Gotowe bibliografie tematyczne / Art as proposition

Spis treści

  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Książki
  4. Części książek
  5. Streszczenia konferencji
  6. Raporty organizacyjne

Gotowa bibliografia na temat „Art as proposition”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 9 lutego 2022

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Artykuły w czasopismach na temat "Art as proposition"

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Paul Deharme and Anke Birkenmaier. ""Proposition for a Radiophonic Art”." Modernism/modernity 16, no. 2 (2009): 406–13. http://dx.doi.org/10.1353/mod.0.0102.

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Hulks, David. "World Art Studies: a radical proposition?" World Art 3, no. 2 (September 2013): 189–200. http://dx.doi.org/10.1080/21500894.2013.823886.

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Anke Birkenmaier. ""Proposition for a Radiophonic Art": Introduction." Modernism/modernity 16, no. 2 (2009): 403–5. http://dx.doi.org/10.1353/mod.0.0090.

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Hidayat, Desman, Apriani Kurnia Suci, and Gita Khadijatu Saliha. "Market Segmentation, Customers, and Value Propositions Analysis for Polymer Clay Art Business Start-Up." Binus Business Review 7, no. 1 (May 30, 2016): 89. http://dx.doi.org/10.21512/bbr.v7i1.1488.

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Polymer clay art is one of the creative businesses that are recently starting to get a lot of attentions. To prepare a startup business in this field, analysis from a lot of aspects is needed. The purpose of this article was to explain the approach of the polymer clay art business startup from the market segmentation, customer, and value proposition side of the business. The method was applied by analyzing those steps in details. The analysis started from brainstorming to choose the market matching to business, the customer side, value proposition, and between both aspects. The result of the a
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Laguarda, Alice. "Art et Politique." Emulations - Revue de sciences sociales, no. 9 (September 10, 2018): 57–68. http://dx.doi.org/10.14428/emulations.009.004.

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Le développement de pratiques artistiques participatives, relationnelles et contextuelles au sein des sociétés capitalistes démocratiques s’accompagne de multiples modes de relations entre l'artiste et le public. Mais nombre de ces propositions semblent s’être perdues dans la complexité de la matière sociale, propice à la confusion entre animation socio-culturelle, instrumentalisation du public et des artistes ou esthétique compassionnelle. Faut-il en déduire alors que l’artiste est condamné à n’être qu’un professionnel de la communication, qu’un thérapeute des maux de la société ? La poussée
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Yap, Sau Bin. "Artist as Purveyor of Meanings: Notes, Proposition and Reprise." International Journal of Creative Multimedia 1, no. 1 (May 18, 2020): 32–38. http://dx.doi.org/10.33093/ijcm.2020.1.1.5.

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This essay is based on the author’s thoughts and notes taken over the years as an art practitioner. It is driven by referencing various texts on art theory, philosophy and criticism. Importantly it is influenced by the author’s own practice as an artist and artistic idea (gnosis). By adapting the notion of the artist as “purveyor of meanings"–the text discusses learning as a syncretic idea build on explorative intuition (and reaction) towards exposure to disparate type, style and approach of art forms. Notably, the discussion is presented in a performative manner by writing to ask, “What do I
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Fillis, Ian, Kim Lehman, and Morgan P. Miles. "The museum of old and new art." Journal of Vacation Marketing 23, no. 1 (August 1, 2016): 85–96. http://dx.doi.org/10.1177/1356766716634153.

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Entrepreneurial marketing is used to understand new venture creation in the vacation tourism sector through a case study of private art museum in Tasmania that has become a tourist destination of major international significance. The Museum of Old and New Art (MONA) has emerged as a major driver of tourism in the region. Interrogation of the arts and cultural tourism literature sets up a key research proposition – in arts and cultural tourism, the unique artistic tastes of the entrepreneur often trump customer needs and preferences by shaping the visitor’s experience through creative artistic
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Day, Kevin. "Reversal, Disconnect, and Proposition." Proceedings of the ACM on Computer Graphics and Interactive Techniques 4, no. 2 (July 30, 2021): 1–8. http://dx.doi.org/10.1145/3465624.

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This paper examines the potential countertactics of contemporary interactive media art to interrogate the data-mining practices that encode the everyday and exploit user data in the big data economy. It argues that noise is the "other" of information, a way to counter the operation of turning the world into data commodities. Through a Brechtian methodology informed by philosophy and critical theories of media and technology, the paper suggests that amplifying the "noise" of the digital media assemblages deviates from their everyday normative functions and estranges our relationship to them, in
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Washburn, Dorothy K. "An Interactive Test of Color and Contour Perception by Artists and Non-Artists." Leonardo 33, no. 3 (June 2000): 197–202. http://dx.doi.org/10.1162/002409400552504.

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The author explores Richard Latto's proposition that art com-municates effectively because art-ists manipulate basic features of form that the human perceptual system has evolved to detect. She offers an empirical test of the correlated proposition-that view-ers of art use these same fea-tures to assess art. The author presents the results of an experi-ment in which both artists and non-artists were asked to discern and draw shapes in patterns de-fined by iterating dots. She finds that both groups used color in the case of positive shape and form edge in the case of negative space, thereby con
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Joselit, David. "Conceptual Art of the Press Release, or Art History without Art." October 158 (October 2016): 167–68. http://dx.doi.org/10.1162/octo_a_00276.

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As in neoliberal market theory, where maximal information is said to make markets more efficient, what Joselit calls “Conceptual art of the press release” (in which the artwork is “translated” into text as a proposition about its meaning) makes even difficult art easy to consume. The once radical proposal of Conceptual art—that objects exist in a transactional relation with text (and prosaic photographic documents)—has now become business as usual. But this is not merely the result of the now-standard practice of training artists in MFA programs, where learning consists of verbally justifying
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Rozprawy doktorskie na temat "Art as proposition"

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Baraud, Dominique. "Proposition ornementale pour un "Celtic Revival"." Paris 1, 1989. http://www.theses.fr/1989PA010546.

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Cette recherche presente l'etude graphique et symbolique de l'ornementation celtique, au travers des trois principaux evangeliaires du haut moyen age irlandais : le livre de kells, celui de lindisfarne, et enfin celui de durrow. Sont ainsi remis a jour, principes d'harmonie, langage symbolique et repertoire formel, -issus de la tradition celtique - pour une creation ornementale, a caractere sacre, premices d'un " celtic revival ". L'elaboration de ce type particulier d'expression engendre, par ailleurs, l'etude de notre contexte artistique sacre. Problemes, contraintes et directives sont expos
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Tillotson, Zoe. "Ephemeral art : a philosophical proposition about the nature of time and being." Thesis, University of the Arts London, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650331.

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Spaulding, Eric M. "The patient as art a critique from aesthetics of the transhumanist proposition /." Deerfield, IL : Trinity Graduate School, 2007. http://dx.doi.org/10.2986/tren.006-1561.

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NOVOA, PADRON MARIA TERESA. "Art public, étude de cas : Caracas, Montréal et Paris de 1980 à 1993, suivie d'une proposition personnelle." Paris 8, 1995. http://www.theses.fr/1995PA081108.

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La these qui suit traite de l'art public compris comme oeuvres d'art bidimensionnelles et ou tridimensionnelles, situees dans les espaces publics de la ville, determinant ou etant determines par la morphologie urbaine, et qui, de par leur caractere public, sont constitutives d'oeuvres, patrimoine de la communaute et, en derniere instance, de l'etat qui la represente. L'un des objectifs de ce travail est de decouvrir le processus plastique de quelques experiences d'art public contemporain, realisees aussi bien dans notre pays d'origine, le venezuela, comme en dehors de celui-ci. Pour l'etude de
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Ramade, Bénédicte. "Infortunes de l'art écologique américain depuis les années 1960 : proposition d'une réhabilitation critique." Paris 1, 2013. http://www.theses.fr/2013PA010558.

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L'Art écologique est un mouvement né dans les années 1960 aux Etats-Unis dont l'appellation a été instituée tardivement en 1992 par "Fragile Ecologies", une exposition oraganisée au Queens Museum. La conception fonctionnaliste du rôle de l'art au service de l'écologie a jusqu'ici été minorée et indexée à d'autres courants contemporains - de l'"Earth art" à l'art public "New Genre" - dans la plupart des productions intellectuelles consacrées. Cette étude propose d'analyser la méprise critique et l'infortune de ce mouvement, mettant en évidence la nécessité de sortir du strict cadre de l'histoir
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Lorent, Marie-Françoise. "Le cimetière du Dieweg à Uccle (1868-1946). Proposition pour une méthode d’approche de l’art funéraire dans sa dimension sociologique." Doctoral thesis, Universite Libre de Bruxelles, 2017. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/248053.

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Cette recherche propose les outils méthodologiques de la lecture du monument funéraire afin d'éclairer la relation qu'il établit avec les défunts qu'il abrite. L'exercice a été pratiqué au cimetière du Dieweg (Uccle) pour la période 1868-1946. L'étude s'attache à décrire les profils esthétiques de la sépulture et sociologiques des défunts. Au terme de cette recherche, le monument apparaît bien comme le centre de gravité des composantes dont certaines ont été ici identifiées. Cette recherche propose donc une approche essentiellement méthodologique de l'art funéraire.<br>Doctorat en Histoire, hi
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Hsieh, Chenwei. "Processus de création d'un système d'images interactives pour le spectacle vivant : proposition d'une méthode de développement rapide et mise en oeuvre d'une structure d'un système d'interactivité multi-niveaux et multi-sources." Paris 8, 2013. http://octaviana.fr/document/170326594#?c=0&m=0&s=0&cv=0.

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Dans cette thèse, qui se compose de trois parties principales, je présente l'analyse de mon processus de réalisation d'un système d'images interactives pour le spectacle vivant, plus spécifiquement pour un spectacle improvisé, musical, chorégraphique et réalisé collectivement par plusieurs artistes : le performeur, le compositeur et le créateur d'images interactives. La première partie a pour objet la recherche artistique à travers mon regard porté sur les œuvres d'images numériques d'autres artistes travaillant dans le spectacle vivant. La deuxième partie concerne la recherche technique, prin
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Dodds, Christopher, and chris@iconinc com au. "Avatars and the Invisible Omniscience: The panoptical model within virtual worlds." RMIT University. Creative Media, 2008. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080424.100301.

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This Exegesis and accompanying artworks are the culmination of research conducted into the existence of surveillance in virtual worlds. A panoptical model has been used, and its premise tested through the extension into these communal spaces. Issues such as data security, personal and corporate privacy have been investigated, as has the use of art as a propositional mode. This Exegesis contains existing and new theoretical arguments and observations that have aided the development of research outcomes; a discussion of action research as a methodology; and questionnaire outcomes assisting
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Bravin, Alessandra. "L'art rupestre de la phase des cavaliers au Maroc : les sites de Foum Chenna (Vallée du Draa) et du Jebel Rat (Haut Atlas) : Analyse iconographique, thématique et proposition de chronologie." Thesis, Aix-Marseille, 2014. http://www.theses.fr/2014AIXM3119.

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La première partie présente les caractères généraux de la phase dite « libyco-berbère » dans la littérature. La lecture minutieuse de la bibliographie y est suivie de l'analyse de la notion de « libyco-berbère », d'où il ressort que celle-ci ne permet pas de définir adéquatement la phase en question et qu'il est donc nécessaire de la remplacer par une nouvelle dénomination : la « phase des cavaliers ». Ses traits distinctifs sont passés en revue : introduction du cheval au Maroc, iconographie, style et en replaçant la problématique dans le contexte du Maroc du Ier millénaire av. J.-C. La deuxi
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Carbogim, Luís Felipe de Souza. "Aprendizagem obscura: fragmentos arranjados por proposições artísticas." Universidade Federal de Juiz de Fora (UFJF), 2011. https://repositorio.ufjf.br/jspui/handle/ufjf/2664.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2016-09-13T13:49:15Z No. of bitstreams: 1 luisfelipedesouzacarbogim.pdf: 9495819 bytes, checksum: 85829886fcdfc548dcfcb1576d86d495 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-10-04T13:06:37Z (GMT) No. of bitstreams: 1 luisfelipedesouzacarbogim.pdf: 9495819 bytes, checksum: 85829886fcdfc548dcfcb1576d86d495 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-10-04T13:06:49Z (GMT) No. of bitstreams: 1 luisfelipedesouzacarbogim.pdf: 949581
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Książki na temat "Art as proposition"

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Gauthier, Annie. Pink link, ou, La proposition rose. Montréal]: La Centrale Galerie Powerhouse, 2001.

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M, Herbert Lynn, Porter Jenelle, Heon Laura Steward, and Contemporary Arts Museum (Houston), eds. Matthew Ritchie: Proposition player. Houston, Tex: Contemporary Arts Museum in association with Hatje Cantz, 2003.

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Besson, Pierre. Qui est là?: Une proposition. [Paris]: J.M. Place, 2001.

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Vortex of silence: Proposition for an art criticism beyond aesthetic categories. Milano: Charta, 2004.

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Conseil des communautés culturelles et de l'immigration du Québec. La proposition de politique culturelle du Québec: "une politique de la culture et des arts", mémoire. [Montréal]: Conseil des communautés culturelles et de l'immigration, 1991.

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Conseil des communautés culturelles et de l'immigration du Québec. La proposition de politique culturelle du Québec: Une politique de la culture et des arts : mémoire présenté à la Commission parlementaire sur l'énoncé de politique en matière de culture, le 30 octobre 1991. Montréal, Québec: Le Conseil, 1991.

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Hoptman, Laura J. Drawing now: Eight propositions. New York: Museum of Modern Art, 2003.

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Museum of Modern Art (New York, N.Y.)., ed. Drawing now: Eight propositions. New York: Museum of Modern Art, 2002.

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Images fixes: Propositions pour la sémiologie des messages visuels. Paris: Harmattan, 2008.

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Leconte, Bernard. Images fixes: Propositions pour la sémiologie des messages visuels. Paris: Harmattan, 2008.

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Części książek na temat "Art as proposition"

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Mustaqim, Karna, and Muliyadi Mahamood. "Construction of Design: A Formal Proposition of Graphics Analysis of Comics." In International Colloquium of Art and Design Education Research (i-CADER 2014), 173–93. Singapore: Springer Singapore, 2015. http://dx.doi.org/10.1007/978-981-287-332-3_19.

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Klein, Kristin. "Post-digital, Post-internet: Propositions for Art Education in the Context of Digital Cultures." In Post-Digital, Post-Internet Art and Education, 27–44. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73770-2_2.

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AbstractConcepts such as Post-Digital and Post-Internet act as symptomatic descriptors of digitally permeated cultures. Starting from a broad understanding of digitality in its societal and cultural-historical interdependencies, both terms are first introduced and afterward extended through the discussion of four theses, with a particular emphasis on aesthetic aspects. Elaborating on (1) distributed artworks, (2) hybrid subjects, (3) fluid materiality, and (4) blind spots, each thesis leads to a proposition for art education dealing with digital cultures. The chapter concludes by highlighting art education’s potential in reflecting on digital cultures and in developing new models and methods for practical application.
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Yuchi, Jian. "What Are Major Driving Forces to the US Manufacturing, Financial and Internet Industries?" In Value Proposition, 35–45. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-5025-6_5.

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Yuchi, Jian. "Internet, Big Data, AI and E3 Economic Theory Are Driving Forces to the Transformation of the China’s Economy." In Value Proposition, 93–135. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-5025-6_8.

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Pollard, Carl. "Are (Linguists’) Propositions (Topos) Propositions?" In Logical Aspects of Computational Linguistics, 205–18. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-22221-4_14.

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Künne, Wolfgang. "Are Questions Propositions?" In Contributions to Phenomenology, 83–93. Dordrecht: Springer Netherlands, 2003. http://dx.doi.org/10.1007/978-94-017-0207-2_6.

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Booth, David, and Renatus Ziegler. "Are There Undecidable Propositions?" In Finsler Set Theory: Platonism and Circularity, 63–72. Basel: Birkhäuser Basel, 1996. http://dx.doi.org/10.1007/978-3-0348-9031-1_6.

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Huet, Armand, Romain Pinquie, Philippe Veron, Frederic Segonds, and Victor Fau. "Design Rules Application in Manufacturing Industries: A State of the Art Survey and Proposal of a Context-Aware Approach." In Lecture Notes in Mechanical Engineering, 335–40. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70566-4_53.

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Abstract[Context] In manufacturing industries, the design of a product needs to comply with many design rules. These rules are essentials as they help industrial designers to create high quality design in an efficient way. [Problem] However, the management of an ever-increasing number of design rules becomes a real problem, especially for new designers. Even if there exists some knowledge management tools for design rules, their capabilities are still limited and many companies continue to store their design rules in unstructured documents. Nowadays, design rule application is still a difficult task that needs a circular validation process between many expert services in a manufacturing company. [Proposition] In this paper, we will analyze the main existing approaches for design rules application from which we will demonstrate the need of a new approach to improve the current state-of-the-art practices. To minimize rule application impact on the design process, we propose to develop a Context-Aware Design Assistant that will perform design rule recommendation on the fly while designing using computer-aided technologies. Our Design Assistant relies on the modelling of the design rules and the design context in a single knowledge graph that can fuel a recommendation engine. [Future Work] In future work, we will describe the technical structure of the Context-Aware Design Assistant and develop it. The potential outcome of this research are: a better workflow integration of design rules application, a proactive verification of design solutions, a continuous learning of design rules, the detection and automation of design routines.
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Kelly, Simon, Paul Johnston, and Stacey Danheiser. "Value Propositions: So What Are They?" In Value-ology, 25–42. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-45626-3_2.

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Gall, Gregor. "Introduction — Themes, Concepts and Propositions." In New Forms and Expressions of Conflict at Work, 1–6. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137304483_1.

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Streszczenia konferencji na temat "Art as proposition"

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Li, Shumei. "Proposition of courses offering for martial art specialty in Shandong province." In 2013 International Conference on Sport Science and Computer Science. Southampton, UK: WIT Press, 2014. http://dx.doi.org/10.2495/cccs130561.

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Newman, Graham. "How might Generative Art be a Proposition for Cross Curricular Learning in Schools." In Electronic Visualisation and the Arts (EVA 2017). BCS Learning & Development, 2017. http://dx.doi.org/10.14236/ewic/eva2017.29.

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Lu, Jiachuan. "Study on the Influence of the Classical Aesthetics Proposition on Chinese Early Painting Concepts." In Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.23.

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Noun, Hassan, Walid Fahs, Ali Kalakech, and Jamal Haydar. "Performance of Revocation Protocols for Vehicular Ad-Hoc Network. Review of State-of-Art Techniques and Proposition of New Enhancement Revocation Method." In 2018 2nd Cyber Security in Networking Conference (CSNet). IEEE, 2018. http://dx.doi.org/10.1109/csnet.2018.8602793.

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Maras, Karen. "This time without ‘feeling’: Children’s intuitive theories of art as a logical basis for learning progression in visual arts." In Research Conference 2021: Excellent progress for every student. Australian Council for Educational Research, 2021. http://dx.doi.org/10.37517/978-1-74286-638-3_3.

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Learning in Visual Arts has traditionally been framed as an experiential process in which feeling and intuition complement the development of aesthetic knowledge. However, while art can be about feelings and processes that develop students’ expressive capacities, the complexity of art understanding and thinking extends beyond this narrow common-sense assumption. I argue that this assumption, which is represented in the Australian Curriculum: The Arts (ACARA, 2015), and even more firmly resonates in recent proposals for the revision of this curriculum (ACARA, 2021), obfuscates the conceptual an
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Ben Hamida, Sonia, Marija Jankovic, Franco Curatella, Simone Sasse, Suzanne Baltay, Martine Callot, Alain Huet, and Jean-Claude Bocquet. "Value Proposition Design for Systems and Services by Adapting Affordance-Based Design." In ASME 2016 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/detc2016-60089.

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In early design stages, firms need to generate and assess their value propositions. Although both business developers and systems engineers capture customers’ needs to design the value proposition, they suffer from inefficient business and engineering processes interactions. Moreover, they lack methods to elicit the needs in a structured way and to explore the best value propositions. We propose to extend the affordance-based design for systems and services in order support the elicitation and capture of stakeholders’values; and to identify boundaries of the system design problem to explore th
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Kao, Yueying, Weiming Li, Zairan Wang, Dongqing Zou, Ran He, Qiang Wang, Minsu Ahn, and Sunghoon Hong. "An Appearance-and-Structure Fusion Network for Object Viewpoint Estimation." In Twenty-Seventh International Joint Conference on Artificial Intelligence {IJCAI-18}. California: International Joint Conferences on Artificial Intelligence Organization, 2018. http://dx.doi.org/10.24963/ijcai.2018/684.

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Automatic object viewpoint estimation from a single image is an important but challenging problem in machine intelligence community. Although impressive performance has been achieved, current state-of-the-art methods still have difficulty to deal with the visual ambiguity and structure ambiguity in real world images. To tackle these problems, a novel Appearance-and-Structure Fusion network, which we call it ASFnet that estimates viewpoint by fusing both appearance and structure information, is proposed in this paper. The structure information is encoded by precise semantic keypoints and can he
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Console, Marco, Paolo Guagliardo, and Leonid Libkin. "Do We Need Many-valued Logics for Incomplete Information?" In Twenty-Eighth International Joint Conference on Artificial Intelligence {IJCAI-19}. California: International Joint Conferences on Artificial Intelligence Organization, 2019. http://dx.doi.org/10.24963/ijcai.2019/851.

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One of the most common scenarios of handling incomplete information occurs in relational databases. They describe incomplete knowledge with three truth values, using Kleene's logic for propositional formulae and a rather peculiar extension to predicate calculus. This design by a committee from several decades ago is now part of the standard adopted by vendors of database management systems. But is it really the right way to handle incompleteness in propositional and predicate logics? Our goal is to answer this question. Using an epistemic approach, we first characterize possible levels of part
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De Rosa, Fernando, Bento Alves Da Costa Filho, and Jose Gaspar Nayme Novelli. "STUDENT GLOBALIZATION: HOW MUCH INTERNATIONALIZED ARE BRAZILIAN MBA STUDENTS? A MEASUREMENT PROPOSITION." In 8th Teaching & Education Conference, Vienna. International Institute of Social and Economic Sciences, 2019. http://dx.doi.org/10.20472/tec.2019.008.006.

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Felix, Heitor, Francisco Simões, Kelvin Cunha, and Veronica Teichrieb. "Image Processing Techniques to Improve Deep 6DoF Detection in RGB Images." In XXI Symposium on Virtual and Augmented Reality. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/svr_estendido.2019.8457.

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Six degrees of freedom (6DoF) Object Detection has great relevance in computer vision due to its use in applications on several areas, such as augmented reality and robotics. Even with the improved results provided by deep learning techniques, object detection of textured and non-textured objects is still a challenge. The objective of this work was to seek improvements in the six degrees of freedom detection of non-textured objects using a Convolutional Neural Network (CNN) approach through the preprocessing of the images that were used for training the network. A State of the art research was
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Raporty organizacyjne na temat "Art as proposition"

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Abrego, Lisandro, Raymond Riezman, and John Whalley. How Often Are Propositions on the Effects of Customs Unions Theoretical Curiosa and When Should They Guide Policy? Cambridge, MA: National Bureau of Economic Research, May 2001. http://dx.doi.org/10.3386/w8304.

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Berger, J. M. A Paler Shade of White: Identity & In-group Critique in James Mason’s Siege. RESOLVE Network, April 2021. http://dx.doi.org/10.37805/remve2021.1.

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Discussions of extremist ideologies naturally focus on how in-groups criticize and attack out-groups. But many important extremist ideological texts are disproportionately focused criticizing their own in-group. This research report will use linkage-based analysis to examine Siege, a White nationalist tract that has played an important role shaping modern neo-Nazi movements, including such violent organizations as Atomwaffen Division and The Base. While Siege strongly attacks out-groups, including Jewish and Black people, the book is overwhelmingly a critique of how the White people of its in-
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Hossain, Niamat Ullah Ibne, Raed Jaradat, Michael Hamilton, Charles Keating, and Simon Goerger. A historical perspective on development of systems engineering discipline : a review and analysis. Engineer Research and Development Center (U.S.), April 2021. http://dx.doi.org/10.21079/11681/40259.

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Since its inception, Systems Engineering (SE) has developed as a distinctive discipline, and there has been significant progress in this field in the past two decades. Compared to other engineering disciplines, SE is not affirmed by a set of underlying fundamental propositions, instead it has emerged as a set of best practices to deal with intricacies stemming from the stochastic nature of engineering complex systems and addressing their problems. Since the existing methodologies and paradigms (dominant pat- terns of thought and concepts) of SE are very diverse and somewhat fragmented. This ap
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Hendricks, Kasey. Data for Alabama Taxation and Changing Discourse from Reconstruction to Redemption. University of Tennessee, Knoxville Libraries, 2021. http://dx.doi.org/10.7290/wdyvftwo4u.

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At their most basic level taxes carry, in the words of Schumpeter ([1918] 1991), “the thunder of history” (p. 101). They say something about the ever-changing structures of social, economic, and political life. Taxes offer a blueprint, in both symbolic and concrete terms, for uncovering the most fundamental arrangements in society – stratification included. The historical retellings captured within these data highlight the politics of taxation in Alabama from 1856 to 1901, including conflicts over whom money is expended upon as well as struggles over who carries their fair share of the tax bur
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