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Artykuły w czasopismach na temat "Art, Modern – 21st century – Political aspects"
Fisanov, Vоlоdymyr. "Immigration policy and the problem of renewal of multiculturalism practices in modern Canada". American History & Politics Scientific edition, nr 6 (2018): 50–59. http://dx.doi.org/10.17721/2521-1706.2018.06.50-59.
Pełny tekst źródłaГригорак, А. К. "Newest Historiographic Studies of the Ukrainian Icon-Painting of The Last Judgment". Grani 22, nr 3 (10.05.2019): 5–11. http://dx.doi.org/10.15421/171926.
Pełny tekst źródłaWagner, Peter. "Max Weber and 21st-Century Modern". Sotsiologicheskoe Obozrenie / Russian Sociological Review 18, nr 4 (2019): 212–30. http://dx.doi.org/10.17323/1728-192x-2019-4-212-230.
Pełny tekst źródłaMakliuk, D. "Ivan Mazepa’s personality as a cultural symbol: historicalperforming aspects". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 55, nr 55 (20.11.2019): 61–76. http://dx.doi.org/10.34064/khnum1-55.05.
Pełny tekst źródłaPETRUSHYNA, TETIANA. "MULTIPLE FACTORS OF POVERTY IN THE 21ST CENTURY. METHODOLOGICAL ASPECTS". Sociology: Theory, Methods, Marketing, Stmm 2021 (1) (7.04.2021): 25–41. http://dx.doi.org/10.15407/sociology2021.01.042.
Pełny tekst źródłaPyrozhkov, Serhii, i Nazip Khamitov. "Ukraine in the 21st Century: Strengthening Civilisational Agency". Diplomatic Ukraine, nr XXI (2020): 595–604. http://dx.doi.org/10.37837/2707-7683-2020-28.
Pełny tekst źródłaYurchenko, Ivan. "The Issue of Decossackization in Modern Historiography: History of Studying, Legal and Political Aspects, Bibliography and Statistics of Publications". Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, nr 4 (wrzesień 2019): 224–34. http://dx.doi.org/10.15688/jvolsu4.2019.4.19.
Pełny tekst źródłaRusakov, Serhii. "The art fairs in the context of the modern stage of art market development". Culturology Ideas, nr 19 (1'2021) (2020): 155–64. http://dx.doi.org/10.37627/2311-9489-19-2021-1.155-164.
Pełny tekst źródłaGlazyrin, V. L., E. A. Timchenko i V. A. Govorova. "FACTORS FORMING NEW CITIES IN THE 21ST CENTURY". Regional problems of architecture and urban planning, nr 14 (29.12.2020): 22–30. http://dx.doi.org/10.31650/2707-403x-2020-14-22-30.
Pełny tekst źródłaMolnár, György. "Modern Digital Device Systems Supporting the Instruction of Digital Natives". Acta Universitatis Sapientiae, Communicatio 6, nr 1 (1.12.2019): 107–19. http://dx.doi.org/10.2478/auscom-2019-0006.
Pełny tekst źródłaRozprawy doktorskie na temat "Art, Modern – 21st century – Political aspects"
Wise, Gianni Ian Media Arts College of Fine Arts UNSW. "Scenario House". Awarded by:University of New South Wales. Media Arts, 2006. http://handle.unsw.edu.au/1959.4/26230.
Pełny tekst źródłaBehrens, Monika Art College of Fine Arts UNSW. "Silent bang". Publisher:University of New South Wales. Art, 2007. http://handle.unsw.edu.au/1959.4/42557.
Pełny tekst źródłaWedderburn, Michael Roderick. "Living in the Shadow of death: purging the unconscious for the creation of a personal visual language". Thesis, Nelson Mandela Metropolitan University, 2016. http://hdl.handle.net/10948/13250.
Pełny tekst źródłaYounge, James Gavin Forrest. "The mirror and the square : a study of ideology within contemporary art systems with special reference to the American avant-garde in the period 1933-1953". Master's thesis, University of Cape Town, 1987. http://hdl.handle.net/11427/16370.
Pełny tekst źródłaThis dissertation argues that abstract art is not ideologically neutral. In spite of many artists' anti-fascist stance early in their careers, the mantle of neutrality was assumed as a reaction to the protracted struggle between the two major ideologies confronting artists living in Europe and the United States of America in the period 1933-1953, namely capitalism and communism. These ideologies were not peripheral to artists lives, but were actively debated by both artists and intellectuals and resulted in the establishment of powerful cultural organisations. The ensuing growth in prestige and influence of left-wing artist's organisations was countered by a campaign which included direct suppression of left-wing artists as well as a form of ideological control. This control was vested in what has been called the specifics of patronage and is reflected in the establishment of the Arts Council in Britain and the private art museums in the United States. Changes in the art market have meant that, together with dealers and critics, these institutions wielded almost complete economic control over artists. The prevailing ideology of liberal humanism, which glorified individualism and defined democracy as a middle ground between the left and the right, favoured the development of a seemingly apolitical abstract art style. Analysis of the demise of the Artists International Association and the American Artist's Congress supports the conclusion that the figurative tradition lost prestige as a result of the stigma attached to Socialist Realism and the idealised realism demanded by National Socialism in Germany. Account is also taken of the attempt by well-positioned and influential commentators to identify all forms of realism with totalitarianism. It is not surprising therefore, that it was commonly believed that to paint in an abstract modern style was to strike a blow against fascism. In the same way that realism was identified with the regimentation of Soviet society, the avant-gardes' abstract experiments came to symbolize democracy. Drawing on the texts of writers, critics, artists and theorists, this dissertation shows that the force of the identification of progressive realism with totalitarianism, prepared the way for acceptance of the idea that freedom of expression epitomised freedom in general. In this way, anti-Stalinism and the post-war liberal philosophy of individual freedom, coupled with a search for 'essences' and the 'universal', directed artists inward to the medium of art as relevant subject-matter. This dissertation argues that this identification was ideologically motivated in respect to the balance of social and political power in America.
Yu, Liwen, i 余麗文. "Politicizing poetics: the (re)writing of the social imaginary in modern and contemporary Chinese poetry". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B42841628.
Pełny tekst źródłaVan, Robbroeck Lize. "Writing white on black : modernism as discursive paradigm in South African writing on modern Black art". Thesis, Link to the online version, 2006. http://hdl.handle.net/10019/1329.
Pełny tekst źródłaSithole, Nomcebo Cindy. "Exhibitions of resistance posters: contested values between art and the archive". Thesis, 2017. https://hdl.handle.net/10539/24483.
Pełny tekst źródłaThis research report has followed three periods in the history of the political struggle for freedom in South Africa, from the height of the Anti-apartheid struggle in the 1980s to the present day by way of exploring three exhibitions of resistance posters as case studies. It is located in the realm of political and art history. Looking at the positioning of the resistance poster in South African art history, the intension is to highlight how these exhibitions have used display strategies to construct values reflected in the resistance poster. The three selected exhibitions are as follows: firstly, Thami Mnyele and Medu Art Ensemble Retrospective (2008), Second is the exhibition Images of Defiance: South African poster of the 1980’s (2004). And the third exhibition Interruptions: Posters from the Community Arts Project Archive (2014).
XL2018
Howard, David Brian. "Bordering on the new frontier : modernism and the military industrial complex in the United States and Canada, 1957-1965". Thesis, 1993. http://hdl.handle.net/2429/2859.
Pełny tekst źródłaWillemse, Emma Wilhelmina. "The phenomenon of displacement in contemporary society and its manifestation in contemporary visual art". Diss., 2010. http://hdl.handle.net/10500/4343.
Pełny tekst źródłaArt History, Visual Arts & Musicology
M.A. (Visual Arts)
Książki na temat "Art, Modern – 21st century – Political aspects"
Extra/ordinary: Craft and contemporary art. Durham, NC: Duke University Press, 2011.
Znajdź pełny tekst źródłaLily, Prince, red. Something to say: Thoughts on art and politics in America. Teaticket, Mass: Leapfrog Press, 2011.
Znajdź pełny tekst źródłaDark matter: Art and politics in the age of enterprise culture. London: PlutoPress, 2011.
Znajdź pełny tekst źródłaMarius, Babias, Groĭs Boris i Samuel P. Harn Museum of Art., red. Project Europa: Imagining the (im)possible. Gainesville: Samuel P. Harn Museum of Art, 2010.
Znajdź pełny tekst źródłaPosters of the Cold War. London: V&A Pub., 2008.
Znajdź pełny tekst źródłaSmith, Rupert. The utility of force: The art of war in the modern world. New York: Vintage Books, 2008.
Znajdź pełny tekst źródłaSmith, Rupert. The utility of force: The art of war in the modern world. London: Allen Lane, 2005.
Znajdź pełny tekst źródłaSmith, Rupert. The utility of force: The art of war in the modern world. New York: Vintage Books, 2008.
Znajdź pełny tekst źródłaSmith, Rupert. The utility of force: The art of war in the modern world. New York: Vintage Books, 2008.
Znajdź pełny tekst źródłaSeeing power: Socially engaged art in the age of cultural production. Brooklyn, N.Y: Melville House, 2012.
Znajdź pełny tekst źródłaCzęści książek na temat "Art, Modern – 21st century – Political aspects"
Besarab, Olena. "MASS CULTURE (MASS ART) IN CONTEMPORARY SCIENTIFIC RESEARCHES". W Іншомовна комунікація: інноваційні та традиційні підходи, 17–35. Primedia eLaunch LLC, 2021. http://dx.doi.org/10.36074/ikitp.monograph-2021.02.
Pełny tekst źródłaLavrynenko, Hanna. "POLITICAL CYNICISM: UNIVERSAL SOVIET HERITAGE - AFTERTASTE – DANGER". W CHALLENGES AND OPPORTUNITIES OF THE MODERN RISK SOCIETY: SOCIO-CULTURAL, ECONOMIC AND LEGAL ASPECTS, 39–49. OKTAN PRINT s.r.o., 2021. http://dx.doi.org/10.46489/caotm-21042605.
Pełny tekst źródłaOleshko, V. F., i E. V. Oleshko. "Social and Legal Aspects of Constructing the Identity of Russians in the Media Discourse". W Mass media as a mediator of communicative and cultural memory, 159–246. Ural University Press, 2020. http://dx.doi.org/10.15826/b978-5-7996-3074-4.3.
Pełny tekst źródłaGesler, Wil. "Medical Geography". W Geography in America at the Dawn of the 21st Century. Oxford University Press, 2004. http://dx.doi.org/10.1093/oso/9780198233923.003.0043.
Pełny tekst źródłaKalitanyi, Vivence. "Global Business Environment". W Contemporary Multicultural Orientations and Practices for Global Leadership, 1–24. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-6286-3.ch001.
Pełny tekst źródłaCrouch, Dora P. "Physical and Intellectual Issues". W Geology and Settlement. Oxford University Press, 2004. http://dx.doi.org/10.1093/oso/9780195083248.003.0015.
Pełny tekst źródłaStreszczenia konferencji na temat "Art, Modern – 21st century – Political aspects"
Malinina, Elena. "Contemporary Art Culture as a Creator of Publicity New Forms: Experience of Perm Theatrical Community". W The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-13.
Pełny tekst źródłaKing, Rob. "‘Music of the People’: Music From Data as Social Commentary". W ICAD 2019: The 25th International Conference on Auditory Display. Newcastle upon Tyne, United Kingdom: Department of Computer and Information Sciences, Northumbria University, 2019. http://dx.doi.org/10.21785/icad2019.007.
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