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Artykuły w czasopismach na temat "Artistes de la danse"
Frigon, Sylvie. "La danse en prison, une échappée belle hors des murs ?" Criminologie 43, nr 2 (4.04.2011): 179–97. http://dx.doi.org/10.7202/1001774ar.
Pełny tekst źródłaBourassa, André-Gilles. "Entrée des artistes". Pratiques & travaux, nr 35 (6.05.2010): 177–203. http://dx.doi.org/10.7202/041565ar.
Pełny tekst źródłaGuilbert, Laure, Céline Gauthier i Angela Conquet. "Danser dans un stade. Les chorégraphes aux Jeux de Berlin (1936)". Cahiers de danse N° 1, nr 2 (20.10.2023): 10–19. http://dx.doi.org/10.3917/cdd.001a.0010.
Pełny tekst źródłaTeatro & Dança, REPERTÓRIO:. "Prise en compte des enjeux esthétiques et de santé en danse contemporaine professionnelle: paroles de chorégraphes, interprètes et répétieurs [Sylvie Fortin]". REPERTÓRIO, nr 13 (16.11.2012): 55. http://dx.doi.org/10.9771/r.v0i13.4014.
Pełny tekst źródłaAgid, Roméo, i Sally Gardner. "Quand la danse interprète les gestes (des) sportifs". Cahiers de danse N° 1, nr 2 (20.10.2023): 20–25. http://dx.doi.org/10.3917/cdd.001a.0020.
Pełny tekst źródłaLapacherie, Jean-Gérard. "Artiste ou artisan ?" Figures de l'Art. Revue d'études esthétiques 7, nr 1 (2003): 41–57. http://dx.doi.org/10.3406/fdart.2003.1266.
Pełny tekst źródłaDelavaud-Roux, Marie-Hélène. "La Grèce antique connaissait déjà la Break Dance!" Dramaturgias, nr 7 (4.07.2018): 529–40. http://dx.doi.org/10.26512/dramaturgias.v0i7.9536.
Pełny tekst źródłaToninato, Ida. "La danse et la musique : réflexions créatives de quelques artistes montréalais·es". Circuit: Musiques contemporaines 33, nr 2 (2023): 87. http://dx.doi.org/10.7202/1107699ar.
Pełny tekst źródłaGordon, Rae Beth. "Les rythmes contagieux d’une danse noire : le cake-walk". rythmer, nr 16 (11.04.2011): 57–81. http://dx.doi.org/10.7202/1001956ar.
Pełny tekst źródłaMougeolle, Marie. "Le collectif comme mode d’intervention : Perturbations de La 2e Porte à Gauche". L’Annuaire théâtral, nr 60 (15.08.2018): 75–89. http://dx.doi.org/10.7202/1050922ar.
Pełny tekst źródłaRozprawy doktorskie na temat "Artistes de la danse"
Ricci, Charlotte. "Des humains et des arts : artistes jugés « hors-normes » sur les scènes contemporaines". Thesis, Paris 8, 2017. http://www.theses.fr/2017PA080070.
Pełny tekst źródłaThe practice of the so-called "disabled" artists is most often analyzed by the field of sociology through the social and environmental implications that are being played or the effects of creation on the artists concerned. Through this research, we wanted to promote an aesthetic approach, in connection with the performing arts, especially on contemporary theater and dance stages. We thus supported our study of the review of artistic works and experiences in this field of practitioners deemed "non-standard" in relation to the cultural contexts and social uses in which they are involved. These analyzes have enabled us to realize that the study of disability refers to pluralistic domains that generate discourse, especially around the notions of "difference (s)" and "non-standard". The emphasis on the work of the practitioners made it possible, on the one hand, to approach the aesthetic dimension of their work and, on the other hand, gave rise to the discovery of new dimensions of what relates to difference. The first objective is to determine the context in which artists considered "non-standard" evolve in order to focus on the aesthetic contribution of the peculiarities that define them on the different scenes studied
Cordeiro, Volmir. "Où le marginal danse : retours sur six pièces chorégraphiques". Electronic Thesis or Diss., Paris 8, 2018. http://www.theses.fr/2018PA080102.
Pełny tekst źródłaThis dissertation proceeds from a reflexive work in constant connection with a choreographic creation. It’s the speech of an artist-researcher who does not think without his own work or without the works of other artists. All of them explore the theme of marginal figures in the choreographic field, and allow to build a singular poetic based on the aesthetics sketched by some of the works of Brazilian choreographers Luiz de Abreu, Marcelo Evelin, Dirceu Nucleo and Micheline Torres. Starting from Ciel, the first solo choreographed under my signature in 2012, and moving towards a poetic network of pieces with which I feel there is a certain thematic proximity, I investigate what constitutes the sensation of recognizing a marginal who dances. The stories I create are based on my own experiences as a spectator and are consolidated by my career as a choreographic artist. The critical, analytical and fictional crossover of the works constitutes sensitive trajectories that help to comprehend the choreographic modes of being of the marginal figures. The works in question here draw innovative policies in the landscapes of the visible. This study analyzes how, within each work, the gazes and narratives are constructed, contributing to the emergence of precarious affections set in motion by choreographic remarks. These remarks are examined from reports imagined with otherness, and conveyed by artistic elements such as the face, the addressing, the place given to the spectator, the construction of the gaze and its modes of sharing. Where the marginal dances is a reflection that considers the fact that dancing the marginal implies in dancing the invisibility of a power and the strength of a change
Marquié, Hélène. "Métaphores surréalistes dans des imaginaires féminins : quêtes, seuils et suspensions : souffles du surréel au travers d'espaces picturaux et chorégraphiques : parcours dans les oeuvres de Leonora Carrington, Leonor Fini, Dorothea Tanning, Martha Graham, Doris Humphrey et Carolyn Carlson". Paris 8, 2000. http://www.theses.fr/2000PA081713.
Pełny tekst źródłaRousselot, Maëlle. "De la transe dans les ballets du XIXe siècle à aujourd’hui : pour un décentrement des regards". Electronic Thesis or Diss., Bourgogne Franche-Comté, 2023. http://www.theses.fr/2023UBFCC037.
Pełny tekst źródłaThis research formulates the hypothesis that there may be presence of trance in the representations and perceptions of ballets from the nineteenth century to the present day. This raises a number of questions: how is trance represented and perceived in these works? What do these representations of trance, or on the contrary its invisibility in these ballets, say about us as Westerners? How can we define trance, this elusive phenomenon and multifaceted state? Our methodological operation, then, consists not so much in defining trance, as in identifying, dimensions and features, i.e., recurring aspects found within an open corpus of trance phenomena variously identified as such throughout Western history from the sixteenth century to the present day. This then allows us to identify the transic features and dimensions of ballets from the nineteenth century to the present day, through analyses of works and discourses based on various sources such as librettos, texts, images, drawings, lithographs, paintings, photographs, videos and on interviews with dancers. In this way, we can both approach the phenomenon of trance in all its complexity and shift the way we look at ballets. We discover a nineteenth century teeming with trance aspects, whereas from the end of the twentieth century to the present day, there seems to be many elements that obscure and erase these aspects. The fact of showing or, on the contrary, erasing these characteristics conveys information about these dances, but also about their audience. This decentred perspectives also allows possible “transic” reinterpretation of these ballets in a contemporary context
Hill, Colin. "Leonard Cohen's lives in art, the story of the artist in his novels, poems, and songs". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ29547.pdf.
Pełny tekst źródłaCameron, Ross Douglas. "Our ideal of an artist, Tom Thomson, the ideal of manhood and the creation of a national icon, 1917-1947". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/mq31184.pdf.
Pełny tekst źródłaStrazzacappa, Hernandez Marcia. "Fondements et enseignement des techniques corporelles des artistes de la scène dans l é́tat de Sao Paulo (Brésil) au XXe siècle". Paris 8, 2000. http://www.theses.fr/2000PA081674.
Pełny tekst źródłaVoinea, Marius-Liviu Leuwers Daniel. "Dissemblances de l'état de paria dans l'œuvre romanesque de Dominique Fernandez". Tours : SCD de l'université de Tours, 2008. http://theses.abes.fr/2008TOUR2005.
Pełny tekst źródłaJaccard-Beugnet, Annick. "Nouvelles images, nouveaux artistes ? : L'utilisation de l'informatique dans la création graphique et ses conséquences sur les artistes". Besançon, 2001. http://www.theses.fr/2001BESA1003.
Pełny tekst źródłaBsaibes, Darine. "Artistes et Artisanes : Points de vue croisés entre art féministe et arts populaires du Proche-Orient". Thesis, Paris 8, 2014. http://www.theses.fr/2014PA080058.
Pełny tekst źródłaThe history of art reflects the dynamic forces at play between cultures and civilizations. Embroidery and weaving in the Near East are artistic skills passed down from and learned by generations of women. Today, in their countless numbers, these women are part of a community whose values are increasingly relevant to modern society: human relations, quality of expertise, bespoke products and sustainability. When looking at Near Eastern folk art and at the same time considering feminist art consciousness, a wide range of links between feminism and post-colonialism emerge. The feminist history of art and thoughts surrounding non-Western artistic productions, coupled with the Visual Culture Studies which places a great emphasis on the social history of art, compels us to examine the schism that has separated these two important categories. As a result, we are better able to conceptualize the functional inversion between art as a "production" and Fine Art. The complexity of this debate stems from problems specific to local pre-Islamic arts and the cultural hegemony that dominates non-Western societies. Societies of which the intellectuals and artists themselves stick to the « dominant way », where contemporary artworks locally-created remain inaccessible to the average lay person. The peculiarity of Near East folk art lies in the fact that it endorses different concomitant statutes: handmade production, utilitarian objects, objects requesting aesthetic perception, sustainability and objects of cultural heritage. The very act of borrowing elements from the past means that popular arts are no longer treated as wrong and reactionary, but rather as a way to escape from the authorship and intellectual property that permeate the avant-garde
Książki na temat "Artistes de la danse"
Beigbeder, Frédéric, writer of preface i Biles Adam translator, red. Danse. Paris: Flammarion, 2019.
Znajdź pełny tekst źródłaOlivier, Abel, Leydier Richard i Bertrand Anne, red. Henri Foucault: Danse avec moi = dance with me. Paris: La Différence, 2008.
Znajdź pełny tekst źródłaMargerie, Laure de. La " Danse" de Carpeaux: Catalogue. Paris: Ministère de la culture, de la communication, des grands travaux et du bicentenaire, 1989.
Znajdź pełny tekst źródłaPompidou, Centre Georges, red. Danser sa vie: Art et danse de 1900 à nos jours. Paris: Éditions du Centre Pompidou, 2011.
Znajdź pełny tekst źródłaUncommon eloquence: A biography of Angna Enters : writer, dance-mime, artist. Denver, Colo: Arden Press, 1986.
Znajdź pełny tekst źródłaBuisson, Céline, Stéphanie Hoffmann i Svitlana Kovalova. L'oeil du vivant: Recherche et création, danse et photographie. Saint-Denis: Presses universitaires de Vincennes, 2013.
Znajdź pełny tekst źródłaVallvé i Ribera, Joan, pres., red. Els artistes i la sardana: La sardana, una dansa per al món. Barcelona: Fundació Universal de la Sardana, 1993.
Znajdź pełny tekst źródłaDuca, Daniela, i Virág Major-Kremer. Transylvania retouched: A matter of landscape and representation. București: [Institutul Cultural Român?], 2020.
Znajdź pełny tekst źródłaAUTHOR; MAUDE SOUTHWELL WAHLM LICIA CLIFTON-JAMES. J.B. MURRAY AND THE SCRIPTS AND SPIRIT FORMS OF AFRICA: Making the connections. [S.l.]: CAMBRIDGE SCHOLARS PUBLIS, 2022.
Znajdź pełny tekst źródłaMarianne, Barcilon, red. La fée Baguette: Danse, danse, danse! Champigny-sur-Marne: Lito, 2010.
Znajdź pełny tekst źródłaCzęści książek na temat "Artistes de la danse"
de Wasseige, François-Emmanuel. "Châtelains et musiciens, mécènes et artistes : observations d’un partenariat en Angleterre (1550-1650)". W Lire, danser et chanter au château. La culture châtelaine, XIII-XVIIe siècles, 25–46. Turnhout: Brepols Publishers, 2017. http://dx.doi.org/10.1484/m.stmh-eb.5.110785.
Pełny tekst źródłaRisner, Doug. "Hybrid Lives of Teaching Artistry: A Survey of Teaching Artists in Dance". W Dancing Mind, Minding Dance, 106–24. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003343950-15.
Pełny tekst źródłaGubler, Simone. "Danse macabre". W Moral Challenges in a Pandemic Age, 130–48. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003310129-10.
Pełny tekst źródła"Antiquaries and artistes". W The Ancient English Morris Dance, 207–19. Archaeopress Publishing Ltd, 2023. http://dx.doi.org/10.2307/jj.285027.18.
Pełny tekst źródłaFranko, Mark. "Serge Lifar and the Question of Collaboration with the German Authorities under the Occupation of Paris (1940–1949)". W The Fascist Turn in the Dance of Serge Lifar, 180–240. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197503324.003.0006.
Pełny tekst źródłaDesdoigts Carrier, Anne, i Pauline Blisson Simon. "La crèche, les artistes et les parents". W Avec les familles dans les crèches !, 49. ERES, 2016. http://dx.doi.org/10.3917/eres.rayn.2016.01.0049.
Pełny tekst źródłaKalantzis, Alexia. "Les enjeux de la traduction dans les périodiques artistiques et littéraires fin-de-siècle". W Écrivains et artistes en revue, 107–24. Rosenberg & Sellier, 2022. http://dx.doi.org/10.4000/books.res.9299.
Pełny tekst źródłaCamus, Diane. "Les artistes-habitants dans les territoires ruraux". W Cultures et ruralités, 82–89. Éditions de l'Attribut, 2019. http://dx.doi.org/10.3917/attri.colle.2019.01.0082.
Pełny tekst źródłaMeldolesi, Tommaso. "Deux contributions françaises dans les pages de “L’Ordine Nuovo”, en 1919: Henri Barbusse et Romain Rolland". W Écrivains et artistes en revue, 75–88. Rosenberg & Sellier, 2022. http://dx.doi.org/10.4000/books.res.9274.
Pełny tekst źródłaDessy, Clément. "Le monde des revues et le cosmopolitisme littéraire: échos de “La Revue blanche” dans “Il Marzocco”". W Écrivains et artistes en revue, 21–38. Rosenberg & Sellier, 2022. http://dx.doi.org/10.4000/books.res.9244.
Pełny tekst źródłaStreszczenia konferencji na temat "Artistes de la danse"
Marcq, Édith. "Les représentations du Chat botté par des artistes de l’entre-deux-guerres". W Le Chat botté dans ses expansions hypertextuelles. Fabula, 2022. http://dx.doi.org/10.58282/colloques.7705.
Pełny tekst źródłaTalpa, Svetlana. "Stage folk dance versus character dance". W Simpozion Național de Studii Culturale, dedicat Zilelor Europene ale Patrimoniului. Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/sc21.09.
Pełny tekst źródłaBayard, Pierre, Frédérique Toudoire-Surlapierre i Augustin Voegele. "« Les écrivains et les artistes ont une sorte de capacité sismographique ». Entretien avec Pierre Bayard autour de son dernier ouvrage, Le Titanic fera naufrage (Paris, Minuit, 2016)". W L’art, machine à voyager dans le temps. Fabula, 2017. http://dx.doi.org/10.58282/colloques.4843.
Pełny tekst źródłaBELLEAU, Sylvie. "The Otherness through Le rêve d’Urmila (Urmila’s Dream), an Interdisciplinary and Intercultural Research Creation Doctoral Project through Natyashastra". W The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0016.
Pełny tekst źródłaCurchi, Veronica. "Artistic communication: theoretical aspects". W Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.36.
Pełny tekst źródłaLiu, Jingxian. "Research on the Artistic Conception Creation of National Dance Works". W 2021 4th International Conference on Arts, Linguistics, Literature and Humanities. Francis Academic Press, 2021. http://dx.doi.org/10.25236/icallh.2021.002.
Pełny tekst źródłaDe Filippo, Allegra, Luca Giuliani, Eleonora Mancini, Andrea Borghesi, Paola Mello i Michela Milano. "Towards Symbiotic Creativity: A Methodological Approach to Compare Human and AI Robotic Dance Creations". W Thirty-Second International Joint Conference on Artificial Intelligence {IJCAI-23}. California: International Joint Conferences on Artificial Intelligence Organization, 2023. http://dx.doi.org/10.24963/ijcai.2023/644.
Pełny tekst źródłaSTUERMER, MICHAEL. "DANSE MACABRE: TERRORISM AND WESTERN MEDIA". W The Cultural Planetary Emergency: Focus on Terrorism. WORLD SCIENTIFIC, 2004. http://dx.doi.org/10.1142/9789812702388_0018.
Pełny tekst źródłaJu, Fangyuan, Xinyi Zhou, Ying Zhou, Xinyi Jiang i Sitong Li. "Research on Knowledge Graph Based on Artistes’ Works". W 2021 6th International Conference on Computational Intelligence and Applications (ICCIA). IEEE, 2021. http://dx.doi.org/10.1109/iccia52886.2021.00050.
Pełny tekst źródłaMarbach, Jean-Marie. "L'oiseau qui danse [best in show award]". W SA '18: SIGGRAPH Asia 2018. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3278625.3278630.
Pełny tekst źródłaRaporty organizacyjne na temat "Artistes de la danse"
Bellwood-Howard, Imogen, Peter Taylor, Aminata Niang, Kaderi Bukari, Eric Kioko, Peter Wangai, Lansine Sountoura, Bronson Eran’Ogwa i Mohammed Yamusah. Les arts dans le dialogue et la communication sur l’environnement en Afrique de l’Ouest et de l’Est. Institute of Development Studies, sierpień 2023. http://dx.doi.org/10.19088/ids.2023.037.
Pełny tekst źródłaVillella, Edward. Dance: From Folk to Classical. Inter-American Development Bank, sierpień 1994. http://dx.doi.org/10.18235/0007912.
Pełny tekst źródłaRousseau, Henri-Paul. De Gutenberg à ChatGPT: Le défi de l'université numérique. CIRANO, styczeń 2023. http://dx.doi.org/10.54932/lrku8746.
Pełny tekst źródłaRousseau, Henri-Paul. Gutenberg, L’université et le défi numérique. CIRANO, grudzień 2022. http://dx.doi.org/10.54932/wodt6646.
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