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Artykuły w czasopismach na temat "Artist's books"
Demir, Duygu. "Introduction to İsmail Saray's Leonardo da Vinci". ARTMargins 3, nr 3 (październik 2014): 111–25. http://dx.doi.org/10.1162/artm_r_00097.
Pełny tekst źródłaSaray, İsmail. "Leonardo da Vinci". ARTMargins 3, nr 3 (październik 2014): 126–30. http://dx.doi.org/10.1162/artm_r_00098.
Pełny tekst źródłaCohen, Nathan. "AN ARTIST'S BOOKS". Art Book 1, nr 5 (grudzień 1994): 34a. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00242.x.
Pełny tekst źródłaPitenina, V. "Artistic and stylistic peculiarities of the graphic work of Petro Lapyn, illustrator of the children's books in the first third of the 20th century". Research and methodological works of the National Academy of Visual Arts and Architecture, nr 27 (27.02.2019): 193–99. http://dx.doi.org/10.33838/naoma.27.2018.193-199.
Pełny tekst źródłaClay, Steven. "A Few Words about Artist's Books". Books at Iowa 60 (kwiecień 1994): 31–35. http://dx.doi.org/10.17077/0006-7474.1245.
Pełny tekst źródłaAgustí Camí, Eugènia. "El libro como presente continuo". Barcelona Investigación Arte Creación 9, nr 2 (3.06.2021): 222. http://dx.doi.org/10.17583/brac.2021.8195.
Pełny tekst źródłaMelnyk, Oksana, i Viktor Shtets. "Original graphics of Robert Lisovsky: Genre range and features of the author's artistic language". Text and Image: Essential Problems in Art History, nr 2 (2020): 85–93. http://dx.doi.org/10.17721/2519-4801.2020.2.05.
Pełny tekst źródłaProtopapa, Efrosini. "A Choreographer's Score: Fase, Rosas Danst Rosas, Elena's Aria, Bartók". Dance Research Journal 47, nr 2 (27.07.2015): 80–84. http://dx.doi.org/10.1017/s0149767715000236.
Pełny tekst źródłaMoholy, Lucia. "El Lissitzky". October 172 (maj 2020): 111–16. http://dx.doi.org/10.1162/octo_a_00395.
Pełny tekst źródłaMyers, Ann K. D., i William Andrew Myers. "Opening Artists’ Books to the User: An Example with Potential Approaches". RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 15, nr 1 (1.03.2014): 56–67. http://dx.doi.org/10.5860/rbm.15.1.415.
Pełny tekst źródłaRozprawy doktorskie na temat "Artist's books"
Wallace, William. "Austin Osman Spare : the artist's books (1905-1927)". Thesis, University of Kent, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.357264.
Pełny tekst źródłaDouglas, James Maxwell Art College of Fine Arts UNSW. "Pictures and page numbers - image, text and formal structure in the visual book and the artist's book". Awarded by:University of New South Wales. School of Art, 2005. http://handle.unsw.edu.au/1959.4/23945.
Pełny tekst źródłaEdholm, Rosalie. "Portrait: A Graphic Novel and Artist's Book". Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/scripps_theses/24.
Pełny tekst źródłaBatey, Jacqueline. "The safe cigarette : visual strategies of reassurance in American advertisements for cigarettes, 1945-1964". Thesis, University of Brighton, 2003. https://researchportal.port.ac.uk/portal/en/theses/the-safe-cigarette(a1dd0e71-ce49-4441-aab6-297bdd958c1c).html.
Pełny tekst źródłaGrinols, Susan. "Mind states /". Online version of thesis, 1990. http://hdl.handle.net/1850/11308.
Pełny tekst źródłaWeilein, Lucia. "Transforming Narratives". VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/3079.
Pełny tekst źródłaEmslie, Anne. "Art and book : a commentary on artists' books". Thesis, Stellenbosch : Stellenbosch University, 2007. http://hdl.handle.net/10019.1/50684.
Pełny tekst źródłaThesis (MA)--Stellenbosch University, 2007.
ENGLISH ABSTRACT: The thesis investigates the contemporary practice of book art, examining in particular the manner in which it fits both into the tradition of the book and the tradition of art making. The thesis spans two volumes. Volume One discusses the phenomenon of the artist's book from three vantage points: the attempts to define it, the attempts to catalogue it and the attempts to interpret it. Volume Two is an artist's book and although it is part of the project I have set myself, it is not being submitted with the theoretical component of the MA dissertation, but as part of the practical component. (Briefly, one of the tasks it embarks upon is an examination of the phenomenon of thesis writing, as understood and endeavoured by myself in the production of the first volume - in this sense it is self-reflective. Another is an examination of some aspects of my attempts to make examples of artist's books, which includes an investigation of some of the recurrent themes and preoccupations of my work) Volume One is set out in three chapters. The first chapter pursues a definition of book art and the artist's book in order to draw some perimeters around the subject, and to build a picture of its nature. In the course of doing this, the ideas of some book artists and book art commentators are considered in an attempt to create a richer tapestry of understanding. In the next chapter some of the ways in which book art has been categorised are discussed. This is in order to more finely delineate the nature and scope of book art. It is also to bring some clarity to bear upon the different components and manifestations of a vast and sometimes confusing oeuvre. I then suggest a system of classification of my own which offers an adjacent model for investigating artists' books and the endeavour of book art. With the above model in place, I undertake a foray into the arena of interpretation. Here I suggest the suitability of adopting certain methodologies of interpretation that come from the field of contemporary literary studies in general, and the interpretation of poetry in particular. I draw comparisons between the book artist and the poet, and suggest that they occupy a similar territory of meaning making. In the course of laying out my arguments in the three chapters, I refer extensively to examples of artists' books in order to make particular points. Where I consider it apt, I draw upon my book art as a source of example. In this way, I am able to weave into the text some information and reflection about my own practice and concerns as a book artist.
AFRIKAANSE OPSOMMING: Daar word in die tesis ondersoek ingestel na die hedendaagse praktyk van die boekkuns en in die besonder die wyse waarop dit aansluit by die tradisie van die boek en die tradisie van die kuns. Die tesis beslaan twee volumes. Volume Een bespreek die fenomeen van die kunstenaarsboek vanuit drie invalshoeke: pogings om dit te definieer, pogings om dit te katalogisieer en pogings om dit te interpreteer. Volume Twee is 'n kunstenaarsboek en, hoewel dit deel uitmaak van die projek wat ek ondemeem het, word dit nie voorgele saam met die teoretiese komponent van die MA- dissertasie nie maar as deel van die praktiese komponent. (Een van die take wat dit ondemeem is, kortliks, 'n ondersoek van die fenomeen tesis-skryf soos ek dit met die produksie van die eerste volume self verstaan en benader het - in die sin is dit selfreflektief. 'n Ander taak is 'n ondersoek van sekere aspekte van my pogings om kunstenaarsboeke te maak, insluitende 'n ondersoek na van die deurlopende temas en preokupasies van my werk.) Volume Een bestaan uit drie hoofstukke. Die eerste hoofstuk streef na 'n definisie van die boekkuns en die kunstenaarsboek met die doel om die onderwerp nader te ornlyn en 'n beeld daarvan op te bou. In die proses word die idees van 'n aantal boekkunstenaars en boekkuns-kommentatore oorweeg in die poging om n ryker begripstapisserie te weef. In die daaropvolgende hoofstuk word van die wyses waarop die boekkuns gekategoriseer is, bespreek, om die aard en rykwydte van die boekkuns nog nader te omlyn. Dit work ook gedoen om lig te werp op die verskillende onderdele en manifestasies van 'n omvangryke en soms verwarrende oeuvre. Ek stel vervolgens my eie klassifiseringsisteem voor, wat 'n verdere model hied vir die ondersoek van kunstenaarsboeke en die boekkunsbedryf. Aan die hand van hierdie model betree ek dan die arena van interpretasie. Ek stel voor dat sekere interpretasiemetodes ontleen aan die tydgenootlike literatuurwetenskap, en spesifiek die interpreteer van poesie, oorweeg word. Ek vergelyk die boekkunstenaar met die digter en stel voor dat hulle op soortgelyke wyses met die skep van betekenis omgaan. In die loop van die uiteensetting van my argument in drie hoofstukke, verwys ek ekstensief na voorbeelde van kunstenaarsboeke om spesifieke punte te maak. Waar ek dit as gepas beskou, verwys ek, by wyse van illustrasie, na my eie boekkuns. Op hierdie manier is dit vir my moontlik om inligting en besinning oor my eie praktyk en pre-okkupasies as boekkunstenaar met die teks te verweef.
Harel-Vivier, Mathieu. "Photographies, abstraction et réalité : l'agencement comme processus artistique". Thesis, Rennes 2, 2014. http://www.theses.fr/2014REN20025/document.
Pełny tekst źródłaDeveloped based on questions from the author’s artistic practice, this thesis examines the relationship between some artists, mainly contemporary, and the reality of the photographic picture, its ability to produce abstraction and to fit within a display. Considered here in a double perspective, the concept of display is seen, on one hand, as the process of the artist working with pictures and, on the other hand, as an organizational model that foster a variety of connections, like constellations do.Entitled “display’s conditions”, the first part deals with photographic acting-Out, the appropriation of a picture as well as the detachment that sometimes these two actions involve like in Christian Marclay’s and Wolfgang Tillmans’s practices. As an alternative to these various movements which spur on the artist’s impetus towards reality, photographic abstraction is considered for further study through the analysis of artistic works like Pierre Cordier’s, Michael Flomen’s or James Welling’s.The second part describes how the “display of pictures” is invested by a functioning that is a feature of editingand Warburg’s atlas. Several works are observed in which the display of pictures is delimited by the frame(John Baldessari and John Stezaker) scattered through the pages of a book (Hans-Peter Feldmann’s, LuisJacob’s, Gerhard Richter’s, etc.) and spread out in the exhibition space: on the walls, the ground and tables(Pierre Leguillon, Batia Suter, Wolfgang Tillmans). The interest is finally moved on the issue of displaytransmission, its aim of non-Hierarchy, especially in the context of public and private collections exhibited(Des images comme des oiseaux, Le Mur, Les Peintres de la vie moderne).As the outcome of this text that appears beside a series of plates, a new collection of annotated and captionedphotographs is developed, dedicated to the artistic practice of the author
Aly, Islam Mahmoud Mohamed. "Historical book structures and artists' books as a teaching tool". Diss., University of Iowa, 2016. https://ir.uiowa.edu/etd/3040.
Pełny tekst źródłaAly, Islam Mahmoud Mohamed. "Using Historical Bindings in Producing Contemporary Artists' Books". Thesis, University of Iowa, 2013. https://ir.uiowa.edu/etd/4811.
Pełny tekst źródłaKsiążki na temat "Artist's books"
Schattauer, Nora. Nora Schattauer: Prima vista : artist's books. Troisdorf: Museum Burg Wissem, 2007.
Znajdź pełny tekst źródłaContemporary Art Gallery (Vancouver, B.C.), red. Birgit. Vancouver: Contemporary Art Gallery, 2006.
Znajdź pełny tekst źródłaKoller, Gabriele. Künstlerbücher =: Artist's books : zwischen Werk und Statement. Wien: Universität für angewandte Kunst, 2001.
Znajdź pełny tekst źródłaKen, Campbell. Broken rules and double crosses: An artist's books. New York: New York Public Library, 1994.
Znajdź pełny tekst źródłaMorales-Zamorano, Francisco. The heart of darkness is bright, not purple. The Bronx, N.Y.C: [Francisco Morales-Zamorano], 1999.
Znajdź pełny tekst źródłaKozer, José. 22 poemas. [Distrito Federal, Mexico]: Taller Ditoria, 2007.
Znajdź pełny tekst źródłaMorales-Zamorano, Francisco. Ego. [New York?: Francisco Morales-Zamorano, 1991.
Znajdź pełny tekst źródłaRuyant, Frédéric. Urban oasis. Paris: Place, 2004.
Znajdź pełny tekst źródłaMorales-Zamorano, Francisco. The grand leap: (a quietly felt dithyramb). [New York, N.Y: Francisco Morales-Zamorano], 1999.
Znajdź pełny tekst źródłaMorales-Zamorano, Francisco. The first tale. [New York, N.Y: Francisco Morales-Zamorano], 1999.
Znajdź pełny tekst źródłaCzęści książek na temat "Artist's books"
Drucker, Johanna. "Artists’ books and picturebooks". W The Routledge Companion to Picturebooks, 291–301. Milton Park, Abingdon, Oxon : New York : Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315722986-29.
Pełny tekst źródłaHunnisett, Basil. "The artists". W Steel-Engraved Book Illustration in England, 106–34. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003090861-7.
Pełny tekst źródłaBury, Stephen. "10. Graphic Design, Typography and Artists’ Books". W Handbook of International Futurism, redaktor Günter Berghaus, 162–74. Berlin, Boston: De Gruyter, 2018. http://dx.doi.org/10.1515/9783110273564-010.
Pełny tekst źródłaHine, Hank. "The world of the Book: A World for the Book". W Making Artist Books Today, redaktorzy Wulf D. von Lucius i Gunnar Kaldewey, 1–24. Berlin, Boston: De Gruyter, 1998. http://dx.doi.org/10.1515/9783110504286-002.
Pełny tekst źródłaIyengar, Sujata. "Ecologies of the Shakespearean artists’ book". W The Routledge Handbook of Shakespeare and Global Appropriation, 337–47. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315168968-30.
Pełny tekst źródłaPristed, Birgitte Beck. "Book Artist or Designer?" W The New Russian Book, 217–28. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50708-8_8.
Pełny tekst źródłaClarke, Mark. "Late medieval artists’ recipes books (14th-15th centuries)". W Craft Treatises and Handbooks, 33–53. Turnhout: Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.dda-eb.5.102144.
Pełny tekst źródłaGili, Jean A. "European Co-productions and Artistic Collaborations". W The Italian Cinema Book, 211–18. London: British Film Institute, 2014. http://dx.doi.org/10.1007/978-1-349-92642-8_26.
Pełny tekst źródłaAl Asali, M. Wesam. "Craftsmanship for Reconstruction: Artisans Shaping Syrian Cities". W The Urban Book Series, 107–19. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-22762-3_8.
Pełny tekst źródła"Artists’ Books". W Crossover Picturebooks, 35–96. Routledge, 2013. http://dx.doi.org/10.4324/9780203154038-7.
Pełny tekst źródłaStreszczenia konferencji na temat "Artist's books"
Panchenko, Svetlana. "Mental Map of Yekaterinburg in the Book 'The Drawn City' By A. Ryzhkov: Linguistic Analysis". W The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-42.
Pełny tekst źródłaStrizhkova, Natalia. "Museum as an Institutional Form of Personal & Social Experiments: Project of Russian Avantgardism Artists". W The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-10.
Pełny tekst źródłaNolan, Collette, i Bill O'Flynn. "From space to place; Non-hierarchical collaborative strategies of teaching and learning in the Crawford College of Art and Design". W Learning Connections 2019: Spaces, People, Practice. University College Cork||National Forum for the Enhancement of Teaching and Learning in Higher Education, 2019. http://dx.doi.org/10.33178/lc2019.38.
Pełny tekst źródłaLei, Yu, Gang Hong i Lu Liu. "On the Artistic Expression of Children’s Picture Books". W 2nd International Conference on Language, Art and Cultural Exchange (ICLACE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210609.052.
Pełny tekst źródłaSukamti, Endang Rini, i Aden Chrisnanda. "Developing Basic Techniques of Artistic Gymnastics Book: Gymnastics on Motion". W The 3rd Yogyakarta International Seminar on Health, Physical Education, and Sport Science (YISHPESS 2019) in conjunction with The 2nd Conference on Interdisciplinary Approach in Sports (CoIS 2019). SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0009303901760179.
Pełny tekst źródłaSimonsen, Talette. "The Photo book as Symphony – Ronchamp as Sculpture: Re-composing Architectural Photography". W LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.935.
Pełny tekst źródłaBoynik, Sezgin, i Artrit Bytyçi. "Mass Produced Artworks: The Concept, History, and Teaching the Making of Artist Books". W University for Business and Technology International Conference. Pristina, Kosovo: University for Business and Technology, 2018. http://dx.doi.org/10.33107/ubt-ic.2018.218.
Pełny tekst źródłade Mendonça Peixoto, Irene, Felipe de Souza i José Carlos de Pontes. "Artist´s book Poor Fish Memories in digital version". W XXII CONGRESSO INTERNACIONAL DA SOCIEDADE IBEROAMERICANA DE GRÁFICA DIGITAL. São Paulo: Editora Blucher, 2018. http://dx.doi.org/10.5151/sigradi2018-1261.
Pełny tekst źródłaChen, Shanshan. "On Image Narration Features and Artistry of Wordless Picture Books—A Case Study of Arrival". W 2015 International Conference on Education Technology, Management and Humanities Science (ETMHS 2015). Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/etmhs-15.2015.149.
Pełny tekst źródłaHaryanto, Satrio, i Tri Karyono. "Pop-up Book Illustration Art as Expressive and Artistic Communication Media". W 3rd International Conference on Arts and Design Education (ICADE 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210203.002.
Pełny tekst źródłaRaporty organizacyjne na temat "Artist's books"
Pollock, Wilson. Pivot the Future Makers: Building our People and Places. Redaktorzy Musheer O. Kamau, Sasha Baxter i Golda Kezia Lee Bruce. Inter-American Development Bank, kwiecień 2021. http://dx.doi.org/10.18235/0003188.
Pełny tekst źródłaKlengel, Susanne. Pandemic Avant-Garde Urban Coexistence in Mário de Andrade’s Pauliceia Desvairada (1922) after the Spanish Flu. Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, grudzień 2020. http://dx.doi.org/10.46877/klengel.2020.30.
Pełny tekst źródłaYablonskyy, Maxym. «NEW DAYS» WEEKLY AND PETRO VOLYNIAK, PUBLISHER AND AUTHOR. Ivan Franko National University of Lviv, luty 2021. http://dx.doi.org/10.30970/vjo.2021.49.11058.
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