Gotowe bibliografie tematyczne / Art in interior decoration

Gotowa bibliografia na temat „Art in interior decoration”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 28 lipca 2024

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Artykuły w czasopismach na temat "Art in interior decoration"

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Zadorozhny, Bogdan. "THE ROLE OF STAINED WINDOWS IN MODERN RESIDENTIAL INTERIOR DECORATION". Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 2024, nr 1 (17.05.2024): 67–72. http://dx.doi.org/10.23939/sa2024.01.067.

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Stained glass has attracted the attention of art critics and scientists for centuries. Stained glass art plays a special artistic role in decorating windows, doors, and ceilings. In addition to the traditional use of stained glass windows, they are used in the design of modern interiors. Although stained-glass windows are not a common design solution in interior design, they are increasingly used for their individualization in modern decoration. In the process of researching decorative decoration of modern interiors with the use of stained glass, new techniques and technologies of their implementation, compositional solutions, their color range were considered, and the main features of artistic expression were revealed. In modern interiors of residential premises, you can find stylized decorative and ornamental stylized stained-glass compositions, which are characterized by a linear division of the glass canvas with the use of faceted glass elements. With the help of stained glass windows, the space of the living room is filled with warm or cold, monochrome or polychrome colors, which enhances the visual perception of certain interior elements. Stained glass compositions using traditional and modern production technologies were analyzed and their role in modern interior design was determined.
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Liu, Shan, Yun Bo i Lingling Huang. "Application of Image Style Transfer Technology in Interior Decoration Design Based on Ecological Environment". Journal of Sensors 2021 (25.11.2021): 1–7. http://dx.doi.org/10.1155/2021/9699110.

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With the further development of the social economy, people pay more attention to spiritual and cultural needs. As the main place of people’s daily life, the family is very important to the creation of its cultural atmosphere. In fact, China has fully entered the era of interior decoration, and people are paying more and more attention to decorative effects and the comfort and individual characteristics of decoration. Therefore, it is of practical significance to develop the application of decorative art in interior space design. However, the transfer effect of current interior decoration art design tends to be artistic, which leads to image distortion, and image content transfer errors are easy to occur in the process of transfer. The application of image style transfer in interior decoration art can effectively solve such problems. This paper analyzes the basic theory of image style transfer through image style transfer technology, Gram matrix, and Poisson image editing technology and designs images from several aspects such as image segmentation, content loss, enhanced style loss, and Poisson image editing constrained image spatial gradient. The application process of style transfer in interior decoration art realizes the application of image style transfer in interior decoration art. The experimental results show that the application of image style transmission in interior decoration art design can effectively avoid the contents of the interior decoration errors and distortions and has a good style transfer effect.
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Gurzhii, I. "DECORATIVE CERAMICS AS A BRANCH OF MODERN ART". Aesthetics and Ethics of Pedagogical Action, nr 29 (14.06.2024): 100–111. http://dx.doi.org/10.33989/2226-4051.2024.29.306146.

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The article examines decorative arts as a type of visual arts that focuses on works of art creation, with the aim of decorating and giving them aesthetic appeal, as well as objects of a purely exhibition nature. Decorative ceramics are divided into the following types: exterior, interior, and exhibition, and have two directions of development: traditional and academic. Modern Ukrainian decorative ceramics is characterized as an essential branch of decorative arts that developed based on millennial traditions and has its territorial features. It has been found that the technique of making modern decorative ceramics can be divided into forming and decorating. Traditional decorative ceramics are formed by the method of sculpting by hand and on the potter’s wheel. Academic ceramics have broader possibilities of formation, such as sculpting, pottery, pressing or casting in plaster molds, layer formation, and 3D printing. The decoration of modern decorative ceramics is quite diverse, but the traditional techniques remain unchanged. They are engobe, ceremony, pasting, smearing with water. For academic decorative ceramics, a variety of decoration methods, both traditional and experimental, are used. The methods are the following: engobing, etching, pasting, coating with water, painting with metal oxides, painting with metal salts, painting under watercolor paints, painting over watercolor paints, painting with precious metal products and chandeliers It has been found that the artists do not limit their possibilities in academic ceramics. They are not bound by traditional decoration methods. Artists can do whatever they fantasize about, while in traditional ceramics, they must stick to regional features in the methods of decoration and formation.
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Chen, Xiao Jun, i Fu Ting Wang. "Soft Furnishing Material in Interior Space". Applied Mechanics and Materials 271-272 (grudzień 2012): 1257–60. http://dx.doi.org/10.4028/www.scientific.net/amm.271-272.1257.

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In the case of the improving economic, people no longer pursue luxury and the copies of other homes in house decoration, but have a higher spiritual level requirements. Interior soft decoration has become an unavoidable mean of decoration in modern house decoration and the important direction of interior decoration. The interior soft decoration art is a dynamic art. Its unity can bring vitality to space and build an ideal interior environment that is full of culture taste and comfort. Interior soft decoration will be the future development of housing decoration industry and the popular trend.
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Kuleeva, Lyailya, Tatyana Burova, Ludmila Listovskaya, Ilseyar Saifullina i Ainaz Ibragimova. "The art of craft in the interior". E3S Web of Conferences 274 (2021): 01029. http://dx.doi.org/10.1051/e3sconf/202127401029.

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In relation to the most characteristic architectural styles and movements, this paper discusses the issues of creation and development of artistic crafts that influence the formation and decoration of interior space. The evolution of crafts from a purely utilitarian activity to a form of decorative and applied art used to transform the interior environment by holistic and functional means is being considered through the lens of subjectspatial and functional-artistic organization.
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Yi, Rui. "Interior Decoration Materials’ Potentialities for Artistic Originality". Applied Mechanics and Materials 71-78 (lipiec 2011): 967–71. http://dx.doi.org/10.4028/www.scientific.net/amm.71-78.967.

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Building materials for decoration are carriers for space art design to represent language, are material foundation for environment art design. Selection of materials is the basic matter for study of design. So, only by getting a full understanding of the properties of decoration materials, making good use of their advantages through reasonable selection and flexible collocation, and with respect to the available space environment, can materials perfectly perform their functions, thus fulfill the demand of interior space design. Art design and materials are interactional. The realization of art design depends upon materials and materials can get life with excellent design. By starting from the use of physical appearance of materials, we can dig out interior decoration materials’ potentialities for originality, and break through traditional way of design expression, and set up new concepts about how to use decoration materials.
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Chen, Chen. "Research on the Application of Chinese Traditional Elements in Contemporary Interior Design". Lifelong Education 9, nr 6 (28.09.2020): 103. http://dx.doi.org/10.18282/le.v9i6.1312.

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China has a long history of history and culture, and it has gathered a variety of cultural elements and symbols in the long history. The cultural connotation and spiritual heritage presented by traditional Chinese decorative elements provide a source and motivation for the innovative development of the modern decoration industry. Therefore, drawing on traditional elements to carry out innovative exploration of the art design has become an important outlet for the development of the industry. This article aims at exploring a sustainable development path for China’s art design field by analyzing the current application of traditional Chinese elements in contemporary interior decoration design.
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Khan, Romana Yasmin, Kangli Ren, Wei Gan i Zain ul Wahab. "Maintaining Pakistani Cultural Traditional Decorative Elements Blending and Adoption Different Decorating Style Approach". International Journal of Social Science Studies 7, nr 3 (13.03.2019): 24. http://dx.doi.org/10.11114/ijsss.v7i3.4138.

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Pakistani culture has the capacity to adopt multi-cultural values and décor practices in the society. With the gradual improvement of the living environment, people are pursuing more satisfaction and spiritual meaning the current interior decoration style in Pakistan considers a mix and match style. People in Pakistan cannot absolutely consider adopting a pure one style. Interior decoration is considered as primary to traditional living culture with distinctive cultural ideas, filling in the use of the latest style of thinking. The purpose of this study is to explore the development and current status of interior decoration styles in modern Pakistan and to collect background information on the current interior design decoration style and application of traditional elements in decoration.Also, investigate the extent of application of traditional thoughts in modern houses, their incorporation and blend with contemporary architecture so that the cultural values and the elements of traditional interior décor art and craft are not endangered. Study reveals that Pakistani interior décor style is the foremost interesting and attention-grabbing to work with because of the variations within the culture, splendid history and art and craft across the country.
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Xia, Zhongyuan. "Historical examples and modern application of the "Chinese style" in the art of British interior design". Культура и искусство, nr 5 (maj 2024): 15–24. http://dx.doi.org/10.7256/2454-0625.2024.5.70575.

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"Chinese style" is a new form of combining Chinese and Western styles, formed on the basis of Western decorative art after a large number of Chinese exported works of art were imported to Europe in the XVII—XVIII centuries. The article takes the famous British country estate of the XVIII century as a starting point, and combines the relevant elements of interior decoration to analyze the influence of Chinese design on British decorative patterns and decorative techniques. "Chinese Style" is an innovative combination of Chinese and Western art based on Western decorative techniques.The article also analyzes the influence of the Chinoiserie style as a new art form combining traditional Chinese elements with Western forms on British decorative methods, with an emphasis on a specific study of this phenomenon.The purpose of the author of this study is to study and familiarize readers and the scientific community with the development and application of the "Chinese style" in British decorative methods of interior design. To achieve this goal, the author uses comparative historical, historical and cultural methods, iconographic method of description, as well as stylistic analysis, analyzes historical sources: historical documents, images, artifacts and literature. The research methodology includes a comprehensive approach to the study of the historical context and its impact on the formation of the British interiors. An empirical generalization of the material allows us to conclude about the significance of the above research and the influence of the "Chinese style" on modern decorative methods of interior design and design in Britain. The novelty of the research lies in the application of a combination of methods, analysis of historical forms to study this topic, which has been little studied in the segment of Russian historical science, which allowed us to obtain results that can arouse increased interest in the formation of the British interior among specialists. The author emphasizes the importance of the ability of design masters and architects to combine elements of Italian and British design to create a unique interior. The author's special contribution lies in the analysis of historical materials, practical examples of the successful application of the "Chinese style" in British interiors, which makes this article a valuable study for designers and lovers of interior art.
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Xiong, Qiqi, Bo Zhang, Yi Zheng i Xin Li. "Research on the Interior Decoration Characteristics of Peking Union Medical College Phase I Project". Journal of Architectural Research and Development 7, nr 1 (17.01.2023): 33–42. http://dx.doi.org/10.26689/jard.v7i1.4549.

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Peking Union Medical College was founded in the late Qing Dynasty and the early Republic of China. Since then, society and politics have been rapidly changing, and its architectural aesthetics reflect the idea of advocating the West and inheriting tradition. Through research and actual investigation, this paper summarizes the current status of its building from two aspects, interior decoration art and interior decoration technology, analyzes the interior decoration characteristics of Peking Union Medical College Phase I Project, and records the archives of Peking Union Medical College’s decoration technology.
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Rozprawy doktorskie na temat "Art in interior decoration"

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Chen, Yingzhu. "Art preference of healthcare staff in break room environments". Pullman, Wash. : Washington State University, 2009. http://www.dissertations.wsu.edu/Thesis/Fall2009/Y_Chen_111409.pdf.

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Thesis (M.A. in interior design)--Washington State University, December 2009.
Title from PDF title page (viewed on Jan. 28, 2010). "Department of Interior Design." Includes bibliographical references (p. 62-69).
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Hein, Dawn Michelle. "The art and craft of the interior". Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1209805.

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This thesis gives a voice to the call for a holistic approach to the preservation of commercial and particularly domestic architecture. Interior architecture is an important piece of the whole in need of consideration. Arts and Crafts interiors in the state of Indiana are considered in reference to this fact and the case studies chosen exemplify the connection between cultural history and the interior architecture and design.The Arts and Crafts Movement's philosophy worked to integrate the entire design with the surrounding site. The interior was the focus of the synthesized design and it is this emphasis that must be captured. The Midwest played an important role in the development of the Arts and Crafts Movement and central Indiana's interior residential architecture gives evidence to the movement's influential philosophy as well as social changes in the early twentieth century.An introduction to the Arts and Crafts Movement briefly discussing its history in England and the United States is provided as well as a discussion of the Movement's philosophy. Following the history is a chapter concerned with the Arts and Crafts influence in Indiana. Manufacturers and retailers are identified as well as products marketed. Architects and artisans are discussed. Next, a chapter identifies significant interior elements, furnishings, finishes and floor plans. Finally, four case studies are examined ranging from a self-built bungalow to an architect-designed estate. Floor plans, architectural features, and finishes are covered.
Department of Architecture
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Fowler, Smith Juliet. "Inhabiting space and place : from installation to the clinical setting". Thesis, View thesis View thesis, 2002. http://handle.uws.edu.au:8081/1959.7/25608.

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This paper explores the relationship between place in installation art and its relevance to the practice of placemaking in a hospital setting. The discussion draws on phenomenology, psychodynamic theory and contemporary art, in particular the author's art experience of places, their formal qualities and potential meanings, along with, an examination of what creates an embodied sense of being contained at home ( emotionally and physically). Some of the questions posed for discussion include; what is it about places that becomes inherent to memory and shapes its form? How do places impact on what we do there and who we are? Is place more significant in memory for a young child or someone in a vulnerable state of being (as in the hospital setting)? Process issues, along with physical outcomes, in installations and in the hospital projects are discussed.
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Gaier, Samantha. "Interior Decoration as Fine Art: Rachel Feinstein and The Sorbet Room, 2001". Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363604230.

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Fowler, Smith Juliet. "Inhabiting space and place : from installation to the clinical setting /". View thesis View thesis, 2002. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030506.102256/index.html.

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Lee, Ileana C. "Living space". Connect to this title online, 1986. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1106598599.

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Limbach, Holli E. "Hugo F. Huber, 1869-1934 Interior Decorator Stan Hywet Manor, Akron, Ohio". University of Akron / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=akron1272217507.

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Hamling, Tara. "Narrative and figurative imagery in the English domestic interior, c.1558-c.1640". Thesis, University of Sussex, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268689.

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Yu, Kopotienko V. "FEATURES OF ARCHITECTURE, INTERIOR DESIGN AND HOUSEHOLD GOODS OF NOVOMYRHOROD DISTRICT, KIROVOHRAD REGION OF UKRAINE". Thesis, ПОЛІТ.Сучасні проблеми науки.Гуманітарні науки:тези доповідей XVII Міжнародної науково-практичної конференції молодих учених і студентів:[y 2-x т.].Т.2(м.Київ,4-7 квітня 2017 р.)/[ред.кол.:В.М.Ісаєнко та ін.]; Національний авіаційний університет.-К.:НАУ,2017.-374 с, 2017. http://er.nau.edu.ua/handle/NAU/27732.

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Conclusions. The investigation has helped identify the peculiarities of the architecture, interior design and household goods of Novomyrhorod district, the formation peculiarities which correspond to the general stages of the country development. The most preserved buildings for their aesthetic value for the region are Elias Church and St. Nicholas Church, Anna Dmitrian hospital and Slatopolsky gymnasium.
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Vignon, Charlotte. "Londres – New York – Paris : le commerce d’objets d’art de Duveen Frères entre 1880 et 1940". Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040235.

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Pourquoi tant d’objets d’art décoratifs de collections européennes se trouvent-ils aujourd’hui dispersés aux quatre coins des Etats-Unis ? A partir de documents d’archives inédits et d’une lecture critique des sources, cette thèse appréhende l’exode du patrimoine européen vers les Etats-Unis du début du vingtième siècle à travers le parcours d’acteurs importants de ce phénomène : les marchands Joel, Henry et Joseph Duveen à la tête de la prestigieuse galerie d’objets d’art et de tableaux, Duveen Frères, établie à Londres et New York dès la fin du dix-neuvième siècle et en 1908 à Paris. Sont d’abord étudiés les stratégies commerciales qui projetèrent les Duveen à la première place du commerce d’objets d’art de l’époque (I). Vient ensuite une analyse précise du commerce d’objets d’art de la firme : celui des porcelaines de Chine, puis des meubles et objets d’art du dix-huitième siècle français et enfin des objets médiévaux et de la Renaissance (II). Finalement, est abordé, l’activité de décorateur de la firme (III)
Why are so many European objets d’art found in collections across the United States today ? This PhD dissertation explores the exodus of decorative arts objects originating from the private collections of Europe’s cultural elite at the beginning of the twentieth century by providing a new interpretation of unpublished archival materials and an in-depth study of the three key figures who contributed to this phenomenon : Joel, Henry, and Joseph Duveen of Duveen Brothers, the prestigious international art firm established in London and New York at the close of the nineteenth century, and in Paris in 1908. Beginning with an examination of the strategies employed by Duveen Brothers to monopolize the American art market and become the preeminent dealers of their time (I), this thesis is followed by a meticulously researched exploration of their dealings in Chinese porcelains, eighteenth-century French decorative arts, and medieval and Renaissance art (II), and concludes with a thorough analysis of the firm’s activities in the area of interior decoration (III)
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Książki na temat "Art in interior decoration"

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Campbell, Nina. The art of decoration. New York: Clarkson Potter, 1996.

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Peter, Thornton. The Italian Renaissance interior 1400-1600. London: Weidenfeld and Nicolson, 1991.

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Peter, Thornton. The Italian Renaissance interior, 1400-1600. New York: H.N. Abrams, 1991.

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Bourne, Jonathan. Lighting in the domestic interior: Renaissance to Art Nouveau. London: Sotheby's, 1991.

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Huang, Zhennan. Art deco of antique. Taipei: Connoisseur Art, 2000.

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Jeremy, Aynsley, Grant Charlotte i Arts & Humanities Research Council (Great Britain). Centre for the Study of the Domestic Interior, red. Imagined interiors: Representing the domestic interior since the Renaissance. London: V & A Pub., 2006.

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Marc, Kristal, red. Artistic interiors: Designing with fine art collections. New York: Stewart, Tabori & Chang, 2011.

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Zheng, Jing. Design intérieur: Art du style chinois = the art of Chinese style in interior design. Shengyang, Chine: LSTPH, 2006.

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Christina, Vervitsioti-Missoffe, red. French interiors: The art of elegance. Paris: Flammarion, 2008.

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Gere, Charlotte. Nineteenth-century decoration: The art of the interior. New York: H.N. Abrams, 1989.

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Części książek na temat "Art in interior decoration"

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Li, Xiuyun. "Research on the application of prefabricated interior wall leading interior art decoration". W Advances in Petrochemical Engineering and Green Development, 437–45. London: CRC Press, 2022. http://dx.doi.org/10.1201/9781003318569-62.

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Brecoulaki, Hariclia. "Greek Interior Decoration: Materials and Technology in the Art of Cosmesis and Display". W A Companion to Science, Technology, and Medicine in Ancient Greece and Rome, 672–92. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2016. http://dx.doi.org/10.1002/9781118373057.ch41.

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Dedek, Peter B. "The Feminization of Interior Decoration". W The Women Who Professionalized Interior Design, 31–46. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003041504-3.

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Robinson, Charles Mulford. "Temporary and Occasional Decoration." W Modern Civic Art, 355–75. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003101062-19.

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Finlay, James. "Recreating Historic Schemes of Interior Decoration". W Interior Finishes & Fittings for Historic Building Conservation, 173–86. Oxford, UK: Wiley-Blackwell, 2011. http://dx.doi.org/10.1002/9781444344837.ch13.

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Modesti, Adelina. "Architectural Patronage, Interior Design and Decoration". W Women’s Patronage and Gendered Cultural Networks in Early Modern Europe, 187–204. New York: Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9781315200125-9.

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Shanshan, Li. "Dualities of interior decoration companies in China". W Residential Architecture as Infrastructure, 297–327. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003018339-16.

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Feraudi-Gruénais, Francisca. "The Decoration of Roman Tombs". W A Companion to Roman Art, 429–51. Chichester, UK: John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781118886205.ch22.

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Hatchwell, Sophie. "Domesticity, Decoration and Role Play". W Performance and Spectatorship in Edwardian Art Writing, 97–114. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-17024-0_6.

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Richter, Anne Nellis, i Morna O’Neill. "Holiday decorations, commercialism, and nostalgia in the UK historic house interior". W Revisiting the Past in Museums and at Historic Sites, 66–87. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003147695-6.

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Streszczenia konferencji na temat "Art in interior decoration"

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Wenjin, Zhao. "Art Relationship between Theme Wall Decoration and Interior Space". W 2014 Conference on Informatisation in Education, Management and Business (IEMB-14). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/iemb-14.2014.9.

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Cai, Shasha. "Research on Interior Decoration of Residential Buildings in the Central Shaanxi Plain". W Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.80.

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Yang, Y. P., i Y. L. Ma. "A brief talk about the application and expression of floor decoration art in interior design". W 2015 International Conference on Social Science, Education Management and Sports Education. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/ssemse-15.2015.387.

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Zhao, Wenjin. "The Artistic Relationship Between Themed Wall Decoration and Interior Space". W 7th International Conference on Arts, Design and Contemporary Education (ICADCE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210813.017.

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Li, Yaodong. "A Brief Study on Sustainable Development of Interior Design and Decoration". W 2015 International Conference on Economics, Social Science, Arts, Education and Management Engineering. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/essaeme-15.2015.23.

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Zhang, Lingling. "Decorative Blown Glass in Interior Furnishing". W 2015 2nd International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-15). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icelaic-15.2016.145.

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Leshchyshyn, Maryna, Antonina Babych, Victoria Kernesh i Polina Bilous. "Use of Creative Methods and Untypical Materials in the Design of Fashion Industry Products". W The 9th International Conference on Advanced Materials and Systems. INCDTP - Leather and Footwear Research Institute (ICPI), Bucharest, Romania, 2022. http://dx.doi.org/10.24264/icams-2022.v.3.

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The article is to highlight and substantiate the results of scientific practical research, to prove in a theoretical and practical way the possibility of using upcycling technologies and non-typical used materials for the manufacture of modern designer functional and decorative and decorative (interior) products for the production of products of this segment, increasing the demand for products of Ukrainian designers. Innovative types of materials, manufacturing technologies and decoration of products of the fashion industry have been studied and analyzed. The question of the possibility of using used non-typical materials in the creation of modern collections of products of the fashion industry has been investigated. It was determined that the fashion industry in Ukraine is developing and being updated. This creative experiment made it possible to create an innovative niche for the designer’s vision of the world of fashion and aesthetics, which leads to creative experiments, the introduction of innovative materials and technology into the process of manufacturing products. Such creative experiments are necessary to emphasize the peculiarity and individuality of the designer, as well as to reflect his innovation and style. A sketch project of eco-style products has been developed. A collection of interior products for decorating rooms made of paper vines has been produced. A collection of women’s clothing decorated with accessories and shoes in an eco-style was developed and produced from used non-typical materials for this segment of products.
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Zhou, Xiao. "Application Analysis on Traditional Hangings Decorative Art in Modern Interior Design". W 2016 International Conference on Economy, Management and Education Technology. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icemet-16.2016.43.

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Толмачева, Н. Ю. "ON THE ISSUE OF DECORATION WITH SCULPTURE AND PAINTING OF ST. ISAAC’S CATHEDRAL (ON THE EXAMPLE OF THE DOME PYLON OF THE GREAT DOME)". W Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.03.

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Исследование посвящено уникальной работе, которая велась в 1844 г. при проектировании декоративного оформления интерьера Исаакиевского собора по настоянию О. Р. Монферрана. Были выполнены модели пилона и прилегающего к нему свода бокового нефа в натуральную величину. На этапе их создания все работы переделывались для достижения лучшей формы и соразмерности частей, пока не были одобрены Николаем I. Они находились в соборе, являясь образцами при создании уникального ансамбля мраморной и каменной облицовки, скульптурной пластики, живописи и архитектуры. В статье проанализирован процесс декорирования как блестящий пример синтеза искусства. Приведены фамилии мастеров и виды работ, позволившие довести до совершенства внутреннее убранство собора. The study is devoted to the unique work that was carried out in 1844 in the design of the interior decoration of St. Isaac’s Cathedral at the insistence of O. R. Montferrand. Life-size models of the pylon and the adjacent arches of the side nave were made. At the stage of their creation, all the works were redone to achieve a better shape and proportionality of the parts, until they were approved by Nicholas I. They were located in the cathedral, being examples in the creation of a unique ensemble of marble and stone cladding, sculptural plastics, painting and architecture. The article analyzes the decorating process as a brilliant example of the synthesis of art. The masters and types of work that made it possible to perfect the interior of the cathedral are given.
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Saihoo, Nam-oi. "THE STUDY OF COLOR SCHEME OF MURAL PAINTING AND DECORATION IN INTERIOR ARCHITECTURE (CASE STUDY: TEMPLES IN KHONKAEN)". W International Conference on Arts and Humanities. The International Institute of Knowledge Management (TIIKM), 2018. http://dx.doi.org/10.17501/icoah.2017.4103.

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Raporty organizacyjne na temat "Art in interior decoration"

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Hunter, Fraser, i Martin Carruthers. Iron Age Scotland. Society for Antiquaries of Scotland, wrzesień 2012. http://dx.doi.org/10.9750/scarf.09.2012.193.

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The main recommendations of the panel report can be summarised under five key headings:  Building blocks: The ultimate aim should be to build rich, detailed and testable narratives situated within a European context, and addressing phenomena from the longue durée to the short-term over international to local scales. Chronological control is essential to this and effective dating strategies are required to enable generation-level analysis. The ‘serendipity factor’ of archaeological work must be enhanced by recognising and getting the most out of information-rich sites as they appear. o There is a pressing need to revisit the archives of excavated sites to extract more information from existing resources, notably through dating programmes targeted at regional sequences – the Western Isles Atlantic roundhouse sequence is an obvious target. o Many areas still lack anything beyond the baldest of settlement sequences, with little understanding of the relations between key site types. There is a need to get at least basic sequences from many more areas, either from sustained regional programmes or targeted sampling exercises. o Much of the methodologically innovative work and new insights have come from long-running research excavations. Such large-scale research projects are an important element in developing new approaches to the Iron Age.  Daily life and practice: There remains great potential to improve the understanding of people’s lives in the Iron Age through fresh approaches to, and integration of, existing and newly-excavated data. o House use. Rigorous analysis and innovative approaches, including experimental archaeology, should be employed to get the most out of the understanding of daily life through the strengths of the Scottish record, such as deposits within buildings, organic preservation and waterlogging. o Material culture. Artefact studies have the potential to be far more integral to understandings of Iron Age societies, both from the rich assemblages of the Atlantic area and less-rich lowland finds. Key areas of concern are basic studies of material groups (including the function of everyday items such as stone and bone tools, and the nature of craft processes – iron, copper alloy, bone/antler and shale offer particularly good evidence). Other key topics are: the role of ‘art’ and other forms of decoration and comparative approaches to assemblages to obtain synthetic views of the uses of material culture. o Field to feast. Subsistence practices are a core area of research essential to understanding past society, but different strands of evidence need to be more fully integrated, with a ‘field to feast’ approach, from production to consumption. The working of agricultural systems is poorly understood, from agricultural processes to cooking practices and cuisine: integrated work between different specialisms would assist greatly. There is a need for conceptual as well as practical perspectives – e.g. how were wild resources conceived? o Ritual practice. There has been valuable work in identifying depositional practices, such as deposition of animals or querns, which are thought to relate to house-based ritual practices, but there is great potential for further pattern-spotting, synthesis and interpretation. Iron Age Scotland: ScARF Panel Report v  Landscapes and regions:  Concepts of ‘region’ or ‘province’, and how they changed over time, need to be critically explored, because they are contentious, poorly defined and highly variable. What did Iron Age people see as their geographical horizons, and how did this change?  Attempts to understand the Iron Age landscape require improved, integrated survey methodologies, as existing approaches are inevitably partial.  Aspects of the landscape’s physical form and cover should be investigated more fully, in terms of vegetation (known only in outline over most of the country) and sea level change in key areas such as the firths of Moray and Forth.  Landscapes beyond settlement merit further work, e.g. the use of the landscape for deposition of objects or people, and what this tells us of contemporary perceptions and beliefs.  Concepts of inherited landscapes (how Iron Age communities saw and used this longlived land) and socal resilience to issues such as climate change should be explored more fully.  Reconstructing Iron Age societies. The changing structure of society over space and time in this period remains poorly understood. Researchers should interrogate the data for better and more explicitly-expressed understandings of social structures and relations between people.  The wider context: Researchers need to engage with the big questions of change on a European level (and beyond). Relationships with neighbouring areas (e.g. England, Ireland) and analogies from other areas (e.g. Scandinavia and the Low Countries) can help inform Scottish studies. Key big topics are: o The nature and effect of the introduction of iron. o The social processes lying behind evidence for movement and contact. o Parallels and differences in social processes and developments. o The changing nature of houses and households over this period, including the role of ‘substantial houses’, from crannogs to brochs, the development and role of complex architecture, and the shift away from roundhouses. o The chronology, nature and meaning of hillforts and other enclosed settlements. o Relationships with the Roman world
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