Gotowa bibliografia na temat „Asian Motion pictures”
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Artykuły w czasopismach na temat "Asian Motion pictures"
Vukoder, Bret. "Screening sovereignty: Cold War mediations of nationhood in USIA motion picture operations in the SWANA region". Journal of Contemporary Iraq & the Arab World 18, nr 1 (1.03.2024): 23–45. http://dx.doi.org/10.1386/jciaw_00118_1.
Pełny tekst źródłaPaksiutov, Georgii D. "Transformation of the Global Film Industry: Prospects for Asian Countries". Russia in Global Affairs 19, nr 2 (2021): 111–32. http://dx.doi.org/10.31278/1810-6374-2021-19-2-111-132.
Pełny tekst źródłaJuknevičiūtė, Laima. "The soft power implications of the new South Korean cinema: Approaching audiences in East Asia and Lithuania". Acta Orientalia Vilnensia 12, nr 1 (1.01.2011): 121–37. http://dx.doi.org/10.15388/aov.2011.0.1100.
Pełny tekst źródłaImai, Yuji, Biao Zhou, Yoshiharu Ito, Hiroki Fijimori, Akiko Kobayashi, Zhe-Ming Wang i Hayao Kobayashi. "Cover Picture: Freezing of Ring-Puckering Molecular Motion and Giant Dielectric Anomalies in Metal-Organic Perovskites (Chem. Asian J. 12/2012)". Chemistry - An Asian Journal 7, nr 12 (26.11.2012): 2733. http://dx.doi.org/10.1002/asia.201290047.
Pełny tekst źródłaAbdul Rani, Mohd Khairul Azahari, i Sharulnizam Ramli. "Development of Tawaf Simulation in Hajj Training in the New Norms". Environment-Behaviour Proceedings Journal 7, SI7 (31.08.2022): 571–78. http://dx.doi.org/10.21834/ebpj.v7isi7.3831.
Pełny tekst źródłaYetimova, Serhat, i Abdrasul İsakov. "An Analysis of the Kurmanjan Datka Movie in the Context of Historical and Ideological Film Criticism". Galactica Media: Journal of Media Studies 6, nr 2 (20.05.2024): 96–120. http://dx.doi.org/10.46539/gmd.v6i2.434.
Pełny tekst źródłaWall, Barbara, i Dong Myong Lee. "Stability in Variation: Visualizing the Actantial Core of The Journey to the West ",. Korean Studies 47, nr 1 (2023): 117–44. http://dx.doi.org/10.1353/ks.2023.a908620.
Pełny tekst źródłaPratley, Gerald. "The Irresistible Rise of Asian Cinema 1". Kinema: A Journal for Film and Audiovisual Media, 10.04.1994. http://dx.doi.org/10.15353/kinema.vi.754.
Pełny tekst źródłaTeh, Limin, i Hai Leong Toh. "Hong Kong 1995". Kinema: A Journal for Film and Audiovisual Media, 20.11.1995. http://dx.doi.org/10.15353/kinema.vi.772.
Pełny tekst źródłaVoicu, Alina-Alexandra, Michael Krützen i Tugce Bilgin Sonay. "Short Tandem Repeats as a High-Resolution Marker for Capturing Recent Orangutan Population Evolution". Frontiers in Bioinformatics 1 (16.08.2021). http://dx.doi.org/10.3389/fbinf.2021.695784.
Pełny tekst źródłaRozprawy doktorskie na temat "Asian Motion pictures"
Tateishi, Ramie. "Film genre and the Asian subject /". Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2000. http://wwwlib.umi.com/cr/ucsd/fullcit?p9992385.
Pełny tekst źródłaLiu, Zhan. "Communicating race and culture in media appropriating the Asian in American martial arts films /". Pullman, Wash. : Washington State University, 2008. http://www.dissertations.wsu.edu/Thesis/Fall2008/l_zhan_091108.pdf.
Pełny tekst źródłaTitle from PDF title page (viewed on Dec. 31, 2008). "Edward R. Murrow College of Communication." Includes bibliographical references (p. 72-85).
Bae, Juyeon. "The representation of Asian others in Korean cinema since 2003 : multiculturalism, nationalism and sub-imperialism". Thesis, University of Nottingham, 2016. http://eprints.nottingham.ac.uk/33610/.
Pełny tekst źródłaKumar, Priya Haryant. "Ruptured nations, collective memory & religious violence : mapping a secularist ethics in post-partition South Asian literature and film". Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37904.
Pełny tekst źródłaKhor, Denise. "Asian Americans at the movies race, labor, and migration in the Transpacific West, 1900-1945 /". Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p3291752.
Pełny tekst źródłaTitle from first page of PDF file (viewed March 17, 2008). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 297-213).
Huang, Tsung-yi Michelle. "Amidst slums and skyscrapers the politics of walking and the ideology of open space in East Asian global cities /". online access from Digital dissertation consortium, 2001. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3051067.
Pełny tekst źródłaHurlstone, Lise Danielle. "Performing Marginal Identities: Understanding the Cultural Significance of Tawa'if and Rudali Through the Language of the Body in South Asian Cinema". PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/154.
Pełny tekst źródłaArora, Kulvinder. "Assimilation and its counter-narratives twentieth-century European and South Asian immigrant narratives to the United States /". Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3200730.
Pełny tekst źródłaTitle from first page of PDF file (viewed March 1, 2006). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 240-248).
Bao, Ying. "In Search Of Laughter In Maoist China: Chinese Comedy Film 1949-1966". The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1218342529.
Pełny tekst źródłaTerry, Patrick Alan 1984. "Space In-Between: Masumura Yasuzo, Japanese New Wave, and Mass Culture Cinema". Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11477.
Pełny tekst źródłaDuring the early stage of Japan's High Economic Growth Period (1955-1970), a group of directors and films, labeled the Japanese New Wave, emerged to strong critical acclaim and scholarly pursuit. Over time, Japanese New Wave Cinema has come to occupy a central position within the narrative history of Japanese film studies. This position has helped introduce many significant films while inadvertently ostracizing or ignoring the much broader landscape of film at this time. This thesis seeks to complexify the New Wave's central position through the career of Daiei Studios' director, Masumura Yasuzo. Masumura signifies a "space in-between" the cultural elite represented by the New Wave and the box office focus of mass culture cinema. Utilizing available English language and rare Japanese sources, this thesis will re-examine Masumura's position on the periphery of film studies while highlighting the larger film environment of this dynamic period.
Committee in charge: Prof. Steven Brown, Chair; Dr. Daisuke Miyao, Advisor
Książki na temat "Asian Motion pictures"
Willis, Andrew, i Wing-Fai Leung. East Asian film stars. Houndmills, Basingstoke, Hampshire: Palgrave MacMillan, 2014.
Znajdź pełny tekst źródłaLent, John A. The Asian film industry. Austin: University of Texas Press, 1990.
Znajdź pełny tekst źródłaLent, John A. The Asian film industry. London: Christopher Helm, 1990.
Znajdź pełny tekst źródłaWeisser, Thomas. Asian cult cinema. New York: Boulevard Books, 1997.
Znajdź pełny tekst źródłaServer, Lee. Asian pop cinema: Bombay to Tokyo. San Francisco, Calif: Chronicle Books, 1999.
Znajdź pełny tekst źródłaWimal, Dissanayake, red. Melodrama and Asian cinema. Cambridge: Cambridge University Press, 1993.
Znajdź pełny tekst źródłaWimal, Dissanayake, red. Melodrama and Asian cinema. Cambridge: Cambridge University Press, 2005.
Znajdź pełny tekst źródłaKyung, Chang Elaine, red. Reel Asian: Asian Canada on screen. Toronto: Coach House Books, 2007.
Znajdź pełny tekst źródłaVick, Tom. Asian cinema: A field guide. New York: Collins, 2007.
Znajdź pełny tekst źródłaGrossman, Andrew. Queer Asian cinema: Shadows in the shade. New York: Harrington Park Press, 2000.
Znajdź pełny tekst źródłaCzęści książek na temat "Asian Motion pictures"
Lee, Sangjoon. "Introduction". W Cinema and the Cultural Cold War, 1–14. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501752315.003.0001.
Pełny tekst źródłaLee, Sangjoon. "The Asia Foundation’s Motion Picture Project". W Cinema and the Cultural Cold War, 17–46. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501752315.003.0002.
Pełny tekst źródłaLee, Sangjoon. "The FPA, US Propaganda, and Postwar Japanese Cinema". W Cinema and the Cultural Cold War, 47–67. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501752315.003.0003.
Pełny tekst źródłaLee, Sangjoon. "The Rise and Demise of a Developmental State Studio". W Cinema and the Cultural Cold War, 137–70. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501752315.003.0007.
Pełny tekst źródła"1. The Asia Foundation’s Motion Picture Project". W Cinema and the Cultural Cold War, 17–46. Cornell University Press, 2020. http://dx.doi.org/10.1515/9781501752322-004.
Pełny tekst źródłaTekin, Hasan. "How Do Financial Constraints and Financial Crises Matter in Cash Management?" W Handbook of Research on Current Trends in Asian Economics, Business, and Administration, 228–48. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-7998-8486-6.ch012.
Pełny tekst źródła"Viral Visions: The Pandemic Archive in Miasma, Plants, Export Paintings (2017) and Many Undulating Things (2019)". W Women Filmmakers and the Visual Politics of Transnational China in the #MeToo Era. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463728355_ch09.
Pełny tekst źródłaFreiberg, Freda. "China Nights (Japan, 1940): The Sustaining Romance of Japan at War". W World War II, Film, and History, 31–46. Oxford University PressNew York, NY, 1996. http://dx.doi.org/10.1093/oso/9780195099669.003.0003.
Pełny tekst źródłaHee, Wai-Siam. "New Friend". W Remapping the Sinophone, 30–57. Hong Kong University Press, 2019. http://dx.doi.org/10.5790/hongkong/9789888528035.003.0002.
Pełny tekst źródłaIslam, S. Nazrul. "Commercial approach to rivers". W Rivers and Sustainable Development, 21–59. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190079024.003.0002.
Pełny tekst źródłaStreszczenia konferencji na temat "Asian Motion pictures"
MAEDA, Toshiyuki, Masumi YAJIMA i Akiyoshi WAKATANI. "Frequency-based Skill Analysis for Motion Pictures". W 2018 12th France-Japan and 10th Europe-Asia Congress on Mechatronics. IEEE, 2018. http://dx.doi.org/10.1109/mecatronics.2018.8495892.
Pełny tekst źródłaLiu, Fang, Xi Guang Liang, Yue Jin Zhao, Li Chang Wang i Fei Yu. "Improved measurement methods for motion picture resolution of LCD". W Photonics Asia 2007, redaktorzy Anbo Wang, Yimo Zhang i Yukihiro Ishii. SPIE, 2007. http://dx.doi.org/10.1117/12.756045.
Pełny tekst źródłaHirokazu Takahashi, Takahiro Murooka i Kan Toyoshima. "A secure stream multicasting architecture for 4K motion picture". W 2007 Asia-Pacific Conference on Communications. IEEE, 2007. http://dx.doi.org/10.1109/apcc.2007.4433539.
Pełny tekst źródłaKakue, Takashi, Takashi Nishitsuji, Tetsuya Kawashima, Tomoyoshi Shimobaba i Tomoyoshi Ito. "Real-time electro-holography with parabolic mirrors for projecting floating 3D motion pictures". W SA'15: SIGGRAPH Asia 2015. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2820926.2820968.
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