Artykuły w czasopismach na temat „Art, modern – 21st century – congresses”
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1
Demeschenko, Violeta. "Peculiarities of genre formation in 21st century cinematography". Culturology Ideas, nr 23 (1'2023) (2023): 55–67. http://dx.doi.org/10.37627/2311-9489-23-2023-1.55-67.
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This scientific exploration is an attempt to consider the theoretical problems of genre development in modern cinema. Even today in the 21st century, modern cinematography remains one of the art forms that continues to develop dynamically. It is this development that continues to transform its genre classification rather quickly. This process occurs because the large number of modern films does not fit into the traditional genre classification and creates the need to search for new principles regarding the formation of the genre as such. The process of genre creation takes place permanently, both in cinematography and in art in general. In relation to this process it is important to highlight the clarification and understanding of the specifics of existing film genres, the classification of which must be constantly reviewed in order to understand the directions of the development of modern film art and to realize its specifics. Solving such a task requires taking into consideration the evolution of the genre system, which has turned into a continuous process that lasts throughout the 20th-21st centuries. Moreover, with regard to this process it is crucial to define the main trends related to the tradition of genre creation, which is influenced by artistic and socio-cultural factors.
2
Chmil, Hanna, Victor Sydorenko, Olena Berehova, Maryna Mishchenko i Nataliia Zhukova. "Artistic Paradigms in The 21st Century: The Variability of Human Choice". Herança 7, nr 2 (21.03.2024): 69–81. http://dx.doi.org/10.52152/heranca.v7i2.832.
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The relevance is that modern art is a field that requires the analysis of all creative processes because in its context there are continuous updates and changes in priorities. These transformations call for research on creativity and the creator, who expresses his position through an artistic interpretation of reality or imagination. The purpose of the article the modern cultural space, the nature of the interaction between the artist and the audience, and the significance of the creator, whose activity no longer serves to satisfy purely aesthetic needs, but is accompanied by the emergence of new types of art aimed at social resonance and self-expression, is revealed. As a result, the concepts of "modern art" and "postmodernism" were characterized. The study discusses the evolution of modern art, including its shift from modernist to postmodern characteristics, the impact of technology, and the changing relationship between artists and society. It also highlights the role of art in addressing societal issues and calls for further research in various fields influenced by art. The article reveals the role of art in human life, changes in perception, and social influence.
3
Demeschenko, Violeta. "Features of genre formation in film art of the 21st century". Interdisciplinary Cultural and Humanities Review 2, nr 2 (1.11.2023): 11–19. http://dx.doi.org/10.59214/2786-7110-2023-2-2-11-19.
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The relevance of the study lies in rethinking the specifics of existing film genres, the processes of their transformation in the cinema of the 21st century. Objective of the study is to recreate the logic of the formation of a modern genre system that includes new hybrid forms. The following methods are used: structural-system, general scientific methods of theoretical research (analysis, synthesis, induction, deduction, generalisation, classification, etc.). The features of the formation of modern film genres were examined. It is established how new hybrid genres are formed, and the features of dialectical development of genre forms are analysed. The genesis of documentary animation is considered, using examples of well-known modern works made in this genre form. The results of the study can be used for further systematic examination of hybrid forms of film genres, which will allow including this material in the training programmes of specialists in the field of film studies, art history, audiovisual journalism, film and television directing, and to define the hybrid genre as a separate category at creative film festivals and screenings
4
Ye, Ping, Liu Qi Wu i Duo Wang. "Landscape City: The Ideal Direction of Cities Development of 21st Century in China". Advanced Materials Research 243-249 (maj 2011): 6660–63. http://dx.doi.org/10.4028/www.scientific.net/amr.243-249.6660.
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Landscape city is a new concept of city construction which is proposed by Chinese famous scientist Qian Xuesen.It contains many factors such as garden、culture、art 、technology . Landscape city covers the western modern urban theory, and at the same time Chinese culture connotation, it stands for 21st century Chinese socialist urban development ideal direction. In the early of 1990s, one of the famous scientists of China, Professor Qian Xuesen proposed the concept of landscape city, and it embodies Qian’s deeply expectation that the cities in the 21st century are landscape cities. What is the landscape city? From Professor Qian’ 68 pieces of articles, letters and interviews, we can conclude a formula that is: Landscape City = Garden City + culture city + art cities + modern technology city. Our cities have different natural and geographical conditions and also have different society function. But for most of them, should set landscape city as their development goal, this should be the Chinese nation’s noble ideals of the living environment in the 21st century.
5
GAO, Xiaotian. "WALL PAINTING IN THE NON-CANONICAL TYPOLOGY OF THE GENRE-SPECIES STRUCTURE OF CHINESE FINE ART". HUDPROM: The Ukrainian Art and Design Journal 2023, nr 2 (15.10.2023): 87–95. http://dx.doi.org/10.33625/hudprom2023.02.087.
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The article deals with a non-canonical art practice in modern Chinese fine art, mural painting of public spaces. The actualization of the above-mentioned problem is caused by the appearance of changes and supplements to the morphological system of Chinese fine art: Chinese state has opened up to the world, dynamic urbanization has begun, the attitude of the society to public spaces and the tasks of mural painting in their visualization have changed. The purpose of the article is to understand the place of modern wall painting in the non-canonical structure of fine art in China at the beginning of the 21st century. The research methodology is based on the methods of both general theoretical analysis and formal-stylistic and compositional-coloristic analysis of works of art. The author analyzes publications in which the state of Chinese and foreign scientific discourse on the specified problem is investigated. Based on the examples of the analysis of the wall painting of Shanghai, Nanjing, Mianyang, and various Chinese villages, the main stylistic, compositional and coloristic means of artistic expressiveness of the murals of the 2020s are determined, and the functional features of modern wall painting as a non-canonical art practice of the latest Chinese fine art are revealed. It has been proven that at the beginning of the 21st century a non-canonical structure of fine art, dialogic in its communicative nature, began to form in the country, which is a part of general processes in the field of modern art. It is stated that today Chinese muralism is in the initial stage of its formation. The study of stylistic, compositional and coloristic means of artistic expressiveness of works of modern wall painting, which appeared at the beginning of the 21st century in China, allows us to assert that the main artistic style of modern wall painting remains realism and its varieties, hyperrealism and photorealism, focused on fairly traditional compositional solutions, but a bright color range. Considering the lack of systematic morphological studies of the fine art of modern China, we believe it necessary to continue analyzing the latest art practices, which today make up the non-canonical structure of the country’s fine art.
6
Kostenko, Nataliia. "PEDAGOGICAL TRADITIONS OF DOMRA PERFORMANCE INKHARKIV IN THE 21ST CENTURY". Aspects of Historical Musicology 22, nr 22 (2.03.2021): 27–50. http://dx.doi.org/10.34064/khnum2-22.02.
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An essay on the modern history related to the domra has been offered in the light of the jubilee event – the 95th anniversary of the Department of Folk Instruments of Ukraine of Kharkiv National University of Arts named after I. P. Kotlyarevsky. The aim of the research is to assess the current state of the domra art in Kharkiv on the basis of systematization of scholarly and methodological materials. Among the tasks of the research there is a description of the activities of modern teachers-domrists, who represent the Kharkiv Domra School; to systematize historical periods and provide a generalization of the events of the modern history of the domra performance. The presentation of the main material requires the involvement of historiographical, biographical and systematic methods of modelling. The object of the research is academic folk-instrumental art; the subject is domra art in the cultural spacetime of Kharkiv. The material is the historiography of the modern domra research and the experience of concert-performing and pedagogical activities of the staff of the Department of Folk Instruments of Ukraine at Kharkiv National University of Arts named after I. P. Kotlyarevsky. The presentation of the main material. On the basis of historiography and systematization, an assessment of the events that have taken place in the domra performance and science over the past 20 years is provided. Historical periods in the system of higher education of Ukraine and personalities of domrists who played a significant role in the cultural life of Ukraine are identified. The current state of the domra performance, competition and festival events, methodological and pedagogical resources are highlighted. In the process of updating the repertoire of the domra players of the 21st century an important role belongs to the compositions of a large form accompanied by a symphony or folk orchestra, arrangements from the repertoire of other instruments (the flute, the violin, and the saxophone). The repertoire is traditionally based on original compositions by Kharkiv composers. Conclusions. We have provided essays on modern teachers who are the successors of prominent figures of the domra art of the Department of Folk Instruments of Ukraine at KhNUA named after I. P. Kotlyarevsky. The most complete list of recent data has not previously been provided. A characteristic feature of the new period in the history of the domra class is the involvement of promising young people in the work. Their achievements in the creative, scientific and organizational-educational plane are quite significant and form the foundation for the future glory of the domra performance.
7
Till, Geoffrey. "21st Century Ellis: Operational art and strategic prophecy for the modern era; 21st Century Sims: Innovation, education, and leadership for the modern era". Mariner's Mirror 101, nr 4 (2.10.2015): 491–92. http://dx.doi.org/10.1080/00253359.2015.1097234.
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8
Sultanova, Gulizar Ahmedovna. "WAYS OF SEARCHING FOR A MODERN THEME IN THE THEATRICAL ART OF DAGESTAN". Herald of the G. Tsadasa Institute of Language, Literature and Art, nr 26 (4.06.2021): 77–82. http://dx.doi.org/10.31029/vestiyali26/11.
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The article deals with the search for a modern theme and images in the drama and theater of the early 21st century both on the scale of the Russian theater and in the Dagestan drama. On specific examples from the practice of creative activity of the theaters of the republic for two decades of the XXI century, ways and means of solving the problem are identified.
9
Bussey, Peter J. "Einstein for the 21st century. His legacy in science, art and modern culture". Contemporary Physics 60, nr 1 (2.01.2019): 96–97. http://dx.doi.org/10.1080/00107514.2019.1606045.
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10
Mamadjanova, Elnora. "Musical Art of Uzbekistan in the 21st Century: Globalization and Preservation of Identity". ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL 10 (7.12.2022): 57–60. http://dx.doi.org/10.30819/aemr.10-7.
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This article discusses meaning of era of globalization, new definitions, and concepts. Rapid changes and transformation music heritage and genres of traditional music in modern projects can lead to ineradicable consequences in future. What is the uniqueness of the musical art of Uzbekistan, and what changes should be expected in the new era? This article focuses on changes in music education, performing art in pandemic period, and its positive and negative consequences.
11
Umarova, Zarrina. "Characteristics of development of Tajik jewelry art at the turn of the 21st century". SHS Web of Conferences 50 (2018): 01226. http://dx.doi.org/10.1051/shsconf/20185001226.
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The paper identifies and analyzes the characteristic features of the development of Tajikjewelry art in the late 20th - early 21st centuries. The author believes that at this time, after a long period of oblivion, there is a marked way to restoration of many lost and nearly forgotten folk traditions in Tajik jewelry art. This period of time can be distinguished as a transitional period in the history of Tajik jewelry art development. This issue carries a significant value in the history of Tajikistan because the jewelry art in the period from the 80ies ofthe 20th century to the early 20th century was previously not subjected to a dedicated study, which results in certain gaps in the research of modern Tajik jewelry art. Studying the characteristics of the development of jewelry art at the turn of the 21st century and of the problems faced by master jewelers (zargars) at that time will aid in the future to identify the most efficient ways of developing this industry and facilitate its becoming one of the export-oriented areas, taking into account that the Republic of Tajikistan possesses all the necessary natural resources.
12
Kuklinskaya, M. Ya. "Opera and “Director’s” Theatre of the 21st Century". Observatory of Culture 15, nr 3 (19.08.2018): 272–81. http://dx.doi.org/10.25281/2072-3156-2018-15-3-272-281.
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The article raises the issues of interaction between modern direction and the musical text of opera. Researches of foreign and domestic scientists in the fi eld of theatre studies and musicology allow analyzing a musical performance as an independent text, in which there is an interchange between different types of art. The author focuses on the opera as a dialogue between music and theater. The author proposes three main forms of the dialogue for consideration: the director and the composer, the director and the viewer, the director and the actor. The article expresses the opinion that, in the process of interaction between the director and the opera text, some myths appeared and started to impede the development of this process and to cause confl ict situations while analyzing the fi nal results. Among those kinds of myths, the author reckons the idea of director-conceptualist as the destroyer of the composer’s idea, the unconditional defi nition of this idea, and the so-called “reverse logic” of feeling and action in musical theater. Observing the functioning of each of these myths on concrete examples, the author comes to conclusion on the necessity to “debunk” them for further successful development of musical theater. From this position, the article analyzes fragments from operas by Russian and foreign composers and their stage impersonations. In the dialogue “director—viewer”, two main ways of the participants’ interaction are defi ned: the theater as a form of escapism and the theater as a “catalyst” of intelligence. The author emphasizes the need to have both the ways, so that the viewer should be able to choose. The author considers the relations between the director and the actor to be the most positive for the modern theatre, which led to the emergence of a new type of performer on the modern opera stage: singerartist, who fully owns the acting technique of “internal action”. The article concludes that there is an ambiguous, but rather perspective and positive situation in the modern musical theater, which determines further ways of the genre’s development.
13
Ajimuda, Olufunsho Stephen, i Olusegun Aminu. "Art for art’s sake: death of the author in the 21st century?" Kampala International University Interdisciplinary Journal of Humanities and Social Sciences 1, nr 2 (17.08.2020): 68–78. http://dx.doi.org/10.59568/kijhus-2020-1-2-05.
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The poetics of modern literature can be divided into two broad spectra - the linguistic and the extra-linguistic principles. According to Abrams (1973:4), whatever the language of all critical theories, they discriminate four elements in the total situation of a work of art. These four elements are: the mimetic theory, the pragmatic theory, the expressive theory and the objective theory. Since the advent of the Objective theory in the 19th century, exponents of this school regard art as non-didactic, that is, one whose end-purpose or intention is within itself and not dependent upon the achievement of objectives outside the work such as the fact of its composition, the actuality it imitates, its author’s stated intention, and of the effect it produces on it audience. This view of art is what has come to be termed art for art’s sake. This paper looks at the tenet of art for art’s sake in literature and how it greatly manifests itself in the language centered theories of literature which relates a work of art to the linguistic elements that make up such a work. It also looks at the effect of this tenet on the author as all extrinsic issues affecting a text no longer matter in its evaluation. The paper argues that since there are other theories and schools of criticism which still believe in extrinsic factors in the evaluation of a work of art, this has obliterated the total “death of the author”.
14
Pyrozhkov, Serhii, i Nazip Khamitov. "Ukraine in the 21st Century: Strengthening Civilisational Agency". Diplomatic Ukraine, nr XXI (2020): 595–604. http://dx.doi.org/10.37837/2707-7683-2020-28.
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The article addresses the issue of Ukraine’s civilisational agency in the modern world. The authors state that a civilisational destiny of a state is determined by geopolitical actors claiming a superpower status, the state’s own choice, people’s will, its political and intellectual elite. Then, a state becomes a unit of international relations and law, world geopolitics, science, art; a civilisational actor of history, the present, and the future. Ukraine strives to become such an actor, have its civilisational project, and implement it. Our country is located between the Euro-Atlantic and Eurasian civilisational societies, thus its capacity to be an actor in the modern globalised world is contingent on efficient cooperation with both of the societies. The authors believe that the implementation of the civilisational project of Ukraine as an actor and not as an object of modern world lies in systemic cooperation with the international actors which accept freedom and dignity of a human being as fundamental values. The authors single out the civilisational measures of such a society, which is a society of trust, social and political partnership, and balanced interaction of the rule of law and civil society. In its civilisational project of the 21st century, Ukraine should stand for a society of innovations and information, where a person can live up to her full potential. It is about the worldview transformation of consciousness and relations among people, countries, civilisations, and civilisational worlds. The implementation of this project is a fundamental condition for ensuring the national security and existence of Ukraine as an independent state. That is indeed a noble cause of Ukraine and its people in the multifaceted world of the 21st century. Keywords: Eurasian civilisational society, Euro-Atlantic direction, agency of Ukraine, independent state.
15
Kruglova, Marina G. "Methodical Approach to Research of Musical Pedagogy History". Uchenye Zapiski RGSU 20, nr 2 (29.06.2021): 113–20. http://dx.doi.org/10.17922/2071-5323-2021-20-2-113-120.
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The arsenal of methodology of history and theory of musical pedagogy in Russian science of the beginning of the 21st century is actively expanding due to concepts and approaches from the field of philosophy, aesthetics, cultural studies, psychology, sociology and art science in general. Music pedagogy today is studied on the basis of sociocultural, axiological, semiotic, civilizational, paradigmic, intonational, hermeneutic and dialogical methods considered in the article. The fundamental principles of these methods are determined, due not only to the connection between musical art and pedagogy, but also to their capabilities, allowing the researcher to penetrate into the depths of complex phenomena and processes of the music education system. Modern realities of art pedagogy make scientists prefer a paradigm approach, in which symbolic, psychoanalytic and structural paradigms stand out as the basis for scientific research on musical pedagogy of the beginning of the 21st century.
16
Karpova, Elena A. "TEXTILE ART AS PART OF CITY'S ARCHITECTURAL SPACE". Architecton: Proceedings of Higher Education, nr 2(70) (29.06.2020): 20. http://dx.doi.org/10.47055/1990-4126-2020-2(70)-20.
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The article is devoted to the interaction of textile art with architecture. The prototypes of tent architecture were temporary and mobile structures and ancient tent shelters. Decorative fabrics were used to decorate city streets during festivals and processions. They served as an essential color dominant emotionally affecting the viewers. The textile art of the 20th – early 21st century has seen the emergence of three-dimensional forms named "new tapisserie" and "environment". In the 20th century, architectural tent structures received extensive engineering and technical development, which influenced the form and plasticity in modern textile art, existing in synthesis with the architectural space of the city.
17
Dodonova, Svetlana Gennadievna. "Possibilities of the XXI century music art in the spiritual formation of the youth audience". Culture. Art. Education, nr 2 (23.01.2023): 66–74. http://dx.doi.org/10.37816/2949-1762-2023-1-1-66-74.
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The article considers the problem of sovereignty of modern domestic culture, which has a great influence on the spiritual formation of young people. As a result, there is a growing need for contemporary art that can adequately respond to changes in public consciousness while retaining its individuality and independence. This has determined the purpose of the work – to show the new possibilities of modern musical art and its authors, whose activities are aimed at attracting and supporting greater attention and interest of young people to the spiritual and creative environment of the 21st century. The problem is solved both on the state level, due to the active role of public figures, and at the level of modern composers. As a result of their work, musical art has acquired new opportunities for the spiritual formation of a youth audience.
18
CHОNG, Dingye. "GENRE-PLOT TYPOLOGY OF INTERIOR DECORATIVE PAINTING IN CHINESE PAINTING OF THE BEGINNING OF THE 21ST CENTURY". HUDPROM: The Ukrainian Art and Design Journal 2023, nr 2 (15.10.2023): 96–105. http://dx.doi.org/10.33625/hudprom2023.02.096.
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The article is devoted to Chinese decorative painting of the beginning of the 21st century. The purpose of the article is the genre-plot typology of the interior decorative painting in Chinese painting of the beginning of the 21st century. It is indicated that the actualization of the problem of the development of interior decorative painting was due to the dynamic urbanization of China, the improvement of the living conditions of ordinary citizens of the country since the beginning of the 21st century. The author examines the state of Chinese and foreign scientific discourse on the mentioned problem. The research methodology is based on the use of both general scientific methods of analysis and special art-scientific ones, namely: the method of morphological typology and the method of analyzing symbolic artistic forms. The given genre-plot typology of the interior decorative painting in Chinese painting of the beginning of the 21st century showed that the problematization of the genre typology of this art branch should take into account both the genre level of the canonical system of Chinese painting and the genre thesaurus of the non-canonical system of decorative painting. These are the so-called “hybrid genres”, which are the result of the use of a fairly diverse global genre thesaurus. The article proves that the plot typology= of modern Chinese interior decorative painting is based on the deep mechanisms of symbolization in the narrative structures of pictorial art forms, which are decisive both for the national artistic and cultural heritage and for modern Chinese decorative painting. The basis of such a typology is the system of “benevolent” ornament, which has been developed in China for thousands of years. In the course of the analysis, several types of plots, which are currently actively produced by artists for the design of private and public interior spaces, were identified, namely: mythological and religious plots, historical plots and genre plots, which also include the so-called “landscape narrative”. The research opens the perspective of studying the festive decorative painting and its genre-plot typology, as well as the compositional and color solution of the decorative painting in Chinese painting of the beginning of the 21st century.
19
Kosytska, Zinaida. "The works of ukrainian and lithuanian masters of the paper cutting art pieces of the 20th – early 21st centuries. Comparative analysis". InterConf, nr 46(205) (19.06.2024): 214–23. http://dx.doi.org/10.51582/interconf.19-20.06.2024.023.
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A brief retrospective review of the development of art in Ukraine and Lithuania from the late 19th to the early 21st century is submitted in the article. A comparative analysis of the works of modern Ukrainian and Lithuanian artists, working in the technique of paper cutting, is carried out. The common features and distinctive artistic peculiarities typical for the paper cutting art pieces of Ukrainian and Lithuanian masters are described.
20
Yueyue, Xie. "Watercolor in St. Petersburg, St.Petersburg in watercolor: main trends in the first quarter of the 21st century". OOO "Zhurnal "Voprosy Istorii" 2022, nr 12-1 (1.12.2022): 262–67. http://dx.doi.org/10.31166/voprosyistorii202212statyi40.
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The article is devoted to the understanding of St. Petersburg as a unique space, which is not only the object of refl ection of many modern watercolor artists, but also plays an important role in the development of this area of fi ne art. Based on the analysis of a number of St. Petersburg watercolor painting projects of the fi rst quarter of the 21st century, scientifi c articles and reviews on certain projects or the works of watercolorists, the article discusses the phenomenon of the St. Petersburg school of watercolor painting in the context of Russian artistic culture in the fi rst quarter of the 21st century, summarizes the current state of its development, specifi es modern artistic approaches to the interpretation of the image of the city.
21
Stolyarova, Elena G., i Andrey Ev Berezin. "Aesthetic principles of expressionism in modern architecture". Urban construction and architecture 14, nr 1 (25.04.2024): 150–56. http://dx.doi.org/10.17673/vestnik.2024.01.17.
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The purpose of the article is to study the aesthetic principles of expressionism that influenced the development of modern architecture. An analysis of the concepts and means of artistic expression of the direction under study is proposed. The conditions for the emergence and formation of expressionism, its artistic methods of expression from conventionally realistic to abstract, as well as the manifestation of this direction of art in architectural design are considered. A brief analysis of the connection between expressionism and other parallel trends or movements of art of the twentieth century is given. Variations of expressionism from the standpoint of abstract art are identified, where the search for interactivity between the artist and the viewer in the process of visual perception of the painting is indicated. It is concluded that imagination is one of the main ways of artistic thinking in the process of author’s artistic design. The manifestation of the aesthetic principles of expressionism in the architecture of individual countries is considered. It has been revealed that expressionism in architecture is characterized by a departure from traditional forms in order to achieve the maximum emotional impact on the recipient. The study of the stated topic allows us to draw a conclusion about the relevance of expressionism at the beginning of the 21st century, which, with its traditions, continues the achievements of expressionism of the 20th century. and at the same time gives a new impetus to artistic expressions of the personal views of artists and architects on the ongoing processes in society. Parallels of the beginning of the 20th – beginning of the 21st centuries. revealed similarities in the aesthetic principles of the formation of the subject-spatial architectural environment. Expressionist techniques, means and methods of working on a painting or object are most accurately able to express the feelings of artists and architects, their psychological stress, the conviction that the viewer must go through a new experience while looking at an architectural or artistic work.
22
Cui, Yingying. "The Aesthetic Education Value of Thematic Art Creation". Journal of Contemporary Educational Research 5, nr 12 (27.12.2021): 147–50. http://dx.doi.org/10.26689/jcer.v5i12.2847.
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Thematic art creation is a product of a complex social, historical, and cultural context, and it fills an important position in the development of modern and contemporary Chinese art history. Since the 21st century, with the introduction and implementation of a series of national major thematic art creation projects, thematic art creation has gradually moved from a marginal position in art history to a core area, becoming a visual narrative method with independent aesthetic value. Moving towards cultural consciousness and carrying cultural self-confidence, thematic art creation requires the guidance, standardization, and support of related art theories. The lack and absence of theoretical research restricts the development of thematic art creation. This study combs through the research results and literature materials of thematic art creation since the new century as well as studies the aesthetic education value of thematic art creation image narration.
23
Kravchenko, Marta. "Artistic peculiarities of jewellery in Ukraine at the beginning of the 21st century. Concepts of morphogenesis". Text and Image: Essential Problems in Art History, nr 1 (2019): 77–89. http://dx.doi.org/10.17721/2519-4801.2019.1.05.
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The article reveals the tendencies in development of contemporary art jewelry in Ukraine in 2000-2015. The feature of jewelry art of the last third of XX - beginning of XXI century in Ukraine is a parallel activity of three generations of artists, which apply to different materials, imaginative solutions in decorations. During 2000-2015, modern Ukrainian decorative applied art reached a new level, there was a galaxy of young artists who interpret a new jewelry and possess strong position in the European artistic space. Alternative or avant-garde thinking was closer to the young generation of jewelry artists 2000-2015 years, in their works away from the trend of creating independent objects and materials for jewelry. On the example of creativity of young leading artists (O. Ivasuta, O. Buyvidt, M. Kotelnytska, O. Savchuk, A. Bolukh and other) here is an analysis of the main conceptual foundations, common and distinctive features in the work of masters. In the article is given the conditions for the formation of art jewelry in Ukraine with the obligatory focus on the concepts of classic jewelry and new art jewelry with using of alternative materials. New generation of artists is working with alterantive material in jewellery. Experiments in jewellery bring new forms and view in this art. The peculiarities of formation environments emergence jewelry not precious alternative materials and their relationship with fine and decorative art. The attention in the article is focused on the properties of alternative materials in modern jewelry in the works of leading artists.
24
Gulyás, Gusztáv, Zoltán Mátrai, Csaba Kunos, Pál Pesthy, Zoltán Doleviczényi i Miklós Kásler. "Modern breast surgery". Orvosi Hetilap 153, nr 1 (styczeń 2012): 31–38. http://dx.doi.org/10.1556/oh.2012.29255.
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Today, as a result of the complex and coordinated medical treatment of breast malignancies the long-term survival rate reaches 80%. Modern breast surgery plays a prominent role in the multidisciplinary treatment of breast tumors. Breast surgery in the 21st century simultaneously performs medical and aesthetic procedures on the same organ. Modern day breast surgery is founded on a complex view of breast malignancies, multidisciplinary cooperation, oncoplastic practice, and selecting the optimal surgery techniques, based on state of the art tools and a detailed treatment plan. Authors present the evolution of modern breast surgery; discuss the procedures such as mastectomy, breast conservation surgery, axillary lymph node removal, prophylactic mastectomy, as well as possible versions of immediate or delayed breast reconstruction. Orv. Hetil., 2012, 153, 31–38.
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Volobuev, A., T. Romanchuk, N. Romanchuk i S. Bulgakova. "Science of Cognitive Brain and Quantum Biophysics Homo sapiens 21st Century: hybrid Neuroimaging and Nuclear medicine, 5P Medicine and 5G Technology, Neurobiology and Neurophysiology of Quantum Brains, Psychoanalysis, Art-Medicine, Bioelementology and Nutriciology". Bulletin of Science and Practice 10, nr 6 (14.06.2024): 161–94. http://dx.doi.org/10.33619/2414-2948/103/23.
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New discoveries in the field of genetics and epigenetics, the scientific union of neurobiology and neurophysiology of the quantum brain Homo sapiens of the 21st century, the achievements of biophysics, hybrid neuroimaging and nuclear medicine, the introduction of nutritionology and bioelementology technologies, the 5P of Medicine and 5G Technology, the replication of compliance of art medicine and modern psychoanalysis made it possible to manage 21st century Human cognitive brain. Scientific progress and 33 years of experimental experience of biophysics in the field of neurogeriatrics and neurocardiology, neuroendocrinology and psychoneuroimmunology made it possible to argue that “nerve cells are restored”, the quantum human brain is Controlled, high-quality and healthy longevity Homo sapiens of the 21st century is achievable. Humankind needs to know (discover, prove) in the near future the existence of more than 450 trillion neurosynaptic and neurocosmic interactions between the cognitive mind and the universe.
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Fishel, Simon, Anna-Katerina Hadjantonakis, Berenika Plusa, Laura Rienzi, Yojiro Yamanaka, Aneta Suwińska i Anna Ajduk. "Breakthroughs and challenges of modern developmental biology and reproductive medicine". International Journal of Developmental Biology 63, nr 3-4-5 (2019): 77–82. http://dx.doi.org/10.1387/ijdb.180398aa.
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In recent decades we have witnessed unprecedented progress in the field of the developmental biology of mammals. Building on 20th century discoveries, we have managed to increase our understanding of the molecular and cellular mechanisms governing early mammalian embryogenesis and link them to other biological questions, such as stem cells, regeneration, cancer, or tissue and organ formation. Consequently, it has also led to a creation of a completely new branch of reproductive medicine, i.e. assisted reproductive technology (ART). In this Special Issue of The International Journal of Developmental Biology (Int. J. Dev. Biol.) we wished to review state-of-the-art research regarding early mammalian development, from fertilization up to the implantation stage, and discuss its potential meaning for practical applications, including ART. As an introduction to the issue we present a compilation of short essays written by the most renowned scientists in the field, working both in basic and clinical research. The essays are dedicated to the greatest breakthroughs and challenges of 21st century developmental biology and reproductive medicine.
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Plakhotnyuk, Oleksandr. "PERCEPTION OF THE WORLD OF JAZZ DANCE IN THE ARTISTIC SPACE OF THE 20TH CENTURY". Baltic Journal of Legal and Social Sciences, nr 2 (26.10.2022): 157–62. http://dx.doi.org/10.30525/2592-8813-2022-2-26.
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In the provisions of the scientific article, the author substantiates the worldview and philosophical perception of jazz dance in the cultural and artistic space of the historical period of the 20th century – early 21st century in the context of the development of modern choreographic art. As a result of the study, an expansion of ideas about the philosophy of choreographic art is formed, which is reflected in the formation of the perception of modern dance in modern science. Also, in defining the worldview of jazz dance in the artistic space, which manifests itself at all stages of its development and becomes relevant in the art criticism discourse of the late 20th - early 21st centuries, it is a logical conclusion that jazz dance has a meaningful philosophical content and tries to give answers to eternal questions. , as well as everyday problems: how not to lose everything, and if this happened, then restore strength, and restore yourself anew, how to find love, and when found, how not to get rid of it, solve all the problems of a domestic nature and the spiritual life of everyone person. Jazz dance has always been a mirror image of a person's existence, his worldview and manifestation of will, striving for originality and revealing his own individuality. The dance movement of jazz dance is always a hymn in honor of human life in its manifestations and depths of all aspects of human existence, which is clearly manifested in the dance art. One of the main philosophical properties of jazz dance is the ability to quickly and thoroughly respond to all socio-political and historical processes of society development. Reflection of cataclysms, crises and pertrubation of economic development filigree reflects the tragedy of wars and emotions, its completion from victory to defeat. It is constantly developing, forming new samples, directions and whole self-sufficient types and directions of modern dance art.
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YARMAK, V. I. "TETYANA BORYSIVNA LUKINOVA — A NOTED UKRAINIAN SLAVIST". Movoznavstvo 327, nr 6 (28.12.2022): 34–47. http://dx.doi.org/10.33190/0027-2833-327-2022-6-003.
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The article describes the life path and stages of scientific growth of T. B. Lukinova as a linguist, as well as her contribution to the development of modern Ukrainian linguistics. The range of scientific interests of the researcher has been analyzed: problems of Slavic vocabulary and word formation, issues of comparative and historical Slavic linguistics, historical typology of the Slavic languages, etymology, reconstruction of the spiritual culture of ancient Slavs based on the vocabulary of Slavic languages, etc. Special attention is paid to the most significant achievements of T. B. Lukinova in the Slavic field, in particular, to her study of the genesis and evolution of quantitative names in Slavic languages in a comparative historical aspect and her monograph on the history of Ukrainian studies in Slavic linguistics of the last half of the 20th — the early 21st century. The scientific validity of the Ukrainian researcher’s monograph, devoted to the issues of origin and historical development of numerals in Slavic languages, semantics and derivational possibilities and relationships of ancient number designations, has been assessed. The great theoretical and practical scientific value of the researcher’s work related to the ways of development of Ukrainian linguistic Slavic studies, Slavic scientific schools and centers of Slavic studies in Ukraine, International Congresses of Slavists, scientific personalities is substantiated. The scientific importance of the creative work of T. B. Lukinova has been considered, its influence on the development of Ukrainian linguistics at the beginning of the 21st century, as well as the significance of the Ukrainian linguist’s scientific research for the sciences related to linguistics. This investigation is characterized by a qualified approach and logical analysis of linguistic phenomena: numerical formations of an adjectival nature, formations of a noun nature and numerals derived from word combinations are consistently and in detail analyzed. The category of quantity is characterized as a manifestation of one of the most fundamental features of existence, and the system of numerals in its modern configuration is presented in the context of the evolution of the modern civilization’s spiritual culture. The great scientific, theoretical and practical value of the researcher’s work “Essays on the History of Slavic Studies in Ukraine”, related to the ways of development of Ukrainian linguistic Slavic Studies, Slavic scientific schools and centers of Slavic Studies in Ukraine, International Congresses of Slavic Studies, scientific personalities, is substantiated. The mentioned monograph filled a noticeable lacuna in modern Ukrainian Slavic studies.
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Khrenov, Nicolai A. "Modern art history as a human science in a situation of cultural turn". Journal of Flm Arts and Film Studies 11, nr 1 (15.03.2019): 82–98. http://dx.doi.org/10.17816/vgik11182-98.
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Intensive development of knowledge in the 20th century, including the emergence of new sciences and humanities, constantly creates a problematic situation in the sphere of art, shifting arts designation to what in the philosophy of science is known as normal science. This is associated with the idea of art as a science that has reached a stage of maturity and consistency and, therefore, complies with its norms. The concept of art as normal science is characterized by a certain degree of conservatism, as it presupposes arts self-protection against deviations from the established methodology.
However, sometimes the artistic processes of modernity require different approaches. In addition, the emergence of new humanities shifts the already established methodology of art. This happened in the first decades of the 20th century, in the era of a linguistic turn in the humanities, indicating the invasion of natural sciences in the humanities; and this is happening today, at the turn of the 21st century, in a situation of a cultural turn, the emergence and intensive development of the science of culture. The current turn requires a deeper understanding of the structure and components of art history, i.e., its sub-disciplines: art history, art theory and art criticism.
The essay argues that in the situation of cultural turn the theory of art can carry out functions which the other two sub-disciplines cannot. It propounds that art theory is able to make a decisive contribution to the elucidation of two problems: the relationship between art and cultural studies and the problem of historical time, which is important both for contemporary art and for art history.
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Khrenov, Nicolai A. "Modern art history as a human science in a situation of cultural turn". Journal of Flm Arts and Film Studies 11, nr 2 (15.06.2019): 102–15. http://dx.doi.org/10.17816/vgik112102-115.
Pełny tekst źródłaStreszczenie:
Intensive development of knowledge in the 20th century, including the emergence of new sciences and humanities, constantly creates a problematic situation in the sphere of art, shifting arts designation to what in the philosophy of science is known as normal science. This is associated with the idea of art as a science that has reached a stage of maturity and consistency and, therefore, complies with its norms. The concept of art as normal science is characterized by a certain degree of conservatism, as it presupposes arts self-protection against deviations from the established methodology.
However, sometimes the artistic processes of modernity require different approaches. In addition, the emergence of new humanities shifts the already established methodology of art. This happened in the first decades of the 20th century, in the era of a linguistic turn in the humanities, indicating the invasion of natural sciences in the humanities; and this is happening today, at the turn of the 21st century, in a situation of a cultural turn, the emergence and intensive development of the science of culture. The current turn requires a deeper understanding of the structure and components of art history, i.e., its sub-disciplines: art history, art theory and art criticism.
The essay argues that in the situation of cultural turn the theory of art can carry out functions which the other two sub-disciplines cannot. It propounds that art theory is able to make a decisive contribution to the elucidation of two problems: the relationship between art and cultural studies and the problem of historical time, which is important both for contemporary art and for art history.
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Khrenov, Nikolai A. "Modern art history as a human science in a situation of cultural turn". Journal of Flm Arts and Film Studies 11, nr 3 (13.11.2019): 94–106. http://dx.doi.org/10.17816/vgik11394-106.
Pełny tekst źródłaStreszczenie:
Intensive development of knowledge in the 20th century, including the emergence of new sciences and humanities, constantly creates a problematic situation in the sphere of art, shifting arts designation to what in the philosophy of science is known as normal science. This is associated with the idea of art as a science that has reached a stage of maturity and consistency and, therefore, complies with its norms. The concept of art as normal science is characterized by a certain degree of conservatism, as it presupposes arts self-protection against deviations from the established methodology.
However, sometimes the artistic processes of modernity require different approaches. In addition, the emergence of new humanities shifts the already established methodology of art. This happened in the first decades of the 20th century, in the era of a linguistic turn in the humanities, indicating the invasion of natural sciences in the humanities; and this is happening today, at the turn of the 21st century, in a situation of a cultural turn, the emergence and intensive development of the science of culture. The current turn requires a deeper understanding of the structure and components of art history, i.e., its sub-disciplines: art history, art theory and art criticism.
The essay argues that in the situation of cultural turn the theory of art can carry out functions which the other two sub-disciplines cannot. It propounds that art theory is able to make a decisive contribution to the elucidation of two problems: the relationship between art and cultural studies and the problem of historical time, which is important both for contemporary art and for art history.
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Khrenov, Nikolay. "Modern Art History As a Human Science in a Situation of Cultural Turn". Journal of Flm Arts and Film Studies 11, nr 4 (30.12.2019): 98–113. http://dx.doi.org/10.17816/vgik11498-113.
Pełny tekst źródłaStreszczenie:
Intensive development of knowledge in the 20th century, including the emergence of new sciences and humanities, constantly creates a problematic situation in the sphere of art, shifting arts designation to what in the philosophy of science is known as normal science. This is associated with the idea of art as a science that has reached a stage of maturity and consistency and, therefore, complies with its norms. The concept of art as normal science is characterized by a certain degree of conservatism, as it presupposes arts selfprotection against deviations from the established methodology.
However, sometimes the artistic processes of modernity require different approaches. In addition, the emergence of new humanities shifts the already established methodology of art. This happened in the first decades of the 20th century, in the era of a linguistic turn in the humanities, indicating the invasion of natural sciences in the humanities; and this is happening today, at the turn of the 21st century, in a situation of a cultural turn, the emergence and intensive development of the science of culture. The current turn requiresa deeper understanding of the structure and components of art history, i.e., its sub-disciplines: art history, art theory and art criticism.
The essay argues that in the situation of cultural turn the theory of art can carry out functions which the other two sub-disciplines cannot. It propounds that art theory is able to make a decisive contribution to the elucidation of two problems: the relationship between art and cultural studies and the problem of historical time, which is important both for contemporary art and for art history.
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BONDAR, IEVGENIIA, YURIY KUCHURIVSKIY, OLEKSANDR VILA-BOTSMAN, KATERYNA OVCHARUK i WANG KE. "TRENDS OF MODERN CHORAL CREATIVITY IN UKRAINE: A VIEW IN THE 21ST CENTURY". AD ALTA: 13/01-XXXII. 13, nr 1 (31.01.2023): 73–76. http://dx.doi.org/10.33543/j.130132.7376.
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The article reveals the current state of choral art in Ukraine, as well as analyzes the transformations characteristic of choral performance at the turn of the 20th and 21st centuries, and also affirms the fact that the meaningful activity of choirs has always demonstrated a certain systemic nature. The features of creative experiments and genre modalities are considered. The process of expansion of stage space, synthesis of arts, author's interpretations is analyzed. Also, the conclusion is made that one of the directions for further analytical research in the field of modern choral creativity is the revision of pedagogical attitudes and methodological approaches: the interaction of academic education, digital technologies, individual author's methods, and creative experiments.
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Perfilieva, I. Yu. "Architectural Motifs in Jewellery Art of the 20th — the First Quarter of the 21st Century". Art & Culture Studies, nr 4 (grudzień 2023): 310–43. http://dx.doi.org/10.51678/2226-0072-2023-4-310-343.
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Throughout the history of jewellery, craftspeople have appealed to architectural motifs in the composition of church utensils or jewellery. In different historical periods, this process developed in accordance with the aesthetic requirements of the time, the peculiarities of the artistic and stylistic development of art in general and jewellery in particular. As a result, a number of certain artistic techniques have been formed; they were used by masters in past eras and are used by modern artists and jewellers, as well as architects and designers working in this field of decorative art. This article is devoted to the analysis of the formation and development of these artistic and stylistic techniques at the present stage. This topic has not yet been adequately reflected in scientific literature. The research problem is only mentioned in general works of foreign and Russian researchers on various historical periods (to a greater or lesser extent). Most interest in the topic is shown by bloggers who popularize certain brands or master jewellers in various electronic resources. In the first quarter of the 21st century, the appeal to architectural motifs as a key element of artistic, figurative, and compositional solutions in jewellery became very widespread both in the luxury segment and in the author’s jewellery art. This article is the first experience of art criticism research on this artistic and stylistic phenomenon. The research uses descriptive, formal, stylistic, and comparative methods. As a result, the author of the article identifies and formulates the main methods of using architectural motifs in the compositional, artistic, and figurative solutions in works of modern author’s jewellery art.
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Dyadyk, Natalia. "Art of the second half of XX — early XXI centuries as visual philosophy". Socium i vlast 4 (2021): 95–106. http://dx.doi.org/10.22394/1996-0522-2021-1-95-106.
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Introduction. The article is focused on studying the area of intersection of contemporary art and philosophy, it is a continuation of the research project on conceptual art and its intersection with philosophy, which we started earlier. By conceptual art, we mean art aimed at intellectual comprehension of what has been seen, art that appeals to thinking and generates philosophical meanings. But if earlier we explored conceptual cinema and mainly visual art of the early 20th century, then in this article we want to turn to the visual art of the second half of the 20th century — the beginning of the 21st century, which is also called contemporary art by art critics. The empirical material of the study was the works of such contemporary artists as E. Warhol, D. Koons, D. Hirst, J. Ono, F. Bacon, I. Kabakov, D. Kossuth, the movement of “new realists” and photorealists, the movement of Moscow conceptualists and etc. Contemporary art is one of the ways of understanding the world, visual philosophy, which is of interest for philosophical understanding. The purpose of the article is to conduct a philosophical analysis of visual art of the second half of the 20th — early 21st I centuries in order to identify its philosophical sources and content. Methods. The author uses the following general scientific methods: analysis and synthesis, induction, deduction, abstraction. When analyzing works of conceptual art, we use hermeneutic and phenomenological methods, a semiotic approach. We also use the symbolic-contextual method of analyzing exhibition concepts, which is based on identifying the philosophical meanings and ideas of exhibitions of contemporary art. Scientific novelty of the study. We regard contemporary art as a visual philosophy. Philosophizing, in our opinion, can exist in various forms and forms from everyday practical (the so-called naive philosophizing) to artistic-figurative, that is, visual. Philosophical ideas or concepts are born not only from professional thinkers, but also from artists. The artistic concepts of contemporary artists are similar to the concepts of philosophers, since the goal of both is to cognize the world and grasp being. We find and describe the area of intersection of modern philosophy and contemporary art, each of which is in a situation of crisis separately and continuous dialogue together. Results. In the course of our research, we identify and describe the philosophical origins of visual art in the second half of the twentieth century - early twenty-first century: postmodern philosophical consciousness, conceptualism, the idea of “death of the author” and “death of art”, simulacrum, kitsch and camp, the method of deconstruction and its application in modern art. Conclusions. Visual art of the second half of the 20th century — early 21st century is a visual form of philosophical questioning about the essence of art itself, about the existence of a person and being in general. The works of contemporary artists are based on philosophical problems: meaning, speech and meaning, the ratio of the rational and the irrational, the problem of abandonment and loneliness of a person, the problem of the “death of the author” and the alienation of the creator from his work, the idea of the impossibility of objective knowledge of reality.
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Niroumand, Hamed, M. F. M. Zain i Maslina Jamil. "Modern Architecture in the 21st Century". Advanced Materials Research 457-458 (styczeń 2012): 403–6. http://dx.doi.org/10.4028/www.scientific.net/amr.457-458.403.
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This paper presents the modern architecture in the current century. Modern architecture is a new architectural style that emerged in many countries in the decade after World War I. It was based on the “rational” use of modern materials, the principles of functionalist planning, and the rejection of historical precedent and ornament. Modern architecture was adopted by many influential architects and an architectural educator, gained popularity after the Second World War, and continues as a dominant architectural style for institutional and corporate buildings in the 21st century. According to this research, The Modern movement also referred to controversially as a style by some bound morality, technology and art together. Morality in that there was an aim to improve humanity's lot, notably whole scale demolition of slums to make way for clean modern housing. This paper presents the role of modernism in architecture. In this paper has been shown the influence of modernism in humanity and countries.
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Bocken, Inigo. "Doxological (Im)Purity? Nicholas of Cusa’s ‘Art of Praising’ and Liturgical Thinking in 21st Century". Religions 13, nr 8 (26.07.2022): 677. http://dx.doi.org/10.3390/rel13080677.
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It is noteworthy that the thinking of Nicholas of Cusa (1401–1464) has recurred again and again among prominent recent theologians who, critical of Modern rationality, have brought back to the fore the importance of liturgical praxis. Often, however, the mystical theology of Nicholas of Cusa had been presented during the Twentieth Century primarily as an unfinished precursor to Modern subject-philosophy in the line of Kant. In this contribution, I will consider this striking change of perspective against the background of recent debates concerning the role of liturgy not only for theology, but also for philosophy. Does Cusa’s ‘art of praising’ offer a way out of the dilemmas facing liturgical thought?
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Orna, Mary Virginia, i Marco Fontani. "The Modernity of Ancient Pigments: A Historical Approach". Colorants 1, nr 3 (13.07.2022): 307–46. http://dx.doi.org/10.3390/colorants1030019.
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Naturally occurring and synthetic ancient pigments have a history of use spanning thousands of years. Curiously, some of their newly discovered properties make them excellent candidates for semiconductors, anticounterfeiting agents and so much more. In this paper, we will review their ancient roots in art and modern emergence as 21st century workhorses. You can never judge a pigment by its color alone!
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Kandalova, Alla, i Anna Adonina. "Techno-utopian ideal of El Lisitsky". Innovative Project 8, nr 14 (21.02.2024): 6–9. http://dx.doi.org/10.17673/ip.2023.8.14.1.
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The article is devoted to the creativity and development of architectural theory developed by El Lissitzky. At the beginning of the 20th century, artists who realized the idea of the avant-garde predicted the development of a special spatial atmosphere that would be formed due to the latest achievements of science, technology and art. The article examines works of architecture and art, as well as philosophical works concerning the process of development of the techno-utopian ideal of spaces. El Lissitzky, noting the outstanding importance of technical means for modern architecture and art, foresaw one of the most important topics for future research in the 21st century. The article attempts to analyze the complex of innovative ideas of El Lissitzky.
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Chernyaeva, Irina V., i Lidiya V. Balakhnina. "On the issue of pricing works of art in the process of historical development of artistic practices". Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 59 (2021): 321–29. http://dx.doi.org/10.37816/2073-9567-2021-59-321-329.
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In modern art practice, the issue of formation of symbolic and economic value of works of art remains acute and relevant. In the history of art art historians, curators, and art critics used to determine symbolic value. The issue of formation of economic value of works of art is still debatable. The task of the study is to identify features of the pricing of works of art inherent in individual periods of the development of artistic practices in a historical context. The authors address the issue retrospectively, considering the relationships between art and market, originated in the 18th century in Holland. The paper conducts a detailed analyze of the epistolary heritage of P. M. Tretiakov, concluding that in the 19th century it was the professional environment that acted as a regulator of the pricing of works of art. Economic conditions of the 20th century in the domestic art put to the forefront state insurance or state order, therefore the volume of payment of works depended on regalia and social status of an artist. The situation of the beginning of the 21st century brought not only new forms and mechanisms to the art market as Internet trading, corporate collecting, art banking, but also new problems that influenced the pricing process.
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Beresnev, Ilya. "The Evolution of Pugilism: Current Issues in the Development of Modern Martial Arts". Chelovek 34, nr 2 (2023): 127. http://dx.doi.org/10.31857/s023620070025540-1.
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Pugilism, associated with emergency defense or attack, reveals the physical capabilities of an unarmed person. Such a fight is dictated by natural necessity, and the actions of the fighters depend on the qualities developed spontaneously throughout their lives. Modern boxing is the result of an evolution that required «cultural inventions»: a set of rules that took into account humanistic attitudes; gaming; special equipment. Interaction with art in the 20th century was the source of the emergence of a postmodern hybrid sport — chessboxing, which combines rounds of chess and boxing. In the 21st century, there was a need for the revival of bare-knuckle fights.
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Meng, Marie-Louise, i Richard Smiley. "Modern Neuraxial Anesthesia for Labor and Delivery". F1000Research 6 (25.07.2017): 1211. http://dx.doi.org/10.12688/f1000research.11130.1.
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The availability of safe, effective analgesia during labor has become an expectation for women in most of the developed world over the past two or three decades. More than 60% of women in the United States now receive some kind of neuraxial procedure during labor. This article is a brief review of the advantages and techniques of neuraxial labor analgesia along with the recent advances and controversies in the field of labor analgesia. For the most part, we have aimed the discussion at the non-anesthesiologist to give other practitioners a sense of the state of the art and science of labor analgesia in the second decade of the 21st century.
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Henderson, Roger C. "Compensation for Non-Economic Loss, the Tort-Liability Insurance System, and the 21st Century". Dommages-intérêts / assurance 39, nr 2-3 (12.04.2005): 571–98. http://dx.doi.org/10.7202/043504ar.
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Tort awards for non-economic loss have grown in an almost geometric progression in the United States since first recognized nearly 150 years ago. Not only have courts constantly expanded the areas in which claimants are permitted to recover pain and suffering awards, but at the same time they have liberalized the definition of pain and suffering itself This may be traced in part from the way the judicial system was designed after the American Revolution, the role of lawyers in the system, and the affluence of the country. Consequently, awards for non-economic loss have taken on ever increasing importance, an importance that does not bode well for the prospects for future adoptions of no-fault auto insurance plans that would curtail such recoveries. This article sketches historical influences on the tort-liability insurance system and summarizes modern developments in the law of damages for non-economic loss in the United States. It then raises questions regarding the prospects for adoption of the federal Choice No-Fault Auto Reform Act now pending in the U.S. Congress, a plan that would offer auto accident victims the choice of being compensated on a no-fault basis, while waiving their right to recover for pain and suffering. It concludes by offering a possible scenario of how future efforts to reform the tort-liability system in the United States may occur as we move into the 21st century.
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Masruroh, Ummi. "Penanaman seni kontemporer pada abad ke 21". Widya Sundaram : Jurnal Pendidikan Seni Dan Budaya 1, nr 02 (30.09.2023): 136–45. http://dx.doi.org/10.53977/jws.v1i02.1287.
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Creating a dynamic landscape of creativity, reflecting profound changes in media, technology, and reflections on social reality, this research highlights the evolutionary journey of art in the modern era. It discusses paradigm shifts in art media, the influence of technology that has given birth to new creative expressions, and the role of contemporary art in responding to social reality. The research also explores the integration of contemporary art in public spaces, transforming it into a visual language that stretches beyond the traditional boundaries of art galleries. Reception challenges and educational measures to broaden the appreciation of contemporary art are also the focus of discussion. Summarizing these elements provides a snapshot of the dynamics and complexities of cultivating contemporary art in the 21st century—a creative journey involving transformation, reflection, and ever-evolving dialogue. By weaving meaning through innovation and inclusion, contemporary art remains a means to permeate the richness of modern creativity, shaping cultural identity amidst the changing times
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Zhytnik, Tetiana, Viktoriia Khvist, Serhii Bilan i Julia Kharchenko. "The problem of art culture and art school in the concern of the events in Ukraine in early 2022". Cuestiones Políticas 40, nr 75 (29.12.2022): 370–84. http://dx.doi.org/10.46398/cuestpol.4075.24.
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The research was aimed at the analysis of conceptual works of the 20th century on aesthetic education as a component of personal culture and values of mankind in general, together with the examination of the results of the methodological system in art education; with special emphasis, on the influence of this educational and political system on the events in Ukraine in 2022. Also, the methodological systems, conceptual works and arrangements of art education of the XX and XXI centuries are discussed, and the modern vectors of art education development are analyzed. It is concluded that, at the level of development of Ukrainian education, there is an urgent need for balanced decisions regarding changes in modern education. In particular, it is urgent to rethink the cultural values of the Ukrainian people in their relation to the world culture in general, at a comprehensive methodological level, forming aesthetic values and national consciousness, understanding the value of cultural diversity. Changes in all spheres of life in the 21st century are a natural necessity for the development of society. Finally, the political preconditions that have been developing cannot be ignored.
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Buchma-Bernatska, Olga, Natalia Chystiakova, Leonid Bazylchuk, Olha Putiatytska i Marianna Kopytsia. "Features of development of the violin art in the modern theatre". Linguistics and Culture Review 5, S4 (23.10.2021): 371–84. http://dx.doi.org/10.21744/lingcure.v5ns4.1584.
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The foundation of the scientific basis for understanding the processes of development of modern violin art is relevant, since it allows discovering the foundations and results of transformations in the musical consciousness. The relevance of the study is determined by the decisive modifications that occur in the space of culture and affect the type of modern theatrical art. The purpose of this study is a comprehensive analysis of specific features of the violin art in the modern theatre. For this purpose, the following research methods were employed in this study: the method of analysis and the method of synthesis, induction and deduction, comparative historical and logical analysis, as well as the positions of scientific objectivity, systematisation in the study of works of violin art. The authors of the study analysed and summarised features of the development of the violin art in the modern theatre of the 21st century. The modern theatrical creativity with the use of violin art is considered from the standpoint of consistency, as a kind of artistic integrity, in which the manner of performance, repertoire, and the choice of the genre of performance play a certain role.
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Titenkov, Yehor. "Application of eco-technologies in modern sculpture and land-art objects". Bulletin of Lviv National Academy of Arts, nr 40 (1.07.2019): 83–88. http://dx.doi.org/10.37131/2524-0943-2019-40-11.
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Topical issues of the development of environmental technologies and it’s application in contemporary art have been explored, with particular emphasis on sculptural practices and land-art objects. In fact, it has been found that the Ukrainian scientists have addressed rather indirectly to the problem of environmental trends in the context of contemporary art objects. It should be noted that the vast majority of research is limited to the generic characteristics of eco-design and does not focus on the artistic and stylistic features of this phenomenon in general and in art in particular. The historical aspect of the interconnections of scientific and technological progress, exacerbation of environmental issues and the evolution of artistic practices of twentieth century art is revealed. It was found out that these processes were consonant and synthesized. Representative contemporary art projects that can be attributed to environmental art were outlined, their characteristic artistic features were clarified and the main directions of eco-art were determined. The influence of the latest technologies on enhanced dynamics and the adoption of eco-style as a kind of counteraction to the processes of digitalization of modern culture as a whole are analyzed. In particular, it has been traced how environmental technologies are used today in three-dimensional art objects, and how well-known artists work with the most actual issues of the 21st century. Two main vectors of eco-sculpture have been identified: complex objects using technology and land-art projects, which are mainly focused on philosophical concepts and issues of human harmony with nature. However, it has been proved that these two areas are of equal value and extremely relevant in the dynamic artistic processes of today, and also have considerable potential and prospects for further development in view of the increasing aggravation of environmental problems in the modern world.
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Peskova, Anna Yu. "Modern Slovak drama about The Second World War". Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 63 (2022): 268–77. http://dx.doi.org/10.37816/2073-9567-2022-63-268-277.
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The paper addresses the Slovak drama of the 21st century dedicated to the Second World War, the Holocaust, and the Slovak National Uprising. After the “velvet revolution” of 1989, interest in the military and insurgent theme in Slovak art as a whole declined sharply, but as early as in the 21st century playwrights and theaters of Slovakia are increasingly beginning to return to these topics. Many of these plays created in the last twenty years were written in order to actualize public discussions about the period of the Slovak Republic (1939–1945), around the mass deportation of Jews from its territory, around the arization, etc. The main task of these plays` authors is to put serious moral questions before the viewer. For this purpose, the paper focuses on social and historical context in which National Socialism spread in Slovakia. Such are, for example, the works of R. Ballek “Tiso”, P. Rankov “It Happened on the First of September (or Some Other Time)”, A. Gruskova “The Woman Rabbi”, V. Klimachek “The Holocaust”, Y. Yuraneva “The Silent Whip”. One of the most important questions that Slovak writers and society have been asking in recent decades is the question of how and why Slovaks actually joined Nazi Germany during the Second World War, what prompted them to do this.
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Dmitrieva, T. A. "Evolution of the representation of folk artistic culture in cinema". Northern Archives and Expeditions 4, nr 4 (25.12.2020): 21–28. http://dx.doi.org/10.31806/2542-1158-2020-4-4-21-28.
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In the presented article, the features of the reflection of folk art culture in the cinema are considered. The author examines films that reflect the folk art culture of the American Indians, Udege, meadow mari, residents of the village of Palekh, as well as the folk art culture of the colonial countries, China and Japan. This article examines the films of both foreign and Russian directors, as the author refers to global trends in cinema. The author identifies several stages, considering the evolution of folk art culture, starting from films of the early twentieth century and ending with modern cinematography: “Folk art culture in early films. Ethnographic cinematography”, “Criticism of the urban industrial space in the cinema of the 20s. XX century»,»Colonial cinema», «Postcolonial cinema», «Cultural appropriation», «Orientalism», «Transnational culture in the postmodern era», «Cinematography of the metamodern». Based on the material of Russian and foreign films, the author notes that folk art culture is manifested in both documentary and fiction cinematography. The author concludes that folk art culture was reflected in the cinema at every stage of its historical development. The author notes that in modern cinema the topic of folk art culture has not simply lost its relevance, but has become one of the most relevant trends in connection with the processes of glocalization in the culture of the 21st century. Each stage considered by the author has its own specific features and reasons for the display of folk art culture. The article describes the main ways of representing folk art culture in cinema – folklore, traditional textiles, embroidery, folk songs.
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Mostovshchykova, Daria, i Nataliia Stryzhko. "Parallels in Development of Modern Painting and Enameling in China". Journal of Visual Art and Design 13, nr 1 (6.07.2021): 60–73. http://dx.doi.org/10.5614/j.vad.2021.13.1.5.
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This paper highlights trends in the development of contemporary visual art in China through a parallel analysis of two of its components: painting and enamel art. The focus of the research is on the work of artists whose works combine a ‘western’ style with ‘eastern’ tradition. It was found that in the 21st century, the layer of Chinese cultural heritage was successfully transformed into new forms of expression, such as art objects, enamel sculptures, brightly colored paintings and more. At the same time, it has preserved the symbolism of color, plasticity of lines, narrative and figurative components, which is typical of the centuries-old traditions of the Celestial Empire. Artistic analysis was carried out on specific pictorial and enamel examples, distinguishing common and distinctive features in the concepts of the artists and their embodiment in the material. The way in which contemporary art enters the urban space of megacities and the interior of public institutions was analyzed. In conclusion, it is emphasized that the combination of ‘traditional’ and ‘recent’ trends in one work help to rethink the role of classical images in today’s art, as well as to identify Chinese artists in the globalized intercultural space.