net/1853/45888.
Pełny tekst źródłaSTRYBEL, THOMAS ZIGMUNT. "AUDITORY APPARENT MOTION IN THE FREE FIELD". Diss., The University of Arizona, 1987. http://hdl.handle.net/10150/184100.
Pełny tekst źródłaKing, Robert A. "Determinants of auditory display usage". Thesis, Georgia Institute of Technology, 1993. http://hdl.handle.net/1853/29422.
Pełny tekst źródłaSchooneveldt, Gregory Paul. "Dynamic aspects of auditory masking". Thesis, University of Cambridge, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.304512.
Pełny tekst źródłaLee, Mark D. "Multi-channel auditory search : toward understanding control processes in polychotic auditory listening". Diss., Georgia Institute of Technology, 1996. http://hdl.handle.net/1853/29225.
Pełny tekst źródłaWright, James K. "Auditory object perception : counterpoint in a new context". Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65537.
Pełny tekst źródłaHutchison, Joanna Lynn. "Boundary extension in the auditory domain". Fort Worth, Tex. : Texas Christian University, 2007. http://etd.tcu.edu/etdfiles/available/etd-07232007-150552/unrestricted/Hutchison.pdf.
Pełny tekst źródłaAnderson, Elizabeth. "Audiovisual speech perception with degraded auditory cues". Connect to resource, 2006. http://hdl.handle.net/1811/6532.
Pełny tekst źródłaTitle from first page of PDF file. Document formatted into pages: contains 35 p.; also includes graphics. Includes bibliographical references (p. 28-29). Available online via Ohio State University's Knowledge Bank.
Motz, Benjamin A. "Expectations during the Perception of Auditory Rhythms". Thesis, Indiana University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10750871.
Pełny tekst źródłaWhen someone hears regular, periodic sounds, such as drum beats, footsteps, or stressed syllables in speech, these individual stimuli tend to be grouped into a perceived rhythm. One of the hallmarks of rhythm perception is that the listener generates expectations for the timing of upcoming stimuli, which theorists have described as endogenous periodic modulations of attention around the time of anticipated sounds. By constructing an internal representation of a rhythm, perceptual processes can be augmented by proactively deploying attention at the expected moment of an upcoming stressed syllable, the next step in an observed stride, or during the stroke of a co-speech hand gesture. A hypothetical benefit of this anticipatory allocation of attention is that it might facilitate temporal integration across the senses, binding multisensory aspects of our experiences into a unified “now,” anchored by temporally-precise auditory expectations. The current dissertation examines this hypothesis, exploring the effects of auditory singletons, and auditory rhythms, on electrophysiological indices of perception and attention to a visual stimulus, using the flash-lag paradigm. An electroencephalography study was conducted, where sounds, either isolated or presented rhythmically, occurred in alignment with a task-relevant visual flash. Results suggest a novel dissociation between the multisensory effects of discrete and rhythmic sounds on visual event perception, as assessed by the N1 component of the event-related potential, and by oscillatory power in the beta (15–20 Hz) frequency range. This dissociation is discussed in the context of classic and contemporary research on rhythm perception, temporal orienting, and temporal binding across the senses, and contributes to a more refined understanding of rhythmically-deployed attention.
Hollander, Ari J. "An exploration of virtual auditory shape perception /". Connect to this title online (HTML format) Connect to this title online (RTF format), 1994. http://www.hitl.washington.edu/publications/hollander/.
Pełny tekst źródłaGonzalez, Daniel. "An Adaptation of an Auditory Perception Test". FIU Digital Commons, 2018. https://digitalcommons.fiu.edu/etd/3772.
Pełny tekst źródłaKeating, Peter. "Plasticity and integration of auditory spatial cues". Thesis, University of Oxford, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.561113.
Pełny tekst źródłaLeung, Johahn. "Auditory Motion in Motion". Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/15944.
Pełny tekst źródłaCiocca, Valter. "Effects of auditory streaming upon duplex perception of speech". Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=75866.
Pełny tekst źródłaNisbet, Robert Stevenson. "Children's Matching of Melodies and Their Visual Representations". Thesis, Griffith University, 1998. http://hdl.handle.net/10072/367105.
Pełny tekst źródłaThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Education
Arts, Education and Law
Full Text
Ceballo, Charpentier Sebastian Arturo. "Causal manipulations of auditory perception and learning strategies in the mouse auditory cortex". Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUS058.
Pełny tekst źródłaThrough our senses, the brain receives an enormous amount of information. This information needs to be filtered in order to extract the most salient features to guide our behavior. How the brain actually generates different percepts and drives behavior, remain the two major questions in modern neuroscience. To answer these questions, novel neural engineering approaches are now employed to map, model and finally generate, artificial sensory perception with its learned or innate associated behavioral outcome. In this work, using a Go/noGo discrimination task combined with optogenetics to silence auditory cortex during ongoing behavior in mice, we have established the dispensable role of auditory cortex for simple frequency discriminations, but also its necessary role to solve a more challenging task. By the combination of different mapping techniques and light-sculpted optogenetics to activate precisely defined tonotopic fields in auditory cortex, we could elucidate the strategy that mice use to solve this hard task, revealing a delayed frequency discrimination mechanism. In parallel, observations about learning speed and sound-triggered activity in auditory cortex, led us to study their interactions and causally test the role of cortical recruitment in associative learning, revealing it as a possible neurophysiological correlate of saliency
King, Lisa Charmayne. "Auditory ambience as an information display". Diss., Georgia Institute of Technology, 1994. http://hdl.handle.net/1853/28829.
Pełny tekst źródłaRogers, Wendy Laurel. "Cumulative effects in auditory stream segregation". Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=70309.
Pełny tekst źródłaLau, Lai-yi Kitty. "Listeners' perception of stuttering in Cantonese". Click to view the E-thesis via HKUTO, 1994. http://sunzi.lib.hku.hk/hkuto/record/B36208942.
Pełny tekst źródła"A dissertation submitted in partial fulfilment of the requirements for the Bachelor of Science (Speech and Hearing Sciences), The University of Hong Kong, 29th April, 1994." Also available in print.
Huang, Tsan. "Language-specificity in auditory perception of Chinese tones". Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1092856661.
Pełny tekst źródłaTitle from first page of PDF file. Document formatted into pages; contains xix, 194 p.; also includes graphics. Includes bibliographical references (p. 183-194).
Radeau, Monique. "Interaction audio-visuelle et modularité = Auditory-visual interaction and modularity". Doctoral thesis, Universite Libre de Bruxelles, 1991. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212982.
Pełny tekst źródłaVer, Hulst Pamela. "Visual and auditory factors facilitating multimodal speech perception". Connect to resource, 2006. http://hdl.handle.net/1811/6629.
Pełny tekst źródłaTitle from first page of PDF file. Document formatted into pages: contains 35 p.; also includes graphics. Includes bibliographical references (p. 24-26). Available online via Ohio State University's Knowledge Bank.
Lee, Catherine. "Perception of synchrony between auditory and visual stimuli". Thesis, University of Ottawa (Canada), 2002. http://hdl.handle.net/10393/6375.
Pełny tekst źródłaDon, Audrey Jean. "Auditory pattern perception in children with Williams syndrome". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ30287.pdf.
Pełny tekst źródłaVallejos, Elvira PeÌrez. "What duplex perception tells us about auditory organisation". Thesis, University of Liverpool, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.428233.
Pełny tekst źródłaSeton, John Christopher. "A psychophysical investigation of auditory rhythmic beat perception". Thesis, University of York, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.329671.
Pełny tekst źródłaHoskin, Robert. "The effect of psychological stress on auditory perception". Thesis, University of Sheffield, 2014. http://etheses.whiterose.ac.uk/6193/.
Pełny tekst źródłaVitela, Antonia David. "General Auditory Model of Adaptive Perception of Speech". Diss., The University of Arizona, 2012. http://hdl.handle.net/10150/265343.
Pełny tekst źródłaElangovan, Saravanan, i Andrew Stuart. "Auditory Temporal Processing in the Perception of Voicing". Digital Commons @ East Tennessee State University, 2006. https://dc.etsu.edu/etsu-works/1559.
Pełny tekst źródłaLinke, Annika Carola. "Feature processing in human audition : the role of auditory cortex in perception, short-term memory and imagery". Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610253.
Pełny tekst źródłaCornew, Lauren A. "Emotion processing in the auditory modality the time course and development of emotional prosody recognition /". Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p3330854.
Pełny tekst źródłaTitle from first page of PDF file (viewed December 11, 2008). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references.
Leibold, Lori J. "Informational masking in infancy /". Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/8191.
Pełny tekst źródłaVande, Kamp Mark E. "Auditory implicit association tests /". Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/9119.
Pełny tekst źródłaWeaver, Lisa L. "Effects of sequential context on the perception of brief tones". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0026/NQ50281.pdf.
Pełny tekst źródłaDuan, Mao Li. "The diagnosis and protection of the auditory peripheral system /". Stockholm, 1999. http://diss.kib.ki.se/1999/91-628-3315-4/.
Pełny tekst źródłaCiocca, Valter. "Perceived continuity of steady-state and glided tones through a louder noise : evidence concerning a trajectory effect". Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63303.
Pełny tekst źródłaYim, Pui-kwan. "Random gap detection test normative values for Hong Kong young adults /". Click to view the E-thesis via HKU Scholars Hub, 2003. http://lookup.lib.hku.hk/lookup/bib/B38891037.
Pełny tekst źródła"A dissertation submitted in partial fulfilment of the requirements for the Bachelor of Science (Speech and Hearing Sciences), The University of Hong Kong, April 30, 2003." Includes bibliographical references (p. 28-30) Also available in print.