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Artykuły w czasopismach na temat "Art, american – 20th century – exhibitions"
WESSELING, H. L. "Editorial: the American Century in Europe". European Review 12, nr 2 (maj 2004): 123–26. http://dx.doi.org/10.1017/s1062798704000122.
Pełny tekst źródłaLinden, Diana L. "Modern? American? Jew? Museums and Exhibitions of Ben Shahn's Late Paintings". Prospects 30 (październik 2005): 665–84. http://dx.doi.org/10.1017/s0361233300002222.
Pełny tekst źródłaCalo, Mary Ann. "A Community Art Center for Harlem: The Cultural Politics of “Negro Art” Initiatives in the Early 20th Century". Prospects 29 (październik 2005): 155–83. http://dx.doi.org/10.1017/s0361233300001721.
Pełny tekst źródłaDane, William J. "Public art libraries and artists and designers: a symbiotic scheme for success". Art Libraries Journal 12, nr 3 (1987): 29–34. http://dx.doi.org/10.1017/s0307472200005277.
Pełny tekst źródłaFedotova, E. D. "Серия акварелей «Campi Phlegraei» английского мецената и итальянского художника века Просвещения". Iskusstvo Evrazii [The Art of Eurasia], nr 1(20) (31.03.2021): 260–69. http://dx.doi.org/10.46748/arteuras.2021.01.018.
Pełny tekst źródłaYartseva, O. A. "Коллекция Пегги Гуггенхайм". Iskusstvo Evrazii [The Art of Eurasia], nr 1(20) (31.03.2021): 270–79. http://dx.doi.org/10.46748/arteuras.2021.01.019.
Pełny tekst źródłaOtdelnova, V. A. "SOVIET ART OF THE SECOND HALF OF THE 20TH CENTURY AS PART OF THE WORLD ART PROCESS: METHODOLOGICAL APPROACHES AND PERSPECTIVES FOR FUTHER STUDIES". Вестник Пермского университета. История, nr 2 (2022): 55–71. http://dx.doi.org/10.17072/2219-3111-2022-2-55-71.
Pełny tekst źródłaPuerto, Cecilia. "Twentieth century Latin American women artists, discovery and record - a work in progress". Art Libraries Journal 20, nr 3 (1995): 15–18. http://dx.doi.org/10.1017/s0307472200009457.
Pełny tekst źródłaAllen, Nancy S. "History of Western sources on Japanese art". Art Libraries Journal 11, nr 4 (1986): 8–13. http://dx.doi.org/10.1017/s0307472200004867.
Pełny tekst źródłaKirking, Clayton C. "Both sides of the fence, librarian and curator: forming a Latin American library collection". Art Libraries Journal 20, nr 3 (1995): 11–14. http://dx.doi.org/10.1017/s0307472200009445.
Pełny tekst źródłaRozprawy doktorskie na temat "Art, american – 20th century – exhibitions"
Manasseh, Cyrus. "The problematic of video art in the museum (1968-1990)". University of Western Australia. Faculty of Architecture, Landscape and Visual Arts, 2008. http://theses.library.uwa.edu.au/adt-WU2009.0004.
Pełny tekst źródła이윤영 i Yoon Yung Lee. "The Joseon Fine Art Exhibition under Japanese colonial rule". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/196493.
Pełny tekst źródłapublished_or_final_version
Fine Arts
Master
Master of Philosophy
Silverthorne, Diane. "New spaces of art, design and performance : Alfred Roller and the Vienna Secession 1897-1905". Thesis, Royal College of Art, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.602330.
Pełny tekst źródłaOhki, Hitomi. "American Poet Emily Dickinson Set to Music by 20th Century Composers". Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3869.
Pełny tekst źródłaSoprano: Hitomi Ohki
Piano: Anders Kilström
Aaron Copland (1900-1990)
Twelve Poems of Emily Dickonson
1, Nature, the gentlest mother
2, There came a wind like a bugle
3, Why do they shut me out of Heaven?
4, The world feels dusty
5, Heart, we will forget him!
6, Dear March, come in!
7, Sleep is supposed to be
8, When they come back
9, I felt a funeral in my brain
10, I've heard an organ talk sometimes
11, Going to Heaven!
12, The Chariot
White, Steven Robert. "A confluence of thinking: The influence of 20th century art history on American landscape architecture". Thesis, The University of Arizona, 1997. http://hdl.handle.net/10150/278634.
Pełny tekst źródłaBellettiere, Giovanna Marie. "AMERICAN FEMINISM: THE CAMERA WORK OF ALICE AUSTEN, ALFRED STIEGLITZ, AND BERENICE ABBOTT". Master's thesis, Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/578947.
Pełny tekst źródłaM.A.
This thesis explores the work of photographers: Alice Austen, Alfred Stieglitz, and Berenice Abbott in relation to the American landscape of New York from approximately 1880 through 1940. Although the artwork of Georgia O’Keeffe is not addressed specifically, her role as an artist communicating her modern self image through Stieglitz’s photography is one area of focus in the second chapter. Previous scholarship has drawn parallels between women artists and photographers solely in terms related to their gender identity. In contrast, my project identifies a common theoretical thread that links the work of these artists: namely, that photography allowed professional women of this time to react and rise above the constrictions of gender expectations, and moreover, how their own attitudes based in feminist sensibility enabled them to fashion and broadcast bold, liberated self-images. Inspired by the radical transformations of women’s social roles in the United States, each artist produced photographs that represented the evolving role of women in the late nineteenth and early twentieth centuries. Using visual analysis and historical context associated with the “New Woman” movement, I argue that each artist discussed in this thesis not only challenges the domestic sphere conventionally assigned to women photographers, but also makes new strides by engaging in work that allows for them to autonomously travel within their own territories or new expansive locations. This thesis gives fresh insight as to how photography provided novel opportunities for elevating women’s place in society, as well as in the artistic realm. Overall, photography was an important tool for each artist as these three women act as agents of change by demonstrating a control of womanhood while the role of a female was beginning to become less constrained by the domestic and social norms of society.
Temple University--Theses
Collins, Curtis J. 1962. "Sites of Aboriginal difference : a perspective on installation art in Canada". Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38172.
Pełny tekst źródłaBrown, Carol. ""Museum spaces in post-apartheid South Africa": the Durban Art Gallery as a case study". Thesis, Rhodes University, 2006. http://hdl.handle.net/10962/d1006231.
Pełny tekst źródłaClarke, Jennifer. "The Effect of Digital Technology on Late 20th Century and Early 21st Century Culture". [Tampa, Fla. : s.n.], 2003. http://purl.fcla.edu/fcla/etd/SFE0000108.
Pełny tekst źródłaLampe, Mary Margaret. "Morton Schamberg's role in precisionism". Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc798467/.
Pełny tekst źródłaKsiążki na temat "Art, american – 20th century – exhibitions"
1957-, Zakian Michael, i Palm Springs Desert Museum, red. Transforming the western image in 20th century American art. Palm Springs, Calif: Palm Springs Desert Museum, 1992.
Znajdź pełny tekst źródła1951-, Craven David, Lozano Luis-Martín i Museum of Fine Arts (Museum of New Mexico), red. Mexican modern: Masters of the 20th century. Santa Fe: Museum of New Mexico Press, 2006.
Znajdź pełny tekst źródłaWeiner, Longhauser Elsa, Szeemann Harald, Museum of American Folk Art. i Philadelphia Museum of Art, red. Self-taught artists of the 20th century: An American anthology. San Francisco: Chronicle Books, 1998.
Znajdź pełny tekst źródłaGavino, Julianne, i Rebecca Tucker. Rethinking regionalism: 20th century American art and visual culture. Colorado Springs, Colo: Colorado Springs Fine Arts Center at Colorado College, 2021.
Znajdź pełny tekst źródłaHough, Katherine Plake. Transforming the western image in twentieth (or 20th) century American art. Palm Springs, Calif: Palm Springs Desert Museum, 1992.
Znajdź pełny tekst źródłaGustafson, Donna. Images from the world between: The circus in 20th century American art. Cambridge, Mass: MIT Press, 2001.
Znajdź pełny tekst źródłaNorthern Illinois University. Art Gallery in Chicago., red. 20th century American folk art from the Arient family collection. [DeKalb, Ill: Northern Illinois University, 1987.
Znajdź pełny tekst źródłaWhitney Museum of American Art. 20th century drawings from the Whitney Museum of American Art. New York: Whitney Museum of American Art, 1987.
Znajdź pełny tekst źródłaArt, Whitney Museum of American. 1995 biennial exhibition. New York: Whitney Museum of American Art, 1995.
Znajdź pełny tekst źródłaKlaus, Kertess, red. 1995 Biennial exhibition. New York: Whitney Museum of American Art, 1995.
Znajdź pełny tekst źródłaCzęści książek na temat "Art, american – 20th century – exhibitions"
Birbragher-Rozencwaig, Francine. "Modern Latin American Art". W Essays on 20th Century Latin American Art, 1–34. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003037507-1.
Pełny tekst źródłaBirbragher-Rozencwaig, Francine. "Contemporary Cuban Art". W Essays on 20th Century Latin American Art, 79–101. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003037507-4.
Pełny tekst źródłaBirbragher-Rozencwaig, Francine. "Carnival in Latin America and the Caribbean". W Essays on 20th Century Latin American Art, 123–45. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003037507-6.
Pełny tekst źródłaBirbragher-Rozencwaig, Francine. "Abstraction in Latin America". W Essays on 20th Century Latin American Art, 35–58. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003037507-2.
Pełny tekst źródłaBirbragher-Rozencwaig, Francine. "Conclusion". W Essays on 20th Century Latin American Art, 146–49. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003037507-7.
Pełny tekst źródłaBirbragher-Rozencwaig, Francine. "Politics in Latin American Art from the 1960s to the 1980s". W Essays on 20th Century Latin American Art, 59–78. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003037507-3.
Pełny tekst źródłaBirbragher-Rozencwaig, Francine. "Art in Central America and the Caribbean since the 1990s". W Essays on 20th Century Latin American Art, 102–22. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003037507-5.
Pełny tekst źródłaPeterson, William. "The Master of the Form". W Asian Self-Representation at World’s Fairs. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462985636_ch02.
Pełny tekst źródłaGrunenberg, Christoph. "American Gothic Art". W American Gothic Culture. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474401616.003.0009.
Pełny tekst źródła"Critical Documents of 20th-Century Latin American and Latino Art". W Resisting Categories: Latin American and/or Latino? The Museum of Fine Arts, Houston, 2012. http://dx.doi.org/10.37862/aaeportal.00102.005.
Pełny tekst źródłaStreszczenia konferencji na temat "Art, american – 20th century – exhibitions"
Петрухина, О. В. "INSTALLATIONS AND EXHIBITIONS USING KINETIC AND PROJECTION TECHNOLOGIES IN THE USSR". W Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.10.
Pełny tekst źródłaDumont d'Ayot, Catherine. "Machines à exposer". W LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.1025.
Pełny tekst źródłaDOSPINESCU, Liviu. "Present-Day Trends in the Research and Creation of Living Arts in the Academia: A North American Model". W The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0011.
Pełny tekst źródłaRaporty organizacyjne na temat "Art, american – 20th century – exhibitions"
Sanjurjo Casciero, Annick. Paraguay and Its Plastic Arts. Inter-American Development Bank, marzec 1994. http://dx.doi.org/10.18235/0007910.
Pełny tekst źródłaSchacht, Kayley, Deidre Gonçalves, Aaron Schmidt i Adam Smith. A History and Analysis of the WPA Exhibit of Black Art at the Fort Huachuca Mountain View Officers’ Club, 1943–1946. Engineer Research and Development Center (U.S.), czerwiec 2023. http://dx.doi.org/10.21079/11681/47184.
Pełny tekst źródłaNikkei-Latin American Artists of the 20th Century. Inter-American Development Bank, luty 2005. http://dx.doi.org/10.18235/0008269.
Pełny tekst źródła50 Years, 50 Works: The Art of Latin America and the Caribbean in the 20th Century. Information Bulletin No. 108. Inter-American Development Bank, czerwiec 2009. http://dx.doi.org/10.18235/0008282.
Pełny tekst źródłaTurns and Directions: Changes in the Arts of Central America's Spanish-Speaking Nations and Panama during and after the 1950s. Inter-American Development Bank, sierpień 2010. http://dx.doi.org/10.18235/0005958.
Pełny tekst źródłaParadox & Coexistence 2. Inter-American Development Bank, maj 2005. http://dx.doi.org/10.18235/0008263.
Pełny tekst źródłaNikkei Latin American Artists of the 20th Century: Featuring Artists of Japanese Descent from Argentina, Brazil, Mexico, and Peru. Inter-American Development Bank, czerwiec 2005. http://dx.doi.org/10.18235/0005929.
Pełny tekst źródłaGraphics from Latin America and the Caribbean: September 10 - November 15, 2002. Inter-American Development Bank, wrzesień 2002. http://dx.doi.org/10.18235/0005919.
Pełny tekst źródłaParadox and Coexistence: Latin American Artists, 1980 - 2000. Inter-American Development Bank, styczeń 2002. http://dx.doi.org/10.18235/0005931.
Pełny tekst źródłaHighlights from the Collection of the Art Museum of the Americas of the Organization of American States (OAS): Outstanding Works by Artists from the Spanish, English, French, and Dutch Speaking Caribbean. Inter-American Development Bank, październik 2007. http://dx.doi.org/10.18235/0006408.
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