Gotowe bibliografie tematyczne / 'Art of Place

Gotowa bibliografia na temat „'Art of Place”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 20 lutego 2023

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Artykuły w czasopismach na temat "'Art of Place"

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Bonaventura, Paul. "ART WORKS - PLACE". Art Book 12, nr 3 (sierpień 2005): 41–42. http://dx.doi.org/10.1111/j.1467-8357.2005.00575.x.

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Shavkatovich, Khalilov Ruslan. "PENCIL IN FINE ART THE PLACE OF COMPOSITION". CURRENT RESEARCH JOURNAL OF PEDAGOGICS 03, nr 04 (1.04.2022): 67–72. http://dx.doi.org/10.37547/pedagogics-crjp-03-04-15.

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The article is devoted to the theoretical analysis of academic painting and the basics of graphic drawing in the practical studies of fine art as well as the methodology of teaching the role of drawing in painting.
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Surakul, Saral. "Visual Art, 1st Place". Journal of Interior Design 36, nr 1 (8.09.2010): 57–59. http://dx.doi.org/10.1111/j.1939-1668.2010.01052.x.

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Gloeckler, Tad. "Visual Art, 2nd Place". Journal of Interior Design 36, nr 1 (8.09.2010): 60–62. http://dx.doi.org/10.1111/j.1939-1668.2010.01053.x.

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Hotvedt, Paul. "Place, art, and self". cultural geographies 13, nr 1 (styczeń 2006): 156. http://dx.doi.org/10.1191/1474474006eu348xx.

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Yildiz, Derya. "From non-place to place: Place-making through relational art". Metaverse Creativity 5, nr 1 (1.06.2015): 39–50. http://dx.doi.org/10.1386/mvcr.5.1.39_1.

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Taylor, Katherine Fischer. "Architecture's Place in Art History: Art or Adjunct?" Art Bulletin 83, nr 2 (czerwiec 2001): 342. http://dx.doi.org/10.2307/3177212.

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Ward, Miranda. "The Art of Writing Place". Geography Compass 8, nr 10 (październik 2014): 755–66. http://dx.doi.org/10.1111/gec3.12164.

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Bunk[sbreve]e, Edmunds V. "Place, Art, and Self. Toward a Geography of Art". Annals of the Association of American Geographers 95, nr 3 (wrzesień 2005): 697–700. http://dx.doi.org/10.1111/j.1467-8306.2005.00482_3.x.

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Shkandrii, N. Y. "THE PLACE OF ART IN PAINTING". Design. Materials. Technology, nr 4 (2021): 113–18. http://dx.doi.org/10.46418/1990-8997_2021_4(64)_113_118.

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Rozprawy doktorskie na temat "'Art of Place"

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Akenson, David J. "Art in parallax: painting, place, judgment". University of Southern Queensland, Faculty of Arts, 2008. http://eprints.usq.edu.au/archive/00006176/.

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[Abstract]The point of this thesis is to undertake a critical engagement with the art and life debate. This debate involves, in particular, the question of the location of art. Does art belong to an autonomous field removed from ‘everyday life’, or is art located amongst the objects and daily activities of our lives? Contributors to this debate usually defend one or the other position; either defending autonomy or arguing that art is, or at least should be, part of life. The debate is located through three historical points: the avant-gardes of the early 20th Century Europe; the neo-avant-garde of North America in the 1950s – 1970s; and American formalist art and criticism of the 1930s – 1970s. The thesis then engages the debate through more recent examples of art where the binary art/life is again the principal issue. Minimalism, Installation art, Site-specific art and Wall Painting are examined in the context of the ‘end’ of modernist painting. The argument presented by the thesis will be informed by a recently emerging theoretical frame which engages the reception of Kantian and Hegelian forms of aesthetic judgment. This critical context includes the Slovenian philosopher, Slavoj Zizek; the Marxist-Hegelian theory of the German critic, Peter Burger, and the U.S. formalist critic, Clement Greenberg. The positions held by these theorists and critics will be examined through examples of art from both the modern period and more contemporary works. Through this context, the thesis positions the art and life debate within a structural analysis, arguing that art, including objects of ordinary life understood as art, occupy places within an art structure. The thesis argues that the choice between art and life is not so much a positive choice of one or the other, but rather a choice between one and the same thing seen differently; that is, the one thing seen in parallax.
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Langdon, Elizabeth Ann. "Place-Based and Intergenerational Art Education". Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1011804/.

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This qualitative inquiry explored how art educators might broaden their views of place through critical encounters with art, local visual culture, and working with older artists. I combined place-based (PB) education and intergenerational (IG) learning as the focus of an art education curriculum writing initiative with in-service art educators within a museum setting to produce PBIG art education. This study engaged art educators in cooperative action research using a multi-modal approach, including identifying and interviewing local artists to construct new understandings about local place and art to share with students and community. I used critical reflection in our cooperative action research by troubling paradoxes in local visual culture, which formed views of place including Indigenous cultures. Using Deleuze's Logic of Sense (LOS) theories of sense and event, enabled concept development through embracing the paradoxes of this research as sense producing. LOS theory of duration complements IG learning by clarifying the contributions of place and time to memory and experience. Duration suggests that place locates the virtual past, which is actualized through memories--one of the shared experiences of IG learning. Rethinking IG relationships as a sharing of experience and memory while positioning place as a commonality, dismantles ageist notions by offering alternatives to binary thinking about old and young. By triangulating participant data based on the extended epistemology of cooperative action research and Deleuze's pure event, I assess the credibility of participant learning. Critical reflection in cooperative action research combined with LOS theory is significant because the reflective aspect of action research aligns with Deleuze's pure event. Vital curricula and teacher praxes resulted when participants integrated localized experiences of place through older artists' memories and art.
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Gauntlett, Alice. "Out-of-Place". Master's thesis, University of Cape Town, 2013. http://hdl.handle.net/11427/10555.

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Includes bibliographical references.
This series of photographs were the initial process works for my project. I began photographing my body, predominately my legs, in personal spaces. These spaces included my family home and my studio and depicted performances of my interaction with these spaces and objects and elements from the home. This series of process works introduced to me to the idea of working within the home and photographing my performances. They differ from the main body of work, which was photographed in my mother's new home - the location that I chose for my photographs and performances, in that they were not remediated into collage works.
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Pinheiro, Gabriela V. "Art from place : the expression of cultural memory in the urban environment and in place-specific art interventions". Thesis, Open University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.394755.

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Lau, Pui-chuen Lisa, i 劉佩荃. "A place for art: dissolution of boundaries". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31985853.

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Lau, Pui-chuen Lisa. "A place for art : dissolution of boundaries /". Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25950137.

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Andary, Chetana. "Curating place: Public art and city identity". Thesis, Queensland University of Technology, 2020. https://eprints.qut.edu.au/202922/1/Chetana_Andary_Thesis.pdf.

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This Thesis investigates the impact and influence of the public art-curator to engender place-identity. It focuses on the connected relationship between curating, public art, and place identity to develop a contemporary understanding of the challenges, drivers, players and intersections that determine spatial and custodial narratives. Through the theories of placemaking and brand marketing and the review of the art and cultural policies of New York, Singapore, and Qatar, it draws upon the practice in curating public art.
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Mirocha, Claire Monica. "Place as Flux: Depictions of Place and Movement in Eastern Turkish Contemporary Art". Thesis, The University of Arizona, 2013. http://hdl.handle.net/10150/297721.

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This thesis analyzes contemporary Turkish art with a fresh method that is based upon concepts of geography and locality, as outlined in Doreen Massey’s essay "A Global Sense of Place", rather than socioeconomic, cultural, or ethnic identity. By examining three artists with positions in three different spheres of geographic scope (Fikret Atay, Halil Altındere, and Ahmet Öğüt), it pinpoints depictions of movement and space in some of the artists’ major works and induces each one’s general conception of a sense of place. These conceptions are meaningful for the achievement of a well-considered, intricate view of the globe as a network of interactions between places, and the ways in which these interactions enact constant shifts and modifications in those places. Globalization and other postmodern forms of cultural interspersal are shown to be not just homogenizing forces, but also opportunities for places to become differentiated. This self-particularization of place can take as its primary point of departure an acknowledgement of its fluid, immaterial nature.
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Hertz, Madeleine. "Reimagining place". Thesis, Konstfack, Institutionen för Konst (K), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7740.

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In the beginning of the 2004 video essay Los Angeles plays itself, the Hollywood critical film theorist Thom Andersen states ‘The city is big. The image is small’. What Andersen refers to, as a long-time citizen of Los Angeles, is the way Hollywood tends to create a romanticised and narrowed image of its city through film. The three-hour long documentary by Andersen is built up mainly by the use of clips from different Hollywood movies through its history of filmmaking. By representing and reproducing these clips, he examines the ways the city has been depicted through decades. Utilizing and disassembling these misinterpreted images and stories, Andersen creates his own story which further reveals what he believes to be the truth. What interests me in Andersen’s case is the way he works with a city and its architecture, displaying the embedded social and political structures, by twisting the perspectives through the use and repetition of these historically recognizable clips. When he takes something that already exists and alters its presence or meaning, other questions might be evoked, making it more visible by exposing its opposites.
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Bumguardner-Myers, Emily A. "The place of art in K-12 education". [Denver, Colo.] : Regis University, 2006. http://165.236.235.140/lib/EBMyersPartI2006.pdf.

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Książki na temat "'Art of Place"

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Cork, Richard. A place for art. London: Public Art Development Trust, 1993.

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Tammy, Mercure, red. Place, art, and self. Santa Fe, N.M: Center for American Places in association with Columbia College, Chicago, 2004.

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A place for art. London: Public Art Development Trust, 1993.

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Fleming, Ronald Lee. Place makers. Cambridge, MA: Townscape Institute, 1986.

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ALCOBIA-MURPHY, SHANE. Governing the tongue in Northern Ireland: The place of art/the art of place. Newcastle, UK: Cambridge Scholars Press, 2005.

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Philip, Peters, i Haags Centrum voor Aktuele Kunst., red. The ideal place. London: Academy Editions, 1995.

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Jeremy, Millar, red. Place. London: Thames & Hudson, 2005.

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Rogers, Sarah J. The language of place. Columbus: Ohio Arts Council, 1994.

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Ogier, Susan. A sense of place. Mankato, Minn: Cherrytree Books, 2010.

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Ine, Gevers, i Jan van Eyck Akademie, red. Place, position, presentation, public. [Amsterdam]: Jan Van Eyck Akademie, 1993.

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Części książek na temat "'Art of Place"

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Chien-Hui, Kao, i Ying Yan. "Trading Place". W Curating Art, 365–76. London: Routledge, 2021. http://dx.doi.org/10.4324/9781315686943-53.

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Gannon, Susanne, i Bronwyn Davies. "Learning Place Through Art and Stories". W Place Pedagogy Change, 97–110. Rotterdam: SensePublishers, 2011. http://dx.doi.org/10.1007/978-94-6091-615-1_8.

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Rueb, Teri, i Adriana de Souza e Silva. "Sounding Place". W The Routledge Companion to Mobile Media Art, 109–16. New York, NY: Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429242816-13.

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Homer, Eliza S. "Embroidering Pieces of Place". W Craft in Art Therapy, 99–117. New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781003050513-9.

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Courage, Cara. "The art of placemaking". W The Routledge Handbook of Place, 623–33. Abingdon, Oxon ; New York, NY : Routledge, 2020. |Includes bibliographical references and index.: Routledge, 2020. http://dx.doi.org/10.4324/9780429453267-55.

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Clover, Darlene E., i Kathy Sanford. "Knowing Their Place". W Adult Education, Museums and Art Galleries, 67–78. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-687-3_6.

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Little, Ruth. "Art, Place, Climate: Situated Ethics". W Ethics and the Arts, 235–46. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-017-8816-8_21.

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Bjone, Christian. "Power and the Place of Art". W Art and Architecture, 80–97. Basel: Birkhäuser Basel, 2009. http://dx.doi.org/10.1007/978-3-0346-0377-5_5.

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Branigan, Edward. "Track This in Place". W Tracking Color in Cinema and Art, 191–216. New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315317502-7.

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Richardson, Nathan. "Context Matters: People, Place, and Time". W The Art of Enterprise, 140–46. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003031406-15.

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Streszczenia konferencji na temat "'Art of Place"

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Tsoupikova, Daria, i Robert Kooima. "Passing "Place for Games"". W ACM SIGGRAPH 2009 Art Gallery. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1667265.1667302.

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Du, Jieon, Sohyun Park, Joosun Yum, Zeynep Ozge Ozdemir, Dooyoung Kim, Seo Young Oh i Sang Ho Yoon. "Art Rich: Place Your AR Artwork". W 2022 IEEE International Symposium on Mixed and Augmented Reality Adjunct (ISMAR-Adjunct). IEEE, 2022. http://dx.doi.org/10.1109/ismar-adjunct57072.2022.00138.

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Naimark, Michael. "(Re)Presenting Place: Some Experimental Art Projects". W Frontiers in Optics. Washington, D.C.: OSA, 2005. http://dx.doi.org/10.1364/fio.2005.fmd1.

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Tatai, Erzsébet. "Women’s Spaces in Contemporary Art in Central Europe". W 7th International Conference on Gender Studies: Gender, Space, Place & Culture. Eastern Mediterranean University, 2019. http://dx.doi.org/10.33831/gspc19/167-183/11.

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Djukanovic, Zoran. "PARTICIPATORY PUBLIC ART � A SUSTAINABLE PLACE-MAKING PRACTICE". W 14th SGEM GeoConference on NANO, BIO AND GREEN � TECHNOLOGIES FOR A SUSTAINABLE FUTURE. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgem2014/b62/s27.074.

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Guerrero Balarezo, Maria Laura, i Kayvan Karimi. "Urban Art and place. Spatial patterns of urban art and their contribution to urban regeneration". W 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6069.

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Cities face several challenges regarding public space and urban regeneration. Some of them are the depersonalization and lack of interest of citizens in their own city, privatization, gentrification, technologization and gender-insecurity. Public spaces lose their character as articulator and generator of human relations, while neighborhoods lose their role as the basic unity of community and urban identity. Nowadays, many bottom-up strategies have arisen as expressions of neighborhood’s inhabitant’s will, producing cultural diversity and civic engagement, with a placemaking effect. Urban art is one of them. Social and economic products of urban art have been studied, but the spatial manifestation and impact have been largely absent from the discourse of urban morphology. Spatial conditions are representational of social practices like art, by structuring patterns of movement, encounter and separation in the city (Cartiere & Zebracki, 2016). This study aims to discover the spatial relation between urban art displays and the network of public spaces, and whether this pattern has a role in neighborhood regeneration. To identify these relations in Shoreditch, London, Space Syntax analysis and spatial clustering were used, combined with a survey of geographically located public urban art (extracted from social networks data). Also, the spatial patterns of land prices and land uses from 1995 to 2016 were examined. Research showed that various types of artwork have a strong relation with certain spatial network characteristics and visibility of locations from each other. Economic and use outcomes were also related to the development of the art pattern through the years.
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Peng, Aaron, Iris Yu, Judy Wang i Cecilia Zhang. "Review About Gender Discrimination Within Working Place". W 2021 International Conference on Education, Language and Art (ICELA 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220131.042.

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Bambozzi, Lucas. "The Invisible Around: Art And Informational Space [The Unstable Place]". W XXII CONGRESSO INTERNACIONAL DA SOCIEDADE IBEROAMERICANA DE GRÁFICA DIGITAL. São Paulo: Editora Blucher, 2018. http://dx.doi.org/10.5151/sigradi2018-1417.

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Gerken, Donald E., Mark J. Wahler i José L. M. Clemente. "Bored Cast-in-Place Concrete Piling for an Aluminum Smelter Port Facility". W Art of Foundation Engineering Practice Congress 2010. Reston, VA: American Society of Civil Engineers, 2010. http://dx.doi.org/10.1061/41093(372)10.

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Volnov, Ilya Nikolaevich. "Science and art. Personalization". W 5th International Conference “Futurity designing. Digital reality problems”. Keldysh Institute of Applied Mathematics, 2022. http://dx.doi.org/10.20948/future-2022-22.

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The crisis of the scientific format of thinking is considered and one of its manifestations is personalization, which takes place today in all basic forms of human activity. On the basis of structural dynamics and an appeal to ancient ideas about time, it is shown that Kuznetsov’s writing – a vivid example of modern visual media, is a new form of personalized art and an adequate response to the crisis of the scientific format of thinking.
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Raporty organizacyjne na temat "'Art of Place"

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Borders, Elizabeth. Working in an Artist Collective in Portland Oregon: The artistic benefits of cooperation and place in an underground art world. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.188.

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Spahn, William B. Force Projection, at the Right Time and Place, is a Critical Component to Operational Art; Consequently, TPFDDs Remain Relevant, Now and in the Foreseeable Future. Fort Belvoir, VA: Defense Technical Information Center, październik 2008. http://dx.doi.org/10.21236/ada494199.

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Connor, Robert J., i Cem Korkmaz. Fatigue Categorization of Obliquely Oriented Welded Attachments. Purdue University, 2020. http://dx.doi.org/10.5703/1288284317210.

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In current bridge design specifications and evaluation manuals from the American Association of State Highway and Transportation Officials (AASHTO LRFD) (AASHTO, 2018), the detail category for base metal at the toe of transverse stiffener-to-flange fillet welds and transverse stiffener-to-web fillet welds to the direction of the web and hence, the primary stress) is Category C′. In skewed bridges or various other applications, there is sometimes a need to place the stiffener or a connection plate at an angle that is not at 90 degrees to the web. As the plate is rotated away from being 90 degrees to the web, the effective “length” of the stiffener in the longitudinal direction increases. However, AASHTO is currently silent on how to address the possible effects on fatigue performance for other angles in between these two extremes. This report summarizes an FEA study that was conducted in order to investigate and determine the fatigue category for welded attachments that are placed at angles other than 0 or 90 degrees for various stiffener geometries and thicknesses. Recommendations on how to incorporate the results into the AASHTO LRFD Bridge Design Specifications are included in this report.
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McIntyre, Phillip, Susan Kerrigan i Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Albury-Wodonga. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206966.

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Albury-Wodonga, situated in Wiradjuri country, sits astride the Murray River and has benefitted in many ways from its almost equidistance from Sydney and Melbourne. It has found strength in the earlier push for decentralisation begun in early 1970s. A number of State and Federal agencies have ensured middle class professionals now call this region home. Light industry is a feature of Wodonga while Albury maintains the traditions and culture of its former life as part of the agricultural squattocracy. Both Local Councils are keen to work cooperatively to ensure the region is an attractive place to live signing an historical partnership agreement. The region’s road, rail, increasing air links and now digital infrastructure, keep it closely connected to events elsewhere. At the same time its distance from the metropolitan centres has meant it has had to ensure that its creative and cultural life has been taken into its own hands. The establishment of the sophisticated Murray Art Museum Albury (MAMA) as well as the presence of the LibraryMuseum, Hothouse Theatre, Fruit Fly Circus, The Cube, Arts Space and the development of Gateway Island on the Murray River as a cultural hub, as well as the high profile activities of its energetic, entrepreneurial and internationally savvy locals running many small businesses, events and festivals, ensures Albury Wodonga has a creative heart to add to its rural and regional activities.
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Reiter, Christoph. IEA-SHC Task 39 INFO Sheet B9 - Thermal loads at components of state-of-the-art flat-plate collectors. IEA Solar Heating and Cooling Programme, maj 2015. http://dx.doi.org/10.18777/ieashc-task39-2015-0030.

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Swinson, W. F., R. L. Battiste i G. T. Yahr. Circular arc fuel plate stability experiments and analyses for the advanced neutron source. Office of Scientific and Technical Information (OSTI), sierpień 1995. http://dx.doi.org/10.2172/204253.

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Fang, Mei Lan, Marianne Cranwell, Becky White, Gavin Wylie, Karen Lok Yi Wong, Kevin Harter, Lois Cosgrave i in. Aging-in-Place at the End-of-Life in Community and Residential Care Contexts. University of Dundee, styczeń 2023. http://dx.doi.org/10.20933/100001274.

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Population aging is a global phenomenon that has presented capacity and resource challenges for providing supportive care environments for older people in later life (Bone et al., 2018, Finucane et al., 2019). Aging-in-place was introduced as a policy driver for creating supportive environmental and social care to enable individuals to live independently at home and in the community for as long as possible. Recently, there has been a move towards offering care for people with a terminal illness at home and in the community (Shepperd et al., 2016); and when appropriate, to die in supportive, home-like environments such as care homes (Wada et al., 2020). Aging-in-place principles can, thus and, should be extended to enabling supportive, home-like environments at the end-of-life. Yet, first, we must consider the appropriateness, availability and diversity of options for community-based palliative and end-of-life care (PEoLC), in order to optimise supports for older people who are dying at home or within long-term/residential care environments. Globally, across places with similar health and social care systems and service models such as in Scotland and in Canada, community-based PEoLC options are currently not uniformly available. Given that people entering into long-term/residential care homes are increasingly closer to the end of life, there is now an even greater demand for PEoLC provision in residential facilities (Kinley et al., 2017). Although most reported deaths occur within an inpatient hospital setting (50%), the proportion of overall deaths in a care home setting is projected to increase from 18% to 22.5% (Finucane et al, 2019). This suggests that long-term/residential care homes are to become the most common place of death by 2040, evidencing the need to develop and sustain appropriate and compassionate PEoLC to support those who are able to die at home and those living in residential care facilities (Bone et al., 2018; Finucane et al., 2019). This research initiative is premised on the notion that aging in place matters throughout the life-course, including at the end-of-life and that the socio-environmental aspects of care homes need to enable this.
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Rudman, Debbie Laliberte, i Rebecca M. Aldrich. Social Isolation, Third Places, and Precarious Employment Circumstances: A Scoping Review. University of Western Ontario, 2022. http://dx.doi.org/10.5206/otpub.2022.54.

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Rising rates of social isolation in Canada and other middle- and high-income countries have turned scholarly attention to the kinds of places that facilitate social connections. “Third places” - physical and virtual places beyond home (first places) and work (second places) - are thought to foster social interaction, connection, belonging, and support. This evidence brief reports on a SSHRC funded knowledge synthesis that linked understandings about “third places” with situations of precarious employment, given that people facing precarious employment circumstances often lack the social opportunities and resources associated with stable workplaces. This scoping review assessed what is known about the types and characteristics of “third places” that help maintain social connectedness and address social isolation for adults experiencing precarious employment circumstances. The project examined English-language research articles published in multidisciplinary academic journals between 2012 and 2022. The review captured diverse forms of employment (i.e., gig work, involuntary part-time work, seasonal work, temporary migrant work) characterized as transient, non-permanent, unpredictable, having few worker protections or rights, and associated with low or unpredictable remuneration, as well as cyclical and long-term unemployment. In addition to synthesizing study results, findings attend to how studies addressed diverse social positions and studies’ geographic locations, methodologies, methods, and quality. The goal of the project was to understand the current state of knowledge on this topic; create dialogue about how social isolation can be addressed through precarious workers’ engagement with “third places”; and identify opportunities for stakeholders to partner on place-based interventions with people experiencing precarious employment circumstances.
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Hamm, L. L. APT Blanket System Internally Dry Flooded Cavity Accident Based on Initial Plate-Type Design. Office of Scientific and Technical Information (OSTI), październik 1998. http://dx.doi.org/10.2172/4887.

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Monnat, Shannon. Drug Overdose Rates Are Highest in Places With the Most Economic and Family Distress. University of New Hampshire Libraries, 2018. http://dx.doi.org/10.34051/p/2020.329.

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