Gotowe bibliografie tematyczne / Assemblage

Gotowa bibliografia na temat „Assemblage”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 28 lipca 2024

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Artykuły w czasopismach na temat "Assemblage"

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Nilsson, I. "Upper Palaeozoic fusulinid assemblages, Wandel Sea Basin, North Greenland". Rapport Grønlands Geologiske Undersøgelse 161 (1.01.1994): 45–71. http://dx.doi.org/10.34194/rapggu.v161.8243.

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Eight fusulinid assemblages are recognized in the Mallemuk Mountain Group of North Greenland. They are of late Moscovian (Wedekindellina assemblage), late Kasimovian (Rauserites ex. gr. simplex assemblage), early-middle Gzhelian (Rauserites ex. gro rossicus assemblage), late Gzhelian – ?early Asselian (Schellwienia arctica assemblage), early Asselian (Sphaeroschwagerina aff. S. vulgaris assemblage), middle-late Asselian (Schwagerina ex. gro nathorsti assemblage), latest Asselian - earliest Sakmarian (Schwagerina aff. S. moelleri – S. ex. gro exuberate assemblage) and late Sakmarian (Schwagerina plicatissima assemblage) ages. These assemblages show close similarities to faunas described elsewhere in the present Arctic region, i.e. Arctic Russia, Southwest Barents shelf, Svalbard and Arctic Canada.
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Dinnis, Rob, i Damien Flas. "Trou du Renard and the Belgian Aurignacian". Proceedings of the Prehistoric Society 82 (13.05.2016): 1–25. http://dx.doi.org/10.1017/ppr.2016.4.

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A wealth of cave sites makes southern Belgium the most important area for understanding the north-western European Early Upper Palaeolithic. However, despite their abundance, the interpretation of many assemblages remains problematic. Here we present a new study of lithic material from layer B of Trou du Renard (Furfooz, Namur Province) and consider its place in the Belgian Aurignacian. The assemblage is typical of Late Aurignacian assemblages found across western Europe, underscoring the contrast between the Aurignacian and the periods that pre- and post-date it, when we instead see profound differences between north and south. The assemblage is apparently unmixed, distinguishing Trou du Renard from other key Belgian Aurignacian cave sites. A large proportion of the site’s lithic assemblage documents the production of small bladelets from carinated/busquéburin cores, suggesting that Trou du Renard served as a short-term hunting camp. Radiocarbon dating cannot pinpoint the assemblage’s age, though here it is argued to be c. 32–33,000bp(c. 36–37,000 calbp) on the basis of its similarity to the well-dated Aurignacian assemblage from Maisières Canal (Atelier de Taille de la Berge Nord-Estarea). For the same reason a third assemblage – Trou Walou layer CI-1 – is also argued to be contemporaneous. Trou du Renard, Maisières Canal and Trou Walou may represent three points in the same Late Aurignacian landscape. Differences between their lithic assemblages can be explained by the acquisition and transport of flint, and by a desire to produce small bladelets of highly standardised form irrespective of the size and shape of available blanks.
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Ito, Yoichi, Yuko Iijima, Naoyuki Itoh i Yuya Kimura. "Multilocus genotyping of Giardia duodenalis isolates from breeding cattery cats in Japan". Journal of Feline Medicine and Surgery Open Reports 3, nr 2 (lipiec 2017): 205511691774523. http://dx.doi.org/10.1177/2055116917745237.

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Objectives The present study reports the multilocus genotyping of Giardia duodenalis isolates from cats maintained in breeding catteries in Japan and discusses their potential for zoonotic transmission. Methods A total of 41 faecal samples positive for Giardia-specific antigen were procured from cats maintained in five breeding catteries and subjected to PCR to amplify four gene loci, namely small subunit ribosomal RNA ( SSU rRNA), glutamate dehydrogenase ( gdh), beta-giardin ( bg) and triose phosphate isomerase ( tpi ). The PCR-amplified DNA fragments were sequenced to determine the G duodenalis genotypes (synonym for assemblages). Results The most commonly occurring single assemblage was assemblage F (68.3%; n = 28/41), followed by assemblage A (12.2%; n = 5/41) and assemblage C (2.4%; n = 1/41). The mixed assemblages were identified as follows: assemblages F and A (9.8%; n = 4/41), assemblages F and C (4.9%; n = 2/41) and assemblages C and D (2.4%; n = 1/41). Additional sub-genotyping of assemblage A isolates based on three of the sequenced loci ( gdh, bg and tpi ) revealed that all eight isolates were identified as sub-assemblage AI and/or AII. Conclusions and relevance The present study is the first to report the detection of dog-adapted assemblages C and D in feline isolates from Japan. In addition, zoonotic sub-assemblage AI and human-adapted sub-assemblage AII were also identified. Thus, we concluded that the risk of transmission of G duodenalis from breeding cattery cats to humans is considerable and cannot be ignored.
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Srivastava, S. C. "Palynological correlation of coal seams in Godavari Graben, Andhra Pradesh, India". Journal of Palaeosciences 35, nr (1-3) (31.12.1986): 281–96. http://dx.doi.org/10.54991/jop.1986.1542.

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The palynological study of various coal seams from Yellandu, Kothagudem, Belampalli, Ramakrishnapuram and Ramagundam coalfields of Godavari Graben has been done. The distributional pattern of various palyno-taxa has suggested the occurrence of six miospore assemblages. Miospore Assemblage E is marked by the association of Parasaccites and Scheuringipollenites. Assemblage D is characterised by the dominance of Brevitriletes. In assemblages C1, C2 and C3, Brevitriletes is associated with Hennellysporites. Indotriradites, although rare, occurs only in this assemblage. Horriditriletes and Latosporites characterise Assemblage B in association with Brevitriletes Primuspollenites gains significance only at this stage of palynofloral succession. In the youngest Assemblage A all the triletes decrease appreciably giving way to nonstriate-disaccates, Scheuringipollenites, so as to take up the dominance. The sporological succession shows only one change after Assemblage E (Upper Karharbari) was deposited. Miospore assemblages D to A represent the Lower Barakar palynoflora.
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Rogers, Jean Beyer, i Ellen K. Pikitch. "Numerical Definition of Groundfish Assemblages Caught Off the Coasts of Oregon and Washington Using Commercial Fishing Strategies". Canadian Journal of Fisheries and Aquatic Sciences 49, nr 12 (1.12.1992): 2648–56. http://dx.doi.org/10.1139/f92-293.

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Numerical definition of species caught together by the groundfish trawl fishery operating off the Oregon and Washington coasts during 1985–87 indicated six major assemblages of species. Observers on commercial vessels recorded data allowing estimation of the weights of commercially important species caught in each tow. Assemblages were selected based on consistencies in three types of analysis of the species weights: detrended correspondence ordination, two-way indicator species clustering, and Bray–Curtis group average clustering. Two of the assemblages were dominated by a single species, one consisting largely of smooth pink shrimp (Pandalus jordani) and the other primarily of widow rockfish (Sebastes entomelas). The other assemblages identified were a deepwater rockfish assemblage, a deepwater Dover sole assemblage, a nearshore mixed-species assemblage, and a bottom rockfish assemblage. These assemblages of commercially cooccurring species may be treated as units in developing mixed-species management plans. The deepwater rockfish assemblage we identify has not been previously described.
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Aguiar, Juliana Martins, Sheila Oliveira Silva, Valdir Azevedo dos Santos, Sueli Akemi Taniwaki, Tricia Maria Ferreira de Sousa Oliveira, Helena Lage Ferreira, Lara Borges Keid, Fábio Gregori i Rodrigo Martins Soares. "Evidence of heterozygosity and recombinant alleles in single cysts of Giardia duodenalis". Revista Brasileira de Parasitologia Veterinária 25, nr 2 (7.06.2016): 187–95. http://dx.doi.org/10.1590/s1984-29612016031.

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Abstract Giardia duodenalis is divided into eight assemblages (named A to H). Isolates of assemblage A are divided into four sub-assemblages (AI, AII, AIII and AIV). While isolates of sub-assemblage AII are almost exclusively detected in human hosts, isolates of assemblage B are encountered in a multitude of animal hosts and humans. Here, we isolated single cysts of G. duodenalis from a human stool sample and found that one of them had overlaps of assemblage AII and B alleles and an unexpectedly high number of variants of the beta-giardin (Bg) and GLORF-C4 (OrfC4) alleles. In addition, one of the Bg alleles of that cyst had a fragment of sub-assemblage AII interspersed with fragments of assemblage B, thus indicating that this allele may be a recombinant between sequences A and B. Our results are unprecedented and put a check on the statement that different assemblages of G. duodenalis represent species with different host specificities.
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Im, Sook. "A Study on the Changes and Livelihood and Economy of Woodworking Tools Made of Stone in the Bronze Age". Korean Ancient Historical Society 118 (30.11.2022): 5–32. http://dx.doi.org/10.18040/sgs.2022.118.5.

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Woodworking tools made of stone during the Bronze Age include stone axes, flat-adze, stone chisels, pillar-shaped adze, and grooved adze. Woodworking tools can be divided into periods that can be broadly classified into the first, middle, and late periods, and cultural types that include localities such as Misari assemblage, Garakdong type, Yeoksamdong assemblage, Heunamri assemblage, Songgukri assemblage, Geomdanri assemblage, and Cheonjeonri assemblage. Changes in the assemblages of woodworking tools by period, cultural type, and woodworking tools are in line with the existing Bronze Age research on the livelihood and Economy. As a result of the analy sis, the s tone axes of the early Bronze Age were s imilar in s ize to those of the Neolithic Age. Therefore, in the early Bronze Age, the Livelihood and Economy related to the use of woodworking tools would have been similar to that of the Neolithic Age. Woodworking tools of Geomdanri assemblage, Cheonjeonri assemblage, and Songgukri assemblage in the middle of the Bronze Age were all different in size and assemblages. Woodworking tools of the Geomdanri assemblage maintain electrical tradition. The Cheonjeonri assemblage maintains the phenomenon of decreasing stone axes leading to the early Neolithic and Bronze Age and increasing the flat-adze. As for the Songgukri assemblage, the difference in size between the stone axe and the blade of the flat-adze. In addition, the composition ratio of the stone axe is greatly reduced, and the composition ratio of the flat-adze of the plane is greatly increased. This aspect means that the Songgukri assemblage has entered a new society based on the living environment, which is distinguished from other cultural assemblages in the early and mid-term. As described above, changes in the size and assemblage of woodworking tools in the Bronze Age are closely related to the living environment.
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van de Vijver, Bart, i Louis Beyens. "Freshwater diatom communities of the Strømness Bay area, South Georgia". Antarctic Science 8, nr 4 (grudzień 1996): 359–68. http://dx.doi.org/10.1017/s0954102096000533.

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Modern diatom samples were collected from 43 sites across the Strømness Bay area of South Georgia. From 115 taxa belonging to 22 six diatom assemblages were distinguished. A CCA-analysis indicated that the assemblages are linked to pH and conductivity ranges, and habitat structure. The Eunotia paludosa var. paludosa - Eunotia subarcuatoides assemblage occurs in small acid water bodies. Samples of the Fragilaria germainii - Pinnularia aff. anglica assemblage are found in pools with a relatively high conductivity. The Fragilaria neoproducta assemblage and the Achnanthes subatomoides - Navicula vitabunda assemblage are mainly found in larger pools and lakes. This relationship between the assemblages and pH was comparable with results found in the testate amoebae fauna of South Georgia.
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Shott, Michael J. "Size Dependence in Assemblage Measures: Essentialism, Materialism, and “She” Analysis in Archaeology". American Antiquity 75, nr 4 (październik 2010): 886–906. http://dx.doi.org/10.7183/0002-7316.75.4.886.

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"Assemblage" is a fundamental archaeological construct. By their composition, we interpret assemblages as expressions of activity or cultural identity. Yet they are not simple products of these factors alone but also of formation processes. Assemblages accumulated over varying spans, with varying combinations of tool types and discard rates. They are contexts for the playing out of complex relationships, not static types. This is a materialist view, against the essentialist view that assemblages are exemplars of ideal types (e.g., "base camps," "Quina Mousterian"). Materialism implies that their size and composition, fundamental assemblage characteristics, are correlated variables, not fixed properties, and that composition varies as size increases. I document size dependence consistent with materialism in Paleoindian and Paleolithic assemblages. Among ways to analyze size-dependent assemblage data, I apply "SHE analysis"—the joint study of assemblage richness, heterogeneity, and evenness—to gauge data’s fit to theoretical models. Archaeologists acknowledge size dependence, but we misapprehend it as a methodological bias of assemblage measures that must be suppressed when, in materialist perspective, it reveals meaningful relationships that an essentialist view cannot.
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MacDonald, Eugene W. "A preliminary radiolarian biozonation for the Lower Silurian of the Cape Phillips Formation, Nunavut, Canada". Canadian Journal of Earth Sciences 43, nr 2 (1.02.2006): 205–11. http://dx.doi.org/10.1139/e05-104.

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Radiolaria from the Lower Silurian of the Cape Phillips Formation, Nunavut, Canada allow the definition of four biostratigraphic assemblages. The Haplotaeniatum assemblage extends from the basal Llandovery to topmost Coronograptus cyphus graptolite Biozone. The base is taken as the first occurrence of Haplotaeniatum nunavutensis; no samples were collected below the Ordovician–Silurian boundary. The top of the assemblage is defined by the first occurrence of Orbiculopylorum. The Orbiculopylorum assemblage is marked by the first occurrence of Orbiculopylorum. The boundary between this assemblage and the overlying Plussatispila assemblage is unclear because of a break in stratigraphy (upper Spirograptus turriculatus through Monograptus crispus graptolite biozones). The last occurrence of Orbiculopylorum defines the top of the assemblage. The base of the Plussatispila assemblage is defined by the last occurrence of Orbiculopylorum. A barren interval (Cyrtograptus insectus to lower Monograptus instrenuus – Cyrtograptus kolobus graptolite biozones) separates the Plussatispila assemblage and subsequent Ceratoikiscum assemblage. The first occurrence of Ceratoikiscum is taken as the boundary between these assemblages. The top of the Ceratoikiscum assemblage is not established, but is taken as the first occurrence of Inanihella tarangulica Group radiolarians. This zonation is comparable to, and a modification from, the global radiolarian biozonation of Noble and Aitchison (2000).
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Rozprawy doktorskie na temat "Assemblage"

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Costa, Eduardo Mariz Corrêa da. "Foto-assemblage". Universidade do Estado do Rio de Janeiro, 2013. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=4924.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
FOTO-ASSEMBLAGE consiste em nomenclatura sugestionada para definir os trabalhos que tenho produzido a partir da junção de fotografias digitais. As elaborações e fundamentações desses trabalhos representam também o cerne das pesquisas que resultaram na presente dissertação. Em princípio, o termo foto-assemblage haveria de referir-se a questões técnicas ou formais dessa prática. Contudo, ao desenvolver as pesquisas alguns procedimentos acabaram por determinar certas nuances que revelaram aspectos comuns também em seus e conteúdos. Como resultado de construções artísticas juntando fotografias desde 2009, cheguei às composições sintéticas aqui apresentadas, construídas a partir de duas fotografias. Aventei o nome foto-assemblage por observar nas imagens resultantes ressalvas que as distinguiriam de certas convenções atribuídas à ideia de fotografia. Ao mesmo tempo, as referidas imagens proporiam um possível desdobramento ao entendimento de assemblage enquanto técnica artística. Ainda que não seja uma regra, fotografias revelam imagens de momentos. Em sua relação com a compreensão humana de tempo ou espaço, fotografias quase sempre contêm instâncias mínimas. Fotografias, contudo, podem ser também compreendidas como uma contração de um percurso de tempo. Toda imagem fotográfica pode ser assimilada como resultante de determinados acontecimentos anteriores e mesmo tida como elemento gerador de conseqüências futuras. Seguindo esse entendimento, o que proponho com a foto-assemblage é que essa lide com segmentos de tempo ou de espaço contidos numa mesma imagem. Essas fotografias originárias ganhariam uma nova atribuição, sendo retiradas de seu contexto original, serviriam de balizas do percurso de tempo ou espaço suprimido e subjetivado entre elas. Poeticamente, eventos ocorridos entre as fotografias originárias estariam contidos nas imagens produzidas. O termo assemblage foi incorporado às artes a partir de 1953, por Jean Dubuffet, para descrever trabalhos que seriam algo mais do que simples colagem. A ideia de assemblage se baseia no princípio de que todo e qualquer material ou objeto colhido de nosso mundo cotidiano pode ser incorporado a uma obra de arte, criando um novo conjunto, sem que perca seu sentido original. Esse objeto é arrancado de seu uso habitual e inserido num novo contexto, tecendo laços de relação com os demais elementos, construindo narrativas num novo ambiente, o da obra. Na ideia da foto-assemblage, entretanto, é sugerido uso das imagens fotográficas originárias não como objetos que estariam em um mundo cotidiano, mas sim como imagem na concepção do que seria uma entidade mental. Adoto como que uma visão mágica onde as imagens originárias e básicas estariam numa outra dimensão, num plano bidimensional, não manipulável por nós habitantes da tridimensionalidade. Nesse ambiente imaginário ou não, as fotografias são assentadas consolidando a foto-assemblage. Quando a foto-assemblage se concretiza, se corporifica numa mídia, sendo impressa para uma contemplação, ai então, passaria a integrar nosso mundo tridimensional. O resultado poderia ser admitido como um híbrido, uma terceira coisa, a partir de duas que já não se dissociam mais no ensejo de uma compreensão estética. Ao final da dissertação, apresento experiências práticas que resultaram em quatro séries de imagens em foto-assemblage. Cada série enfatiza aspectos peculiares do que denomino paisagem expandida, representando percursos de tempo, espaço ou trajetos entre o mundo concreto e mundos do inconsciente.
PHOTO-ASSEMBLAGE consists on nomenclature to define the work that I have produced from the junction of digital photographs. The elaboration and justification of these works also represent the core of the research that resulted in this dissertation. In principle, the term photo-assemblage would refer to formal or technical issues this practice. However, research to develop some procedures ultimately determine certain nuances that reveal common aspects and also in their content. As a result of joining constructions artistic photographs since 2009, I came to the synthetic compositions presented here, constructed from two photographs. I suggested name photo-assemblage by observing the resulting images caveats that distinguish certain conventions attributed to the idea of photography. At the same time, these images would propose a possible unfolding to the understanding of assemblage as artistic technique. Although it is not a rule, photographs show images of times. In its relation to the human understanding of time and space, photographs almost always contain instances minimal. Photographs, however, can also be understood as a contraction of a course of time. Every photographic image can be assimilated as a result of certain events before and even seen as an element that generates future consequences. Following this understanding, what I propose with the photo-assemblage is that it deals with segments of time or space contained in the same picture. These photographs originating win a new award, being removed from their original context, serve as beacons of travel time or space and deleted subjectivizing between them. Poetically, events originating from the photographs would be contained in the images produced. The term assemblage to the arts was built as from 1953 by Jean Dubuffet to describe works that would be something more than simple collage. The idea of assemblage is based on the principle that any material or object drawn from our everyday world can be incorporated into a work of art, creating a new set without losing its original meaning. This object is torn from its habitual use and placed in a new context, weaving bonds of relationship with the other elements, constructing narratives in a new environment, the work. In view of photo-assemblage, however, is suggested use of photographic images as objects originating not they would be in an everyday world, but as the design image of what a mental entity. I adopt it as a magical sight where the images originate, basic, would be in another dimension, a two-dimensional plane, we can not be manipulated by the inhabitants of three-dimensionality. In this "environment" imaginary or not, pictures are settled consolidating photo-assemblage. When the photo-assemblage materializes, is embodied in media, being printed for contemplation there would then integrate our three-dimensional world. The result could be admitted as a hybrid, a third thing from two no longer dissociate more opportunity in an aesthetic understanding. In the concluding stages of dissertation, practical experiences that resulted in four sets of images in photo-assemblage. Each one emphasizing peculiar aspects of what I title "expanded landscape", reproducing images that contain paths of time, space or paths between the concrete world and unconscious worlds
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Bartoux, Benoît. "Assemblage par la mesure et assemblage simultané à N éléments". Amiens, 2009. http://www.theses.fr/2009AMIE0114.

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Cette thèse traite de l'assemblage par la mesure et plus précisément d'un algorithme de traitement simultané de N pièces. Les problèmes de production aéronautique nécessitent une grande qualité, ce qui implique une amélioration continue des moyens de mesure (laser traqueurs par exemple) mais également des algorithmes de traitement des mesures. Les logiciels actuels ne permettent pas de traiter tous les types de tolérances rencontrées, la non-prise en compte de certaines contraintes provoque une perte de qualité non-acceptable sur les nouveaux avions. L'algorithme que nous avons développé permet de traiter ces tolérances. Nous verrons dans un premier temps les différentes notions nécessaires à la modélisation du problème industriel. Dans un second temps nous aborderons tous les algorithmes développés au cours de cette thèse. Nous détaillerons ensuite ces méthodes sur des cas tests suggérés par le service qualité d'AIRBUS Méaulte et nous les appliquerons sur un cas réel: l'assemblage du tronçon 12 de l'A380
This thesis is concerned with the industrial problem of the measuring assembly process, and more precisely with the simultaneous assembly of N elements. The production in aeronautics deserves a great quality for processes. Hence we need a continuous improvement both for measuring tools (laser trackers for instance), either for algorithms devoted to proceed to the measures. The usual softwares do not take into account the whole panel of tolerances. The drawbacks are a loss of quality which is not suitable for the quality for the quality of the new planes. Our algorithm allows us to take into account these constraints. To begin with, we describe the framework to model the industrial problem. In the second part, we introduce the algorithms developed during this thesis. Eventually we detail these methods on “toy cases” suggested by the quality service of AIRBUS Méaulte and we will apply them on a real case: the assembly problem of the section 12 of the A380
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Adkins, Mathew. "The art of assemblage". Thesis, University of East Anglia, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.389371.

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Sandomire, Daniel M. (Daniel Micah). "Direct sequential system assemblage". Thesis, Massachusetts Institute of Technology, 1996. http://hdl.handle.net/1721.1/70282.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1997.
Includes bibliographical references (p. 79-82).
Decisions made during the building process have the opportunity to both inform the next set of decisions and provide unexpected and possibly positive features in the final project. Thus, working beyond the minimum definition at each size will provide a more rich environment for the next ... This thesis proposes to investigate those decisions both analytically and synthetically. In volume one, construction phases are established and a set of physical system options is assigned to each. The next task of the thesis is to assemble these systems in multiple, thus discovering both the intrinsic behaviors of the system as well as its means of exchange with other systems. These parallel systems investigations will then provide the background for the final task of this thesis: volume two, a practical application of the methodology in an architectural project.
by Daniel M. Sandomire.
M.Arch.
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Ulbrich, Brian Neal. "An assemblage of parts". Thesis, Virginia Polytechnic Institute and State University, 1992. http://hdl.handle.net/10919/53339.

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Architecture is the pursuit of the integrity of materials, clarity of purpose and craftsmanship in building. These pursuits are embodied by a new style of architecture which is slowly emerging from Great Britain. It is an architecture of the world, not of a region. It is an architecture of exoskeletons and curtain walls. It is an open, airy and versatile architecture for our rapidly changing high speed world. It is High Tech Architecture.
Master of Architecture
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Sickler, Ashley. "Paul Bunyan design assemblage /". Click here to view, 2009. http://digitalcommons.calpoly.edu/artsp/18.

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Thesis (B.F.A.)--California Polytechnic State University, 2009.
Project advisor: Charmaine Martinez. Title from PDF title page; viewed on Jan. 21, 2010. Includes bibliographical references. Also available on microfiche.
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Cerf, Aline. "Assemblage dirigé de nano-objets". Phd thesis, INSA de Toulouse, 2010. http://tel.archives-ouvertes.fr/tel-00525067.

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Un échange vigoureux au travers des frontières de la biologie et de la physique se développe autour de nouvelles méthodes et outils, et autour de nouveaux phénomènes. Les objets d'étude au coeur de ce recouvrement multidisciplinaire sont très divers. De manière non exhaustive, il s'agit de nanoparticules, de cellules ou encore d'objets encore plus petits et élémentaires tels que les molécules. Aussi bien pour des applications dans le domaine de la microélectronique que pour l'étude de mécanismes biologiques fondamentaux, l'intégration des objets d'intérêt à l'échelle de l'objet unique est essentielle. Dans le cadre de cette thèse, l'objectif que nous nous sommes fixés est de développer un volet technologique qui permette l'assemblage d'objets micro- ou nanométriques uniques à des endroits bien définis d'une surface solide de façon simple, fiable, bas-coût et parallèle. Pour ce développement, nous nous sommes intéressés tout particulièrement aux nanoparticules d'Au de 100 nm de diamètre, aux bactéries, puis aux molécules d'ADN. Nous décrirons les stratégies développées reposant sur la lithographie douce puis leurs potentialités pour différentes applications dans les domaines de l'analyse médicale et de la détection.
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Kameche, Farid. "Assemblage dirigé de nanocristaux métalliques". Thesis, Paris 6, 2015. http://www.theses.fr/2015PA066305/document.

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Le contrôle de l'organisation bidimensionnel de nanoparticules est primordial dans le défi que représentent l'enregistrement magnétique et l'augmentation de la capacité de stockage. Plus particulièrement, c'est ici la diminution de la taille des bits d'informations qui est ciblée. La conséquence serait alors une augmentation de la capacité de stockage de deux à trois ordres de grandeurs. Mais pour ce faire, il est nécessaire d'avoir une organisation bidimensionnelle de nanoparticules magnétiques de taille, forme et composition contrôlée. Via deux méthodes de synthèse, des nanoalliages de CoPt et Co33Pt67 de l'ordre de 2 nm ont été synthétisées. Ces derniers ont présenté alors des températures de blocage et des champs coercitifs ne permettant pas leurs utilisations dans des applications dans l'enregistrement magnétique. Cela s'explique par le fait qu'après synthèse, ces nanoparticules sont désordonnées chimiquement. Afin d'améliorer l'ordre chimique et donc les propriétés magnétiques, des recuits thermiques ont été effectués. Il a été montré que la mise en ordre a lieu vers 400°C et que, dans le cas de nanocristaux de Co33Pt67, la forme et la taille restent inchangées. Ces derniers pourraient être utilisés dans l'enregistrement magnétique à condition de pouvoir contrôler la distance interparticulaire. C'est pourquoi nous avons utilisé des molécules organiques capables de s'auto-assembler sur surface sur de longues distances et formant des réseaux nanoporeux aptes à servir de systèmes hôte et à capter les nanoparticules. Nous avons alors montré que des nanoparticules de platine possèdent une organisation quasi-hexagonale et monoclinique à moyenne distance
The fine control of nanoparticles bi-dimensional organization remains a main challenge for magnetic recording applications. Although the current size for a data bit is around a few tens of nanometers, it could be reduced to the nanometer scale simply through using magnetic nanoparticles. Nonetheless, intrinsic parameters of the nanoparticles such as their sizes, shapes and chemical compositions have a direct incidence on their periodic arrangement. Two different chemical routes were used to synthesize 2 nm CoPt and Co33Pt67 nanoalloys. Due to the high chemical disordering of these nanocrystals, the blocking temperature and coercive fields were lower than wished for data storage applications. In order to exhibit a higher chemical ordering, in situ annealing of these nanocrystals was carried out. It has been shown that ordering occurred around 400°C. Plus, size and shape for Co33Pt67 were kept after annealing but not for equiatomic composition. Nevertheless, only poor mesoscopic ordering between nanoparticles is observed, as reported elsewhere. This hurdle could be overcome in using organic molecules able to self-assemble on graphite and forming a porous two-dimensional supramolecular template. Thus, such template was designed and used to demonstrate that 2 nm Pt nanoparticles can locally organize in quasi-hexagonal or monoclinic lattices
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Guagliumi, Arthur Robert. "Assemblage art: origins and sources /". Access Digital Full Text version, 1990. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10910244.

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Thesis (Ed.D)--Teachers College, Columbia University, 1990.
Includes appendices. Typescript; issued also on microfilm. Sponsor: Justin Schorr. Dissertation Committee: David S. Nateman. Bibliography: leaves 162-186.
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Dannenmüller, Sophie. ""California assemblage" : récupération, contestation, tradition". Paris 1, 2011. http://www.theses.fr/2011PA010530.

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Cette thèse retrace l'histoire de l'assemblage en Californie, c'est-à-dire d'oeuvres tridimensionnelles constituées d'objets et matériaux récupérés. Le "Museum of Unknown and Little Known Objects" (1949) de Clay Spohn marque l'apparition du médium à San Francisco, puis une esthétique du déchet se développe dans les années 1950 au sein d'une communauté underground et rebelle, en marge des courants dominants, avec Wallace Berman, Bruce Conner, Wally Hedrick, George Herms, Jess, Edward Kienholz, Gordon Wagner. En 1961-62, la reconnaissance du médium grâce à "The Art of Assemblage" pousse certains assemblagistes à modifier leur pratique, voire à l'abandonner. Les plus engages exploitent les possibilités plastiques de l'assemblage pour exprimer leur désaccord avec la société américaine des années 1960. En réaction aux émeutes de Watts, des artistes afro-américains comme Noah Purifoy, Betye Saar, John Outterbridge, rejettent les formes d'art conventionnelles et trouvent dans l'assemblage un mode d'expression militant, tandis que des artistes chicanos comme David Avalos et Amalia Mesa-Bains fusionnent l'assemblage et les traditions mexicaines pour engendrer des formes hybrides qui valorisent leur multiculturalisme. Apparue dans les années 1980, la formule "California Assemblage" invite à examiner ce qui est californien dans l'assemblage californien de l'époque notamment chez Alexis Smith, Nancy Rubins ou Michael McMillen et à interroger la notion de tradition. Au début du XXI" siècle le mouvement californien se réinvente dans le nouveau paradigme écologiste et revient au classicisme en réinvestissant son territoire attitre entre peinture et sculpture.
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Książki na temat "Assemblage"

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Lugli, Adalgisa. Assemblage. Paris: Société Nouvelle Adam Biro, 2000.

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Lugli, Adalgisa. Assemblage. Paris: A. Biro, 2000.

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Art, Kent Fine, red. Assemblage. New York: Kent Fine Art, Inc., 1987.

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Season's assemblage. [Harare]: Cleopatra Magwaro, 2009.

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Miller, Susan Cummins. Death assemblage. Lubbock, Tex: Texas Tech University Press, 2002.

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Ella, Werker, i Feibel Craig S, red. The wood assemblage. Oxford: Oxbow Books, 2002.

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Jervis, Ben. Assemblage Thought and Archaeology. Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315158594.

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préf, Nolin Louis, red. Assemblage: Modélisation, programmation (80x86). Paris: Masson, 1991.

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Paul, Currah, red. Assemblage: New international writing. Colchester: Universityof Essex, 1989.

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1939-, Bissett Bill, i Vancouver Art Gallery, red. Rezoning: Collage and assemblage. Vancouver, B.C., Canada: Vancouver Art Gallery, 1989.

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Części książek na temat "Assemblage"

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Hangay, George, Severiano F. Gayubo, Marjorie A. Hoy, Marta Goula, Allen Sanborn, Wendell L. Morrill, Gerd GÄde i in. "Assemblage". W Encyclopedia of Entomology, 319. Dordrecht: Springer Netherlands, 2008. http://dx.doi.org/10.1007/978-1-4020-6359-6_10369.

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Santino, Jack. "Assemblage". W Signs of War and Peace, 49–74. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1007/978-1-4039-8233-9_3.

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Stavrianakis, Anthony. "Assemblage". W Pragmatic Inquiry, 68–79. Abingdon, Oxon; New York, NY: Routledge, 2021. |: Routledge, 2020. http://dx.doi.org/10.4324/9781003034124-7.

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Russell, Yvan I. "Assemblage". W Encyclopedia of Animal Cognition and Behavior, 1–4. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47829-6_718-1.

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Russell, Yvan I. "Assemblage". W Encyclopedia of Animal Cognition and Behavior, 486–89. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-55065-7_718.

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Stevens, Quentin. "Assemblage". W Temporary and Tactical Urbanism, 79–101. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003284390-5.

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Fullagar, Simone, i Carol A. Taylor. "Assemblage". W A Glossary for Doing Postqualitative, New Materialist and Critical Posthumanist Research Across Disciplines, 32–33. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003041153-17.

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Jervis, Ben. "From archaeological assemblage to vibrant assemblage". W Assemblage Thought and Archaeology, 35–72. Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315158594-2.

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Wiltshire, Kelly D. "Assemblage Thinking". W Encyclopedia of Global Archaeology, 1043–47. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_2704.

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de Burgh-Woodman, Hélène. "Assemblage Thinking". W Advertising in Contemporary Consumer Culture, 53–64. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-77944-7_3.

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Streszczenia konferencji na temat "Assemblage"

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Kedya, Olga, Natalie Arroyo i Christian C. Vitullo. "Principles of Generative Assemblage". W C&C '23: Creativity and Cognition. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3591196.3596620.

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Khmelkova, Natalya, Alexander Agenosov, Anastasia Rudanina i Maria Vekhova. "Co-Branding as Assemblage: Assemblage Theory, and Brand Alliances in the Digital Era". W The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-64.

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The article outlines the contours of a new methodology in the study of co-branding, based on M. DeLanda’s theory of assemblages, developed in line with the cutting edge of modern philosophical thought: object-oriented ontology. It is demonstrated that the relevance of its development is linked to the changes in brand alliance practices occurring under the influence of globalisation and digitalisation processes. Transformations characteristic to merging brands, and related to both their rise in number and diversification were proven to be part of a more global tendency towards the complication of social reality, and cannot be explained within the ‘perceived conformity’ paradigm that dominates co-branding. The author’s approach is conceptualised using comparative and discursive analysis methods, the essence of which lies in deconstructing the established notions of brand alliances as internally consistent alliances with an intelligible logic. Real co-branding cases were provided to demonstrate a tendency towards forming alliances evaluated as ‘irrational’, ‘sudden’, and ‘unpredictable’. To bridge the gap between theory and practice, it has been suggested that co-branding should be seen as an assembly process and that alliances themselves should be seen as systems of an assemblage nature. It is stressed that the representation of brands through the lens of the assemblage theory allows us to demonstrate their heterogeneity, plasticity and openness to change and interactions, which contributes to the formation of brand alliances. The conclusion outlines the prospects of applying the author’s approach to the field of co-branding, highlighting that the proposed optics of the theory of assemblage contribute to achieving the necessary flexibility in forming brand alliances relevant to the complexity and diversity of the modern digital era.
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Igwe, Philip C., i George K. Knopf. "Virtual assemblage of fragmented artefacts". W Optics East 2006, redaktorzy Yasuhiro Takaya i Jonathan Kofman. SPIE, 2006. http://dx.doi.org/10.1117/12.686641.

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De Vecchi, Antonio, i Laura Navarra. "Verification of Building Assemblage Compatability". W eCAADe 1998: Computer Craftsmanship in Architectural Education. eCAADe, 1998. http://dx.doi.org/10.52842/conf.ecaade.1998.234.

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Kaur, Kamalpreet, Ramakant Kumar i Pravin Kumar. "Early Prediction of Stampede In Assemblage". W 2023 6th International Conference on Information Systems and Computer Networks (ISCON). IEEE, 2023. http://dx.doi.org/10.1109/iscon57294.2023.10112152.

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Panieri, G., G. Gabbianelli i S. D‘onofrio. "Benthic Foraminifera Assemblage in Adriatic Sea Pockmark". W EAGE Conference on Geology and Petroleum Geology of the Mediterranean and Circum-Mediterranean Basins. European Association of Geoscientists & Engineers, 2000. http://dx.doi.org/10.3997/2214-4609.201406085.

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Patarakin, Yevgeny, i Vasiliy Burov. "Assemblage of Educational Policies and Educational Practices". W 2018 Fifth International Conference on eDemocracy & eGovernment (ICEDEG). IEEE, 2018. http://dx.doi.org/10.1109/icedeg.2018.8372353.

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Young, Alyson, David Gurzick, Wayne Lutters, Caroline Dombrowski i Jeffrey Kim. "Exploring infrastructure assemblage in volunteer virtual organizations". W the 2012 ACM annual conference extended abstracts. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2212776.2223851.

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MacDonald, Katie, i Kyle Schumann. "Twinned Assemblage - Curating and Distilling Digital Doppelgangers". W CAADRIA 2021: Projections. CAADRIA, 2021. http://dx.doi.org/10.52842/conf.caadria.2021.1.693.

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MacDonald, Katie, i Kyle Schumann. "Twinned Assemblage - Curating and Distilling Digital Doppelgangers". W CAADRIA 2021: Projections. CAADRIA, 2021. http://dx.doi.org/10.52842/conf.caadria.2021.1.693.

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Raporty organizacyjne na temat "Assemblage"

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Journeay, J. M., S. P. Williams i J. O. Wheeler. Tectonic assemblage map, Edmonton, Alberta-Saskatchewan. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2000. http://dx.doi.org/10.4095/211057.

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Journeay, J. M., S. P. Williams i J. O. Wheeler. Tectonic assemblage map, Peace River, Alberta. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2000. http://dx.doi.org/10.4095/211062.

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Journeay, J. M., S. P. Williams i J. O. Wheeler. Tectonic assemblage map, Vancouver, British Columbia-U.S.A. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2000. http://dx.doi.org/10.4095/211051.

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Journeay, J. M., S. P. Williams i J. O. Wheeler. Tectonic assemblage map, Lethbridge, Alberta-Saskatchewan-U.S.A. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2000. http://dx.doi.org/10.4095/211053.

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Journeay, J. M., S. P. Williams i J. O. Wheeler. Tectonic assemblage map, Prince George, British Columbia. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2000. http://dx.doi.org/10.4095/211055.

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Journeay, J. M., S. P. Williams i J. O. Wheeler. Tectonic assemblage map, Sitka, British Columbia-U.S.A. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2000. http://dx.doi.org/10.4095/211059.

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Journeay, J. M., S. P. Williams i J. O. Wheeler. Tectonic assemblage map, Fort Nelson, British Columbia. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2000. http://dx.doi.org/10.4095/211061.

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Journeay, J. M., S. P. Williams i J. O. Wheeler. Tectonic assemblage map, Lake Athabasca, Alberta-Saskatchewan. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2000. http://dx.doi.org/10.4095/211063.

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Journeay, J. M., S. P. Williams i J. O. Wheeler. Tectonic assemblage map, Slave River, Northwest Territories. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2000. http://dx.doi.org/10.4095/211066.

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Journeay, J. M., S. P. Williams i J. O. Wheeler. Tectonic assemblage map, Horton River, Northwest Territories. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2000. http://dx.doi.org/10.4095/211070.

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