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Lookofsky, Sarah Elsie. "No such thing as society : art and the crisis of the European welfare state /". Diss., [La Jolla] : University of California, San Diego, 2009. http://wwwlib.umi.com/cr/ucsd/fullcit?p3386699.
Pełny tekst źródłaTitle from first page of PDF file (viewed January 19, 2010). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 243-258).
Toplak, Cirila. "Art et société en Europe centrale : nouveaux rapports à partir des années 1980". Paris 1, 1995. http://www.theses.fr/1995PA010671.
Pełny tekst źródłaThis thesis is a comparative study of the interpenetration and interdependence of revolutionary and artistic social practices in the specific context of the democratization processes taking place in the distinctive historico-cultural space of central europe since the mineteen-eighties. Based on an essentially foucaultian historiographic methodology, this analysis attempts to contribute not only to the theorization of the central european democratic revolutions, but also establishes more golobally a structural link between revolutionary and artistic proactices of the modern european past
Ulbrich, Claudia. "Shulamit and Margarete : power, gender and religion in a rural society in eighteenth-century Europe /". Boston ; Leiden : Brill, 2004. http://catalogue.bnf.fr/ark:/12148/cb400468526.
Pełny tekst źródłaNguyen, Huu Trung. "Les marchands, fondateurs de civilisation, une épopée oubliée, XVe - XIXe siècle : une histoire sociale et culturelle de l’économie". Thesis, Strasbourg, 2012. http://www.theses.fr/2012STRAG049/document.
Pełny tekst źródłaCivilization should be understood as the progress of mentalities in the course of time, whether in Art, Economic, Political and Social systems. merchants and entrepreneurs are at the origin of this evolution. The great contribution by merchants was to extract from received ideas, dogmas and traditions, realities in the economic, social, political and art fields, and to make them understood by a number of individuals thanks to the commercial profits obtained from respecting these realities. When these individuals finally reached a critical number, these realities were accepted and adopted by the majority of the population.It is Italian merchants who financed and were parts of the first Portuguese sea voyages launched to discover new lands in Africa, America and Asia. Dutch entrepreneurs discovered the concept of “added-Value” , for example by selling wood as planks ready to use. It was they who created the modern enterprise by accepting shareholders from outside the founder’s family. It was they who invented insurance policies, the practice of accounting for better management, newspapers reporting events which could have an impact of the prices of products. It is also the Dutch merchants who in the 16th century, finally obtained from the State authorities the legal right to charge interests when lending money: till then such practice was absolutely forbidden by the Church. It was the Flemish art merchants who, by exporting to Italy works by Van Eyck, Memling Van der Goes… gave to Italian artists a new understanding of colours and of space. It was the merchants from the East India Company of the Netherlands (VOC) who initiated the Japanese to the Western sciences and art. It is therefore not surprising if the Japanese were the first Asians to open up to the West. It is also merchants who, in the 18th century created the Consumers’ Society which made possible the meeting of social classes in a more long lasting way than any political revolution. This Consumers’ Society led to the Industrial Revolution which in turn led to the recognition of the workers’ rights and to the duties of business owners to assume their social responsibilities such as social security, free primary education of the workers’ children. It also led to new marketing concepts without which there would not have been modern economy. It is the impresarios or entertainers who helped women and Black people in the USA, to become conscious of their social and cultural identities. In the same way, the movie entrepreneurs (the Pathe Brothers, Gaumont and the Jews who migrated to the USA from Central Europe) made possible the instantaneous globalization of the awareness of events, thus making Public Opinion an even stronger political force, without which no Democracy would be possible
Viaene, Vincent. "Belgium and the Holy See from Gregory XVI to Pius IX, 1831-1859 : catholic revival, society and politics in 19th century Europe /". Leuven : Leuven university press, 2001. http://catalogue.bnf.fr/ark:/12148/cb38837681n.
Pełny tekst źródłaAuger, Barbara. "La représentation des bateaux en Europe entre le VIIIè et le XIIIè siècle". Phd thesis, Université de Grenoble, 2011. http://tel.archives-ouvertes.fr/tel-00665915.
Pełny tekst źródłaOgden, Jenna Noelle. "The Leprous Christ and the Christ-like Leper: The Leprous Body as an Intermediary to the Body of Christ in Late Medieval Art and Society". Cleveland State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=csu1305075738.
Pełny tekst źródłaChalikia, Martha. "Corps, art et société : l'identité féminine dans l'art contemporain russe avant et après la chute du mur de Berlin et ses répercussions dans les autres pays orthodoxes de l'Europe de l'Est". Paris 1, 2004. http://www.theses.fr/2004PA010704.
Pełny tekst źródłaBianchi, Nicoletta. "ART RUPESTRE EN EUROPE OCCIDENTALE : CONTEXTE ARCHEOLOGIQUE ET CHRONOLOGIQUE DES GRAVURES PROTOHISTORIQUES DE LA REGION DU MONT BEGO. De la typologie des armes piquetées à l'étude des gravures schématiques-linéaires". Phd thesis, Université de Perpignan, 2013. http://tel.archives-ouvertes.fr/tel-00915928.
Pełny tekst źródłaTibell, Emma. "Funktionella element som registreringshinder : en undersökning av tillämpningen av det absoluta registreringshindret i art. 7.1 e) ii) varumärkesförordningen och dess förhållande till hybridkännetecken". Thesis, Linköpings universitet, Affärsrätt, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-157347.
Pełny tekst źródłaThe trade mark law includes a very broad definition of signs that can constitute a trade mark, which includes the shape of a product. When a sign consists of the shape of a product, the product itself becomes the sign and thus the trade mark. In the case of a trade mark registration, the assessment should not differ between different categories of signs. However, when it comes to registration for signs consisting of the shape of a product, there are further obstacles to overcome before protection can be granted compared to other types of signs. Many shapes tend to be functional to some extent, which brings relevance to the absolute ground for refusal found in art. 7.1 e) ii) EUTMR. The article prohibits registration of signs which consist exclusively of “the shape, or another characteristic, of goods which is necessary to obtain a technical result”. If the registration of a sign is prohibited by the article, the exclusion from registration is permanent. This means that the ground for refusal cannot be overcome even if the sign acquires distinctiveness on the market. The CJEU has stated that it would not be reasonable to deny a shape registration only on the sole ground that it has some functional elements. Therefore, in order for a sign to fall within the scope of the article, all the essential characteristics of a shape must fall within the scope of the provision. This causes certain difficulties when it comes to hybrid signs, which possess some elements that are functional, but also other elements that are non-functional. Under current law, hybrid signs can be registered as trade marks if the non-functional elements are considered as essential. The entire form of a hybrid sign can thus be registered as a trade mark only if some, but not all, essential characteristics are required to achieve the technical function. By examining case law, it can be stated that the CJEU carry out a free and extensive examination when assessing what constitutes the essential characteristics of a shape and the possible function of these elements. The CJEU is not bound to the trade mark application but also examines the actual goods for which the sign is intended to be used. The CJEU generally seems to be restrictive in allowing registration for three-dimensional shapes, especially in regard to those incorporating functional elements. This might be the case since there is no good way to clearly exclude the functional elements from the registration. However, when registering a hybrid sign, interesting aspects also arise from the infringement point of view since the shape is registered as a whole but contains certain essential features, which are not intended to be covered by the exclusive right granted. In analogous applications of case law, it appears that these elements, without being explicitly stated in e.g. a disclaimer, must be excluded from the exclusive right granted to the proprietor.
Bojinov, Jivco. "Democracy in Eastern Europe: society, government, and economy". Honors in the Major Thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1361.
Pełny tekst źródłaBachelors
Sciences
Political Science
Abele, Christine. "Civil society assistance in Central and Eastern Europe". Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät III, 2008. http://dx.doi.org/10.18452/15749.
Pełny tekst źródłaWith the end of the communist bloc and the transformations taking place in Central and Eastern Europe the promotion and protection of democracy from abroad became a major field of assistance. Especially civil society assistance, understood as direct support granted to non-governmental actors of the target state with the explicit aim to promote the consolida-tion of democracy, became a major pillar of democracy aid. The dissertation analyzes civil society assistance and aims to tackle the question whether it is feasible to promote and strengthen civil society from abroad. Does civil society assistance result in more civil society or does it result in nothing more than the establishment of donor driven NGOs which are nei-ther voluntary nor independent but solely function as puppets of donors? // In order to answer this question and following the insights of actor-centered institutionalism, the dissertation identifies to modes of external intervention labeled „empowerment” and “learning. In the first case, donors may increase the action resources of chosen domestic actors, thus altering domestic actor constellations, by providing finances, technical equip-ment, information and know-how. In the latter case, external actors may impact upon the ori-entations, that is, the perceptions and preferences, of domestic actors. // The dissertation analyses the contribution of the activities of four different donors; the Euro-pean Union, the USA, Germany and the private network of Soros Foundations; to the devel-opment of civil society in Poland and Slovakia. In order to pinpoint outcomes of civil society assistance the dissertation focuses on recipients and their activities. The dissertation thus clarifies to what extent main recipient organizations act as carriers of civil society, whether they transmit the interests of their constituency into politics, whether they fulfill a watch-dog function and democratic functions attributed to civil society. It therefore analyzes main recipi-ents, their sustainability, legitimacy and effectiveness as carriers of civil society. // The dissertation jumps to the conclusion that externally driven civil society assistance had positive effects in both countries under investigation as supported NGOs acted as carriers of civil society.
Karakostaki, Charitini. "Les fêtes nouvelles. Enquête sur les idéaux de la société ouverte et leur mise en scène : Paris 1981-2014". Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH030.
Pełny tekst źródłaThe present thesis examines the installation of new festive events in France, and more particularly in Paris, since the 80s. These celebrations mark a shift in regard to "traditional" celebrations which mostly revolve around the concepts of the sacred and the nation. Nourished by an ethnographic observation of several years, this work highlights a variety of aspects: the process of their invention and their creation and by the public authorities; the supervision of the events by cultural managers or associations and collectives; the invention of new ritual forms and the adaptation of older ones; the design of the urban scenery and the use of distinctive codes; the appropriation of these events fro, the society and the various debates to which they gave rise. Each part of the thesis deals with a celebration in an independent way. The Fête de la musique, the Gay Pride and the Nuit blanche are analyzed here in priority. However, next to them parade also other events, entirely new and ambitious, such as the European Capital of Culture and the Allumées of Nantes which offer a better insight into changes that took place on a European level. Finally, based on Durkheim's classic thesis, this work proposes to consider these festive events as an entry point into a greater inquiry about the ideals of the open society. The asserted intention of the organizers to put in place a new conception of living together and the social bond is in many ways the occasion to celebrate a French and European society, that is peaceful, reconciled and tolerant
Kim, Eun-ho Paulin. "Art nouveau et art du vitrail". Paris 8, 1987. http://www.theses.fr/1987PA080194.
Pełny tekst źródłaThis is the work of a plastic art profesional, fascinated by art nouveau in architecture and naturelly in stained glass work. The introduction - although general - deals as well with glass considered as a living substance. This aspect is developped in the work itself. - historical function of stained glass, completed by an exhibition of the "ecole de nancy" and j. Gruber. - illustration of the art by its most prominet artists : paintors, stained glass designers, architects. - presentation my own practice and exhibition of my works : copies restorations, creations including the most recent ones
Vandor, Peter, Nicole Traxler, Reinhard Millner i Michael Meyer. "Civil Society in Central and Eastern Europe: Challenges and Opportunities". ERSTE Foundation, 2017. http://epub.wu.ac.at/6256/1/Study_Civil%2DSociety%2Din%2DCEE_WU%2DWien.pdf.
Pełny tekst źródłaCruickshank, Neil A. "Power, civil society and contentious politics in post communist Europe". Thesis, University of St Andrews, 2008. http://hdl.handle.net/10023/559.
Pełny tekst źródłaPejman, Niloofar. "Animal welfare in Europe and Iran: policy perspective and society". Doctoral thesis, Universitat Politècnica de Catalunya, 2022. http://hdl.handle.net/10803/673996.
Pełny tekst źródłaLos sistemas de producción animal intensiva están comprometiendo los estándares actuales de bienestar animal. La creciente preocupación de las sociedades con respecto a cómo se crían los animales ha dado lugar a continuas reformas políticas y regulaciones que han prohibido ciertos métodos de cultivo intensivo. Sin embargo, estas preocupaciones sobre el bienestar animal pueden variar entre diferentes países y culturas. En muchos países desarrollados, los formuladores de políticas de la UE están identificando e implementando continuamente regulaciones más restrictivas impulsadas por cambios sociales que van más allá de los requisitos mínimos actuales de bienestar animal. Sin embargo, el bienestar animal también es una preocupación emergente en los países en desarrollo. En este contexto, los principales objetivos de esta tesis son tres: En primer lugar, analizar las actitudes de los consumidores y ciudadanos de la UE hacia normas más restrictivas sobre el bienestar de los animales (AW). La regresión del Modelo Logit (LM) se utilizó en ocho países europeos (España, Reino Unido, Polonia, Grecia, Lituania, Rumania, Italia y Suecia) en una muestra con una muestra de 3860 encuestados. Los resultados mostraron que los consumidores son más reacios a adoptar regulaciones más restrictivas que los encuestados en su papel de ciudadanos. Los encuestados de los países del norte de Europa (Polonia y Suecia) son más propensos a apoyar regulaciones de bienestar animal más restrictivas que los encuestados de los países del sur (España e Italia). Se descubrió que las mujeres estaban más preocupadas por el bienestar de los cerdos y las gallinas ponedoras, lo que da credibilidad a Internet como fuente de información y es más probable que apoye una legislación de bienestar animal más restrictiva. En segundo lugar, se analizaron las opiniones de los estudiantes hacia la inclusión de las asignaturas AW en su programa educativo. También se utilizó el modelo Logit (LM) de ocho países de la Unión Europea (UE). Los resultados mostraron que estudiantes universitarios con un alto nivel de conocimiento subjetivo y objetivo sobre AW y que requerían regulaciones de AW más restrictivas dieron apoyo para incluir el concepto en sus programas educativos. Sin embargo, los estudiantes que apoyan los experimentos médicos que utilizan animales para mejorar la salud humana tenían menos probabilidades de aceptar la inclusión del AW en sus planes de estudios educativos. Además, los estudiantes de Italia, en comparación con los de Suecia, eran propensos a apoyar los programas educativos de AW. En tercer lugar, para tener una visión comparativa de un país en desarrollo en comparación con los resultados de la UE, se analizó la disposición a pagar (DAP) de los ciudadanos y consumidores iraníes por productos lácteos de bienestar animal (AW) utilizando el experimento de elección. Los resultados indican que los ciudadanos están dispuestos a pagar el precio más alto por la leche AW tradicional, pero no por la leche industrial y tradicional sin certificación AW. Además, los individuos en su rol de consumidores exhiben una DAP más alta para todos los tipos de leche, pero con una marcada preferencia por la AW industrial que la tradicional. Las mujeres ciudadanas y las que dependen de Internet estaban más preocupadas por las granjas de ganado lechero y eran más propensas a elegir la leche AW. Además, las mujeres consumidoras y las que no tienen hijos muestran una mayor preferencia por la leche industrial AW con un estándar de bienestar animal más bajo. Sin embargo, los consumidores que apoyan el uso de animales para el deporte y aquellos que asignan una alta credibilidad a la televisión como fuente de información tenían menos probabilidades de pagar una prima por los productos AW. Nuestros resultados destacaron que tanto los consumidores como los ciudadanos exigen estándares más altos en materia de bienestar animal. Los consumidores compran productos respetuosos con el bienestar animal y los ciudadanos adoptan un enfoque holístico de la legislación de la sociedad para lograr un estándar mínimo de condiciones de bienestar. Finalmente, los resultados muestran que la enseñanza del concepto de AW en las universidades y programas escolares, principalmente en los países mediterráneos en las escuelas secundarias, es necesaria.
Sostenibilitat
Cruickshank, Neil Albert. "Power, civil society and contentious politics in post communist Europe /". St Andrews, 2008. http://hdl.handle.net/10023/559.
Pełny tekst źródłaTingvall, Josefin. "Soft Society". Thesis, Konstfack, Textil, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5853.
Pełny tekst źródłaSoft society
Armfield, Maris Margaret Doris. "Art and society in Ulm 1377-1530". Thesis, University of Glasgow, 2012. http://theses.gla.ac.uk/3669/.
Pełny tekst źródłaGuidas, Karen A. "Image power the role of art in society /". Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only. Instructions for remote access, 2004. http://www.kutztown.edu/library/services/remote_access.asp.
Pełny tekst źródłaSource: Masters Abstracts International, Volume: 45-06, page: 2748. Typescript. Abstract precedes thesis as 1 preliminary leaf (iii ). Includes bibliographical references ( leaves 73-76 ).
Leung, Mei-yin. "The Chinese Women's Calligraphy and Painting Society the first women's art society in modern China /". Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/HKUTO/record/B38628697.
Pełny tekst źródłaParau, Cristina Elena. "The interplay between domestic politics and Europe : how Romanian civil society and government contested Europe before EU accession". Thesis, London School of Economics and Political Science (University of London), 2006. http://etheses.lse.ac.uk/2696/.
Pełny tekst źródłaCox, Jan Deryck. "The impact of Nordic art in Europe 1878-1889". Thesis, University of Leeds, 2014. http://etheses.whiterose.ac.uk/10406/.
Pełny tekst źródłaGoodwin, R. "Food, art, and society in Early Modern Spain". Thesis, University of London, 2001. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.540098.
Pełny tekst źródłaBosch, Susanne. "Learning for civil society through participatory public art". Thesis, Ulster University, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.591052.
Pełny tekst źródłaDriskel, Michael Paul. "Representing belief : religion, art, and society in nineteenth-century France /". University Park (Pa.) : Pennsylvania State university press, 1992. http://catalogue.bnf.fr/ark:/12148/cb35716402q.
Pełny tekst źródłaLymer, Kenneth J. "Animals, art and society : rock art and material culture in ancient Central Asia". Thesis, University of Southampton, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.400540.
Pełny tekst źródłaJacono, Dianne. "The quest and the woman artist in contemporary society". Thesis, Federation University Australia, 2002. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/165008.
Pełny tekst źródłaMaster of Education (Visual Arts)
Smith, Harry John. "Propertied society and public life : the social history of Birmingham, 1780-1832". Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:608bf88d-87af-4dba-993e-8772b86afd71.
Pełny tekst źródłaJudson, Tracey F. "Civil society, second society and the breakdown of Communist regimes in Central and Eastern Europe : Poland, Czechoslovakia and Romania". Thesis, Loughborough University, 1999. https://dspace.lboro.ac.uk/2134/33163.
Pełny tekst źródłaGardner, Anthony Marshall Art College of Fine Arts UNSW. "Politically unbecoming: critiques of "democracy" and postsocialist art from Europe". Publisher:University of New South Wales. Art, 2008. http://handle.unsw.edu.au/1959.4/42880.
Pełny tekst źródłaPorr, Martin. "Reflections of human beings : the Aurignacian art of central Europe". Thesis, University of Southampton, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.249607.
Pełny tekst źródłaWidrich, Mechtild. "Performative monuments : public art, commemoration, and history in postwar Europe". Thesis, Massachusetts Institute of Technology, 2009. http://hdl.handle.net/1721.1/54554.
Pełny tekst źródłaCataloged from PDF version of thesis.
Includes bibliographical references (p. 343-364).
The performative monument, as I term an emergent genre of interactive public actions, rests on a new notion of agency in public space, in which political responsibility is performed by historically aware individuals in acts of commemoration. This dissertation argues that public performance art starting in the 1960s provided a crucial impulse for new forms of commemoration in 1980s Europe and beyond. I claim that performance, a supposed antipode to the monument in its ephemerality and dematerialization, did not neutralize the monumental but reinvented it as a new practice: one that involved the audience explicitly through conventional transactions, best understood through the speech-act theory of J. L. Austin (who coined the term "performative" in the 1950s). To specify the correlation between performance and monumental public space, I draw attention to the empirical shift from performance to monument production in the work of postwar Central and Eastern European artists, and to the theoretical continuity that makes this shift possible. Monumental architecture played a role in the early performances of Anselm Kiefer, Joseph Beuys, Jochen Gerz (all German), Valie Export, Peter Weibel, and Giinter Brus (Austrians), Marina Abramovid and Braco Dimitrijevid (from former Yugoslavia), among others. These artists brought a performative component to the memorial culture of the 1980s and '90s, mediating between history and the individual in ways sketched by the ephemeral events of '60s and '70s performance.
(cont.) I examine these interconnections in the passage from confrontation to commemoration through a variety of heterogeneous but related documents: photographs and eyewitness accounts of early performance; interviews and press accounts that evolved their own logic and myths over the years separate from the events; plans and drawings of unrealized monuments, and that most complicated and characteristic form of 'performative documentation,' photographs modified through drawing, painting, or collage techniques to involve their viewers in a collaborative re-imagining of the role of commemoration in public space.
by Mechtild Widrich.
Ph.D.
Guy, Emmanuel. "Évolution des formes dans l'art figuratif paléolithique occidental : introduction à une grammaire stylistique". Paris 1, 1998. http://www.theses.fr/1998PA010635.
Pełny tekst źródłaOur research is centered upon the study of the means of representation in the figurative art of the hunters-gatherers of the upper palaeolithic. Far from reducing the study of style to a simple chronological tool (as is often the case) we wish to engage a vast exploration of the prehistoric figurative corpus, in order to demonstrate specific manners of representation. Indeed, every figure refers to a conventional range of forms that are indispensable to its legibility by the social group that it proceeds. This representational code conceived and developed by the group, constitutes a primary testimony of its particular world-view. Our objective was, therefore to establish, by rigourous observation, a grammar of palaeolithic forms which illuminates the transformations of the artistic vision, and in the sane time, those of the way of thinking of prehistoric cultures. Our stylistic approach permit to identify ten specific formal organisations. Of course, this first evaluation on prehistorical languages has to be completed later on, in order to better grasp their objectives tendancies, and goals
Ferry, Martin Hugh. "The "intelligentsia in power" and the development of civil society : Mazowiecki's Poland". Thesis, University of Glasgow, 1998. http://theses.gla.ac.uk/4496/.
Pełny tekst źródłaLeung, Mei-yin, i 梁美賢. "The Chinese Women's Calligraphy and Painting Society: the first women's art society in modern China". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B38628697.
Pełny tekst źródłaJakubowicz, Rosa. "Art, the self, and society : the human possibilities in John Dewey's Art as experience". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ64160.pdf.
Pełny tekst źródłaIsager, Jacob Pliny. "Pliny on art and society : the Elder Plinyʼs chapters on the history of art /". London ; New York : Routledge, 1991. http://www.loc.gov/catdir/enhancements/fy0648/92194763-d.html.
Pełny tekst źródłaSmith, John Arthur. "An analytic sociology of art : art and society and the origins of modernist painting". Thesis, Goldsmiths College (University of London), 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286130.
Pełny tekst źródłaGauvry, Yoann. "L' exploitation minérale à la protohistoire ancienne dans la moitié nord de l'Europe : émergence d'un art mineur". Paris 1, 2006. http://www.theses.fr/2006PA010568.
Pełny tekst źródłaRavadrad, Azam. "The social determination of art : a theoretical and empirical investigation /". [Campbelltown, N.S.W. : The Author], 1996. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030701.140851/index.html.
Pełny tekst źródłaWaelder, Laso Pau. "Selling and collecting art in the network society: Interactions among contemporary art new media and the art market". Doctoral thesis, Universitat Oberta de Catalunya, 2016. http://hdl.handle.net/10803/399029.
Pełny tekst źródłaLa presente tesis explora y analiza las interacciones actuales entre arte, nuevos medios y el mercado del arte, así como las transformaciones que se están produciendo en el reconocimiento del arte digital, la estructura del mercado del arte y los roles del espectador y el coleccionista. La tesis se divide en tres partes. La primera parte analiza las formas en que el arte de nuevos medios se ha definido a sí mismo como un mundo del arte específico, y las polémicas que ejemplifican su separación del mundo del arte contemporáneo. La segunda parte analiza las motivaciones y las expectativas de los artistas que trabajan con tecnologías emergentes, por medio de una encuesta realizada por el autor entre más de quinientos artistas de cincuenta países. La tercera parte analiza las maneras en que el arte digital ha sido comercializado y los cambios recientes en el mercado del arte contemporáneo en internet.
The present dissertation explores and analyzes the current interactions among art, new media and the art market, as well as the ongoing transformations in the recognition of digital art, the structure of the market, and the role of the viewer and collector. It is divided into three parts. The first part analyzes the ways in which new media art has defined itself as a distinct art world, as well as the controversies that exemplify its separation from the mainstream contemporary art world. The second part exposes the motivations and expectations of artists working with emerging technologies by means of a survey carried out by the author among more than 500 artists from 50 countries. The third part discusses the ways in which digital art has been commercialized as well as the recent developments in the online contemporary art market.
Cross, Rhonda Kay. "Walter MacEwen: A forgotten episode in American art". Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc9854/.
Pełny tekst źródłaRyan, Freiburger. "Can democracy function alongside weak civil society? The case of post-communist Europe". Thesis, University of British Columbia, 2010. http://hdl.handle.net/2429/28465.
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Pełny tekst źródłaDepartment of Art
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