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Artykuły w czasopismach na temat "Arts, american – 20th century – exhibitions"
Linden, Diana L. "Modern? American? Jew? Museums and Exhibitions of Ben Shahn's Late Paintings". Prospects 30 (październik 2005): 665–84. http://dx.doi.org/10.1017/s0361233300002222.
Pełny tekst źródłaBenetti, Alessandro. "GAIA CARAMELINO; STÉPHANIE DADOUR (a cura di): THE HOUSING PROJECT: DISCOURSES, IDEALS, MODELS, AND POLITICS IN 20TH-CENTURY EXHIBITIONS". Proyecto, Progreso, Arquitectura, nr 27 (2022): 206–7. http://dx.doi.org/10.12795/ppa.2022.i27.12.
Pełny tekst źródłaPuerto, Cecilia. "Twentieth century Latin American women artists, discovery and record - a work in progress". Art Libraries Journal 20, nr 3 (1995): 15–18. http://dx.doi.org/10.1017/s0307472200009457.
Pełny tekst źródłaAllen, Nancy S. "History of Western sources on Japanese art". Art Libraries Journal 11, nr 4 (1986): 8–13. http://dx.doi.org/10.1017/s0307472200004867.
Pełny tekst źródłaWagner, Keith B., i Michael A. Unger. "Photographic and cinematic appropriation of atrocity images from Cambodia: auto-genocide in Western museum culture and The Missing Picture". Visual Communication 18, nr 1 (3.01.2018): 83–106. http://dx.doi.org/10.1177/1470357217742333.
Pełny tekst źródłaSenuliene, Jurgita. "Searching for Identity in the 20th-Century Lithuanian-American Food Exhibitions". Loci Communes 1, nr 2 (28.06.2022): 1–19. http://dx.doi.org/10.31261/lc.2022.02.04.
Pełny tekst źródłaBurganova, Maria A. "LETTER FROM THE EDITOR". Scientific and analytical journal Burganov House. The space of culture 17, nr 5 (10.12.2021): 8–9. http://dx.doi.org/10.36340/2071-6818-2021-17-5-8-9.
Pełny tekst źródłaREDMAN, SAMUEL. "Remembering Exhibitions on Race in the 20th-century United States". American Anthropologist 111, nr 4 (17.11.2009): 517–18. http://dx.doi.org/10.1111/j.1548-1433.2009.01160_1.x.
Pełny tekst źródłaIan Shin, K. "The Chinese Art “Arms Race”". Journal of American-East Asian Relations 23, nr 3 (27.10.2016): 229–56. http://dx.doi.org/10.1163/18765610-02303009.
Pełny tekst źródłaBuchli, Victor. "The Destruction of Gemütlichkeit? Programmatic Exhibitions on Domestic Living in the 20th Century". Home Cultures 4, nr 2 (lipiec 2007): 201–6. http://dx.doi.org/10.2752/174063107x209028.
Pełny tekst źródłaRozprawy doktorskie na temat "Arts, american – 20th century – exhibitions"
Clarke, Jennifer. "The Effect of Digital Technology on Late 20th Century and Early 21st Century Culture". [Tampa, Fla. : s.n.], 2003. http://purl.fcla.edu/fcla/etd/SFE0000108.
Pełny tekst źródłaHeron, Elizabeth. "The Unveiling". PDXScholar, 1988. https://pdxscholar.library.pdx.edu/open_access_etds/2048.
Pełny tekst źródłaDeLong, Kristine L. "Reconstructing 20th century SST variability in the southwest pacific : a replication study using multiple coral Sr/Ca records from New Caledonia". [Tampa, Fla] : University of South Florida, 2006. http://purl.fcla.edu/usf/dc/et/SFE0001734.
Pełny tekst źródłaWalsh, James Jason JR. "American Hamlet: Shakespearean Epistemology in Infinite Jest". Cleveland State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=csu1409079425.
Pełny tekst źródłaMcDivitt, Anne. "I Play to Beat the Machine: Masculinity and the Video Game Industry in the United States". Master's thesis, University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5817.
Pełny tekst źródłaM.A.
Masters
History
Arts and Humanities
History; Public History
McTague, Brian. "Revisiting "Hapworth": The Catharsis of Buddy Glass". VCU Scholars Compass, 2011. http://scholarscompass.vcu.edu/etd/287.
Pełny tekst źródłaBonilla-Puig, Alicia I. "Printmaking, Politics, and the Art of Protest in Modern Mexico". Master's thesis, Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/310769.
Pełny tekst źródłaM.A.
My thesis seeks to establish a fuller, more nuanced historical account of socially and politically oriented printmaking during the long 20th century in Mexico. In order to remedy what is currently a fragmented and incomplete narrative composed of canonical artists, my project integrates recent studies that acknowledge the role of lesser-known artists from various moments of the 20th and 21st centuries. The broader approach of this thesis reveals that the history of politically oriented Mexican prints spans a longer period of time and a larger geographic area than previously thought. Mexico experienced several waves of political turmoil and social upheaval throughout the 20th century, beginning with the Mexican Revolution (1910-1920), including the 1968 student movement, and extending to present day clashes between citizens and their government leaders. In this context, art and printmaking in particular served as persistent vehicles for Mexican artists to engage in social and political activism. Integrating the critical analysis of earlier research along with newer studies that recognize the impact of Mexican printmakers often overlooked in broad survey texts and exhibitions allows for further conclusions to be drawn regarding the multifaceted relationship between the print medium and the art of protest. My thesis introduces the notion that educational institutions in Mexico played an active part in this historical narrative, highlights the significance of Mexican artists' choice to work in collaborative environments versus individually, and notes modern activist printmakers' strong preference for the woodblock print.
Temple University--Theses
Lindley, Anne Hollinger. "Relating to relational aesthetics". Pomona College, 2009. http://ccdl.libraries.claremont.edu/u?/stc,74.
Pełny tekst źródłaCrousier, Elsa. "Marta Traba ou l'art en écriture : recherches sur les dialogues entre littérature, critique d'art et arts plastiques dans l'oeuvre de Marta Traba". Thesis, Lyon, 2016. http://www.theses.fr/2016LYSE2125.
Pełny tekst źródłaMarta Traba (1923-1983), an Argentinian-Colombian writer and art critic, is most famous in Latin America for her critiques, her commitment to develop modern art in Colombia, and, more generally, for her “theory of resistance” which advocates the defence of the many cultural Latin-American identities in fine arts. Her literary work, however, is far less well-known. And yet, not only is it very rich, but it also constitutes the narrative counterpart to her critiques – a collection of tales innervated, to different degrees, with Traba’s notions on and knowledge of art. It is consequently about reconsidering these two sides of her written production as a consistent whole, and identifying the influences and interactions between her art critiques and her literary work, as well as between the fine arts which make up her artistic culture and her fictional writings.It then appears that Marta Traba devises and practices her critical writing “literarily” as she does, above all, her literary work “artistically”: the constant enhancement of the aesthetic eye on the world and of an intensified sensory experience shape an ideal of contemplation throughout her literary work; the continuous inserts of a critical terminology and of references to art works, sometimes in a clearly didactic mode, sometimes in a subtly playful manner, invite the reader to read her fiction stories and poems in the light of the artistic subtext which enriches their meaning; finally, the tale becomes the place where Traba’s theories of “resistance” are tested, at the crossroads of the re-affirmation of the place of Latin America on the map of international art, of the defensive distancing from North American influences, and of the local re-appropriation, by “transculturation”, of the foreign artistic models. The study of the artistic mutation of Traba’s literary work is therefore far from boiling down to the analysis of a mere formal process: from our point of view, it reveals an authentic style, Traba’s style, which is the mirror of the writer and her convictions
Mosco, Natalie. "On creating : A brush with Georgia O'Keeffe". Thesis, View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/43722.
Pełny tekst źródłaKsiążki na temat "Arts, american – 20th century – exhibitions"
Gavino, Julianne. Rethinking regionalism: 20th century American art and visual culture. Colorado Springs, Colo: Colorado Springs Fine Arts Center at Colorado College, 2021.
Znajdź pełny tekst źródła1951-, Craven David, Lozano Luis-Martín i Museum of Fine Arts (Museum of New Mexico), red. Mexican modern: Masters of the 20th century. Santa Fe: Museum of New Mexico Press, 2006.
Znajdź pełny tekst źródłaJeremy, Millar, Hayward Gallery, Baltic Centre for Contemporary Art, John Cage Trust i Hayward Touring (Art organisation), red. Every day is a good day: The visual art of John Cage. London: Hayward Publishing, 2010.
Znajdź pełny tekst źródłaWeiner, Longhauser Elsa, Szeemann Harald, Museum of American Folk Art. i Philadelphia Museum of Art, red. Self-taught artists of the 20th century: An American anthology. San Francisco: Chronicle Books, 1998.
Znajdź pełny tekst źródłaMiami University (Oxford, Ohio). Art Museum. 20th century American prints: Looking back and: 20th century American paintings: looking back / [gallery guide written by exhibition curator Edna Carter Southard]. Oxford, Ohio: Miami University Art Museum, 1993.
Znajdź pełny tekst źródłaNorthern Illinois University. Art Gallery in Chicago., red. 20th century American folk art from the Arient family collection. [DeKalb, Ill: Northern Illinois University, 1987.
Znajdź pełny tekst źródłaHaskell, Barbara. The American century: Art & culture, 1900-1950. New York: Whitney Museum of American Art in association with W.W. Norton, 1999.
Znajdź pełny tekst źródłaGermany), Martin-Gropius-Bau (Berlin, Royal Academy of Arts (Great Britain) i Saatchi Gallery, red. American art in the 20th century: Painting and sculpture, 1913-1993. Munich: Prestel, 1993.
Znajdź pełny tekst źródłaGermano, Celant, Dennison Lisa i Grimaldi Forum (Monaco Monaco), red. New York, New York: Fifty years of art, architecture, cinema, performance, photography and video. Milano: Skira, 2006.
Znajdź pełny tekst źródłaTōkyō Kokuritsu Kindai Bijutsukan. Kōgeikan, red. Nōben na obuje: Gendai Amerika kōgei no tenkai = The eloquent object : the evolution of American art in craft media since 1945. [Kyoto]: Kyōto Kokuritsu Kindai Bijutsukan, 1989.
Znajdź pełny tekst źródłaCzęści książek na temat "Arts, american – 20th century – exhibitions"
Peterson, William. "The Master of the Form". W Asian Self-Representation at World’s Fairs. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462985636_ch02.
Pełny tekst źródłaMackenzie, John M. "Arts of Empire and of Nations". W A Cultural History of the British Empire, 139–76. Yale University Press, 2022. http://dx.doi.org/10.12987/yale/9780300260786.003.0005.
Pełny tekst źródłaBranson, Susan. "Fair America". W Scientific Americans, 159–87. Cornell University Press, 2022. http://dx.doi.org/10.7591/cornell/9781501760914.003.0007.
Pełny tekst źródłaRamírez, Mari Carmen. "Critical Documents of 20th-Century Latin American and Latino Art: A DIGITAL ARCHIVE AND PUBLICATIONS PROJECT AT THE MUSEUM OF FINE ARTS, HOUSTON". W Resisting Categories: Latin American and/or Latino?, 27–32. Yale University Press, 2017. http://dx.doi.org/10.12987/9780300187151-004.
Pełny tekst źródłaGulcur, Ala Sivas. "Historical Epic as a Genre in Popular Turkish Cinema". W Advances in Media, Entertainment, and the Arts, 264–77. IGI Global, 2014. http://dx.doi.org/10.4018/978-1-4666-6190-5.ch015.
Pełny tekst źródłaRios, Fernando. "Musical Dimensions of Indigenismo". W Panpipes & Ponchos, 21–57. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190692278.003.0002.
Pełny tekst źródłaEtwaroo, Indira. "Dance Rooted in the Movements of Bedford-Stuyvesant". W Hot Feet and Social Change, 37–55. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042959.003.0003.
Pełny tekst źródłaStreszczenia konferencji na temat "Arts, american – 20th century – exhibitions"
DOSPINESCU, Liviu. "Present-Day Trends in the Research and Creation of Living Arts in the Academia: A North American Model". W The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0011.
Pełny tekst źródłaLopes Dias, Tiago. "La mirada de Pedro Vieira de Almeida a Le Corbusier: una visión desde Portugal en la segunda mitad del siglo XX". W LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.732.
Pełny tekst źródłaRaporty organizacyjne na temat "Arts, american – 20th century – exhibitions"
Sanjurjo Casciero, Annick. Paraguay and Its Plastic Arts. Inter-American Development Bank, marzec 1994. http://dx.doi.org/10.18235/0007910.
Pełny tekst źródłaSchacht, Kayley, Deidre Gonçalves, Aaron Schmidt i Adam Smith. A History and Analysis of the WPA Exhibit of Black Art at the Fort Huachuca Mountain View Officers’ Club, 1943–1946. Engineer Research and Development Center (U.S.), czerwiec 2023. http://dx.doi.org/10.21079/11681/47184.
Pełny tekst źródła50 Years, 50 Works: The Art of Latin America and the Caribbean in the 20th Century. Information Bulletin No. 108. Inter-American Development Bank, czerwiec 2009. http://dx.doi.org/10.18235/0008282.
Pełny tekst źródłaNikkei Latin American Artists of the 20th Century: Featuring Artists of Japanese Descent from Argentina, Brazil, Mexico, and Peru. Inter-American Development Bank, czerwiec 2005. http://dx.doi.org/10.18235/0005929.
Pełny tekst źródłaTurns and Directions: Changes in the Arts of Central America's Spanish-Speaking Nations and Panama during and after the 1950s. Inter-American Development Bank, sierpień 2010. http://dx.doi.org/10.18235/0005958.
Pełny tekst źródłaNikkei-Latin American Artists of the 20th Century. Inter-American Development Bank, luty 2005. http://dx.doi.org/10.18235/0008269.
Pełny tekst źródłaParadox & Coexistence 2. Inter-American Development Bank, maj 2005. http://dx.doi.org/10.18235/0008263.
Pełny tekst źródłaGraphics from Latin America and the Caribbean: September 10 - November 15, 2002. Inter-American Development Bank, wrzesień 2002. http://dx.doi.org/10.18235/0005919.
Pełny tekst źródła