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Artykuły w czasopismach na temat "Art critics"
Goodwin, C. D. "The Economics of Art through Art Critics' Eyes". History of Political Economy 31, Supplement (1.01.1999): 157–84. http://dx.doi.org/10.1215/00182702-31-supplement-157.
Pełny tekst źródłaHAUSKELLER, MICHAEL. "The Art of Misunderstanding Critics". Cambridge Quarterly of Healthcare Ethics 25, nr 1 (styczeń 2016): 153–61. http://dx.doi.org/10.1017/s0963180115000407.
Pełny tekst źródłaGreeniaus, Elizabeth. "Vernon Lee: Art Lover". ELH 91, nr 1 (marzec 2024): 123–48. http://dx.doi.org/10.1353/elh.2024.a922011.
Pełny tekst źródłaSiegesmund, Richard. "Art education and art world". Visual Inquiry 10, nr 2 (1.08.2021): 253–55. http://dx.doi.org/10.1386/vi_00049_1.
Pełny tekst źródłaLevy, Emanuel. "Art Critics and Art Publics: A Study in the Sociology and Politics of Taste". Empirical Studies of the Arts 6, nr 2 (lipiec 1988): 127–48. http://dx.doi.org/10.2190/9cw3-kxhe-g921-yapw.
Pełny tekst źródłaWidyaevan, Dea Aulia. "Kajian Kritik Seni Instalasi Tisna Sanjaya - “32 Tahun Berpikir dengan Dengkul”". JURNAL RUPA 2, nr 1 (10.01.2018): 13. http://dx.doi.org/10.25124/rupa.v2i1.752.
Pełny tekst źródłaCurtin, Brian. "Critical Mess: Art Critics on the State of Their Practice". Circa, nr 122 (2007): 108. http://dx.doi.org/10.2307/25564881.
Pełny tekst źródłaBarrett, Terry. "Art is". Visual Inquiry 10, nr 2 (1.08.2021): 233–35. http://dx.doi.org/10.1386/vi_00032_1.
Pełny tekst źródłaFendt, Gene. "Camus and Aristotle on the Art Community and its Errors". Labyrinth 22, nr 2 (17.02.2021): 40. http://dx.doi.org/10.25180/lj.v22i2.236.
Pełny tekst źródłaFrost, Charlotte. "Digital Critics: The Early History of Online Art Criticism". Leonardo 52, nr 1 (luty 2019): 37–43. http://dx.doi.org/10.1162/leon_a_01379.
Pełny tekst źródłaRozprawy doktorskie na temat "Art critics"
COUTO, RENATA DE CAMPOS. "GONZAGA DUQUE: CRITICS ART AND THE EXPERIENCE OF MODERNITY". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2007. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=11401@1.
Pełny tekst źródłaA presente dissertação propõe analisar a atuação de Gonzaga Duque como crítico de arte. Este trabalho reconstrói o percurso das influências estéticas que compuseram o universo teórico de referência para a atuação de Gonzaga Duque como crítico de arte. Esse estudo aborda com maior ênfase o engajamento simbolista do autor, mas igualmente compõe um quadro de diferentes fontes e experiências críticas citando artistas e críticos contemporâneos de seu período, como por exemplo, Baudelaire, Zola e Ruskin. Este estudo indica que Gonzaga Duque conseguia realizar uma crítica ao mesmo tempo experimental e teórica e que nutria essa certa generosidade de se manter sempre aberto aos desafios do presente, conseguindo forjar uma concepção singular de modernidade. A dissertação também se propõe analisar os artigos de crítica de arte referentes a alguns artistas relevantes no período, realizando uma análise formal concomitante com o texto do autor. Dessa forma, esse estudo permite pensar as amplitudes, mas também os limites da crítica de arte, principalmente no que tange a compreensão de certa modernidade plástica, não incorporada pelo autor, explicitando a sua condição de sujeito circunscrito no seu meio cultural. O estudo permite pensar as especificidades deste período histórico compondo um cenário social e cultural, com seus principais referenciais, indicando os aspectos singulares que permitiu ao Gonzaga Duque realizar uma crítica prol de um alargamento das fronteiras da visualidade na arte brasileira.
The present dissertation aims to analyze the performance of Gonzaga Duque as an art critic. This work reconstructs the trajectory of the aesthetic influences that had composed the theoretical universe of reference for the performance of Gonzaga Duque as an art critic. This study emphasizes the relationship of the author with the Symbolism, but equally approaches different sources and critical experiences involving contemporaries` artists and critics with relevance for its period, such as Baudelaire, Zola and Ruskin. This study indicates that Gonzaga Duque has a successful acting as critic, performing at the same time experimental and a theoretical analysis opened to the challenges of the present, building a singular conception of modernity. The dissertation also aims to analyze the art reviews themselves with peculiar emphasis to some relevant artists in the period. This study it allows the meditation about the amplitude, but also the limits of the critic, mainly referring to the comprehension of a certain plastic modernity, not incorporated by the author. Finally, the study allows thinking the specificities of this historical period composing a social and cultural scene, with its main elements, indicating the singular aspects that allowed to the Gonzaga Duque to cross the borders of the Brazilian art.
Schlenker, Sabine. "Mit dem "Talent der Augen": Der Kunstkritiker Emil Heilbut (1861-1921) : ein Streiter für die moderne Kunst im Deutschen Kaiserreich". Kromsdorf VDG Weimar, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2929791&prov=M&dokv̲ar=1&doke̲xt=htm.
Pełny tekst źródłaChristofides, Sheila School of Art History & Theory UNSW. "The intransigent critic: reconsidering the reasons for Clement Greenberg???s formalist stance from the early 1930s to the early 1970s". Awarded by:University of New South Wales. School of Art History and Theory, 2004. http://handle.unsw.edu.au/1959.4/20562.
Pełny tekst źródłaClark, Lenore. "Forbes Watson : independent revolutionary /". Full-text version available from OU Domain via ProQuest Digital Dissertations, 1995.
Znajdź pełny tekst źródłaPotter, Matthew Charles. "The critical turn in British art : the influences of German idealism on British art critics, theorists and practitioners in the late nineteenth century". Thesis, Birkbeck (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.416017.
Pełny tekst źródłaGurciullo, Sebastian 1968. "Between art and philosophy : Adorno and Foucault as heirs and critics of Enlightenment". Monash University, School of Literary, Visual and Cultural Studies, 2000. http://arrow.monash.edu.au/hdl/1959.1/7662.
Pełny tekst źródłaLee, Sun-Young Won. "A metacriticaul analysis of contemporary ant critics' practices: Lawrence Alloway, Donald Kuspit and Robert Pincus-Witten for developing a unit for teaching art criticism". The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1281642549.
Pełny tekst źródłaViselgė, Vita. "Galimybė Nr.4". Master's thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2013~D_20130805_102700-69467.
Pełny tekst źródłaWhitham, G. J. "The independent group at the Institute of Contemporary Arts : its origins, development and influences 1951-1961". Thesis, University of Kent, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.244238.
Pełny tekst źródłaTzoumakas, Dēmētrēs (Dimitris). "Ho hermaphroditos tou kēpou tōn grammatōn : hē synklisē poiētikou kai kritikou logou sto ergo tou Nikola Kalas". Thesis, The University of Sydney, 1999. https://hdl.handle.net/2123/27932.
Pełny tekst źródłaKsiążki na temat "Art critics"
Crawford, Holly. Outsourced critics & critical conversations in a limo. New York, NY: AC Books, 2013.
Znajdź pełny tekst źródłaTan, Chee Khuan. A criticism of art critics. Penang: The Art Gallery, 2002.
Znajdź pełny tekst źródłaMahsun, Carol Anne Runyon. Pop art and the critics. Ann Arbor, Mich: UMI Research Press, 1987.
Znajdź pełny tekst źródłaFō̜ngsamut, ʻAk. Brand New 2010 art project & art critics: Khrōngkān sinlapakam. Bangkok: Bangkok University Gallery, 2010.
Znajdź pełny tekst źródłaTomorrow, Korea. Brilliant critics .: 10 curators 10 artists. Korea: Korea Tomorrow, 2017.
Znajdź pełny tekst źródłaLü, Qingfu. Yi ping jia qun xiang =: Art criticism and art critics. [Taibei]: Guo li li shi bo wu guan, 1997.
Znajdź pełny tekst źródła1955-, Rubinstein Raphael, red. Critical mess: Art critics on the state of their practice. Lenox, Mass: Hard Press Editions, 2006.
Znajdź pełny tekst źródłaRubinstein, Raphael. Critical mess: Art critics on the state of their practice. Lenox, MA: Hard Press Editions, 2006.
Znajdź pełny tekst źródłaStefano, Casciani, red. Pierre Restany: Il critico come artista = the critic that was an artist. Rozzano (Milano): Domus, 2004.
Znajdź pełny tekst źródłaSweden) Pressures on art criticism (2004 Moderna museet Stockholm. Pressures on art criticism: What is an independent art critic today? Lund: The Swedish Art Critics Association Press, 2009.
Znajdź pełny tekst źródłaCzęści książek na temat "Art critics"
Jones, Michaela. "Art Critics". W The Palgrave Encyclopedia of Victorian Women's Writing, 1–9. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-02721-6_253-1.
Pełny tekst źródłaJones, Michaela. "Art Critics". W The Palgrave Encyclopedia of Victorian Women’s Writing, 67–75. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78318-1_253.
Pełny tekst źródłaShusterman, Richard. "Art as Religion". W Danto and his Critics, 249–66. Oxford, UK: Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781118253045.ch15.
Pełny tekst źródłaSolomon, Robert C., i Kathleen M. Higgins. "Atomism, Art, and Arthur". W Danto and his Critics, 172–96. Oxford, UK: Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781118253045.ch11.
Pełny tekst źródłaShapiro, Gary. "Art and Its Doubles". W Danto and his Critics, 197–214. Oxford, UK: Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781118253045.ch12.
Pełny tekst źródłaCarroll, Noël. "Danto's New Definition of Art and the Problem of Art Theories". W Danto and his Critics, 146–52. Oxford, UK: Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781118253045.ch9.
Pełny tekst źródłaRollins, Mark. "The Invisible Content of Visual Art". W Danto and his Critics, 41–54. Oxford, UK: Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781118253045.ch3.
Pełny tekst źródłaMenshikova, Anastasiia, Daria Maglevanaya, Margarita Kuleva, Sofia Bogdanova i Anton Alekseev. "Art Critics and Art Producers: Interaction Through the Text". W Communications in Computer and Information Science, 113–24. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-02846-6_9.
Pełny tekst źródłaCohen, Ralph. "The Appeals to the Past: Critics and Audiences". W The Art of Discrimination, 381–439. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003251071-8.
Pełny tekst źródłaGodlovitch, Stan. "Aesthetes, critics, and the aesthetic attitude*". W Aesthetics and the Philosophy of Art, 78–90. Abingdon, Oxon; New York: Routledge, 2021.: Routledge India, 2021. http://dx.doi.org/10.4324/9781003094401-7.
Pełny tekst źródłaStreszczenia konferencji na temat "Art critics"
Gomyreva, Olena. "THE ISSUE OF COLOR STUDIES IN TEACHING THE ANALYSIS OF WORKS OF ART FOR ART CRITICS". W EDUCATION AND SCIENCE OF TODAY: INTERSECTORAL ISSUES AND DEVELOPMENT OF SCIENCES. European Scientific Platform, 2022. http://dx.doi.org/10.36074/logos-09.12.2022.79.
Pełny tekst źródłaSlamova, Karolina. "CZECH LITERARY CRITICISM FROM THE EXILE PERSPECTIVE". W 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s28.05.
Pełny tekst źródłaSlamova, Karolina. "CZECH LITERARY CRITICISM FROM THE EXILE PERSPECTIVE". W 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s10.05.
Pełny tekst źródłaMalcoci, Vitalie. "Scenographic art from Moldova - beginnings and evolutions". W Conferința științifică internațională Patrimoniul cultural: cercetare, valorificare, promovare. Ediția XIV. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/pc22.03.
Pełny tekst źródłaNi, Yao, Dandan Song, Xi Zhang, Hao Wu i Lejian Liao. "CAGAN: Consistent Adversarial Training Enhanced GANs". W Twenty-Seventh International Joint Conference on Artificial Intelligence {IJCAI-18}. California: International Joint Conferences on Artificial Intelligence Organization, 2018. http://dx.doi.org/10.24963/ijcai.2018/359.
Pełny tekst źródłaSimonsen, Talette. "The Photo book as Symphony – Ronchamp as Sculpture: Re-composing Architectural Photography". W LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.935.
Pełny tekst źródła"Critical art/interactive art/virtual art". W the 20th annual conference, Chair Timothy Druckrey. New York, New York, USA: ACM Press, 1993. http://dx.doi.org/10.1145/166117.166176.
Pełny tekst źródła"[Cover art]". W 2012 Second Brazilian Conference on Critical Embedded Systems (CBSEC). IEEE, 2012. http://dx.doi.org/10.1109/cbsec.2012.30.
Pełny tekst źródłaYuwono, Untung, i Bernadette Kushartanti. "THE POWER OF ONLINE MEDIA: CRITICAL DISCOURSE ANALYSIS OF SECURITY CRITICS". W International Conference on Arts and Humanities. The International Institute of Knowledge Management - TIIKM, 2018. http://dx.doi.org/10.17501/icoah.2017.4202.
Pełny tekst źródłaCoulter, Daniel R., Steven A. Macenka, Mark T. Stier i Roger A. Paquin. "ITTT: a state-of-the-art ultralightweight all-Be telescope". W Critical Review Collection. SPIE, 1997. http://dx.doi.org/10.1117/12.279810.
Pełny tekst źródłaRaporty organizacyjne na temat "Art critics"
Muñoz Molina, Antonio. Cervantes and the Art of Storytelling. Inter-American Development Bank, maj 2005. http://dx.doi.org/10.18235/0007955.
Pełny tekst źródłaHaith, Michael E. CINC-ronization (Synchronization): The Critical Tenet in Future Operational Art. Fort Belvoir, VA: Defense Technical Information Center, maj 1990. http://dx.doi.org/10.21236/ada234163.
Pełny tekst źródłaAston, Thomas, i Marina Apgar. The Art and Craft of Bricolage in Evaluation. Institute of Development Studies, październik 2022. http://dx.doi.org/10.19088/ids.2022.068.
Pełny tekst źródłaAisbett, Emma. Why are the Critics so Convinced that Globalization is Bad for the Poor? Cambridge, MA: National Bureau of Economic Research, styczeń 2005. http://dx.doi.org/10.3386/w11066.
Pełny tekst źródłaComstock, Andrew, Todd Benson i Flora Nankhumi. A critical review of Malawi’s Special Crops Act and Agriculture (General Purposes) Act. Washington, DC: International Food Policy Research Institute, 2019. http://dx.doi.org/10.2499/p15738coll2.133043.
Pełny tekst źródłaThursby, Jerry, i Marie Thursby. Are Faculty Critical? Their Role in University-Industry Licensing. Cambridge, MA: National Bureau of Economic Research, wrzesień 2003. http://dx.doi.org/10.3386/w9991.
Pełny tekst źródłaDURRNAT-WHYTE, HUGH. A Critical Review of the State-of-the-Art in Autonomous Land Vehicle Systems and Technology. Office of Scientific and Technical Information (OSTI), listopad 2001. http://dx.doi.org/10.2172/792867.
Pełny tekst źródłaDouglas, Mitchel, i John Lindgren. Hypersonic Weapons Technology for the Time Critical Mobile Ground Threat A State-of-the-Art Review,. Fort Belvoir, VA: Defense Technical Information Center, styczeń 1999. http://dx.doi.org/10.21236/ada361137.
Pełny tekst źródłaRiedel, Sharon L., Ray A. Morath i Timothy P. McGonigle. Training Critical Thinking Skills for Battle Command: ARI Workshop Proceedings. Fort Belvoir, VA: Defense Technical Information Center, lipiec 2001. http://dx.doi.org/10.21236/ada400824.
Pełny tekst źródłaSeybold, Patricia. Are You Handling Content Management as a Customer-Critical Issue? Boston, MA: Patricia Seybold Group, lipiec 2005. http://dx.doi.org/10.1571/psgp7-23-05cc.
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