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Książki na temat „Art and antiquities market”

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Autor: Grafiati

Data publikacji: 25 maja 2024

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1

Lake, Selina. Bazaar style: Decorating with market and vintage finds. New York: Ryland Peters & Small, 2008.

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2

Egloff, Brian. Bones of the ancestors: The Ambum Stone : from the New Guinea highlands to the antiquities market to Australia. Lanham, MD: AltaMira Press, 2008.

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3

Savita, Sharma. Imperial punch-marked coins of ancient India: A case study of Sarāi Dangri Hoard, Varanasi. New Delhi: Aryan Books International, 2016.

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4

Market art. Paris: Éditions François Bourin, 2016.

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5

Moody, Eric. The art market. London: Comedia, 1985.

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6

Donnelly, Harrison. The Art Market. 2455 Teller Road, Thousand Oaks California 91320 United States: CQ Press, 1987. http://dx.doi.org/10.4135/cqresrre1987060500.

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7

Polsky, Richard. Art market guide: Contemporary American art. San Francisco: Marlit Press, 1998.

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8

Art production beyond the art market? Berlin: Sternberg Press, 2013.

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9

Sotheby's (Firm). Antiquities & Islamic art. New York: Sotheby's, 2002.

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10

Hecker, Sharon, i Peter J. Karol. Posthumous Art, Law and the Art Market. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003185697.

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11

Sotheby's (Firm). Antiquities and Islamic art. New York: Sotheby's, 2001.

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12

Sotheby's (Firm). Antiquities and Islamic art. London: Sotheby's, 1993.

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13

Khosa, Sunil. Antiquities of western Himalayas. Delhi: Sundeep Prakashan, 1992.

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14

Adés, Harry. Celtic art. Bath: Parragon, 1999.

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15

Britain), Classical Association (Great, red. Roman art. Oxford [England]: Published for the Classical Association [by] Oxford University Press, 2004.

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16

Marx, Kathryn. Photography for the art market. New York: Amphoto, 1988.

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17

Arts Commission of San Francisco., red. Market Street art in transit. [San Francisco, Calif: The Commission, 1989.

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18

Ma, Li. China's Art Market since 1978. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-34605-7.

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19

1966-, McGee Barry, Powers Stephen 1968- i James Todd 1969-, red. Street market =: Sutorīto māketto. Tokyo, Japan: Little More, 2000.

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20

Buck, Louisa. Market matters: The dynamics of the contemporary art market. London: Arts Council England, 2004.

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21

Misul sijang kwa at'ŭ tillŏ: Art market & art dealer. Sŏul: Tongmunsŏn, 2008.

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22

Richards, Rhys. The Austral Islands: History, art and art history. Porirua, N.Z: Paremata Press, 2012.

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23

Fleuriet, Michel. Finance: A Fine Art. Chichester: John Wiley & Sons, 2003.

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24

Celtic art. London: Brockhampton, 1996.

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25

Celtic art. London: Brockhampton, 2003.

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26

Successful fine art photography: How to market your art photography. New York: Images Press, 1992.

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27

W, Goodwin Craufurd D., red. Art and the market: Roger Fry on commerce in art. Ann Arbor, Mich: University of Michigan Press, 1998.

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28

The art of the shaman: Rock art of California. Salt Lake City: University of Utah Press, 2000.

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29

Vadi, Valentina, i Hildegard E. G. S. Schneider, red. Art, Cultural Heritage and the Market. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-45094-5.

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30

Pieth, Mark. The Art Market. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190458331.003.0013.

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Streszczenie:

This chapter covers the worldwide art markets that as a group have experienced a dramatic surge in corruption over the last decade. The reasons given for this extraordinary growth rate are on the one hand the low return on classic investments or investment tools since the crisis of 2008 and on the other hand the regulatory pressure on the banking system. Abuses are rather diversified with problematic transactions including trading in looted objects (be it looted by the Nazis or items from illegal digging in Tuscani, or more recently even the systemic exploitation of antiquities by the “Islamic State” to fund their war effort), professional counterfeiting and fake or incorrect certificates, or the sale of art for the purpose of money laundering. Of course, here all sorts of graft and illicit enrichment (e.g. by heads of state, ministers, or other officials), come into play.

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31

Wang, Audrey. Chinese Antiquities: An Introduction to the Art Market. Ashgate Publishing, Limited, 2016.

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32

Chinese Antiquities An Introduction To The Art Market. Lund Humphries Publishers, 2012.

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33

Wang, Audrey. Chinese Antiquities: An Introduction to the Art Market. Lund Humphries Publishers, Limited, 2016.

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34

Brodie, Neil, Simon Mackenzie, Donna Yates i Christos Tsirogiannis. Trafficking Culture: New Directions in Researching the Global Market in Illicit Antiquities. Taylor & Francis Group, 2019.

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35

Mackenzie, Simon, i Donna Yates. What Is Grey about the “Grey Market” in Antiquities? Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198794974.003.0004.

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The global market in antiquities has been described as a grey market. We provide a breakdown of the meanings and implications of this greyness. Usually the term refers to the mixing of recently looted antiquities with those that can be sold legally, thus the antiquities market is grey because illicit objects are sold via a public and purportedly legitimate network of dealers and auction houses. This is supported by a second form of greyness: the ethically grey status of individual looted objects after time and their passage through jurisdictions via multiple trades obscures or overwrites their illicit origins. It is also supported by a greying of ethical judgment, achieved through a discourse that permits the purchase of illicit objects in constructed circumstances of “saving” or “preserving” artifacts.

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36

Yates, Donna. Market for Mesoamerica: Reflections on the Sale of Pre-Columbian Antiquities. University Press of Florida, 2019.

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37

Brodie, Neil, Simon Mackenzie, Donna Yates i Christos Tsirogiannis. Trafficking Culture: New Directions in Researching the Global Market in Illicit Antiquities. Taylor & Francis Group, 2019.

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38

Anderson, Maxwell L. Antiquities. Oxford University Press, 2017. http://dx.doi.org/10.1093/wentk/9780190614928.001.0001.

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The destruction of ancient monuments and artworks by the Taliban in Afghanistan and the Islamic State in Iraq and Syria has shocked observers worldwide. Yet iconoclastic erasures of the past date back at least to the mid-1300s BCE, during the Amarna Period of ancient Egypt’s 18th dynasty. Far more damage to the past has been inflicted by natural disasters, looters, and public works. Art historian Maxwell Anderson’s Antiquities: What Everyone Needs to Know® analyzes continuing threats to our heritage, and offers a balanced account of treaties and laws governing the circulation of objects; the history of collecting antiquities; how forgeries are made and detected; how authentic works are documented, stored, dispersed, and displayed; the politics of sending antiquities back to their countries of origin; and the outlook for an expanded legal market. Anderson provides a summary of challenges ahead, including the future of underwater archaeology, the use of drones, remote sensing, and how invisible markings on antiquities will allow them to be traced. Written in question-and-answer format, the book equips readers with a nuanced understanding of the legal, practical, and moral choices that face us all when confronting antiquities in a museum gallery, shop window, or for sale on the Internet.

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39

Bazaar Style: Decorating with Market and Vintage Finds. Ryland Peters & Small, 2013.

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40

Polsky, Richard. Art Market Guide 1998: Contemporary American Art (Art Market Guide). Archer Fields, 1998.

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41

Polsky, Richard. Art Market Guide 1997: Contemporary American Art (Art Market Guide). Distributed Art Pub Inc (Dap), 1997.

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42

Persky, Robert S. Photographic Art Market, 2001: Auction Prices (Photographic Art Market). Photograph Collector, 2002.

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43

Photographic Art Market, 1991: Auction Prices (Photographic Art Market). Consultant Pr, 1993.

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44

Persky, Robert S. Photographic Art Market: Auction Prices, 1989 (Photographic Art Market). Consultant Pr, 1990.

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45

Photographic Art Market. Consultant Pr, 1990.

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46

Art Market Guide: Contemporary American Art: 1995-96 Season (Art Market Guide). Distributed Art Pub Inc (Dap), 1995.

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47

Denke, Heinrich. my art market: Turn art into money. CreateSpace Independent Publishing Platform, 2014.

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48

Slaney, Begley, red. Sotheby's Art at Auction: Art Market Review. ConranOctopus, 1992.

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49

Posthumous Art Law and the Art Market. Routledge, 2022.

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50

African Art Market Report 2016: Global Africa Art Market Report 2016. CreateSpace Independent Publishing Platform, 2017.

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