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Artykuły w czasopismach na temat "Athenian Vases"
Mario Iozzo. "Hidden Inscriptions on Athenian Vases". American Journal of Archaeology 122, nr 3 (2018): 397. http://dx.doi.org/10.3764/aja.122.3.0397.
Pełny tekst źródłaSheramy D. Bundrick. "Selling Sacrifice on Classical Athenian Vases". Hesperia: The Journal of the American School of Classical Studies at Athens 83, nr 4 (2014): 653. http://dx.doi.org/10.2972/hesperia.83.4.0653.
Pełny tekst źródłaFerrari, Gloria. "Myth and Genre on Athenian Vases". Classical Antiquity 22, nr 1 (1.04.2003): 37–54. http://dx.doi.org/10.1525/ca.2003.22.1.37.
Pełny tekst źródłaShapiro, H. A. "Attic Comedy and the ‘Comic Angels’ Krater in New York". Journal of Hellenic Studies 115 (listopad 1995): 173–75. http://dx.doi.org/10.2307/631658.
Pełny tekst źródłaJo Smith, Tyler. "Black-Figure vases in the collection of the British School at Athens". Annual of the British School at Athens 98 (listopad 2003): 347–68. http://dx.doi.org/10.1017/s0068245400016919.
Pełny tekst źródłaBennett. "Targeted Advertising for Women in Athenian Vase-Painting of the Fifth Century BCE". Arts 8, nr 2 (11.04.2019): 52. http://dx.doi.org/10.3390/arts8020052.
Pełny tekst źródłaLaferrière, Carolyn M. "Dancing with Greek Vases". Greek and Roman Musical Studies 9, nr 1 (29.03.2021): 85–114. http://dx.doi.org/10.1163/22129758-12341378.
Pełny tekst źródłaDa Costa, Natalia Borges. "REFLECTIONS FROM A GREEK VASE". Revista Contemporânea 3, nr 8 (18.08.2023): 12142–62. http://dx.doi.org/10.56083/rcv3n8-122.
Pełny tekst źródłaHigbie, Carolyn. "The Bones of a Hero, the Ashes of a Politician: Athens, Salamis, and the Usable Past". Classical Antiquity 16, nr 2 (1.10.1997): 278–307. http://dx.doi.org/10.2307/25011066.
Pełny tekst źródłaBazant, Jan. "Cultural memory and recollections in Athenian vase paintings". Letras Clássicas, nr 8 (1.11.2004): 11. http://dx.doi.org/10.11606/issn.2358-3150.v0i8p11-26.
Pełny tekst źródłaRozprawy doktorskie na temat "Athenian Vases"
Gerleigner, Georg Simon. "Writing on archaic Athenian pottery : studies on the relationship between images and inscriptions on Greek vases". Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610545.
Pełny tekst źródłaSini, Efthalia-Thalia. "Studies in the choice and iconography of everyday scenes on fourth-century Athenian vases". Thesis, University of Oxford, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670241.
Pełny tekst źródłaMoodie, Meg R. "Drawing the divide : the nature of Athenian identity as reflected in the depiction of the „other‟ in Attic red-figure vase painting in the fifth century BCE". Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/80201.
Pełny tekst źródłaENGLISH ABSTRACT: During the fifth century BCE there were three defining periods in Athenian history that challenged its society: the Persian Wars (490 – 479 BCE); Periclean Athens (mid-fifth century); and the Peloponnesian War (431 – 404 BCE). As the development of identity is a reactionary process, these three periods had a profound effect on the Athenian identity and led to the redefinition of this self-image along the primordialist models. Two premises are combined in this study. Firstly that comparisons to contrary ethnicities are vital to the development of identity, and secondly that the visual articulation of an identity is essential to the reinforcement and maintenance of this self-image. This can be applied to the development of Athenian identity during the fifth century BCE as reflected in Attic vase painting. Through a study of the "other" imagery produced in this century, with special attention given to Amazons, it is possible to see the development and nature of the Athenian identity during each of the three periods.
AFRIKAANSE OPSOMMING: Tydens die vyfde eeu vC was daar drie omskrywende periodes in Atheense geskiedenis wat hul samelewing uitgedaag het: die Persiese Oorloë (490 – 479 vC); Perikleiese Athene (mid-vyfde eeu); en die Pelopponiese Oorlog (431 – 404 vC). Omdat die ontwikkeling van identiteit 'n reaksionêre proses is, het hierdie drie periodes 'n diepgaande indruk op die Atheense identiteit gehad en het bygedra tot die herdefiniesie van hierdie selfbeeld volgens die primordialis modelle. Twee stellings word gekombineer in hierdie studie. Eerstens dat vergelykings aan teenoorgestelde etnisiteite essensieel is vir die ontwikkeling van identiteit, en tweedens, dat die visuele artikulasie van 'n identiteit noodsaaklik is vir die versterking en onderhoud van die selfbeeld. Dit kan toegepas word by die ontwikkeling van Atheense identiteit gedurend die vyfde eeu vC soos in Attiese vaas versiering uitgebeeld is. Deur middel van 'n studie van die "ander" beelde geskep in die eeu, met spesiale aandag aan Amasone, is dit moontlik om die ontwikkeling en karakter van die Atheense identiteit gedurend elk van die drie periodes te verstaan.
Beats, Kate A. "Size, surface and shape : experiencing the Athenian vase". Thesis, University of Warwick, 2012. http://wrap.warwick.ac.uk/50045/.
Pełny tekst źródłaGrillo, Jose Geraldo Costa. "A Guerra de Tróia no imaginário ateniense: sua representação nos vasos áticos dos séculos VI-V a.C". Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/71/71131/tde-13042009-164013/.
Pełny tekst źródłaFrom the iconography of the Trojan War, the author asks about the place of the war in the Athenian imaginary in the sixth and fifth centuries B.C. The corpus of the research is composed of 248 attic vases about nine scenes: 1) The arming of Achilles; 2) The departure of Achilles; the duels: 3) Paris fighting Menelaos, 4) Aeneas fighting Diomedes, 5) Ajax fighting Hector, 6) Achilles fighting Hector, 7) Achilles fighting Memnon; the returns of the dead warriors in battle: 8) Sleep and Death carrying the body of Sarpedon, and 9) Ajax carrying the body of Achilles. The choice of space, Athens, and chronological period, 6th and 5th centuries B.C., was based on a deliberate option for the attic vases and on the appearance and disappearance of the theme in this period. Based on the assumptions that there is a relationship between images and society and that images are constructs of the social imaginary, allowing an approximation to collective representations, the author proposes that the Trojan War is a constituent element of the Athenian imaginary in the sixth and fifth centuries B.C. and that its iconography refers to the representations of Athenians on the war activity in their own time. The Trojan Wars painted pictures, rather than being illustrations of an event from the past, are manifestations of the image that the city of Athens makes about itself, concerning the war. The Trojan War is an event in the collective memory of the Athenians, upon which the city establishes its values, its society and the respective roles of its citizens. In short, that war, rather than being an activity restricted to warriors, concerns the whole city, namely, the non-warriors, among them, the woman and the old man, the warriors parents, who hold an important place.
Georgiades, Rebecca Elise. "Facing Fear: Exploring the Representation of Fear in Athenian Vase-painting from the 7th – 4th centuries BC". Thesis, The University of Sydney, 2021. https://hdl.handle.net/2123/26366.
Pełny tekst źródłaSaunders, David. "Sleepers in the valley : Athenian vase-painting 600-400 B.C. and the 'beautiful death'". Thesis, University of Oxford, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.432118.
Pełny tekst źródłaVilling, Alexandra. "The iconography of Athena in attic vase-painting from 440 - 370 BC". [S.l. : s.n.], 2007. http://nbn-resolving.de/urn:nbn:de:bsz:16-propylaeumdok-368.
Pełny tekst źródłaFoukara, Lavinia. "All in the family : the Apollonian triad in Attic art of the sixth and fifth centuries BC". Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/15916.
Pełny tekst źródłaStewardson, Margaret Elizabeth. "Nature and construction in ancient Greek vase-painting : the rendering and contextual significance of natural and man-made settings in Athenian figural ceramics of the sixth to the fourth centuries B.C". Thesis, University of Oxford, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.416859.
Pełny tekst źródłaKsiążki na temat "Athenian Vases"
John, Boardman. Athenian black figure vases: A handbook. London: Thames and Hudson, 1991.
Znajdź pełny tekst źródłaJohn, Boardman. Athenian black figure vases: A handbook. New York, N.Y: Thames and Hudson, 1991.
Znajdź pełny tekst źródłaJohn, Boardman. Athenian red figure vases: The Archaic period : a handbook. Wyd. 2. New York: Thames and Hudson, 2000.
Znajdź pełny tekst źródłaJohn, Boardman. Athenian red figure vases: The Archaic period : a handbook. London: Thames and Hudson, 1991.
Znajdź pełny tekst źródłaJohn, Boardman. Athenian red figure vases: The classical period : a handbook. New York: Thames and Hudson, 1988.
Znajdź pełny tekst źródłaJohn, Boardman. Athenian red figure vases: The Archaic period : a handbook. New York: Thames and Hudson, 1988.
Znajdź pełny tekst źródła1949-, Oakley John Howard, Palagia Olga i American School of Classical Studies at Athens., red. Athenian potters and painters. Oxford [U.K.]: Oxbow Books, 2009.
Znajdź pełny tekst źródłaHeesen, P. Athenian little-master cups. Amsterdam: Pieter Heesen, 2011.
Znajdź pełny tekst źródłaSchreiber, Toby. Athenian vase construction: A potter's analysis. Malibu, Calif: J. Paul Getty Museum, 1999.
Znajdź pełny tekst źródłaS, Lapatin Kenneth D., red. Papers on special techniques in Athenian vases: Proceedings of a symposium held in connection with the exhibition The colors of clay: special techniques in Athenian vases, at the Getty Villa, June 15-17, 2006. Los Angeles: J. Paul Getty Museum, 2008.
Znajdź pełny tekst źródłaCzęści książek na temat "Athenian Vases"
Dasen, Véronique. "G: Greek World". W Dwarfs in Ancient Egypt and Greece, 288–319. Oxford University PressOxford, 1993. http://dx.doi.org/10.1093/oso/9780198146995.003.0020.
Pełny tekst źródła"The Many Lives of Athenian Vases". W Athens, Etruria, and the Many Lives of Greek Figured Pottery, 3–19. University of Wisconsin Press, 2019. http://dx.doi.org/10.2307/j.ctvfjcz1c.6.
Pełny tekst źródła"Museum index of vases illustrated". W Composition in Athenian Black-Figure Vase-Painting, 313–14. Peeters Publishers, 2021. http://dx.doi.org/10.2307/j.ctv1q26xv1.15.
Pełny tekst źródłaMannack, Thomas. "Beautiful Men on Vases for the Dead". W Athenian Potters and Painters III, 116–24. Oxbow Books, 2014. http://dx.doi.org/10.2307/j.ctvh1djzf.15.
Pełny tekst źródłaHoffmann, Herbert. "The Vases of Sotades". W Sotadies, 1–18. Oxford University PressOxford, 1997. http://dx.doi.org/10.1093/oso/9780198150619.003.0001.
Pełny tekst źródłaBundrick, Sheramy D. "Chapter Two Reading Rhapsodes on Athenian Vases". W Homer in Performance, 76–97. University of Texas Press, 2018. http://dx.doi.org/10.7560/316030-005.
Pełny tekst źródłaAgafonov, Andrey, i Olga Samar. "Concerning Athenian black-figure vases from Panticapaeum". W The Greeks and Romans in the Black Sea and the Importance of the Pontic Region for the Graeco-Roman World (7th century BC-5th century AD): 20 Years On (1997-2017), 511–23. Archaeopress Publishing Ltd, 2021. http://dx.doi.org/10.2307/j.ctv1pdrqhw.73.
Pełny tekst źródłaTaplin, Oliver. "Phlyakes". W Comic Angels, 48–54. Oxford University PressOxford, 1993. http://dx.doi.org/10.1093/oso/9780198147978.003.0005.
Pełny tekst źródłaCarpenter, Thomas H. "Bacchae and Frogs". W Dionysian Imagery in Fifth-Century Athens, 104–18. Oxford University PressOxford, 1997. http://dx.doi.org/10.1093/oso/9780198150381.003.0007.
Pełny tekst źródłaBundrick, Sheramy D. "Altars, Astragaloi, Achilles: Picturing Divination on Athenian Vases". W Gods, Objects, and Ritual Practice, 53–74. Lockwood Press, 2017. http://dx.doi.org/10.5913/2017796.ch03.
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