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Artykuły w czasopismach na temat "Audience studies"
Lindlof, Thomas R., Lea P. Stewart, Stella Ting-Toomey, Doug R. Berdie i James U. McNeal. "Audience Studies". Communication Booknotes 18, nr 3-4 (marzec 1987): 32–34. http://dx.doi.org/10.1080/10948008709488177.
Pełny tekst źródłaMayer, Vicki. "The Places Where Audience Studies and Production Studies Meet". Television & New Media 17, nr 8 (1.08.2016): 706–18. http://dx.doi.org/10.1177/1527476416652482.
Pełny tekst źródłaGray, Jonathan. "Reviving audience studies". Critical Studies in Media Communication 34, nr 1 (23.12.2016): 79–83. http://dx.doi.org/10.1080/15295036.2016.1266680.
Pełny tekst źródłaQuintas-Froufe, Natalia, i Ana González-Neira. "Active audiences: Social audience participation in television". Comunicar 22, nr 43 (1.07.2014): 83–90. http://dx.doi.org/10.3916/c43-2014-08.
Pełny tekst źródłaBalfour, Virginia H. "Likes, comments, action! An examination of the Facebook audience engagement strategies used by strategic impact documentary". Media International Australia 176, nr 1 (23.02.2020): 34–51. http://dx.doi.org/10.1177/1329878x19897416.
Pełny tekst źródłaDhani, Kurnia Rahmad. "EMPTY BENCH IN INDONESIAN PERFORMING ARTS STUDIES: AUDIENCE". TONIL: Jurnal Kajian Sastra, Teater dan Sinema 18, nr 2 (13.09.2021): 83–91. http://dx.doi.org/10.24821/tnl.v18i2.5886.
Pełny tekst źródłaGillard, Patricia. "Shaping Audiences Online: Principles of Audience Development for Cultural Institutions". Media International Australia 94, nr 1 (luty 2000): 117–30. http://dx.doi.org/10.1177/1329878x0009400112.
Pełny tekst źródłaHeim, Caroline. "‘Argue with Us!’: Audience Co-creation through Post-Performance Discussions". New Theatre Quarterly 28, nr 2 (maj 2012): 189–97. http://dx.doi.org/10.1017/s0266464x12000279.
Pełny tekst źródłaKjeldsen, Jens Elmelund. "Studying Rhetorical Audiences – a Call for Qualitative Reception Studies in Argumentation and Rhetoric". Informal Logic 36, nr 2 (14.07.2016): 136. http://dx.doi.org/10.22329/il.v36i2.4672.
Pełny tekst źródłaHermes, Joke, Annika van den Berg i Marloes Mol. "Sleeping with the enemy: Audience studies and critical literacy". International Journal of Cultural Studies 16, nr 5 (11.03.2013): 457–73. http://dx.doi.org/10.1177/1367877912474547.
Pełny tekst źródłaRozprawy doktorskie na temat "Audience studies"
Seles, Sheila Murphy. "Audience research for fun and profit : rediscovering the value of television audiences". Thesis, Massachusetts Institute of Technology, 2010. http://hdl.handle.net/1721.1/59574.
Pełny tekst źródłaThis electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.
Cataloged from student submitted PDF version of thesis.
Includes bibliographical references (p. 121-128).
The American television industry is in a moment of transition because of changes brought about by digital distribution and audience fragmentation. This thesis argues that the television industry can no longer adapt to the changing media landscape because structural relationships and business logics forged in previous eras do not allow for meaningful innovation. This project investigates how these relationships evolved and how they can be made more flexible to meet the challenges of digital distribution and digitally networked audiences. Legacy relationships, logics, and measurement methods have prevented the television industry from maximizing the value of increasingly fragmented television audiences. Publishers, advertisers, and measurement companies have historically been able to get around the limitations of their relationships to one another, but they are now faced with increasing competition from digital companies that understand how to make fragmented audiences valuable. This thesis argues that the methodologies and corporate ethos of successful online companies can serve as a model for the television industry, or they can be its undoing. This project also argues that the television ratings system is no longer serving the television industry, the advertising industry, and television audiences. The television industry has the opportunity to develop a system of audience measurement that maintains the residual value of television audiences while accounting for the value of audience expression. To leverage the true value of the television audience, the television industry must reconcile the commodity value of the audience with the cultural value that viewers derive from television programming. This thesis proposes that the cultural value of content should augment the commodity value of the audience. This project concludes that the television industry should reconfigure its economic structure by looking to other digital business, experimenting with new business models online, and actively exploring emergent sites of audience value.
by Sheila Murphy Seles.
S.M.
Coxall, Helen. "Studies in museum language". Thesis, Oxford Brookes University, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.294222.
Pełny tekst źródłaBubb, Claire Coiro. "Galen's Anatomy: Audience and Context". Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11500.
Pełny tekst źródłaThe Classics
Gathigi, George W. "Radio Listening Habits among Rural Audiences: An Ethnographic Study of Kieni West Division in Central Kenya". Ohio University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1249668973.
Pełny tekst źródłaSylvander, Klas. "Attending to the Internal Audience : a Prerequisite for Successful Mergers". Thesis, Uppsala University, Department of Business Studies, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-107171.
Pełny tekst źródłaCorporate losses attributable to failed M&A have to date cost an immense amount of resources.Off the bat the undertaken study argues for the case that it is negligence of employee emotionsand reactions during the M&A process that cause the failure rate to be consistently high. Thisstipulation is subsequently built upon with the construction of a proposed theoretical frameworkderived from an extensive examination of relevant M&A literature. A major focus of the studywas to plunge into and explore the world of employee anxiety and stress elicited from looming orongoing M&A, which was accomplished by interviewing individuals that had been top managersduring at least one M&A. Among other motives, narratives were compiled from the interviews inorder to guide the reader to the prevalence of the particular stressors under scrutiny, but alsobecause illustrating these individuals’ experiences through coherent stories is an ample dataanalysis technique course to take as people perceive their lives in terms of continuity and processwhich is the attributes that M&A pertain to. The interviews revealed a number of interesting andimplicative findings, which are summarized in a proposed model presented by the author in theend of the study. The findings are based on existing theory but also derived from grounded theoryobtained from the interviews. There seems to be two sets of stressors affecting the dependentvariables of the study – job satisfaction and organizational commitment. These two sets divergein the urgency and degree of emphasis that they demand from top management in order for theadverse employee reactions to be prevented or mitigated. The proposed model is intended tofunction as a roadmap or check list that top managers can use when conducting the merger inorder to make sure that the facet that matters most in order to ensure a successful merger – theemployees, are addressed germanely.
Wernet, Lois Foreman. "Transcending discourse stereotypes : audience sense-making of elite and mass culture /". The Ohio State University, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=osu148640254459221.
Pełny tekst źródłaOswell, David. "Watching with mother : a genealogy of the child television audience". Thesis, Open University, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.283225.
Pełny tekst źródłaPaley, Marianne Elizabeth. "Art in the public realm : integrating audience, place, and process". Thesis, Massachusetts Institute of Technology, 1993. http://hdl.handle.net/1721.1/79022.
Pełny tekst źródłaFlynn, Sean Peter. "Evaluating interactive documentaries : audience, impact and innovation in public interest media". Thesis, Massachusetts Institute of Technology, 2015. http://hdl.handle.net/1721.1/101360.
Pełny tekst źródłaCataloged from PDF version of thesis.
Includes bibliographical references (pages 161-168).
Public interest media organizations are increasingly interested in experimenting with interactive and participatory approaches to documentary storytelling enabled by digital technologies. However, due to the experimental nature of these interactive documentaries, it is not yet clear whether the more active user engagements they require translate into outcomes like sustained attention, greater narrative comprehension, enhanced learning, empathy or civic engagement - never mind larger societal impacts like improved public discourse, behavior change or policy change. The shifting definitions and measures of complex, multi-dimensional concepts like "engagement" and "impact" is a challenge for public interest media organizations migrating to digital platforms - particularly at a time when audience activities have become far more transparent and funders place greater emphasis on "data-driven" impact measurement. This thesis explores the "theories of change" that inform institutional investments in documentary and examines how three public interest media organizations - the National Film Board of Canada, POV and the New York Times - are approaching interactive documentary production, attempting to define what constitutes success or impact - and how to measure it. I argue that we need new theories of change and evaluation frameworks that expand definitions of "impact" and "engagement," balancing public service mission with the strategic goals of audience development and the circuitous processes of artistic and technological innovation. This means looking beyond quantitative mass media era metrics, which fail to account for important qualitative dimensions of the user experience. I propose a new set of qualitative and quantitative measures that might better reflect the social and artistic aspirations of the interactive documentary, test assumptions in ways that can inform project design, and embrace the potentials of technology to transform the methods, ethics and process of documentary storytelling in the digital age.
by Sean Peter Flynn.
S.M.
Rice, Homer J. "Before the Storm: Evacuation Intention and Audience Segmentation". Scholar Commons, 2010. http://scholarcommons.usf.edu/etd/3604.
Pełny tekst źródłaKsiążki na temat "Audience studies"
Audience studies: A Japanese perspective. New York: Routledge, 2010.
Znajdź pełny tekst źródłaKjeldsen, Jens E., red. Rhetorical Audience Studies and Reception of Rhetoric. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-61618-6.
Pełny tekst źródłaStudies in Elizabethan audience response to the theatre. Frankfurt am Main: P. Lang, 1993.
Znajdź pełny tekst źródłaComic theaters: Studies in performance and audience response. Athens: University of Georgia Press, 1986.
Znajdź pełny tekst źródłaS, Ettema James, i Whitney D. Charles 1946-, red. Audiencemaking: How the media create the audience. Thousand Oaks, Calif: Sage Publications, 1994.
Znajdź pełny tekst źródłaB, Cunningham Mary, i Allen Pauline 1948-, red. Preacher and audience: Studies in early Christian and Byzantine homiletics. Leiden: Brill, 1998.
Znajdź pełny tekst źródłaWebster, James G. The mass audience: Rediscovering the dominant model. Mahwah, N.J: Erlbaum, 1997.
Znajdź pełny tekst źródłaFerguson, Linda. Australian environments exhibition: Front-end evaluation and audience research report. [Sydney, NSW]: Evaluation Unit, Australian Museum, 1996.
Znajdź pełny tekst źródłaBay Area Research Project Consortium. Bay Area Research Project: A multicultural audience study for Bay Area museums. [San Francisco, Calif.?: Bay Area Research Project Consortium], 1994.
Znajdź pełny tekst źródłaTelevision drama: Agency, audience, and myth. London [England]: Routledge, 1990.
Znajdź pełny tekst źródłaCzęści książek na temat "Audience studies"
Sobande, Francesca. "Audience Studies". W Race/Gender/Class/Media, 47–50. Fourth edition. | Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781351630276-10.
Pełny tekst źródłaLind, Rebecca Ann. "Audience Studies". W Race/Gender/Class/Media, 54–89. Wyd. 5. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003193708-4.
Pełny tekst źródłaNewman, Michael Z. "Audience". W The Media Studies Toolkit, 60–79. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003007708-4.
Pełny tekst źródłaColeman, Joyce. "Audience". W A Handbook of Middle English Studies, 155–69. Chichester, UK: John Wiley & Sons Ltd., 2013. http://dx.doi.org/10.1002/9781118328736.ch10.
Pełny tekst źródłaBenyahia, Sarah Casey, John White i Freddie Gaffney. "Spectatorship and audience studies". W A Level Film Studies, 151–70. London; New York: Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429324628-8.
Pełny tekst źródłaChan, Chi Kit, Gary Tang i Francis L. F. Lee. "The News Audience". W Hong Kong Studies Reader Series, 119–56. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-1820-9_4.
Pełny tekst źródłaBerry, Mike. "The Banking Crisis: Audience Studies". W The Media, the Public and the Great Financial Crisis, 95–119. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-1-137-49973-8_3.
Pełny tekst źródłaBerry, Mike. "The Deficit Debate: Audience Studies". W The Media, the Public and the Great Financial Crisis, 177–201. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-1-137-49973-8_5.
Pełny tekst źródłaBruns, Axel. "Making Audience Engagement Visible". W The Routledge Companion to Digital Journalism Studies, 325–34. London ; New York : Routledge, 2017.: Routledge, 2016. http://dx.doi.org/10.4324/9781315713793-33.
Pełny tekst źródłaHolliway, David R., i Deborah McCutchen. "Audience Perspective in Young Writers’ Composing and Revising". W Studies in Writing, 87–101. Dordrecht: Springer Netherlands, 2004. http://dx.doi.org/10.1007/978-94-007-1048-1_6.
Pełny tekst źródłaStreszczenia konferencji na temat "Audience studies"
Liu, S. "VOCABULARY OF RUSSIAN DIALECTS IN A FOREIGN AUDIENCE". W ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-57.
Pełny tekst źródłaKolosova, Anastasiya D. "Stylistic devices of video blogger’s speech as means of influencing the audience". W Communication and Cultural Studies: History and Modernity. Novosibirsk State University, 2021. http://dx.doi.org/10.25205/978-5-4437-1258-1-276-282.
Pełny tekst źródłaYesilyurt, Gozdenur, Sefa Dursun, Osman Kumas, Nagehan Cakir i Taner Arsan. "Audience Tracking and Cheering Content Control in Sports Events". W 2020 4th International Symposium on Multidisciplinary Studies and Innovative Technologies (ISMSIT). IEEE, 2020. http://dx.doi.org/10.1109/ismsit50672.2020.9255312.
Pełny tekst źródłaHong, Sihui. "The Call of Subjectivity: Audience-oriented Musical Drama qLes Miserablesq". W 2017 International Conference on Art Studies: Science, Experience, Education (ICASSEE 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-17.2018.7.
Pełny tekst źródłaLestari, Bawinda Sri, Joniarto Parung i Frikson C. Sinambela. "Public Speaking Anxiety Reviewed from Self-Efficacy and Audience Response on Students: Systematic Review". W International Conference on Psychological Studies (ICPSYCHE 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210423.011.
Pełny tekst źródłaGuseva, I. M. "LITERARY TEXT IN TEACHING RUSSIAN AS A FOREIGN LANGUAGE IN A SPANISH-SPEAKING AUDIENCE". W ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. TSU Press, 2021. http://dx.doi.org/10.17223/978-5-907442-02-3-2021-78.
Pełny tekst źródłaWang, Yilan. "The Dialogue Strategy Between Left-wing Filmmakers and Film Audience in the 1930s — Focusing on the Construction of Audience by Film Critics of “Morning Paper·Daily Film”". W 2020 International Conference on Language, Communication and Culture Studies (ICLCCS 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210313.068.
Pełny tekst źródłaOvechkina, N. A. "METHODS FOR WORKING WITH TEXT IN CRITICAL THINKING AND WRITING LESSONS IN A FOREIGN AUDIENCE". W ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-49.
Pełny tekst źródłaJeong, Dawoon, Sung H. Han, Kimin Kwon i Wan Sun Shin. "Emotional and Physiological Responses to the Roll Motion Effect in 4D Movies". W 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001804.
Pełny tekst źródłaBaskakova, Anna. "The studying of Russian phraseological units and paroemias in English speaking audience". W 6th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2020. http://dx.doi.org/10.32591/coas.e-conf.06.13153b.
Pełny tekst źródłaRaporty organizacyjne na temat "Audience studies"
Hegazi, Sahar. Utilization of operations research in Egypt. Population Council, 1997. http://dx.doi.org/10.31899/rh1997.1018.
Pełny tekst źródłaTorrijos, Ivan Dario Pinerez, Tina Puntervold, Skule Strand, Panagiotis Aslanidis, Ingebret Fjelde i Aleksandr Mamonov. Core restoration: A guide for improved wettability assessments. University of Stavanger, listopad 2021. http://dx.doi.org/10.31265/usps.198.
Pełny tekst źródłaRudyk, Myroslava. COMMUNICATIVE FEATURES OF UKRAINIAN VIDEO BLOGS ON THE EXAMPLE OF YOUTUBE-CHANNELS OF «TORONTO TV», YANINA SOKOLOVA, AND OSTAP DROZDOV. Ivan Franko National University of Lviv, marzec 2021. http://dx.doi.org/10.30970/vjo.2021.50.11111.
Pełny tekst źródłaNegredo-Bruna, Samuel, Alfonso Vara-Miguel i Avelino Amoedo-Casais. Digital News Report.ES 2016. Servicio de Publicaciones de la Universidad de Navarra, 2016. http://dx.doi.org/10.15581/019.006.
Pełny tekst źródłaDaudelin, Francois, Lina Taing, Lucy Chen, Claudia Abreu Lopes, Adeniyi Francis Fagbamigbe i Hamid Mehmood. Mapping WASH-related disease risk: A review of risk concepts and methods. United Nations University Institute for Water, Environment and Health, grudzień 2021. http://dx.doi.org/10.53328/uxuo4751.
Pełny tekst źródłaYatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, luty 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.
Pełny tekst źródłaKaawa-Mafigiri, David, Megan Schmidt-Sane i Tabitha Hrynick. Key Considerations for RCCE in the 2022 Ebola Outbreak Response in Greater Kampala, Uganda. Institute of Development Studies, listopad 2022. http://dx.doi.org/10.19088/sshap.2022.037.
Pełny tekst źródłaPerera, Duminda, Vladimir Smakhtin, Spencer Williams, Taylor North i Allen Curry. Ageing Water Storage Infrastructure: An Emerging Global Risk. United Nations University Institute for Water, Environment and Health, styczeń 2021. http://dx.doi.org/10.53328/qsyl1281.
Pełny tekst źródłaDissemination Strategy, July 1995–January 1998. Population Council, 1998. http://dx.doi.org/10.31899/rh1998.1044.
Pełny tekst źródłaInterventions to reduce HIV/AIDS stigma: What have we learned? Population Council, 2001. http://dx.doi.org/10.31899/hiv2001.1001.
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