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Gotowe bibliografie tematyczne / Athenian mercury

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Gotowa bibliografia na temat „Athenian mercury”

Autor: Grafiati

Data publikacji: 29 lipca 2024

Data aktualizacji: 31 lipca 2024

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Artykuły w czasopismach na temat "Athenian mercury"

1

Considine, J. "Darby and Joan and the Athenian Mercury". Notes and Queries 55, nr 3 (1.07.2008): 328–29. http://dx.doi.org/10.1093/notesj/gjn067.

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Jasenowski, Jaroslaw. "Coffeehouse Curiosities: Materiality and Musealization Strategies in The Athenian Mercury". Journal for Eighteenth-Century Studies 47, nr 1 (marzec 2024): 77–94. http://dx.doi.org/10.1111/1754-0208.12929.

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AbstractBased on the epistolary interaction with readers, John Dunton's Athenian Mercury (1691–97) provided a platform for the discussion and dissemination of knowledge drawn from diverse fields. Plagued by doubts about its reliability, the periodical constantly had to (re‐)assert its credibility. One of the strategies the Mercury employed was to emphasize the physicality of objects via text, practising a performance of materiality. Taking the letter‐as‐object as its starting point, this article argues that materiality played a crucial role in not only the representation but also the active production of truthfulness. Examining how Dunton's periodical leveraged notions of the coffeehouse as an exhibition space, this article explores how the Mercury drew on musealization strategies to represent material objects to underline their existence and its own credibility. Interpellating readers as virtuosi, the Athenian Society staged the coffeehouse and even itself as a walk‐in curiosity cabinet, turning letters into matter and fiction into fact.

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Handley, Sasha. "Reclaiming Ghosts in 1690s England". Studies in Church History 41 (2005): 345–55. http://dx.doi.org/10.1017/s0424208400000309.

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On Wednesday 1 June 1692, a young man, about fifteen years of age, went to his bed. He had no sooner lain down than he heard ‘a Hand sweeping on the wall’. Then it came ‘with a rushing noise on his beds-head’ and ‘stroaked him over the face twice very gently’. Opening his eyes he saw before him ‘an apparition of a woman cloathed in black apparel’. Following this eerie encounter, other members of the family claimed to have seen the apparition ‘in the same room with a lighted candle’. Perplexed by these unexplained visits the mistress of this ‘Civiliz’d Family’ wrote to the editors of the bi-weekly periodical the Athenian Mercury desiring to know ‘what should be the occasion of the disturbance’ and ‘whether it be advisable to ask the question of the apparition’. Samuel Wesley (father of John), Church of England minister and co-editor of the Athenian Mercury, advised the woman to have a chat with the ghost, to find out its purpose and to discover how it might be satisfied.

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Bhowmik, Urmi. "Facts and Norms in the Marketplace of Print: John Dunton's Athenian Mercury". Eighteenth-Century Studies 36, nr 3 (2003): 345–65. http://dx.doi.org/10.1353/ecs.2003.0023.

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Beebee, Thomas O. "All the News That Is Fit to Steal: Charles Gildon, Ferrante Pallavicino, and the Geopolitics of Rifled Mailbag Fiction". Journal for Eighteenth-Century Studies 47, nr 1 (marzec 2024): 31–44. http://dx.doi.org/10.1111/1754-0208.12928.

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AbstractCharles Gildon (1665–1724) is known today as the ultimate hack writer of Restoration England. Nonetheless, his two fiction collections in the ‘rifled mailbag’ genre — The Post‐Boy Rob'd of His Mail (1692) and The Post‐Man Robb'd of His Mail (1719) — contain insights concerning the structures and practices of information gathering in early modern Europe. This essay places these fictions by Gildon in their historical and literary contexts, including his repurposing of the Italian Il Corriero svaligiato by Ferrante Pallavicino, the relation to John Dunton's Athenian Mercury, and the use of addresses and occupations of letters to describe the geopolitics of Restoration London and its surround.

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Berry, Helen. "An Early Coffee House Periodical and its Readers: the Athenian Mercury, 1691–1697". London Journal 25, nr 1 (1.05.2000): 14–33. http://dx.doi.org/10.1179/030580300793080068.

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Claydon, T. "Gender, Society and Print Culture in Late-Stuart England: The Cultural World of the Athenian Mercury". English Historical Review 119, nr 480 (1.02.2004): 214–16. http://dx.doi.org/10.1093/ehr/119.480.214.

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Berry, Helen. "Democracy's Fatal Flaw: Anonymity and the Normalization of Offence in John Dunton's Epistolary Periodicals". Journal for Eighteenth-Century Studies 47, nr 1 (marzec 2024): 95–109. http://dx.doi.org/10.1111/1754-0208.12931.

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AbstractEpistolary periodicals associated with English coffee house culture have often been associated with Jürgen Habermas' model for the rise of the ‘bourgeois public sphere’. Habermas proposed this ultimately gave rise to the free articulation of public opinion and the emergence of democratic values. Written at a time of socio‐political upheaval, John Dunton's serial publications relied upon anonymous authorship, particularly his most famous periodical, the Athenian Mercury (1691–97), which pioneered the question‐and‐answer format and gave rise to many imitations. In the present era, we are witnessing democracy imperilled by the proliferation of AI‐driven ‘fake news’. This paper proposes that the origins of this phenomenon may be found in epistolary periodicals which normalized giving and receiving offence in print. The pernicious quality of anonymous print, free from personal accountability or consequences, embedded from its inception a fatal flaw in the project of constituting a democratic public sphere.

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Bell, M. "Review: Gender, Society and Print Culture in Late-Stuart England: The Cultural World of the Athenian Mercury". Library 5, nr 1 (1.03.2004): 87–89. http://dx.doi.org/10.1093/library/5.1.87.

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Graf, Amara. "Gender, Society, and Print Culture in Late-Stuart England: The Cultural World of the Athenian Mercury (review)". Libraries & the Cultural Record 40, nr 1 (2005): 93–94. http://dx.doi.org/10.1353/lac.2005.0010.

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Rozprawy doktorskie na temat "Athenian mercury"

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Berry, Helen. "Gender, society and print culture in late seventeenth century England, with special reference to the Athenian Mercury (1691-97)". Thesis, University of Cambridge, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.284995.

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Książki na temat "Athenian mercury"

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Hochman, Gwen E. Questioning an illusion: The Athenian Mercury’s struggle With systems of natural knowledge, 1691-1697. 2006.

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Berry, Helen. Gender, Society and Print Culture in Late-Stuart England: The Cultural World of the Athenian Mercury. Taylor & Francis Group, 2017.

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Berry, Helen. Gender, Society and Print Culture in Late-Stuart England: The Cultural World of the Athenian Mercury. Taylor & Francis Group, 2017.

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Gender, society, and print culture in late Stuart England: The cultural world of the Athenian mercury. Aldershot, Hampshire, England: Ashgate, 2003.

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Ezell, Margaret J. M. Periodical Publications: Journalism, Politics, and Polite Entertainment. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780191849572.003.0022.

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New formats for periodical publications in this decade included the newspaper, which replaced the earlier newsbooks and handwritten subscription newsletters and which created new opportunities for journalism. In addition to news, they were also important to the development of advertising and opinion writing. While some periodicals were associated with political parties, such as the Tory Examiner for which Jonathan Swift and Delarivier Manley wrote, others such as the Athenian Mercury, the Tatler, and the Guardian were more concerned with polite entertainment and literary matters.

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Części książek na temat "Athenian mercury"

1

Clery, E. J. "The Athenian Mercury and the Pindarick Lady". W The Feminization Debate in Eighteenth-Century England, 26–50. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230509047_3.

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Cummings, R. M. "The Athenian Mercury 1691". W Edmund Spenser, 223. Routledge, 2020. http://dx.doi.org/10.4324/9781003060017-118.

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Laferrière, Carolyn M. "Hermes among Pan and the Nymphs on Fourth-Century Votive Reliefs". W Tracking Hermes, Pursuing Mercury, 31–48. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198777342.003.0003.

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The presence of Hermes on many Attic fourth-century BCE votive reliefs dedicated to Pan and the Nymphs is a common but unexpected feature of the corpus. Although he is not mentioned in the dedications inscribed onto the reliefs, Hermes nevertheless occupies a prominent position within the images as leader of the Nymphs’ dance. The incongruity between the dedication and the sculpted scenes is accounted for by considering the votive reliefs’ ritual function within Athenian religion and the genealogical relationship established between Hermes and Pan by the Homeric Hymn to Pan. It is argued that the votive reliefs, as expressions of Athenian visual theology, emphasize Hermes and Pan as coordinated figures within the reliefs, suggesting that the two gods work together to integrate the cult of the Nymphs within Athenian religious life.

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Parsons, Nicola. "The Ladies Mercury". W Women's Periodicals and Print Culture in Britain, 1690-1820s. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474419659.003.0021.

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Nicola Parsons’ essay explores at length importance of the Ladies Mercury (1693), the first periodical addressed specifically to women, insisting upon its independence from Dunton’s Athenian Mercury (1690–7) that was its inspiration. Soliciting queries from both female and male readers on all matters of particular interest to women, the paper devoted equal space to readers’ questions as to its own advice, giving pride of place not just to women but to those who find their interests interesting. It also frequently differs from the Athenian: in Parsons’ reading, the Ladies Mercury emerges as an alternative, and not a lesser offshoot, of Dunton’s famous paper. The Ladies Mercury thus establishes the rising interest in a feminocentric epistolary practice in the periodical press, and expands the space available to serious treatments of suchcrucial matters as private life, domesticity, and courtship.

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Moodie, Erin K. "Hermes/Mercury". W Tracking Hermes, Pursuing Mercury, 107–18. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198777342.003.0008.

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Hermes/Mercury should be understood as the physical manifestation and divine patron of comedy. The chapter focuses on the portrayal of Hermes in Aristophanes’ Peace and that of Mercury in Plautus’ Amphitryon, and traces each character’s adoption of the abject stance associated with comic heroes, his knowledge of comic conventions, and his general metatheatrical remarks to and about the audience. The god’s association with laughter, performance, and marriage throughout myth, as well as his connection to Dionysus in Athenian religious festivals, further supports his identification as the god of comedy.

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"John Dunton (?), from the ‘Athenian Mercury’, 1694". W George Herbert, 159. Routledge, 2013. http://dx.doi.org/10.4324/9781315004464-37.

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Beta, Simone. "The God and his Double". W Tracking Hermes, Pursuing Mercury, 95–106. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198777342.003.0007.

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Gods are a significant presence in Greek comedies, as it is the case of Hermes, the god who plays a decisive part as the divine assistant of the “comic hero” Trygaeus in Aristophanes’ Peace and makes the audience laugh when he asks the slave Karion to give him a job in Aristophanes’ Plutus. But the presence of Hermes on the comic stage does not limit itself to these famous examples. Quite often the god is present also as a statue, and sometimes this statue behaves like a real character, because it speaks and interacts with the other characters. The chapter deals with this peculiar role of Hermes. Given the significance of classical comic theatre for a full understanding of the life of the Athenian society, the chapter is also a contribution to the study of the figure of the god and the functions he performed in classical Athens.

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Stewart, Dustin D. "Dunton and Singer after the Athenian Mercury: Two Plots of Platonic Love". W Women's Periodicals and Print Culture in Britain, 1690-1820s. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474419659.003.0006.

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Dustin Stewart revisits the well-known but poorly understood relationship between John Dunton and Elizabeth Singer Rowe, the ‘Pindarick Lady’ whose poetry became a major feature of Dunton’s game-changing Athenian Mercury (1691–7). Rowe’s periodical verse, often downplayed by modern critics, was pivotal in shaping her future fame and career, argues Stewart, as she and Dunton, as well as contemporary figures such as John Norris and Mary Astell, navigated differing views on the theme of ‘Platonick Love.’ Through Dunton, Rowe evolved from reader to periodicalist to poet, making good use of her early work and eventually leaving Dunton behind.

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Wood, James Robert. "Periodicals and the Problem of Women’s Learning". W Women's Periodicals and Print Culture in Britain, 1690-1820s. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474419659.003.0002.

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One of the questions published in the 23 May 1691 issue of The Athenian Mercury (1690-7) was ‘Whether it be proper for Women to be Learned?’ In this essay, James Wood takes the question of the propriety of women's education and the learned woman as a lens through which to read a selection of periodicals and magazines from the 1690s to the 1820s. Through detailed case studies of the Ladies’ Diary (1704–1841), Ladies Mercury (1693), Female Tatler (1709–10), Female Spectator (1744–6), Lady’s Museum (1760–6), and Lady’s Magazine (1770–1832), Wood elucidates how periodicals offer unique insights into: how women participated in the wider culture of learning across the long eighteenth century; how learning was incorporated into women’s lives; how women’s learning was understood and variously negotiated by the periodical press; and the role that gender difference played in what in meant to be learned across the long eighteenth century.

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Stewart, Dustin D. "5 Dunton and Singer after the ATHENIAN MERCURY: Two Plots of Platonic Love". W Women's Periodicals and Print Culture in Britain, 1690-1820s, 87–100. Edinburgh University Press, 2018. http://dx.doi.org/10.1515/9781474419666-009.

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