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Artykuły w czasopismach na temat "Art, Modern - 20th Century"
Asanuma, Keiji. "20th Century-End of Modern Art?" TRENDS IN THE SCIENCES 6, nr 2 (2001): 56–58. http://dx.doi.org/10.5363/tits.6.2_56.
Pełny tekst źródłaSelber, Kimberly A. "Influence of Modern Art on Early 20th-Century Advertising Art". International Journal of the Arts in Society: Annual Review 2, nr 1 (2007): 183–92. http://dx.doi.org/10.18848/1833-1866/cgp/v02i01/35350.
Pełny tekst źródłaChen, Ziyuan. "Chinese Calligraphy: An Ancient Art in the Modern Era". SHS Web of Conferences 159 (2023): 02003. http://dx.doi.org/10.1051/shsconf/202315902003.
Pełny tekst źródłaCIRLOT, L. "THE KEY TO MODERN ART OF THE EARLY 20TH CENTURY". Art Book 1, nr 3 (czerwiec 1994): 16f. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00130.x.
Pełny tekst źródłaDemchenko, Aleksandr Ivanovich. "The Russian musical art of the early 20th century: Dissonances". Manuscript 17, nr 2 (4.03.2024): 49–57. http://dx.doi.org/10.30853/mns20240008.
Pełny tekst źródłaHeusser, Hans-Jörg. "AICARC and the Archives of Modern Art". Art Libraries Journal 11, nr 2 (1986): 4–8. http://dx.doi.org/10.1017/s0307472200004582.
Pełny tekst źródłaLiao, Lei. "Background of Western Modern Art in the 20th Century". SHS Web of Conferences 167 (2023): 01008. http://dx.doi.org/10.1051/shsconf/202316701008.
Pełny tekst źródłaKholodynska, Svitlana. "THE CREATIVE WORK OF BORIS VIAN WITHIN FRENCH HUMANITIES OF THE 1940s–1960s". UKRAINIAN CULTURAL STUDIES, nr 1(12) (2023): 29–33. http://dx.doi.org/10.17721/ucs.2023.1(12).07.
Pełny tekst źródłaShevchuk, Kateryna. ""CRISIS OF ART" AND "CRISIS OF AESTHETICS" IN RESEARCH OF POLISH HUMANITIES OF THE SECOND HALF OF THE 20th CENTURY". UKRAINIAN CULTURAL STUDIES, nr 1(12) (2023): 25–28. http://dx.doi.org/10.17721/ucs.2023.1(12).06.
Pełny tekst źródłaKeser, Sezer Cihaner. "20th Century quest for new art and interdisciplinary approach". Global Journal of Arts Education 7, nr 2 (12.06.2017): 61–65. http://dx.doi.org/10.18844/gjae.v7i2.1835.
Pełny tekst źródłaRozprawy doktorskie na temat "Art, Modern - 20th Century"
Gaunt, Pamela Mary School of Art History/Theory UNSW. "The decorative in twentieth century art: a story of decline and resurgence". Awarded by:University of New South Wales. School of Art History/Theory, 2005. http://handle.unsw.edu.au/1959.4/25983.
Pełny tekst źródłaKaji-O'Grady, Sandra 1965. "Serialism in art and architecture : context and theory". Monash University, School of Literary, Visual and Performance Studies, 2001. http://arrow.monash.edu.au/hdl/1959.1/9120.
Pełny tekst źródłaRIZZI, Elena Maria Rita. "Modern art and the making of a French republican imaginary, 1919-1940". Doctoral thesis, European University Institute, 2021. https://hdl.handle.net/1814/70295.
Pełny tekst źródłaExamining Board: Professor Laura Lee Downs (European University Institute); Professor Ann Thomson (European University Institute); Professor Kevin Passmore (Cardiff University); Professor Béatrice Joyeux-Prunel (Université de Genève)
Winner of the 2022 James Kaye Memorial Prize for the Best Doctoral Thesis in History and Visuality.
Recent scholarship on the interwar French art milieu has overcome, on the one hand, ethnonationalism as the main interpretive framework for examining the relationship between art and politics and, on the other, a celebratory narrative that made Paris the liberal and democratic interwar art centre. Building on these recent studies, my thesis aims to reassess the nexus between art and politics in interwar France. I do this by asking what kind of Republican imaginaries were created in the modern art promoted by public institutions. In order to answer this question, the thesis builds on a second, recent body of scholarship that re-examines French politics and Republican political culture through new lenses. This work highlights the polysemic and plastic nature of Republican ideology, the variety of stances contained within Republicanism, and hence the existence of different and competing understandings of the French Republic. By delving into four case studies, namely the Musée des écoles étrangères, the Musée de Grenoble, the tapestries realised at the Manufacture des Gobelins and the mural art projects financed by the state in the late 1930s, the thesis demonstrates that the modern art promoted by public institutions engendered political imaginaries that testify to the simultaneous existence of conservative, liberal, civic or communitarian, that is, local Republics. While making modern art the bearer of competing views on the French Republic in the 1920s and 1930s, the imaginaries that were created by modern art institutions and practices mythologised Republican universalism. Yet, these imaginaries revealed all the ambiguity contained in France’s universalistic project. At a time marked by the never-ending bellicosity that ensued from the First World War and the political and economic crises of the 1930s, the imaginaries created by modern art thus gave birth to a Republican visual politics. As the thesis argues, this Republican visual politics had a sociopolitical meaning. Modern art, especially figurative art, created imaginaries that could confront, above all, the interwar crisis of the Republic and its universalism, and the crisis in social and political representations that stemmed from the political turmoil and instability of the interwar years.
Loayza-Lauffs, Mariana. "The art of Guillermo Kuitca". Thesis, Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21021508.
Pełny tekst źródłaFerguson, Bruce W. "From sight to site : some considerations regarding contemporary theory in relation to contemporary art". Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61972.
Pełny tekst źródłaPalladino, Nicoletta. "19th - 20th century zinc white paints : multidimensional physico-chemical characterisation". Electronic Thesis or Diss., université Paris-Saclay, 2024. http://www.theses.fr/2024UPAST042.
Pełny tekst źródła: This thesis explores the propertiesand use of zinc white oil paints, from the nanoand micro-scale up to the macro-scale of artworks.Zinc white (ZnO), a modern pigment developed in the late 18th century as a non-toxicalternative to lead white, was adopted in oilpaint in the middle of the 19th century. Initially used alongside lead white, its lower covering power and brilliance made it a choice forcolour blends and highlights, but also for impastos and grounds. It can cause condition issues,for example due to the formation of zinc soaps,which have been the main focus of several studies.Knowing the pigment is, therefore, crucialfor technical studies and artwork conservation.Thus, this research focuses on two areas: thestudy of the physico-chemical properties of zincwhite and the extent and modalities of use of thepigment. The analysis of several types of material is complemented by documentary researchand a survey among heritage professionals.The first axis is addressed through the analysis, at the nano- and micro-scale, of a large,unique and varied corpus of historical and modern artists’ materials from the leading European and American manufacturers, and a selection of painting samples compared with reference materials and paint mockups. Several analytical techniques are used, from conventionallaboratory methods (optical and electron microscopy, XRD) to large facilities, such as theAGLAE particle accelerator (PIXE, IBIL) andthe ESRF synchrotron (high-angle resolutionXRD). Other compounds than ZnO were identified in the paint materials, shedding light oncertain practices of colour manufacturers andexamples of adulteration. Hydrozincite, a probable degradation product of ZnO, was identifiedin some samples. This study highlights differences in the composition and size of ZnO particles between historical and modern materials,as well as a luminescence behaviour that is moredifficult to interpret because it depends on several factors linked to the pigment and its environment. The morphology and size of the ZnOparticles and the purity of the materials analysed suggest synthesis via indirect method.The second axis is based on X-Ray Fluorescence (XRF) spectroscopy campaigns onaround fifty artworks analysed in-situ in museums, and the detailed study of a selection ofpaintings in the laboratory. This research showsdifferent uses of the pigment through examplesfrom the beginning of the 19th up to the mid20th century, which form a reference databaseof artworks containing zinc white. The studyalso calls into question the identification of zincwhite, particularly when solely based on XRFanalyses. The interest in a non-invasive protocol for pigment identification based on its photoluminescence was highlighted, which is complementary to the use of cathodoluminescencefor the invasive study of paint materials.This research constitutes a reference onthe physico-chemical properties and use of zincwhite; it provides information on the materialhistory of the pigment and modern artworks,opening up new perspectives for artwork conservation and authentication
Boetzkes, Amanda. "Beyond perception : the ethics of contemporary earth art". Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102788.
Pełny tekst źródłaCheng, Christina Miu Bing, i 鄭妙冰. "Postmodernism: art and architecture in Hong Kong". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1991. http://hub.hku.hk/bib/B31949861.
Pełny tekst źródłaHennig, Sybille. "The machine and painting: an investigation into the interrelationship(s) between technology and painting since 1945". Thesis, Rhodes University, 1986. http://hdl.handle.net/10962/d1009435.
Pełny tekst źródłaMatthews, Elaine Katherine Simone. "Environmental art and its contribution to establishing an awareness of the sacred in nature". Thesis, Rhodes University, 2000. http://hdl.handle.net/10962/d1002209.
Pełny tekst źródłaKsiążki na temat "Art, Modern - 20th Century"
(Firm), Butterfields. 20th century art. San Francisco: Butterfields, 2000.
Znajdź pełny tekst źródłaFosu, Kojo. 20th century art of Africa. Accra, Ghana: Artists Alliance, 1993.
Znajdź pełny tekst źródłaFosu, Kojo. 20th century art of Africa. Zaria, Nigeria: Gaskiya Corp., 1986.
Znajdź pełny tekst źródłaKlaus, Honnef, Ruhrberg Karl, Fricke Christiane, Schneckenburger Manfred i Walther Ingo F, red. Art of the 20th century. Köln: Taschen, 2000.
Znajdź pełny tekst źródłaBritish Museum. Collecting the 20th century. London: Published for the Trustees of the British Museum by British Museum Press, 1991.
Znajdź pełny tekst źródłaKarl, Ruhrberg, i Walther Ingo F, red. Art of the 20th century. Köln: Taschen, 1998.
Znajdź pełny tekst źródłaVogel, Susan. Africa explores: 20th century African art. New York: Center for African Art, 1991.
Znajdź pełny tekst źródłaCorporation, Encyclopaedia Britannica Educational. Art in the 20th century: Surrealism. Chicago, IL: Encyclopaedia Britannica Educational Corporation, 1990.
Znajdź pełny tekst źródłaCorporation, Encyclopaedia Britannica Educational. Art in the 20th century: Constructivism. Chicago, IL: Encyclopaedia Britannica Educational Corporation, 1990.
Znajdź pełny tekst źródłaDalí on modern art: The cuckolds of antiquated modern art. Mineola, N.Y: Dover Publications, 1996.
Znajdź pełny tekst źródłaCzęści książek na temat "Art, Modern - 20th Century"
Birbragher-Rozencwaig, Francine. "Modern Latin American Art". W Essays on 20th Century Latin American Art, 1–34. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003037507-1.
Pełny tekst źródłaAtanasovski, Srđan. "Allies in Music: French Influence and Role Models in the Cvijeta Zuzorić Association of Friends of Art". W The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 77–91. Belgrade ; Ljubljana: Institute of Musicology SASA ; University of Ljubljana, Faculty of Social Sciences, 2020. http://dx.doi.org/10.18485/music_diplomacy.2020.ch6.
Pełny tekst źródłaAtanasovski, Srđan. "Allies in Music: French Influence and Role Models in the Cvijeta Zuzorić Association of Friends of Art". W The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 77–91. Belgrade ; Ljubljana: Institute of Musicology SASA ; University of Ljubljana, Faculty of Social Sciences, 2020. http://dx.doi.org/10.18485/music_diplomacy.2020.ch6.
Pełny tekst źródłaMéndez Baiges, Maite. "“We are all Demoiselles d’Avignon” or the Breaching of the Dominant Gaze". W Les Demoiselles d'Avignon and Modernism, 67–101. Florence: Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-656-8.07.
Pełny tekst źródła"The Rise of Chance in Modern Sciences". W The Radical Use of Chance in 20th Century Art, 17–24. Brill | Rodopi, 2012. http://dx.doi.org/10.1163/9789401207263_003.
Pełny tekst źródłaBlair, Karen L., Erin L. Courtice i Rhea Ashley Hoskin. "Who Do We Love?" W Modern Relationships, 178–96. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197655504.003.0011.
Pełny tekst źródłaSassler, Sharon. "Cohabitation Versus Marriage". W Modern Relationships, 38–54. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197655504.003.0003.
Pełny tekst źródłaEmison, Patricia. "After Eve". W Moving Pictures and Renaissance Art History. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463724036_ch04.
Pełny tekst źródłaPozhidaeva, Galina A. "Spiritual and Musical Culture of Russia in Its Relations with the Typology of National Musical Art". W Hermeneutics of Old Russian Literature. Issue 21, 527–46. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/horl.1607-6192-2022-21-527-546.
Pełny tekst źródłaSafuanov, Ildar. "The history of Tatar mathematics education". W “DIG WHERE YOU STAND” 6. Proceedings of the Sixth International Conference on the History of Mathematics Education, 129–42. WTM-Verlag Münster, 2020. http://dx.doi.org/10.37626/ga9783959871686.0.10.
Pełny tekst źródłaStreszczenia konferencji na temat "Art, Modern - 20th Century"
Shevchuk, I. H. "SECTION 12. Choral music of Ukraine and traditions of the Ukrainian revival of the 20th century". W VOCAL AND CHORAL ART AND EDUCATION: HISTORICAL RESEARCH, PERFORMANCE CONCEPTS, MODERN TRENDS. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-391-0-12.
Pełny tekst źródłaЦветкова, Н. Н. "THEATRICALITY IN THE ART OF TEXTILES OF THE 20th–21st CENTURIES". W КОДЫ. ИСТОРИИ В ТЕКСТИЛЕ. Crossref, 2024. http://dx.doi.org/10.54874/9785605162971.2024.3.29.
Pełny tekst źródłaMalinina, Elena. "Contemporary Art Culture as a Creator of Publicity New Forms: Experience of Perm Theatrical Community". W The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-13.
Pełny tekst źródłaZaks, Lev. "Culture of the Second Half of the 20th Century through the Early 21st Century in Action: Creation of Contemporary Publicity". W The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2019. http://dx.doi.org/10.35853/ufh-public/private-2020-01.
Pełny tekst źródłaGenese-Plaude, Inta. "URBAN CULTURAL PRACTICES AS A MIRROR OF THE MODERNIZATION OF LATE 19TH CENTURY SOCIETY AND LIFESTYLE IN AUGUSTS DEGLAVS� NOVEL �RIGA�". W 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s10.24.
Pełny tekst źródłaCocieru, Mariana. "Values of Romanian ethnological photographic art: Joseph Berman". W Conferință științifică internațională "FILOLOGIA MODERNĂ: REALIZĂRI ŞI PERSPECTIVE ÎN CONTEXT EUROPEAN". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2023. http://dx.doi.org/10.52505/filomod.2023.17.20.
Pełny tekst źródłaCeravolo, R. "Condition Assessment, Monitoring and Preservation of Some Iconic Concrete Structures of the 20th Century". W IABSE Symposium, Wroclaw 2020: Synergy of Culture and Civil Engineering – History and Challenges. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/wroclaw.2020.0054.
Pełny tekst źródłaLisovetc, Irina. "The Modern Multi-Functional Cultural Center (Yeltsin Center) as a Platform for Dialogue Both Public & Private". W The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-11.
Pełny tekst źródłaКарпова, Е. А. "FELT IN INTERIOR DESIGN: MODERN REINVENTION OF TRADITIONAL TECHNOLOGY". W КОДЫ. ИСТОРИИ В ТЕКСТИЛЕ. Crossref, 2024. http://dx.doi.org/10.54874/9785605162971.2024.3.13.
Pełny tekst źródłaRoelofs, Michelle B. "Mass Timber: 19 Century to Today". W IABSE Congress, New York, New York 2019: The Evolving Metropolis. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.0634.
Pełny tekst źródłaRaporty organizacyjne na temat "Art, Modern - 20th Century"
Siebert, Rudolf J., i Michael R. Ott. Catholicism and the Frankfurt School. Association Inter-University Centre Dubrovnik, grudzień 2020. http://dx.doi.org/10.53099/ntkd4301.
Pełny tekst źródłaTITOVA, E. HISTORIOGRAPHIC REVIEW ON THE TOPIC OF THE STUDY OF MIGRATION PROCESSES IN THE RUSSIAN FAR EAST AT THE BEGINNING OF THE XXI CENTURY. Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/2077-1770-2021-13-4-2-34-53.
Pełny tekst źródłaJayachandran, Seema, Adriana Lleras-Muney i Kimberly Smith. Modern Medicine and the 20th Century Decline in Mortality: Evidence on the Impact of Sulfa Drugs. Cambridge, MA: National Bureau of Economic Research, czerwiec 2009. http://dx.doi.org/10.3386/w15089.
Pełny tekst źródłaSanjurjo Casciero, Annick. Paraguay and Its Plastic Arts. Inter-American Development Bank, marzec 1994. http://dx.doi.org/10.18235/0007910.
Pełny tekst źródłaGalenson, David, i Robert Jensen. Careers and Canvases: The Rise of the Market for Modern Art in the Nineteenth Century. Cambridge, MA: National Bureau of Economic Research, sierpień 2002. http://dx.doi.org/10.3386/w9123.
Pełny tekst źródłaSchacht, Kayley, Deidre Gonçalves, Aaron Schmidt i Adam Smith. A History and Analysis of the WPA Exhibit of Black Art at the Fort Huachuca Mountain View Officers’ Club, 1943–1946. Engineer Research and Development Center (U.S.), czerwiec 2023. http://dx.doi.org/10.21079/11681/47184.
Pełny tekst źródłaMalinowski, Owen, Scott Riccardella i Jason Van Velsor. PR-335-203810-R03 CT Fundamentals with Calibration and Reference Standards for Pipeline Anomaly Detection. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), marzec 2022. http://dx.doi.org/10.55274/r0012216.
Pełny tekst źródłaJiang, Xiaowei, i John Cherry. History and Hydraulics of Flowing Wells. The Groundwater Project, 2023. http://dx.doi.org/10.21083/cpet1503.
Pełny tekst źródłaMelnyk, Andriy. «Ареопагітика» Джона Мілтона і теорія вільного ринку ідей. Ivan Franko National University of Lviv, marzec 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11732.
Pełny tekst źródłaDesign in 20th Century Barcelona: From Gaudí to the Olympic Games. Inter-American Development Bank, luty 1997. http://dx.doi.org/10.18235/0006404.
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