Rozprawy doktorskie na temat „Artists”
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Mantooth, Jennifer R. "Muse as artist : selected artists past and present /". Online version of thesis, 1992. http://hdl.handle.net/1850/11227.
Pełny tekst źródłaAlkhudair, Maha. "Unveiling Artists: Saudi Female Artists Life Stories". Thesis, Université d'Ottawa / University of Ottawa, 2018. http://hdl.handle.net/10393/37502.
Pełny tekst źródłaO'Neil, Maryvelma Smith. "Giovanni Baglione : seventeenth-century artist, draughtsman and biographer of artists". Thesis, University of Oxford, 1989. http://ora.ox.ac.uk/objects/uuid:b1494a9e-8c16-4d48-9553-0f63da44cb6c.
Pełny tekst źródłaMcLaughlin, Pamela Ann. "Mapping an identity how women artists develop an artistic identity /". Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2006. http://proquest.umi.com/login?COPT=REJTPTU0NWQmSU5UPTAmVkVSPTI=&clientId=3739.
Pełny tekst źródłaBlackledge, Aimee. "Materials for the Artist's Mind : Artists as Collectors in Eighteenth-Century England". Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.519751.
Pełny tekst źródłaBain, Alison L. "Exhibiting the artist's city : occupational identity construction by contemporary Toroto visual artists". Thesis, University of Cambridge, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.423935.
Pełny tekst źródłaEarner, Meaghan. "Allston Artist Village". View thesis online, 2009. http://docs.rwu.edu/archthese/13/.
Pełny tekst źródłaDubreuil, Jordan. "Strabismal existence". View thesis online, 2009. http://docs.rwu.edu/archthese/21/.
Pełny tekst źródłaTaft, William W. Jr. "The Special Artists". Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/english_diss/100.
Pełny tekst źródłaLeung, Lo-ming, i 梁路明. "Artists village-place (space) for artists in Yau Tong Bay, Yau Tong". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31985300.
Pełny tekst źródłaLeung, Lo-ming. "Artists village-place (space) for artists in Yau Tong Bay, Yau Tong". Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25947084.
Pełny tekst źródłaSimonsen, Garric. "Some artists paint paintings". Pullman, Wash. : Washington State University, 2010. http://www.dissertations.wsu.edu/Thesis/Spring2010/g_simonsen_042110.pdf.
Pełny tekst źródłaChambers, Janet Denise. "Three contemporary Korean artists". Thesis, University of Canterbury. Humanities, 2012. http://hdl.handle.net/10092/7822.
Pełny tekst źródłaBeyer, Beverly Ann. "Virginia Woolf's Starving Artists". W&M ScholarWorks, 1996. https://scholarworks.wm.edu/etd/1539626064.
Pełny tekst źródłaSaporita, Costanza <1992>. "Artists back then Instagram". Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15263.
Pełny tekst źródłaBeyer, Deborah Z. "Time puzzle /". Online version of thesis, 1990. http://hdl.handle.net/1850/11332.
Pełny tekst źródłaMeban, Margaret. "I'm doing what artists do!, a case study of an artist-in-residence program". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape7/PQDD_0004/MQ42716.pdf.
Pełny tekst źródłaUrbaniak, Erick Francis. "Criminals and Artists: Detecting the Artist in German Crime Literature of the Twentieth Century". Cincinnati, Ohio : University of Cincinnati, 2009. http://www.ohiolink.edu/etd/view.cgi?acc_num=ucin1236187503.
Pełny tekst źródłaAdvisors: Todd Herzog (Committee Chair), Katharina Gerstenberger (Committee Member), Richard Schade (Committee Member). Title from electronic thesis title page (viewed May 2, 2009). Keywords: Crime Literature; Artists and Criminals; Hochstapler; Serial killers; Thomas Mann; Doron Rabinovici; Identity Formation; Criminality; History of the Artist. Includes abstract. Includes bibliographical references.
Dang, Dacchi. "The Artist as Explorer: How Artists from the Vietnamese Diaspora Explore Notions of Home". Thesis, Griffith University, 2013. http://hdl.handle.net/10072/366661.
Pełny tekst źródłaThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Queensland College of Art, Griffith University
Arts, Education and Law
Full Text
LaTores, Alicia Marie. "Luca della Robbia as maiolica producer : artists and artisans in fifteenth-century Florence /". Norton, Mass. : Wheaton College, 2009. http://hdl.handle.net/10090/8394.
Pełny tekst źródłaDeakin, Simon Barry. "The sense of Gagarin: between the 'artists in their own words' and the artist's text". Thesis, University of Leeds, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.589037.
Pełny tekst źródłaBrakefield, Kathleen Heather. "Promoting community an artists' residence /". Cincinnati, Ohio : University of Cincinnati, 2005. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1114105112.
Pełny tekst źródłaCole, Anne. "Partnerships : dance artists in education". Thesis, University of Surrey, 1993. http://epubs.surrey.ac.uk/804777/.
Pełny tekst źródłaStephens, Christopher Buckingham. "'St. Ives' artists and landscape". Thesis, University of Sussex, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.336327.
Pełny tekst źródłaSchmitt, Mary Donatelli. "Ohio Quilt Artists as Teachers". University of Akron / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=akron1124400161.
Pełny tekst źródłaStevelt, Kelly A. "Professionalization of Studio Glass Artists". The Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=osu1253978421.
Pełny tekst źródłaBRAKEFIELD, KATHLEEN HEATHER. "PROMOTING COMMUNITY: AN ARTISTS' RESIDENCE". University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1114105112.
Pełny tekst źródłaMészáros, Flóra. "Hungarian Artists in Abstraction-Creation". Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040088.
Pełny tekst źródłaThis dissertation focuses on the international artistic group, called Abstraction-Création (1931-1936. Out of the approximately 100 members joining the association a few were Hungarian artists, namely Étienne Béothy, Alfred Reth, Lajos Tihanyi and Ferenc Martyn, whereas László Moholy-Nagy received an external membership. A deeper research into the Parisian non-figurative formations of the 1930s, including Abstraction-Création, only took shape in the 1970s. Since then, Abstraction-Création has been discussed only occasionally, and a deeper discussion concerning the structure, the goals, or the history of the group is still missing. The same applies to the research on individual Hungarian artists; while for each of them the participation in the forum was presented as an important stage of their lives, so far only the participation of Béothy and Martyn has been examined in detail. Beyond the basic goal of the study to concentrate on Hungarian artists in the group, the re-evaluation and a new examination of Abstraction-Création are also placed in the focus. Based on a theoretical and historical analysis, the study compares Abstraction-Création with two non-figurative Parisian groups, clarifying the differences between them and pointing out that Abstraction-Création could not be viewed as a combination of the two of them. Drawing on hitherto unanalyzed documents, the author gives an overview of the organizational structure of the forum, and discusses, from an entirely new perspective, the role of the committee, their debates, their formation and cessation and their platforms, including their meetings, gallery and journal. The dissertation demonstrates the relation between Abstraction-Création and Surrealism by means of a stylistic and theoretical analysis. It claims that through the activities of the Hungarian members, all the facets of the group can be shown, particularly because of the fact that they did not form a special group within the association, but had their different individual roles and routes. The author presents what the original aims behind the admission of the Hungarian members were and how they benefited from the participation. The dissertation depicts the Parisian abstract period of Hungarian artists in the 1930s in an international artistic context and against a broader historical background
Röder, Birgit. "Artists, lovers and madmen : the representation of art and the artist in E.T.A. Hoffmann's Künstlernovellen". Thesis, University of Reading, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.312332.
Pełny tekst źródłaLaube, Jacob M. "Understanding artist development: How do producers support the development of artists through the production process?" Thesis, Queensland University of Technology, 2017. https://eprints.qut.edu.au/107899/2/Jacob_Laube_Thesis.pdf.
Pełny tekst źródłaZanti, Niki. "Artists' identities : a study of the living and working conditions of visual artists in Cyprus". Thesis, Birkbeck (University of London), 2015. http://bbktheses.da.ulcc.ac.uk/159/.
Pełny tekst źródłaJacobs, Rachel. "The artists' footprint : investigating the distinct contributions of artists engaging the public with climate data". Thesis, University of Nottingham, 2014. http://eprints.nottingham.ac.uk/14450/.
Pełny tekst źródłaJanicke, Susan Beth. "Visual Arts and Chronic Pain: Thematic Analysis to the Artistic Statements of Visual Artists". ScholarWorks, 2015. http://scholarworks.waldenu.edu/dissertations/1689.
Pełny tekst źródłaMoura, Inês [UNESP]. "Entre Portugal e São Paulo: um percurso artístico em construção". Universidade Estadual Paulista (UNESP), 2013. http://hdl.handle.net/11449/86966.
Pełny tekst źródłaCette recherche a comme point de départ le besoin de comprendre certains éléments d’actualité en rapport avec les concepts de frontière, lieu, identité, langue, émigration et immigration qui jouent un rôle fondamental sur le plan social, politique, économique, culturel et qui, dans les dernières années, ont aussi été appropriés par le milieu artistique, se glissant dans les débats sur la littérature, le cinéma et les arts visuels. L’objectif du travail vise à comprendre l’importance de l’inclusion de ces concepts dans les débats et les pratiques artistiques contemporaines en ayant recours à une perspective qui part du particulier vers le général fondée sur une expérience autobiographique de déterritorialisation identifiée dans les travaux de cette chercheuse. Cette recherche présente une réflexion sur les concepts énoncés, soutenue par la perspective de théoriciens et artistes dont le travail théorique et pratique se centre sur les questions de l’identité de l’étranger, de l’espace-frontière, du métissage culturel e/ou sur les transformations du concept de culture, une réflexion soulignée par ma propre voyage expérience d’artiste étrangère.
A presente pesquisa parte da necessidade de compreender determinados factores da actualidade relacionados com os conceitos de fronteira, lugar, identidade, língua, emigração e imigração que desempenham um papel fulcral na esfera social, política, económica, cultural e que, nos últimos anos, têm vindo a ser debatidos e explorados no meio artístico, como a literatura, o cinema e as artes visuais. O objectivo é compreender a importância e a inclusão destes conceitos nos debates e nas práticas da arte contemporânea através de uma perspectiva que parte do particular para o geral e que assenta numa experiência autobiográfica de desterritorialização identificada na produção de obras desta pesquisadora. Esta investigação apresenta uma reflexão sobre estes conceitos, fundamentada na perspectiva de teóricos e artistas que se têm debruçado sobre a questão da identidade do estrangeiro, do espaço-fronteira, do indivíduo como mestiço ou sobre as transformações em torno da designação de cultura, reflexão pontuada pela minha experiência de viagem como artista-estrangeira.
The present research work arises from a need to understand certain present-day factors that are related to the concepts of border, place, identity, language, emigration and immigration, all concepts that have a central role on the social, political, economic, and cultural spheres, and which, lately, have been more and more debated and explored in the artistic world, through literature, cinema, and visual arts. The purpose here is to understand the importance of the concepts, as well as their inclusion in the art debates and art practices of contemporary art, through a perspective that moves from the particular to the generic, and which is based on an autobiographic experience of deterritorialization identified in the production of works of this researcher.. This research present a reflection about the concepts, based on the perspectives of theoretics and artists who have focused on the subject of the foreigner’s identity, the subject of the border-space, the individual as halfbreed, mestizo, or about the transformations around the designation of culture, a reflection that is punctuated by my own trip experience as foreign-artist.
Hill, Colin. "Leonard Cohen's lives in art, the story of the artist in his novels, poems, and songs". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ29547.pdf.
Pełny tekst źródłaCameron, Ross Douglas. "Our ideal of an artist, Tom Thomson, the ideal of manhood and the creation of a national icon, 1917-1947". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/mq31184.pdf.
Pełny tekst źródłaMoura, Inês (Inês Maria de Moura Lourenço) 1984. "Entre Portugal e São Paulo : um percurso artístico em construção /". São Paulo, 2013. http://hdl.handle.net/11449/86966.
Pełny tekst źródłaBanca: José Paiani Spaniol
Banca: Maria de Fátima Lambert
Resumo: A presente pesquisa parte da necessidade de compreender determinados factores da actualidade relacionados com os conceitos de fronteira, lugar, identidade, língua, emigração e imigração que desempenham um papel fulcral na esfera social, política, económica, cultural e que, nos últimos anos, têm vindo a ser debatidos e explorados no meio artístico, como a literatura, o cinema e as artes visuais. O objectivo é compreender a importância e a inclusão destes conceitos nos debates e nas práticas da arte contemporânea através de uma perspectiva que parte do particular para o geral e que assenta numa experiência autobiográfica de desterritorialização identificada na produção de obras desta pesquisadora. Esta investigação apresenta uma reflexão sobre estes conceitos, fundamentada na perspectiva de teóricos e artistas que se têm debruçado sobre a questão da identidade do estrangeiro, do espaço-fronteira, do indivíduo como mestiço ou sobre as transformações em torno da designação de cultura, reflexão pontuada pela minha experiência de viagem como artista-estrangeira.
Abstract: The present research work arises from a need to understand certain present-day factors that are related to the concepts of border, place, identity, language, emigration and immigration, all concepts that have a central role on the social, political, economic, and cultural spheres, and which, lately, have been more and more debated and explored in the artistic world, through literature, cinema, and visual arts. The purpose here is to understand the importance of the concepts, as well as their inclusion in the art debates and art practices of contemporary art, through a perspective that moves from the particular to the generic, and which is based on an autobiographic experience of deterritorialization identified in the production of works of this researcher.. This research present a reflection about the concepts, based on the perspectives of theoretics and artists who have focused on the subject of the foreigner's identity, the subject of the border-space, the individual as halfbreed, mestizo, or about the transformations around the designation of culture, a reflection that is punctuated by my own trip experience as foreign-artist.
Résumé: Cette recherche a comme point de départ le besoin de comprendre certains éléments d'actualité en rapport avec les concepts de frontière, lieu, identité, langue, émigration et immigration qui jouent un rôle fondamental sur le plan social, politique, économique, culturel et qui, dans les dernières années, ont aussi été appropriés par le milieu artistique, se glissant dans les débats sur la littérature, le cinéma et les arts visuels. L'objectif du travail vise à comprendre l'importance de l'inclusion de ces concepts dans les débats et les pratiques artistiques contemporaines en ayant recours à une perspective qui part du particulier vers le général fondée sur une expérience autobiographique de déterritorialisation identifiée dans les travaux de cette chercheuse. Cette recherche présente une réflexion sur les concepts énoncés, soutenue par la perspective de théoriciens et artistes dont le travail théorique et pratique se centre sur les questions de l'identité de l'étranger, de l'espace-frontière, du métissage culturel e/ou sur les transformations du concept de culture, une réflexion soulignée par ma propre voyage expérience d'artiste étrangère.
Mestre
Morgado, Claudia. "Getting to know the artist : understanding why artists are important contributors to the climate change conversation". Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/43185.
Pełny tekst źródłaReisman, David. "The social imagination : the education of didactic contemporary artists : public expression : didactic contemporary artists as educators /". Access Digital Full Text version, 1991. http://pocketknowledge.tc.columbia.edu/home.php/bybib/11039917.
Pełny tekst źródłaTypescript; issued also on microfilm. Sponsor: Ellen Condliffe Lagemann. Dissertation Committee: Rene Arcilla. Includes bibliographical references (p. 201-204).
Silver, Susannah. "The role of artists in the public realm : an investigation into artists' generative processes in context". Thesis, Robert Gordon University, 1999. http://hdl.handle.net/10059/447.
Pełny tekst źródłaPuc, Tihana. "The (in)visible artists: contemporary artists from Croatia in the post-1989 “globalized” contemporary art field". Thesis, IMT Alti Studi Lucca, 2014. http://e-theses.imtlucca.it/150/1/Puc_phdthesis.pdf.
Pełny tekst źródłaKehoe, Peggy. "Self discovery and personal creation /". Online version of thesis, 1991. http://hdl.handle.net/1850/11073.
Pełny tekst źródłaGrinols, Susan. "Mind states /". Online version of thesis, 1990. http://hdl.handle.net/1850/11308.
Pełny tekst źródłaAkin, Esra. "Mustafa Âli's Epic deeds of artists". Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1181502871.
Pełny tekst źródłaBolzt, Kerstin. "Women as artists in contemporary Zimbabwe /". Eckersdorf, Germany : Breitinger, 2007. http://www.loc.gov/catdir/toc/fy0804/2008400471.html.
Pełny tekst źródłaPrior, Robert A. "The imperative education of theater artists". Thesis, California State University, Long Beach, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1527577.
Pełny tekst źródłaDavid Mamet's book of essays True and False: Heresy and Common Sense for the Actor boldly claims that formal training, particularly of the academic variety, is of no use to aspiring theater artists. This thesis argues for the importance and validity of such training. It is a defense of both formal training and ofStanislavski--the father of almost all contemporary training systems and a figure particularly irksome to Mamet. The thesis is supported by examples gleaned from my own formal education in theater and from insights gained directing student actors on my final project for my MFA, Kira Obelensky's play Lobster Alice.
Zussman, Na'ama. "Artists' Books---Both Map and Territory". Thesis, The George Washington University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=1590433.
Pełny tekst źródłaThe field of artists' books is a realm in which a phenomenon is mapped and territorialized. This is based on the human necessity to map the world and have a better grasp of it. Additionally, it is constructed on the understanding of the history of the book’s physicality as an important emblem in civilization. An artist’s book is an isolated realm, both a map and a territory. It is closed in itself, and has its own rules and dynamics, yet carries varied affinities with the outside world.
Collins, Kate Ann. "Cultivating Citizen Artists: Interdisciplinary Dialogic Artmaking". The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1408661362.
Pełny tekst źródłaFarman, Nola. "The humours of the artists' book". View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/25097.
Pełny tekst źródłaA thesis submitted to the University of Western Sydney, College of Arts, Writing and Society Research Group in fulfilment of the requirements for the degree of Doctor of Philosophy. Includes bibliographical references.
Adsit, Melanie Hope. "Caught between worlds: urban aboriginal artists". Thesis, Boston University, 1997. https://hdl.handle.net/2144/27694.
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