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Artykuły w czasopismach na temat "Art and globalization – congresses"
Gregorić, Marina, Margareta Nađ i Martina Gregorić. "Potential of Congress Tourism in the Republic of Croatia in Comparison to Neighboring Destinations". Acta Economica Et Turistica 2, nr 2 (1.12.2016): 195–209. http://dx.doi.org/10.1515/aet-2016-0017.
Pełny tekst źródłaSabău, Nicolae. "„Sok szíves üdvözlettel régi barátos…”. Colegamenti di amicizia di Coriolan Petranu con storici magiari". Studia Universitatis Babeș-Bolyai Historia Artium 65, nr 1 (31.12.2020): 107–26. http://dx.doi.org/10.24193/subbhistart.2020.06.
Pełny tekst źródłaBolognini, Maurizio. "Globalization, art and the art system". Ekistics and The New Habitat 73, nr 436-441 (1.12.2006): 191–95. http://dx.doi.org/10.53910/26531313-e200673436-441115.
Pełny tekst źródłaEsquivel, Patricia. "Art Narratives and Globalization". Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft 56, nr 2 (2011): 135–44. http://dx.doi.org/10.28937/1000106178.
Pełny tekst źródłaSansi, Roger. "Art, anthropology, and globalization". Journal of the Royal Anthropological Institute 22, nr 1 (25.01.2016): 204–6. http://dx.doi.org/10.1111/1467-9655.12341.
Pełny tekst źródłaHallam, Huw. "Confronting Globalization". ARTMargins 3, nr 1 (luty 2014): 87–101. http://dx.doi.org/10.1162/artm_r_00071.
Pełny tekst źródłaBrowning, Barbara. "Global Dance and Globalization: Emerging Perspectives". Dance Research Journal 34, nr 2 (2002): 12–13. http://dx.doi.org/10.1017/s0149767700006811.
Pełny tekst źródłaKhandekar, Nisha. "GLOBALIZATION AND WARLI TRIBAL ART". International Journal of Research -GRANTHAALAYAH 7, nr 11 (30.11.2019): 116–21. http://dx.doi.org/10.29121/granthaalayah.v7.i11.2019.3718.
Pełny tekst źródłaProkopowicz, Dariusz, i Jan Rakowski. "REPORT ON THE 5TH CONGRESS OF MODERN ECONOMY ORGANIZED BY KPH OIG ON NOVEMBER 22, 2017: POSTULATED LEGISLATIVE CHANGES AND DRAFT LAWS". International Journal of Legal Studies ( IJOLS ) 2, nr 2 (29.12.2017): 363–89. http://dx.doi.org/10.5604/01.3001.0012.2259.
Pełny tekst źródłaOmarova, A. K., A. Zh Kaztuganova i D. F. Karomat. "GLOBALIZATION AND ETHNOMUSICOLOGY". BULLETIN 384, nr 2 (15.04.2020): 216–21. http://dx.doi.org/10.32014/10.32014/2020.2518-1467.61.
Pełny tekst źródłaRozprawy doktorskie na temat "Art and globalization – congresses"
Bydler, Charlotte. "The global art world inc. : on the globalization of contemporary art /". Uppsala : Acta Universitatis Upsaliensis : Univ.-bibl. [distributör], 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-4309.
Pełny tekst źródłaMadani, Adnan. "Formations of the contemporary : Islam, globalization and art". Thesis, Goldsmiths College (University of London), 2016. http://research.gold.ac.uk/18894/.
Pełny tekst źródłaCombs, Nicole E. "Postmodernism, Globalization and the Connections to Contemporary Chinese Art". Thesis, University of Oregon, 1999. http://hdl.handle.net/1794/22587.
Pełny tekst źródłaThe reopening of China's economic and cultural doors in the 1970s provided the fundamental stage for development of a new art. The Chinese government focusing its efforts on economic development created policies that actually encouraged an awareness of global culture, tending to an environment conducive to artistic change. The 1980s supplied artists with an introduction to, or reintroduction to Western art theory and practice. Many artists continued to work in traditional style and technique, but others, under the influence of non-Chinese modern art, began infusing their works with a dramatically different feel inspired by the changing society. As a dialogue between global culture and China, Chinese contemporary artists are creating a discourse on the transformation taking place within their society over the past two decades. It is therefore important to look at their art as a "registering apparatus" and realize that its production stems from a reaction to the postmodern, global culture.
Yoo, Ahyoung. "To Be Two Places at Once: Technology, Globalization and Contemporary Korean Art". The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1500618781488661.
Pełny tekst źródłaRapp, Karen M. ""Not the romantic west" : site-specific art, globalization, and contemporary landscapes /". May be available electronically:, 2009. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.
Pełny tekst źródłaHancox, Simone. "Global art in an age of global performance : complicity and critique". Thesis, Queen Mary, University of London, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.612580.
Pełny tekst źródłaPerkins, Morgan. "Reviewing traditions : an anthropological analysis of contemporary Chinese art worlds". Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365526.
Pełny tekst źródłaMilton-Smith, Melissa. "A conversation on globalisation and digital art". University of Western Australia. Communication Studies Discipline Group, 2008. http://theses.library.uwa.edu.au/adt-WU2009.0057.
Pełny tekst źródłaKoh, Bee Kim. "Coming into Intelligibility: Decolonizing Singapore Art, Practice and Curriculum in Post-colonial Globalization". The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1397669338.
Pełny tekst źródłaBassene, Reine. "L'art contemporain africain : enjeux et perspectives face à l'émergence du marché de l'art globalisé". Thesis, Nice, 2013. http://www.theses.fr/2013NICE2046/document.
Pełny tekst źródłaThe contemporary African art has made its entry into the globalized system, first through artistic exhibitions then in the auction houses. Since the 1960s’ a new vision of contemporary African art has emerged with the postcolonial discourse. These ideas have led to a different reading of the contemporary African aesthetic with the support of some curators. Meanwhile, a vision of the “authentic” artist remains in many European and American exhibitions. African artist give an image that can sometimes seem fossilized The contemporary African artists today find themselves in a situation, which can be source of conflicts. They can get close to the artistic centers pulse which means the Western art market or stay on the African continent and try by different initiatives to include a market which is still outlying areas like western countriesThe other areas however gradually mutate into centers pulse but remain modest for the time being. With the advent of new technologies, opportunities exist for artists from the third world in terms of use but also as media. Their application pushes the reflection, and then attempt to understand the challenges that lies ahead for contemporary African art and perspectives that will glimpse through the paradigm of postcolonial studies and through the advent of technologies of information and communication. Is it possible to suggest new approaches to promote the dissemination of contemporary African art through socio-technical devices available but also through information management? The first part, this thesis attempts to show the diversity of the arts of Africa to understand it’s complexity today. Then by analyzing the relationship it has with the West, to understand it’s history.The second part tries to understand the identity of the African artist but also its positioning and initiatives that are carried out on the continent will better understand the challenges and opportunities.The third part will give a point of view overall which today governs contemporary African art
Książki na temat "Art and globalization – congresses"
Bhavanishanker, Shastri, i Vanasthalī Vidyāpīṭha. Dept. of Visual Arts., red. Globalization & art. Newai, Rajasthan: Navjeewan Publication, 2007.
Znajdź pełny tekst źródłaComité international d'histoire de l'art i International Congress of the History of Art (32nd : 2008 : Melbourne, Vic.), red. Crossing cultures: Conflict, migration and convergence : the proceedings of the 32nd International Congress in the History of Art. Carlton, Vic: Miegunyah Press, Melbourne University Publishing, 2009.
Znajdź pełny tekst źródłaInternational Conference on Systems Research, Informatics and Cybernetics (14th 2002 Baden-Baden, Germany). Sustainable development and global community: The art of harmonious living ... Windsor, Ont: International Institute for Advanced Studies in Systems Research and Cybernetics, 2002.
Znajdź pełny tekst źródłaeditor, Jezierska Anna 1981, Szewczyk Aleksandra 1979 editor i Śliwowska Anna 1972 editor, red. Historia sztuki w dobie globalizacji: Materiały IV Środkowoeuropejskiego Forum Doktorantów Historii Sztuki, Wrocław 5-8 listopada 2009 = Art history in the age of globalization : materials of 4th Central-European Forum for Doctoral Students of Art History, Wroclaw 5-8 November 2009. Wrocław: Oficyna Wydawnicza Atut - Wrocławskie Wydawnictwo Oświatowe, 2013.
Znajdź pełny tekst źródłaArt, culture et connaissance (Association) i Association euroméditerranéenne pour l'histoire de l'art et l'esthétique, red. L'art, l'argent et la mondialisation. Paris: L'Harmattan, 2013.
Znajdź pełny tekst źródłaBassing-Kontopidis, Antonie, Charlotte Matter i Filine Wagner. Into the wild: Kunst und Architektur im globalen Kontext = art and architecture in a global context. München: Edition Metzel, 2018.
Znajdź pełny tekst źródłaFinland), Nykytaiteen museo (Helsinki, i ARS 01 Exhibition (2001 : Helsinki, Finland), red. Unfolding perspectives: Three days of lectures and discussions at the ARS 01 Exhibition. Helsinki: KIASMA, Museum of Contemporary Art, 2002.
Znajdź pełny tekst źródłaSeminário Internacional Arte, Crítica e Mundialização (2004 Universidade de São Paulo. Museu de Arte Contemporânea). Arte, crítica e mundialização. São Paulo: ABCA-Associação Brasileira de Críticos de Arte, 2008.
Znajdź pełny tekst źródłaSeminário Internacional Arte, Crítica e Mundialização (2004 Universidade de São Paulo. Museu de Arte Contemporânea). Arte, crítica e mundialização. São Paulo: ABCA-Associação Brasileira de Críticos de Arte, 2008.
Znajdź pełny tekst źródłakunstsenter, Henie-Onstad, red. (Re)staging the art museum. [Høvikodden, Norway]: Henie Onstad Art Centre, 2011.
Znajdź pełny tekst źródłaCzęści książek na temat "Art and globalization – congresses"
Lakshminarayanan, Ashwini. "Globalization and Gandhāran art". W Globalization and Transculturality from Antiquity to the Pre-Modern World, 226–44. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003096269-16.
Pełny tekst źródłaDombrowski, André. "Impressionism and Globalization". W Historical Narratives of Global Modern Art, 19–30. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003247678-4.
Pełny tekst źródła"Anti-Globalization". W Art and Politics. I.B.Tauris, 2013. http://dx.doi.org/10.5040/9780755603947.ch-007.
Pełny tekst źródłaJones, Caroline A. "Globalism/Globalization". W Art and Globalization, 129–37. Penn State University Press, 2015. http://dx.doi.org/10.1515/9780271072258-013.
Pełny tekst źródłaJones, Caroline A. "GLOBALISM/GLOBALIZATION". W Art and Globalization, 129–37. Penn State University Press, 2015. http://dx.doi.org/10.5325/j.ctv14gp91q.15.
Pełny tekst źródłaKac, Eduardo. "11. Bio Art". W Beyond Globalization, 189–206. Rutgers University Press, 2020. http://dx.doi.org/10.36019/9780813551944-012.
Pełny tekst źródłaTomii, Reiko. "Contemporary art, “contemporaneity,” and world art history". W Art and Globalization, 171–75. Penn State University Press, 2015. http://dx.doi.org/10.1515/9780271072258-023.
Pełny tekst źródłaTomii, Reiko. "CONTEMPORARY ART, “CONTEMPORANEITY,” AND WORLD ART HISTORY". W Art and Globalization, 171–75. Penn State University Press, 2015. http://dx.doi.org/10.5325/j.ctv14gp91q.25.
Pełny tekst źródłaLeitzel, Karl Eric. "Letter on globalization". W Art and Globalization, 138–39. Penn State University Press, 2015. http://dx.doi.org/10.1515/9780271072258-014.
Pełny tekst źródłaAraeen, Rasheed. "Letter on globalization". W Art and Globalization, 140–41. Penn State University Press, 2015. http://dx.doi.org/10.1515/9780271072258-015.
Pełny tekst źródłaStreszczenia konferencji na temat "Art and globalization – congresses"
Haro-Garcia, Noemí de, M. Comas-Lopez, Kajetan Piotr Hincz, Mirela Mazalu i G. M. Sacha. "Soft Skills assessment in Art and Globalization". W TEEM'18: Sixth International Conference on Technological Ecosystems for Enhancing Multiculturality. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3284179.3284215.
Pełny tekst źródłaYanchuk, T. P. "Art and problems of globalization of culture". W PARTICULARITIES OF ART’S INFLUENCE ON PERSONALITY DEVELOPMENT. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-402-3-21.
Pełny tekst źródłaSung, Jooeun. "MAPO ART MADANG, MAPO ART TANK". W Bridging Asia and the World: Globalization of Marketing & Management Theory and Practice. Global Alliance of Marketing & Management Associations, 2014. http://dx.doi.org/10.15444/gmc2014.06.09.01.
Pełny tekst źródłaFellahi, Nadjla. "Globalization and the Rise of Individualism in Algeria from an Architectural". W 7th International Students Science Congress. Izmir International guest Students Association, 2023. http://dx.doi.org/10.52460/issc.2023.003.
Pełny tekst źródłaFellahi, Nadjla. "Globalization and the Rise of Individualism in Algeria from an Architectural". W 7th International Students Science Congress. Izmir International guest Students Association, 2023. http://dx.doi.org/10.52460/issc.2023.003.
Pełny tekst źródłaGuerrero Balarezo, Maria Laura, i Kayvan Karimi. "Urban Art and place. Spatial patterns of urban art and their contribution to urban regeneration". W 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6069.
Pełny tekst źródłaKulikova, S. V. "The essence of sociocultural activity in the context of globalization processes". W CURRENT TRENDS IN ART AND CULTURE. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-427-6-10.
Pełny tekst źródłaUtari Anggita, Hendri, Utari Anggita Shanti, Zulfi Hendri i Akbar Andrian Syah. "Revitalizing Reyog Kendang Tulungagung in the Globalization Age". W Proceedings of the International Conference on Art and Arts Education (ICAAE 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icaae-18.2019.13.
Pełny tekst źródłaChegusova, Z. A. "To the problem of national and cultural identity research in the age of globalization". W CURRENT TRENDS IN ART AND CULTURE. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-427-6-12.
Pełny tekst źródłaChang, Yujin. "SIMPLE LIFE (CHANG UCCHIN MUSEUM OF ART)". W Bridging Asia and the World: Globalization of Marketing & Management Theory and Practice. Global Alliance of Marketing & Management Associations, 2014. http://dx.doi.org/10.15444/gmc2014.06.09.02.
Pełny tekst źródłaRaporty organizacyjne na temat "Art and globalization – congresses"
Galenson, David. The Globalization of Advanced Art in the Twentieth Century. Cambridge, MA: National Bureau of Economic Research, maj 2008. http://dx.doi.org/10.3386/w14005.
Pełny tekst źródłaTurns and Directions: Changes in the Arts of Central America's Spanish-Speaking Nations and Panama during and after the 1950s. Inter-American Development Bank, sierpień 2010. http://dx.doi.org/10.18235/0005958.
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