Gotowe bibliografie tematyczne / Art Gallery OYU

Spis treści

  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Streszczenia konferencji

Gotowa bibliografia na temat „Art Gallery OYU”

Autor: Grafiati
Data publikacji: 26 lipca 2024

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Artykuły w czasopismach na temat "Art Gallery OYU"

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Sarale, Agnès, Hironori Yagi, Menelaos Gkartzios, and Keishi Ogawa. "ART FESTIVALS AND RURAL REVITALIZATION: ORGANIZING THE OKU-NOTO TRIENNALE IN JAPAN." Journal of Asian Rural Studies 4, no. 1 (2020): 23. http://dx.doi.org/10.20956/jars.v4i1.1662.

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Organizing rural art festivals is considered an effective intervention in support of rural revitalization in the face of aging and population decline in Japan. Several studies have identified the impacts of art festivals on economic and social rural development internationally. Little research, however, has focused on the management process of such festivals. The objective of this paper is to identify and examine the management processes crucial to an arts festival’s success, especially in terms of preparation, organization and community outreach. We focus on the first edition of the Oku-Noto
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Adejuwon, Akinsola. "The Art and life of Alàgbà Fálétí – A Pic torial, Art and Artifacts Exhibition in Honor of Alàgbà Adébáyọ̀ Fálétí (1921- 2017) curated by Akinsola Adejuwon and Seyi Ogunjobi". Yoruba Studies Review 3, № 2 (2021): 1–7. http://dx.doi.org/10.32473/ysr.v3i2.129995.

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Alàgbà Adébáyọ Fálétí to generations both in “town and gown” is a Yorùbá ̀ iconic cultural statement. His life was a window to different historical epochs in Nigeria. A life that spanned and recorded historical trajectories of early colonial, decolonisation, independent movement, First and Second World Wars, and Nigerian Civil War, Military and Civilian Rules experiences of Nigeria, is worth studying. The Institute of Cultural Studies, Obafemi Awolowo University Ile Ife in recognition of the deep engraving of the footprints of Fálétí in the sands of Yorùbá, indeed African times, called for bef
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Ariska, Ira. "BENTUK PENYAJIAN TARI KIPAS OLEH SANGGAR SENI DUAGHA DI KECAMATAN WARKUK RANAU SELATAN KABUPATEN OKU SELATAN." Besaung : Jurnal Seni Desain dan Budaya 5, no. 2 (2020). http://dx.doi.org/10.36982/jsdb.v5i4.1201.

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<p><em>Fan Dance is one of the dance creations that exist in the district of South OKU, which until now is still held high by the community as a tradition directed at the South OKU district precisely Ranau area because this dance is only used for entertainment such as during weddings, circumcision, and so on.</em><em> </em><em>The purpose of this research is to know and describe the form of presentation of fan dance by Art Gallery Duagha in District Warkuk Ranau Selatan South OKU District. In this research researchers use qualitative descriptive research met
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BEYDİZ, Mustafa Gürbüz. "FROM MYTHOS TO IMAGINARY LOGOS: SOME PAINTING OF BEDRI RAHMI EYUBOĞLU." Turkish Online Journal of Design Art and Communication, February 28, 2023. http://dx.doi.org/10.7456/tojdac.1249556.

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Hangi Alandan Hakem Atanmalı: Sanat, Sanat Tarihi
 
 MİTOSTAN İMGESEL LOGOSA: BEDRİ RAHMİ EYUBOĞLU’NUN BAZI RESİMLERİ
 
 Doç. Dr. Mustafa Gürbüz BEYDİZ 
 Çankırı Karatekin Üniversitesi, Türkiye 
 beydizg@gmail.com
 https://orcid.org/0000-0002-8196-4105
 
 ÖZ 
 Mitoslar içinden çıktığı toplumun kültürel izlerini taşıdığı gibi coğrafyalar aşarak farklı toplumlarda da yeni bir kimliğe bürünerek geleceğe aktarılmıştır. Aynı zamanda bu anlatılar zaman içinde de değişebilmektedir. Sanatçı da içinden yetiştiği toplumun bir bireyi olarak eserlerinde de
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Rozprawy doktorskie na temat "Art Gallery OYU"

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Dedryver-Person, Françoise. "Etude de la variabilité dans les relations hôtes-parasites liant les espèces ou variétés de céréales à paille ou (et) de graminées fourragères au nématode à kyste Heterodera avenae Woll. et au nématode à Galle meloigogyne naasi." Grenoble 2 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb376043187.

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Streszczenia konferencji na temat "Art Gallery OYU"

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Giachino, Virginie, and Philippe Massonnet. "À tort ou à raison." In ACM SIGGRAPH 2006 Art gallery. ACM Press, 2006. http://dx.doi.org/10.1145/1178977.1179098.

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Rozestraten, Artur Simões. "Aspectos da representação e do processo projetual em Hélio Oiticica: aproximações com a arquitetura." In Encontro de História da Arte. Universidade Estadual de Campinas, 2009. http://dx.doi.org/10.20396/eha.5.2009.4031.

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No texto que compôs para o catálogo de sua exposição na Whitechapel Gallery em Londres em 1969, Hélio Oiticica usou o conceito de “campus experimental” para se referir à sua instalação “Éden”. Com esse conceito o artista sugeria uma fusão entre espaço – como campo, terreno ou território –, e tempo como ação contínua, deslocamento, processo de caráter especulativo, tentativa ou ensaio. O conceito, além de qualificar a instalação Éden como lugar construído para experimentações estéticas, caracterizava também e, sobretudo, o próprio processo de trabalho formativo do artista.
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