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Artykuły w czasopismach na temat "Arts – Australia – Exhibitions"
Pepper, Andrew. "The Gallery as a Location for Research-Informed Practice and Critical Reflection". Arts 8, nr 4 (27.09.2019): 126. http://dx.doi.org/10.3390/arts8040126.
Pełny tekst źródłaFisher, Laura, i Gay McDonald. "From fluent to Culture Warriors: Curatorial trajectories for Indigenous Australian art overseas". Media International Australia 158, nr 1 (11.01.2016): 69–79. http://dx.doi.org/10.1177/1329878x15622080.
Pełny tekst źródłaAnderson, Margot. "Dance Overview of the Australian Performing Arts Collection". Dance Research 38, nr 2 (listopad 2020): 149–67. http://dx.doi.org/10.3366/drs.2020.0305.
Pełny tekst źródłaTaylor, Gretel, i Deborah Warr. "Touchy Art: A phenomenological approach to artistic practice in stigmatised neighbourhoods". Conjunctions. Transdisciplinary Journal of Cultural Participation 5, nr 1 (24.05.2018): 1–16. http://dx.doi.org/10.7146/tjcp.v5i1.105290.
Pełny tekst źródłaLadas, Nancy. "Ethical and Legal Considerations for Collection Development, Exhibition and Research at Museums Victoria". Heritage 2, nr 1 (13.03.2019): 858–67. http://dx.doi.org/10.3390/heritage2010057.
Pełny tekst źródłaButler, Sally. "Inalienable Signs and Invited Guests: Australian Indigenous Art and Cultural Tourism". Arts 8, nr 4 (6.12.2019): 161. http://dx.doi.org/10.3390/arts8040161.
Pełny tekst źródłaNorman, MD. "Ameloctopus litoralis, gen. et sp. nov. (Cephalopoda : Octopodidae), a new shallow-water octopus from tropical Australian waters". Invertebrate Systematics 6, nr 3 (1992): 567. http://dx.doi.org/10.1071/it9920567.
Pełny tekst źródłaDuggan, Jo-Anne, i Enza Gandolfo. "Other Spaces: migration, objects and archives". Modern Italy 16, nr 3 (sierpień 2011): 315–28. http://dx.doi.org/10.1080/13532944.2010.507931.
Pełny tekst źródłaEndersby, Jim. "The evolving museum". Public Understanding of Science 6, nr 2 (kwiecień 1997): 185–206. http://dx.doi.org/10.1088/0963-6625/6/2/005.
Pełny tekst źródłaBunda, Tracey, Robyn Heckenberg, Kim Snepvangers, Louise Gwenneth Phillips, Alexandra Lasczik i Alison L. Black. "Storymaking Belonging". Art/Research International: A Transdisciplinary Journal 4, nr 1 (27.02.2019): 153–79. http://dx.doi.org/10.18432/ari29429.
Pełny tekst źródłaRozprawy doktorskie na temat "Arts – Australia – Exhibitions"
Farmer, Margaret Art College of Fine Arts UNSW. "Terra Alterius: land of another". Awarded by:University of New South Wales. School of Art, 2007. http://handle.unsw.edu.au/1959.4/29574.
Pełny tekst źródłaSouliman, Victoria. "“The remoteness that pains us” : National identity, expatriatism and women’s agency in the artistic exchanges between Australia and Britain in the 1920s and 1930s". Thesis, Sorbonne Paris Cité, 2019. http://www.theses.fr/2019USPCC097.
Pełny tekst źródłaThis thesis explores the cultural and artistic influence of Britain in Australia, or the Britishness of the Australian character, from the years directly following the end of World War I until 1941. Australia during this period was often described as an isolated, or a “quarantined”, culture characterised by its delay in accepting modernism. Despite Britain ceding more independence and autonomy to its dominions at the time, Australia sought to maintain its cultural and imperial bond, identifying exclusively with Britain in a number of ways. For instance, many Australians still considered Britain to be “Home”, while London continued to attract expatriate artists from Australia. In the words of Australian art historian Daniel Thomas, Australia developed a “bi-hemispheric Anglo-Australian cultural identity”, which was marked by nationalism, conservatism and masculinism. This thesis examines the artistic exchanges between Australia and Britain in the 1920s and 1930s, shedding light on the complexities of cultural identification. It considers in particular the fact that such nationalistic historiography of Australian art has denied women’s agency in defining Australian art and identity. The national collections of British art, as well as the mechanisms of the circulation of modern British art in Australia, are closely examined to demonstrate the dualism of Australian cultural identity and the marginalisation of women within this history, not only as artists but also as art patrons. This thesis discusses the experience of Australian expatriates in England, considering how they sought to integrate into the British art scene. In doing so, it brings to the fore the significance of expatriatism as a concept that shaped both Australian and British art historiographies. Finally, it conceptualises the achievements of two Australian expatriate women, Edith May Fry and Clarice Zander, who, as exhibition curators, played a crucial role in disseminating modernism in Australia and defining Australia’s cultural identity during the interwar period. The aim of this thesis is thus to demonstrate the mechanisms through which Australia sought to represent its national character in art, as it strove to maintain its identification with Britain
Ryan, Louise Frances Art History & Art Education College of Fine Arts UNSW. "Forging diplomacy: a socio-cultural investigation of the Carnegie Corporation of New York and the "Art of Australia 1788-1941" exhibition". 2007. http://handle.unsw.edu.au/1959.4/43085.
Pełny tekst źródłaKsiążki na temat "Arts – Australia – Exhibitions"
Thompson, Judith. Crafts of South Australia: The first hundred years. Adelaide: Art Gallery of South Australia, 1986.
Znajdź pełny tekst źródłaArt Gallery of South Australia, red. Inspired design: European and North American decorative arts from the Art Gallery of South Australia. Adelaide: Art Gallery of South Australia, 2011.
Znajdź pełny tekst źródłaAustralia, National Gallery of, red. Material culture: Aspects of contemporary Australian craft and design. Canberra, ACT: National Gallery of Australia, 2002.
Znajdź pełny tekst źródłaReason, Robert. Bravura: 21st century Australian craft : incorporating the Maude-Vizard Wholohan Art Prize Purchase Awards. Adelaide: Art Gallery of South Australia, 2009.
Znajdź pełny tekst źródłaMurphy, Catherine. See saw: Exploring the balance in rural Australia between Aborigines and Anglo-Europeans using Community Cultural Development (CCD) practice and process. Redaktorzy Sleep Bronwyn Coleman i McInerney Kunyi June Anne. Ceduna, S. Aust: C. Murphy, 1998.
Znajdź pełny tekst źródłaE, Osborne Milton, i Powerhouse Museum, red. Arts of Southeast Asia: From the Powerhouse Museum collection. Sydney: Powerhouse Pub., 2001.
Znajdź pełny tekst źródłaArt Gallery of South Australia, red. Morris & Co. Adelaide: Art Gallery of South Australia, 2002.
Znajdź pełny tekst źródłaMenz, Christopher. Morris & Co. Adelaide: Art Gallery of South Australia, 2002.
Znajdź pełny tekst źródłaHeleanor, Feltham, i Powerhouse Museum, red. Beyond the Silk Road: Arts of Central Asia from the Power House Museum collection. Haymarket, Australia: Powerhouse Pub., 1999.
Znajdź pełny tekst źródła1954-, Dufour Gary, red. State art collection: Art Gallery of Western Australia. [Perth], W.A: The Gallery, 1997.
Znajdź pełny tekst źródłaCzęści książek na temat "Arts – Australia – Exhibitions"
Roberts, Rhoda. "The Modernity of the Songlines". W Transforming Ethnomusicology Volume II, 126–32. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197517550.003.0008.
Pełny tekst źródłaCarroll, Alison. "People and Partnership: An Australian Model for International Arts Exchanges — The Asialink Arts Program, 1990–2010". W Contemporary Asian Art and Exhibitions: Connectivities and World-making. ANU Press, 2014. http://dx.doi.org/10.22459/caae.11.2014.11.
Pełny tekst źródłaPaitz, Kendra, Judith Briggs, Kara Lomasney i Adrielle Schneider. "Juan Angel Chávez's Winded Rainbow". W Advances in Media, Entertainment, and the Arts, 224–43. IGI Global, 2017. http://dx.doi.org/10.4018/978-1-5225-1665-1.ch013.
Pełny tekst źródłaLo, Jacqueline. "Australia’s Other Asia in the Asian Century". W Contemporary Asian Art and Exhibitions: Connectivities and World-making. ANU Press, 2014. http://dx.doi.org/10.22459/caae.11.2014.12.
Pełny tekst źródłaGorchakova, Valentina. "Event Portfolios and Cultural Exhibitions in Canberra and Melbourne". W Event Portfolio Management. Goodfellow Publishers, 2019. http://dx.doi.org/10.23912/978-1-911396-91-8-4204.
Pełny tekst źródłaStreszczenia konferencji na temat "Arts – Australia – Exhibitions"
Chun Wai, Wilson Yeung, i Estefanía Salas Llopis. "THE SPACE BETWEEN US". W INNODOCT 2020. Valencia: Editorial Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/inn2020.2020.11901.
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