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Artykuły w czasopismach na temat "Arensky"

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Горшкова, А. М. "Alexander Ostrovsky and Anton Arensky: From The Voyevodato Dream on the Volga". Журнал Общества теории музыки, nr 2(34) (18.10.2021): 1–7. http://dx.doi.org/10.26176/otmroo.2021.74.50.001.

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В статье анализируется первая опера выдающегося русского композитора А. С. Аренского «Сон на Волге», написанная по комедии А. Н. Островского «Воевода». Хотя это сочинение принадлежит к раннему периоду творчества композитора, в нем уже проявились важные особенности его стиля, типичные для всех последующих музыкально-сценических произведений, и были найдены многие характерные для его театральных опусов драматургические принципы. Кроме того, автор сравнивает либретто оперы Аренского с оперой П. И. Чайковского по той же пьесе, указывая некоторые важные различия. The article analyses Dream on the Volga — the first opera by the prominent Russian composer Anton S. Arensky, based on the Alexander N. Ostrovsky’s play The Voyevoda. Although this composition was written in the early period of the composer’s creative activity, a lot of important features of his individual style, as well as principles of dramaturgy typical for his works for musical theatre, manifested in it. The author also compares the text of Arensky’s opera with Pyotr I. Tchaikovsky’s opera on the same plot, indicating some crucial differences.
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Gorshkova, A. M. "PIANO PIECES OF A. S. ARENSKY ON THE EXAMPLE OF THE CYCLE OP. 36". Arts education and science 1, nr 3 (2020): 75–80. http://dx.doi.org/10.36871/hon.202003009.

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The article is dedicated to the piano works of Anton S. Arensky (1861–1906), one of the most famous Russian composers of the late XIXth – early XXth centuries. Throughout his career, the composer turned to various genres (he created three operas, a ballet, a lot of symphonic and chamber pieces), but compositions for piano solo were among his favorites. This genre in many ways corresponded to the specifics of the composer's talent, his inclination towards chamberness and lyricism, and became a kind of "creative laboratory", where many tendencies, later used in other genres, were worked out. It was in piano pieces that the most attractive qualities of his music were revealed — an amazing melodic gift, finesse and detailed elaboration of all aspects of composition. The author pays particular attention to the cycle of 24 piano pieces Op. 36. Due to embodiment of many melodic, texture, and harmony features typical for Arensky, it became a kind of quintessence of his piano style. It is also important that many features of the composer’s style influenced musicians of the next generation, including Sergey Rachmaninoff and Nikolay Medtner.
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Eyvazzade, Gunel. "Research on the Problems of Piano Creative Work by A. Arensky in the Scientific Papers of Professor N. Usubova". Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, nr 1 (4.06.2021): 89–100. http://dx.doi.org/10.31866/2616-7581.4.1.2021.233341.

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The article examines the scientific work of one of the prominent representatives of the 20th century Azerbaijani piano performing school, Honored Art Worker, Professor Nigar Usubova (1914–1994). N. Usubova devoted an important part of her life to pedagogical activity, raising a generation of talented pianists. She made an exceptional contribution to the development of the Azerbaijani piano school and the definition of its future directions. N. Usubova’s pedagogical principles are reflected in her dissertation work and methodical manual. As it is known, N. Usubova studied in the class of A. Goldenweiser and wrote these scientific works under the guidance of the prominent pianist. An important part of these scientific works is devoted to the study of A. Arensky’s piano creative activity. Here, the musician touched upon the features of the composer’s piano performing, as well as the characteristic features of his music. The research also provides performing characteristics of the works analyzed and covering various genres. The purpose of the research is to study the fundamental results and main performing principles in the scientific works dedicated to A. Arensky’s piano creative work by Nigar Usubova, a brilliant representative of the Azerbaijani piano school of the twentieth century. In these scientific research works, N. Usubova touched upon the features of the prominent composer’s piano creative work, performing principles, circle of images; moreover, analyzed the form, genre, tone and other aspects and conducted research on the background of characteristic features of Russian music. We would like to bring to your attention that N. Usubova’s scientific works have not been published. This raises the scientific significance and relevance of the topic more. These scientific works are the first research work dedicated to the study of A. Arensky’s piano music in the Azerbaijani science of music. The research methodology is based on analytical and theoretical analysis, as well as on the source research method (work with archival materials). The main principle is the study and analysis of the fundamental results obtained by N. Usubova in the study of piano music by A. Arensky The scientific novelty of the research is that for the first time the scientific works of the outstanding pianist Nigyar Usubov are studied, their scientific significance, as well as the issues reflected in those works, are revealed. We would like to bring to your attention that these scientific works reflect N. Usubova’s method of approach to A. Arensky’s piano pieces as a pianist. For this reason, these scientific works are a valuable recommendation for every pianist who turns to A. Arensky’s piano creative work. Conclusions. Nigar Usubova is the author of two scientific works and her scientific creative activity is devoted to the definition of performing features of A. Arensky’s piano creative work. Each of these scientific-methodical works was written under the guidance of a prominent representative of the Russian piano school, pedagogue A. Goldenweiser. In these works, N. Usubova worked on A. Arensky’s creative work in a comprehensive and detailed way. According to the author, A. Arensky’s piano creative work is characterized by the clarity of form and texture, the richness of melodic material, which brings him closer to Tchaikovsky’s chamber music. Although the composer prefers miniature forms in his piano creative work, it is also possible to find virtuoso pieces, etudes, scherzos and capriccios. These works, in particular, influenced the formation of S. Rakhmaninov’s and A. Scriabin’s creative activity. The main characteristic features here are polyphonism, polymelodism and polyrhythmics of the piano texture. Simultaneously, N. Usubova thoroughly studied the influence of Western European composers on the formation of A. Arensky’s creative activity.
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Скурко, Евгения Романовна, i Елена Владимировна Гусева. "Five Poems by Arensky at the Verses by Schepkina-Kupernik: Towards the Problem of Poetic Text Interpretation in Music at the Edge of the 19-20 centuries". Музыкальная академия, nr 1(773) (31.03.2021): 130–45. http://dx.doi.org/10.34690/133.

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Статья посвящена проблеме отражения новых тенденций русской художественной культуры рубежа XIX-XX веков в позднем вокальном цикле А. Аренского Пять романсов op. 70 на стихи Т. Щепкиной-Куперник. В частности, речь идет о проявлении в поэтике и стилистике признаков стихотворения с музыкой, ставшего, как известно, одним из репрезентантов «нового стиля» данной эпохи. Рассматривается изменение отношения композитора к слову, определившее особенности трактовки как мелодики, так и других средств музыкальной выразительности (гармония, фактура, партия фортепиано и так далее). Сопоставление с более ранними камерно-вокальными сочинениями позволяет прочертить линию эволюции стиля Аренского от следования романтической традиции русского лирического романса к отражению некоторых тенденций музыкального искусства начала XX столетия, связанных с модерном. The article is devoted to the problem of reflecting the new tendencies of Russian artistic culture at the edge of the 19 and 20 centu ries in the late vocal cycle of Arensky Five romances op. 70 on verses by T. Shchepkina-Kupernik. In particular, the features of a poem with music manifestation in the poetics and stylistics of romances, which, as it is known, became one of the signs of the “new style” of this epoch are taken into consideration. We are talking about a change in the composer's attitude to the word, which determined principles of the interpretation of melody and other means of musical expression (harmony, texture, piano part, etc.). Comparison with earlier chamber-vocal compositions allows to draw a line of evolution of Arensky's style from the romantic, characteristic of Russian lyric romance, to the reflection of the stylistic patterns of the early 20 century musical art.
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SKVORTSOVA, IRINA, i ANNA GORSHKOVA. "Suites for Two Pianos by Anton Arensky Through the Lens of His Compositional Style". Временник Зубовского института, nr 3 (2022): 103–13. http://dx.doi.org/10.52527/22218130_2022_3_103.

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Domagała, Jarosław. "Teaching qualities in piano works by Henryk Pachulski in the context of the development of piano technique in children and youth. Part 1". Notes Muzyczny 2, nr 16 (30.12.2021): 59–86. http://dx.doi.org/10.5604/01.3001.0015.5488.

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Henryk Pachulski (1852-1921) – a Polish composer, pianist, and teacher. He graduated from the Warsaw Institute of Music, having studied piano with Rudolf Strobl. His harmony and counterpoint teachers were Stanisław Moniuszko and Władysław Żeleński. After that, he studied piano at the Moscow Conservatory with Nicolai Rubinstein and then Pawel Pabst. He learnt harmony from E. L. Langer, then Anton Arensky with whom he also had a special course in counterpoint. In 1886 he started his teaching career at the Moscow Conservatory, which lasted over 30 years. He also performed as a pianist in Moscow, Petersburg, and Warsaw. Pachulski was acknowledged for his technical aptitude, but he gained the greatest recognition as a teacher and a composer. He created over a hundred piano works, including three sonatas, two cycles of variations, two polonaises, two mazurkas, three waltzes, preludes, studies, impromptus, and more. He also wrote chamber, vocal and orchestra compositions, as well as piano transcriptions for orchestra and chamber pieces. This article presents the composer’s music and teaching activity, it also touches on teaching qualities of his piano works. It pays special attention to technical aspects, and the analysis also covers the formal side of these compositions. While preparing the text, the author used information included in the Polish music press from the turn of the 20th century, music collection of the National Library in Warsaw, archive documents, and foreign sources.
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Gabrielyan, Nikolai Zakharovich. "A.Arensky’s A minor violin concerto: performance analysis of the solo section". PHILHARMONICA. International Music Journal, nr 3 (marzec 2021): 22–31. http://dx.doi.org/10.7256/2453-613x.2021.3.34646.

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The author studies A.Arensky’s violin concerto which is a chamber lyrical model of one-part structure. The purpose of the article is to search for the performance features of the violin section which are necessary for a successful interpretation of the composition. The object of the research is the violin concerto genre. The subject of the research is the performance peculiarities of the solo section of A.Arensky’s violin concerto. The author uses theoretical and empirical research methods including analysis, generalization, and systematization of scientific sources, as well as a comprehensive performance analysis of Arensky’s violin concerto. The author analyzes the functions of the soloist in various themes and episodes of the composition, formulates the methodic guidelines for the bow change and allocation and its movement speed, defines the technical and intonation difficulties of the violin section. Special attention is given to dash performance. The author is the first to find out that the performance values of the solo section are one of the keys to the successful performance. They create the melodic, smooth and plastic sound achieved by means of appropriate allocation of the bow, its smooth change, a good command of legato, and the creation of wide breath phrases. The performer has to take into account the performing ideals of the epoch when the composition was created, which to a large extent consist in pedagogical guidelines of L. Auer about the appropriate pressure of the forearm and the shoulder on the bow. Based on the performance analysis of the violin section, the author finds out that to create an artistic image of the composition, the performer needs to find an individual color palette of the violin section based on the performance ideals of the creation time of the composition.   
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Reza, Veni. "Tinjauan Hukum Islam terhadap Praktik Jual Beli Sistem Borongan (Studi pada Jual Beli Sayuran di Pasar Pagi Arenka Kota Pekanbaru)". Jurnal An-Nahl 9, nr 2 (10.12.2022): 96–102. http://dx.doi.org/10.54576/annahl.v9i2.60.

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Praktik jual beli sayur di Pasar Pagi Arenka Pekanbaru dilakukan dengan cara borongan dengan sayur berada di dalam peti atau karung. Pembeli hanya melihat bagian paling atas dari sayur. Sedangkan bagian dalamnya pembeli tidak mengetahui secara pasti apakah sayur yang di bagian dalam kualitasnya sama seperti sayur yang diperlihatkan di bagian atas. Hal inilah yang mendasari perlunya ada kajian khusus tentang hal tersbut melalui penelitian lapangan. Hasil analisis menetapkan bahwa sistem jual beli buah borongan di Pasar Pagi Arenka Pekanbaru dipandang tidak sah karena tidak sesuai dengan ketentuan hukum Islam. Jual beli sayur dengan sistem borongan yang terjadi di Pasar Pagi Arenka mengandung unsur gharar, ketidakpastian pada kualitas dan kuantitas objek barang yang diperjualbelikan, sehingga dari sebab unsur-unsur tersebut mengakibatkan adanya ketidakrelaan dalam bertransaksi. Dengan demikian disimpulkan jual beli sayur sistem borongan di Pasar Pagi Arenka tidak sesuai dengan hukum Islam.
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Simbolon, Nopenti Sri Dewi K., Rini Nizar i Dedi Zargustin. "HUBUNGAN PERSEPSI KONSUMEN DENGAN PERILAKU MENGKONSUMSI BUAH LOKAL DI PASAR TRADISIONAL ARENGKA KECAMATAN TAMPAN KOTA PEKANBARU". Jurnal Agribisnis 20, nr 1 (24.07.2018): 75–85. http://dx.doi.org/10.31849/agr.v20i1.1497.

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Penelitian ini bertujuan untuk Menganalisis Hubungan Persepsi Konsumen Dengan Perilaku Mengkonsumsi Buah Lokal Di Pasar Tradisional Arengka Kecamatan Tampan Kota Pekanbaru. Penelitian ini dilaksanakan di Pasar Tradisional Arengka Kecamatan Tampan Kota Pekanbaru yang dilaksanakan selama 3 bulan mulai bulan November 2017 s/d bulan Januari 2018. Penelitian ini menggunakan teknik (Accidental Random Sampling) yaitu sampel yang bertemu langsung dan kebetulan membeli buah-buah lokal di Pasar Tradisional Arengka. Jenis data yang digunakan dalam penelitian ini adalah Data Primer dan Data Sekunder. Data primer yaitu data yang diperoleh melalui wawancara langsung pada objek yang diteliti, yaitu konsumen yang membeli buah lokal sebagai sampel penelitian, dengan menggunakan daftar pertanyaan dalam kuesioner, dan Data sekunder yaitu data yang diperoleh dan bersumber dari instansi/lembaga yang terkait dengan penelitian ini yaitu Data BPS Kota Pekanbaru dan Dinas Perdagangan dan Perindustrian Kota Pekanbaru Metode yang digunakan dalam penelitian ini adalah metode kuantitatif dengan mengambil sampel sebanyak 100 responden. Dengan analisis data Chi Square dan Koefisien Kontingensi. Penelitian ini menggunakan alat bantu berupa program SPSS for windows versi 17. Dengan hasil penelitian dan analisis dapat disimpulkan bahwa nilai X2 hitung 20.303 yaitu lebih besar dari X2 tabel 18.307, sehingga Ha di terima. Ini berarti ada hubungan yang signifikan antara Persepsi Konsumen dengan Perilaku Mengkonsumsi Buah Lokal di Pasar Tradisional Arengka Kecamatan Tampan Kota Pekanbaru. Kata Kunci : Pasar Buah Tradisional, persepsi konsumen, perilaku konsumen
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Stark, Susan A. "Colloquium 4 Commentary on Arenson". Proceedings of the Boston Area Colloquium of Ancient Philosophy 34, nr 1 (6.06.2019): 137–46. http://dx.doi.org/10.1163/22134417-00341p12.

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Abstract This commentary raises questions about the moral value of feeling pity. Whereas Professor Arenson asks whether an Epicurean hedonist can rightly feel pity given that feeling pity may be unpleasant, I ask whether feeling pity may be morally problematic for other reasons. In particular, I argue that feeling pity involves an endorsement of a morally problematic hierarchy between pitier and pitied. Because of this, I believe that we should draw a little-made distinction between compassion and pity and that individuals should cultivate compassion rather than pity. I suggest one possible way to draw the distinction between compassion and pity.
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Rozprawy doktorskie na temat "Arensky"

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Frank, Nicolas. "d10-Metallkomplexe des p-tert-Butyltetramercaptotetrathiacalix[4]arens". Doctoral thesis, Humboldt-Universität zu Berlin, 2020. http://dx.doi.org/10.18452/21975.

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Ziel dieser Arbeit war es, das Potenzial von p-tert-Butyltetramercaptotetrathiacalix[4]aren (H4(MTC[4])) zum Aufbau von mehrkernigen Komplexen mit weichen Metallionen mit d10-Elektronenkonfiguration zu untersuchen. H4(MTC[4]) bietet im Vergleich zum bekannteren p-tert-Butylcalix[4]aren erweiterte Bindungsmöglichkeiten für Metallionen an den Thioetherbrücken. Die Funktion der Metallionen Cu(I) und Zn(II) in biologischen Systemen lieferte die anfängliche Inspiration, jedoch erschien auch die Untersuchung anderer Metalle wie Nickel, Silber und Gold in Verbindung mit (MTC[4])4- Liganden lohnenswert, da diese Metalle durch ihre jeweils bevorzugten Koordinationsgeometrien neue Strukturen und Koordinationsmöglichkeiten an H4(MTC[4]) aufzeigen könnten. In Experimenten mit Kupfer(I)-Ionen konnten der Kupferkomplex [(Ph3PCu)4(MTC[4])] sowie das Hexamer [Cu4(MTC[4])]6 hergestellt und charakterisiert werden. [Cu4(MTC[4])]6 weist eine einzigartige, supramolekulare, hohle Cu24S48-Käfigstruktur auf. Die [Cu4(MTC[4])]-Einheiten werden durch Cu2S2-Motive verknüpft, die extrem kurze Cu···Cu-Abstände aufweisen. Durch NMR-Experimente wurde gezeigt, dass die Hohlräume von [Cu4(MTC[4])]6 in Lösung Acetonitril und Methan aufnehmen können. In Experimenten mit Silber(I)-Ionen wurden die Molekülstrukturen der Silberkomplexe [(Ph3PAg)2AgH(MTC[4])], [(Ph3PAg)4AgCl(MTC[4])] und [(Ph3PAg)4(MTC[4])] bestimmt. Diese zeigen, dass H4(MTC[4]) gegenüber Silber- und Kupferionen ein ähnliches Koordinationsverhalten aufweist. In Experimenten mit Gold(I)-vorläufern war es möglich, zu steuern, wie viele Metallionen ein einzelnes Molekül H4(MTC[4]) koordiniert. Die Komplexe [(Ph3PAu)2H2(MTC[4])], [(Me3PAu)3H(MTC[4])] und [(Me3PAu)4TlCl(MTC[4])] wurden synthetisiert. Diese bieten teilweise durch vorhandene freie Thiolfunktionen Potenzial für die Synthese heterometallischer Komplexe.
It was the aim of this work, to assess the potential of p-tert-Butyltetramercaptotetrathiacalix[4]arene (H4(MTC[4])) to create multinuclear complexes with soft metal ions of d10 electron configuration. In contrast to the more known p-tert-Butylcalix[4]aren, H4(MTC[4]) offers extended possibilities for the coordination of metal ions at the thioether groups. While this work was initially inspired by the function of Cu(I) and Zn(II) ions in biological systems, the metal ions, which were incorporated into the Calixarene, were soon expanded by Ni(II), Ag(I) and Au(I) ions. Through their different preferred coordination geometries, these metal ions could yield new information about coordination modes of H4(MTC[4]). In experiments with copper(I) ions the complex [(Ph3PCu)4(MTC[4])] and the hexamer [Cu4(MTC[4])]6 were synthesized and characterized. [Cu4(MTC[4])]6 consists of a unique, supramolecular hollow Cu24S48 cage structure. The [Cu4(MTC[4])] units are connected by Cu2S2 motivs, which display extraordinary short Cu···Cu distances. An investigation by NMR spectroscopy indicated that the cavities of [Cu4(MTC[4])] in solution can hold acetonitrile or methane molecules. In experiments with silver(I) ions, the molecular structures of the compounds [(Ph3PAg)2AgH(MTC[4])], [(Ph3PAg)4AgCl(MTC[4])] and [(Ph3PAg)4(MTC[4])] were determined. In these compounds H4(MTC[4]) exhibits a similar coordination behaviour towards Ag(I) ions as it does towards Cu(I) ions. In experiments with gold(I) precursors it was possible to control how many gold(I) ions were coordinated by H4(MTC[4]). The complexes [(Ph3PAu)2H2(MTC[4])], [(Me3PAu)3H(MTC[4])] and [(Me3PAu)4TlCl(MTC[4])] were synthesized and studied. Due to their free thiol functions, they are potential precursors for the synthesis of heterometallic complexes.
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Frank, Nicolas [Verfasser]. "d10-Metallkomplexe des p-tert-Butyltetramercaptotetrathiacalix[4]arens / Nicolas Frank". Berlin : Humboldt-Universität zu Berlin, 2020. http://d-nb.info/1219507644/34.

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Arens, Madeleine [Verfasser]. "Die Strafverfahrenswirklichkeit am Khmer Rouge Tribunal im völkerstrafprozessualen Kontext / Madeleine Arens". Frankfurt : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2015. http://d-nb.info/1081321911/34.

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Compadre, Senar David. "Performance evaluation of a rooftop solar photovoltaic power plant in the Gävle Arenaby (Gävle, Sweden): Installation testing". Thesis, Högskolan i Gävle, Energisystem, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-26931.

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The current energy situation is taking a turn towards renewable energies, due to the new pacts to curb global warming. These agreements, together with governmental aid, are facilitating an escalation in the production and improvement of new energy systems and the price decrease due to a larger-scale production. Within these energy alternatives, solar energy is found, specifically the subject to be treated in this project is photovoltaic energy, due to its exponential growth in the last 10 years, new tools are being developed for its monitoring and modelling. Therefore, the main objective of this thesis is to develop a method  for installation testing of a PV-system. The method should give the installed nominal power of the system and show if the maximum power point trackers work as expected. A large PV-system was installed on the roof of Gävle Arenaby during 2017. A measurement system for monitoring of the power of the system and of the solar irradiance was installed. Different parameters have been taken into account for the adjustment of the model that vary the performance of the system. These factors are: the irradiance received, the module temperature and the angle of incidence. It has been concluded that the results obtained indicate a correct adjustment of the theoretical power against the real power, which means, a correct operation of the generated model. Besides, the expected power follows a linear trend, reaching the power set by the manufacturer for Standard Test Conditions. The results show that the monitored modules-strings fulffill the promised performance and the method for installation testing work as expected. The linear correlation between corrected power and irradiance means that the maximum power point tracker in the inverter works independent of the power.
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Bomberger, Douglas. "All-American Concerts in Germany. The F. X. Arens Tour of 1891/1892". Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A71896.

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Encarnación, i. Gradaïlla Esther de la. "Síntesi i caracterització de complexos mononuclears de ruteni(II) i binuclears de ruteni(I) amb lligands fosfina funcionalitzats. Aplicacions de complexos arens en catàlisi". Doctoral thesis, Universitat Autònoma de Barcelona, 2002. http://hdl.handle.net/10803/3180.

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El compost dímer [{RuCl2(p-cimè)}2] reacciona amb diferents lligands fosfina donant pas a la formació dels compostos monòmers de ruteni(II) [RuCl2(p-cimè)L] on L = PPh2H, PPh2(CH2)xpy (on x = 0 i 1) i PPh2C∫CR (on R = Ph, tBu i p-Tol). Si se'l fa reaccionar amb la fosfina PPh2C∫CPPh2 s'obté el compost d'estequiometria [{RuCl2(p-cimè)}2PPh2C∫CPPh2] on la fosfina actua com a lligand bidentat pont entre dos àtoms de ruteni. Quan es fan reaccionar els compostos [RuCl2(p-cimè)PPh2(CH2)xpy] amb NaBF4 s'obtenen els compostos [RuCl(p-cimè)PPh2py]BF4 i [RuCl(p-cimè)PPh2CH2py]BF4. En aquests compostos la fosfina actua com a lligand quelant P-N.
L'estudi cristal·logràfic efectuat confirma les estructures proposades per als compostos [RuCl2(p-cimè)PPh2H], [RuCl2(p-cimè)PPh2py] i [RuCl2(p-cimè)PPh2py]BF4. El compost [RuCl2(p-cimè)PPh2C∫CPh] cristal·litza formant dos tipus de cristalls diferents amb dues estructures pràcticament idèntiques, amb l'única diferència de l'orientació dels anells fenil units directament al fòsfor en relació a l'anell del p-cimè.
Els compostos [RuCl2(p-cimè)PPh2py] i [RuCl(p-cimè)PPh2py]BF4 actuen com a catalitzadors de la hidrogenació catalítica de substrats com olefines i alquins. Els rendiments són comparables als obtinguts amb altres catalitzadors malgrat que la cinètica és més lenta.
La reacció de Ru3(CO)12 amb la fosfina PPh2py en excés d'àcids carboxílics dóna lloc als complexos dímers de Ru(I) [Ru2(HCOO)2(CO)4(PPh2py)2] i [Ru2(CH3COO)2(CO)4(PPh2py)2] en els quals el lligand carboxilat actua com a lligand pont i la fosfina actua com a lligand terminal. El dímer [Ru2(HCOO)2(CO)4(PPh2py)2] reacciona amb ditiols formant els corresponents complexos [Ru2(S(CH2)xS)(CO)4(PPh2py)2] (on x = 2 i 3) en els quals el lligand ditiolat actua com a lligand pont i la fosfina com a lligand terminal.
La reacció de Ru3(CO)12 amb la fosfina PPh2CH2py en presència d'un excés d'àcids carboxílics dóna lloc als complexos monòmers de Ru(II) [Ru(HCOO)(CO)2(PPh2CH2py)]HCOO i [Ru(CH3COO)(CO)2(PPh2CH2py)]CH3COO en els quals els lligands carboxilat i fosfina actuen com a lligands bidentats. El complex [Ru(HCOO)(CO)2(PPh2CH2py)]HCOO reacciona amb el ditiol HS(CH2)2SH donant lloc al compost [Ru(S(CH2)2S)(CO)2(PPh2CH2py)] en el qual els lligands ditiolat i fosfina actuen com a lligands quelants.
El compuesto dímero [{RuCl2(p-cimeno)}2] reacciona con diferentes ligandos fosfina dando lugar a la formación de los compuestos monómeros de rutenio(II) [RuCl2(p-cimeno)L] con L = PPh2H, PPh2(CH2)xpy (x = 0 y 1) y PPh2C∫CR (con R = Ph, tBu y p-Tol). Si se hace reaccionar este dímero con la fosfina PPh2C∫CPPh2 se obtiene el compuesto de estequiometría [{RuCl2(p-cimeno)}2PPh2C∫CPPh2] en el que la fosfina actúa como ligando bidentado puente entre dos átomos de rutenio. Cuando se hacen reaccionar los compuestos [RuCl2(p-cimeno)PPh2(CH2)xpy] con NaBF4 se obtienen los compuestos [RuCl(p-cimeno)PPh2py]BF4 y [RuCl(p-cimeno)PPh2CH2py]BF4. En éstos, la fosfina actúa como ligando quelante P-N.
El estudio cristalográfico efectuado confirma las estructuras propuestas para los compuestos [RuCl2(p-cimeno)PPh2H], [RuCl2(p-cimeno)PPh2py] y [RuCl2(p-cimeno)PPh2py]BF4. El compuesto [RuCl2(p-cimeno)PPh2C∫CPh] cristaliza formando dos tipos de cristales diferentes con dos estructuras prácticamente idénticas, con la única diferencia de la orientación de los anillos fenilo unidos directamente al fósforo en relación al anillo del p-cimeno.
Los compuestos [RuCl2(p-cimeno)PPh2py] y [RuCl(p-cimeno)PPh2py]BF4 actúan como catalizadores de la hidrogenación catalítica de substratos como olefinas y alquinos. Los rendimientos son comparables a los obtenidos con otros catalizadores aunque la cinética es más lenta.
La reacción de Ru3(CO)12 con la fosfina PPh2py en exceso de ácidos carboxílicos da lugar a los complejos dímeros de Ru(I) [Ru2(HCOO)2(CO)4(PPh2py)2] y [Ru2(CH3COO)2(CO)4(PPh2py)2] en los que el ligando carboxilato actúa como ligando puente y la fosfina actúa como ligando terminal. El dímero [Ru2(HCOO)2(CO)4(PPh2py)2] reacciona con ditioles formando los correspondientes complejos [Ru2(S(CH2)xS)(CO)4(PPh2py)2] (x = 2 y 3) en los que el ligando ditiolato actúa como ligando puente y la fosfina como ligando terminal.
La reacción de Ru3(CO)12 con la fosfina PPh2CH2py en presencia de un exceso de ácidos carboxílicos da lugar a los complejos monómeros de Ru(II) [Ru(HCOO)(CO)2(PPh2CH2py)]HCOO y [Ru(CH3COO)(CO)2(PPh2CH2py)]CH3COO en los que los ligandos carboxilato y fosfina actúan como ligandos bidentados. El complejo [Ru(HCOO)(CO)2(PPh2CH2py)]HCOO reacciona con el ditiol HS(CH2)2SH formando el compuesto [Ru(S(CH2)2S)(CO)2(PPh2CH2py)] en el qual los ligandos ditiolato y fosfina actúan como ligandos quelantes.
The dimeric compound [{RuCl2(p-cymene)}2] reacts with different phosphine ligands to give the monomeric ruthenium(II) compounds [RuCl2(p-cymene)L] with L = PPh2H, PPh2(CH2)xpy (x = 0 and 1) and PPh2C∫CR (with R = Ph, tBu and p-Tol). Reaction with PPh2C∫CPPh2 leads to the compound [{RuCl2(p-cymene)}2PPh2C∫CPPh2], where the ligand acts as a bridge between two ruthenium atoms. When compounds [RuCl2(p-cymene)PPh2(CH2)xpy] react with NaBF4, [RuCl(p-cymene)PPh2py]BF4 and [RuCl(p-cymene)PPh2CH2py]BF4 are obtained. In these compounds, the phosphine ligands act as chelating P-N molecules.
The crystallographic study confirms the structures proposed for compounds [RuCl2(p-cymene)PPh2H], [RuCl2(p-cymene)PPh2py] and [RuCl2(p-cymene)PPh2py]BF4. The structure of [RuCl2(p-cymene)PPh2C∫CPh] shows two type of crystalls with practically identical structure. The only difference is the orientation of phenyl rings directly linked to phosphorous.
Compounds [RuCl2(p-cymene)PPh2py] and [RuCl(p-cymene)PPh2py]BF4 catalyse the hidrogenation of substrates such as olefines and alkynes. The yields are comparable to those obtained with other catalysts although the kinetics are slower.
The reaction of Ru3(CO)12 with PPh2py with an excess of a carboxylic acid leads to the dimeric Ru(I) complexes [Ru2(HCOO)2(CO)4(PPh2py)2] and [Ru2(CH3COO)2(CO)4(PPh2py)2] in which the carboxylate ligands act as a bridge and the phosphine acts as a terminal ligand. The dimeric compound [Ru2(HCOO)2(CO)4(PPh2py)2] reacts with dithiols forming the corresponding complexes [Ru2(S(CH2)xS)(CO)4(PPh2py)2] (x = 2 and 3) in which the dithiolate ligands act as bridging molecules and the phosphine acts as a terminal ligand.
The reaction of Ru3(CO)12 with PPh2CH2py in the presence of an excess of carboxylic acids gives the monomeric Ru(II) compounds [Ru(HCOO)(CO)2(PPh2CH2py)]HCOO and [Ru(CH3COO)(CO)2-(PPh2CH2py)]CH3COO in which carboxylate and phosphine act as bidentate ligands. The complex [Ru(HCOO)(CO)2(PPh2CH2py) ]HCOO reacts with 1,2-ethanedithiol forming the compound [Ru(S(CH2)2S)(CO)2(PPh2CH2py)] where dithiolate and phosphine ligands act as chelating ligands.
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Arens, Katharina [Verfasser]. "Therapeutic anti-TNFα antibodies differentially affect Leishmania infection of primary human macrophages / Katharina Arens". Mainz : Universitätsbibliothek Mainz, 2018. http://d-nb.info/116049147X/34.

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Arens, Esther Helena [Verfasser]. "Neuordnungen. Westdeutsche und niederländische "Entwicklungshilfe" für Indonesien in den 1960er Jahren / Esther Helena Arens". Münster : readbox unipress in der readbox publishing GmbH, 2021. http://d-nb.info/1228436045/34.

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Arens, Nathalie [Verfasser], i Thomas [Akademischer Betreuer] Löscher. "Buruli Ulkus Erkrankungen in Togo 2007-2013: Nachuntersuchung behandelter Patienten / Nathalie Arens ; Betreuer: Thomas Löscher". München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2017. http://d-nb.info/1149509791/34.

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10

Arens, Tobias. "Inter- und intragenerative Umverteilung im deutschen Steuer-Transfer-System : Langfristige Wirkungen im Lebenszyklus / Tobias Arens". Berlin : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2018.

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Książki na temat "Arensky"

1

Richter, Laurence R. Selected nineteenth century Russian song texts: Russian texts of songs by Abaza, Aliabiev, Arensky, Balakirev, Borodin, Bulakhov, Cui, Dargomyzhsky, Dubuque, Glinka, Gurilyov, Kharito, Rimsky-Korsakov, Rubinstein, Varlamov, Verstovsky, and Yakovlev. Mt. Morris, N.Y: Leyerle, 2005.

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2

Uspenskiĭ, Vladimir. Ryt͡s︡arʹ areny. Sankt-Peterburg: Izd-vo "Tert͡s︡ii͡a︡", 1998.

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3

Li͡ubomirov, N. I. Sovetskiĭ sport na olimpiĭskikh arenakh. Moskva: Izd-vo "Znanie", 1985.

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A, Babaev I͡U. Kontrolʹ i revizii͡a v uslovii͡akh arendy. Moskva: "Finansy i statistika", 1992.

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Korniĭchuk, G. A. Dogovory arendy, naĭma i lizinga: Obrazt︠s︡y, rekomendat︠s︡ii, kommentarii. Moskva: Alʹfa-Press, 2005.

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Merrill, Simon, i Featherman Judith, red. Moshe Arens, statesman and scientist, speaks out. Middle Island, N.Y: Dean Books, 1988.

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Arens, Robert. Robert Arens: De realiteit van de droom. Gent: Stichting Mens en Kultuur, 1990.

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Kozmenkova, S. V. Bukhgalterskiĭ uchët zemelʹ, prav polʹzovanii︠a︡ i arendy: Teorii︠a︡ i praktika. Nizhniĭ Novgorod: Nizhegorodskai︠a︡ gos. s.-kh. akademii︠a︡, 1999.

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Arens, Tilo, Frank Hettlich, Christian Karpfinger, Ulrich Kockelkorn, Klaus Lichtenegger i Hellmuth Stachel. Ergänzungen und Vertiefungen zu Arens et al., Mathematik. Berlin, Heidelberg: Springer Berlin Heidelberg, 2017. http://dx.doi.org/10.1007/978-3-662-53585-1.

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Torparskai͡a︡ sistema arendy zemli v Finli͡a︡ndii: XVII-pervai͡a︡ polovina XIX v. Leningrad: Izd-vo "Nauka," Leningradskoe otd-nie, 1987.

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Części książek na temat "Arensky"

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Voigt, Jürgen. "The Mackey–Arens Theorem". W Compact Textbooks in Mathematics, 37–43. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-32945-7_5.

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Eschmeier, Jörg. "Der Satz von Arens-Royden". W Funktionentheorie mehrerer Veränderlicher, 173–97. Berlin, Heidelberg: Springer Berlin Heidelberg, 2017. http://dx.doi.org/10.1007/978-3-662-55542-2_12.

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Beyer, Andreas. "Arens, Johann August (1757–1806)". W Goethe Handbuch, 441–42. Stuttgart: J.B. Metzler, 2011. http://dx.doi.org/10.1007/978-3-476-00206-8_27.

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Donath, Peter, i Annette Szegfü. "7. Die Ära Willi Arens (1990-1998)". W Histoire, 235–76. Bielefeld, Germany: transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839457689-008.

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Brinker-Meyendriesch, Elfriede. "Lehrerbildung Pflege und Gesundheit". W Pflegedidaktik im Überblick, 107–24. Bielefeld, Germany: transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839464557-008.

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Streszczenie:
Brinker-Meyendriesch/Arens sind mit einer deskriptiven Studie aller Studiengänge in Deutschland der Frage nachgegangen, wie sich die relativ neue Lehrerbildung Pflege und Gesundheit entwickelt hat. Es wird ein Nicht-gelöst-Sein der Parallelität von beruflicher Ausbildung und Lehrerbildung im Gesundheitswesen gegenüber Ausbildungen und Lehrerbildung im Bildungswesen bemerkt. Analysierte Studiengänge zeigen trotz der Vereinheitlichungsintention der Bologna-Reformen eine große Vielfalt u. a. hinsichtlich ihres Aufbaus, der Studieninhalte, der Studiengangsbezeichnungen. Das ruft auf, sich mit dem innerdisziplinären Konsens aufeinanderzusetzen.
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Buskes, Gerard, i Stephan Roberts. "Arens Extensions for Polynomials and the Woodbury–Schep Formula". W Trends in Mathematics, 37–48. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-10850-2_3.

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Arens, Tilo, Frank Hettlich, Christian Karpfinger, Ulrich Kockelkorn, Klaus Lichtenegger i Hellmuth Stachel. "Logik, Mengen, Abbildungen – die Sprache der Mathematik (zu Kap. 2)". W Ergänzungen und Vertiefungen zu Arens et al., Mathematik, 1–15. Berlin, Heidelberg: Springer Berlin Heidelberg, 2017. http://dx.doi.org/10.1007/978-3-662-53585-1_1.

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Arens, Tilo, Frank Hettlich, Christian Karpfinger, Ulrich Kockelkorn, Klaus Lichtenegger i Hellmuth Stachel. "Lineare Optimierung – ideale Ausnutzung von Kapazitäten (zu Kap. 23)". W Ergänzungen und Vertiefungen zu Arens et al., Mathematik, 103–24. Berlin, Heidelberg: Springer Berlin Heidelberg, 2017. http://dx.doi.org/10.1007/978-3-662-53585-1_10.

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Arens, Tilo, Frank Hettlich, Christian Karpfinger, Ulrich Kockelkorn, Klaus Lichtenegger i Hellmuth Stachel. "Funktionen mehrerer Variablen – Differenzieren im Raum (zu Kap. 24)". W Ergänzungen und Vertiefungen zu Arens et al., Mathematik, 125–31. Berlin, Heidelberg: Springer Berlin Heidelberg, 2017. http://dx.doi.org/10.1007/978-3-662-53585-1_11.

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Arens, Tilo, Frank Hettlich, Christian Karpfinger, Ulrich Kockelkorn, Klaus Lichtenegger i Hellmuth Stachel. "Kurven und Flächen – von Krümmung, Torsion und Längenmessung (zu Kap. 26)". W Ergänzungen und Vertiefungen zu Arens et al., Mathematik, 133–45. Berlin, Heidelberg: Springer Berlin Heidelberg, 2017. http://dx.doi.org/10.1007/978-3-662-53585-1_12.

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Streszczenia konferencji na temat "Arensky"

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U., Bekbaev D., i Ganiev I. G. "C*-Algebras over Arens algebras". W INTERNATIONAL CONFERENCE ON MATHEMATICS, ENGINEERING AND INDUSTRIAL APPLICATIONS 2014 (ICoMEIA 2014). AIP Publishing LLC, 2015. http://dx.doi.org/10.1063/1.4915684.

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Ferafontova, Mariia Vladimirovna. "Aktual'nye aspekty optimizatsii raspredeleniia obektov arendy v aeroportu". W International Research-to-practice conference. Publishing house Sreda, 2022. http://dx.doi.org/10.31483/r-103979.

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