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Gotowa bibliografia na temat „Archetypes”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 9 marca 2023

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Artykuły w czasopismach na temat "Archetypes"

Caldwell, Marylouise, Paul Henry i Ariell Alman. "Constructing audio‐visual representations of consumer archetypes". Qualitative Market Research: An International Journal 13, nr 1 (19.01.2010): 84–96. http://dx.doi.org/10.1108/13522751011013990.

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PurposeThe purpose of this paper is to explain how audio‐visual archetypal representations likely to engender emotional identification and consumer‐inquisitiveness by marketing professionals can be constructed.Design/methodology/approachThe paper employs video‐ethnography involving the following steps: development of a typology of consumer archetypes based on a priori theory, screening for and identifying informants to exemplify each archetype, filming interviews in and around their homes, developing realistic audio‐visual representations of each archetype and assessing marketing practitioners reactions to the audio‐visual representations.FindingsIn response to the audio‐visual archetypal representations, marketing practitioners displayed a high degree of interest and emotional relatedness. The interest generated in the screenings motivated animated discussion and often a desire to better understand the consumers represented by each archetype. These heightened reactions contrast strongly with the relatively emotionally flat responses to traditional marketing research reports.Originality/valueThe paper demonstrates that carefully crafted audio‐visual representations of consumer archetypes are likely to engender a consumer orientation in marketing professionals and hence associate with improved marketing decision‐making. It explains that this situation is likely explained by audio‐visual media's superior capacity to foster experiential, emotional knowledge of others, and, the origins of consumer archetypes in the collective un/consciousness and/or widespread strongly embedded cultural beliefs, norms, and values.

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Pigulevskiy, Viktor, i Liudmila Mirskaya. "Archetypes and design". SHS Web of Conferences 72 (2019): 03017. http://dx.doi.org/10.1051/shsconf/20197203017.

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Identification of basic archetypes and their remote structure in the context of civilization design, industrial and communicative design makes it possible to specify age-long stability of certain patterns and instruments. This contributes to design of effective models and necessary things. Archetypes as constantly recurring patterns of actions reflected in the mind in the form of unconscious schemes, patterns of thinking, behaviour and perception. Archetypes are a level of connection between being and thinking in the process of work, an area of contact of human corporeality and material side of the world. In the context of technical progress, miniaturization of gadgets and integration of functions, archetypal items remain highly-demanded. The clock with a round dial symbolizes the archetype of “eternal return”. Instruments and lever control systems, a lamp with the mechanism of “lever balance”, which simulates levels of human arm freedom, express the archetype of action. A jar made by a master on a potter’s wheel symbolizes a “vessel of life”, embodies the archetype of rotation, “wheel of life”. Symbolic figures of visual communication – circle, spiral, swastika and concentric circles – also present the archetype of rotation. Mandala, a special symbol that can be noticed in the design of visual communications, as well as in city plans in ancient civilizations, expresses the archetype of selfness. The design of civilizations has constants established by the contact of human corporeality and material side of the world. However, most of contemporary things that have a symbolic meaning lack being universal, since they are made within the structure of civilization, beyond incrustation of human corporeality in the world. Acting in the world, a person constantly repeats life patterns; this archetype of “eternal return” remains a basic attitude of the design.

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Binbin, Shen, Nataliia Kravchenko i Svitlana Matvieieva. "Archaic archetypes and symbols of the Ukrainian and Russian peoples: to debunk the myth of a single people". Revista Amazonia Investiga 11, nr 59 (15.12.2022): 184–93. http://dx.doi.org/10.34069/ai/2022.59.11.17.

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The article models the protocultural fields of the archetypal-mythological memory of Ukrainians and Russians as consisting of divergent elements. The core of the fields are archaic cultural archetypes and archetypal motifs “mother”, “field”, “plowman”, “labor”, “individualism”, and “equality” for Ukrainians, and “father”, “distance”, “vastness”, “inertia”, “collectivism”, and “submission” for Russians. The сore archetypes determine the differences in the ethnic mentality of two peoples and can enter the subsequent semiospheres and political mythology without significant adaptation, transforming into symbols of national identity. The periphery is formed by archetypes common, but re-articulated in subsequent semiospheres to be adapted to national narratives of different periods. The general archetype Sacred space was associated in the archaic consciousness of Ukrainians with the “House”, symbolizing the maternal principle and the Motherland, while the Russians embodied this archetype in the symbols of the Holy Mountain, metonymically expanded to the symbols of “Holy Rus”, Heartland, Rimland, defining the motif of messianism in symbolic politics of Russia. The archetype of the Hero is manifested in Ukrainian folklore by the images of the legendary plowmen, who conquer the steppe elements from the nomads, while in the Russian ethnic consciousness it is interpreted as the Messiah-Savior of the world.

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Baykova, Ekaterina V., i Marina A. Svetlichnaya. "Archetypes of Artistic Form Making in the Context of Architecture — the House and the Temple". Observatory of Culture 17, nr 1 (27.02.2020): 36–46. http://dx.doi.org/10.25281/2072-3156-2020-17-1-36-46.

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The article explores the patterns of form making in architecture through the prism of archetypes and archetypal images. Ancient civilizations’ spatial form making is considered in the context of the general system of archetypal images that are the source of meaning formation in an artificial environment. The main advantage of the article is the delimitation of the architectural archetype and the archetypal images in architecture. In this context, the article studies various options for spatial archetypes of the urban environment at the macro and micro levels. The House and the Temple are considered as the fundamental archetypes in architecture. The authors determine the role and place of form making in the contemporary cultural situation.However, there is noted that the spatial archetypes are a broader concept than just the application field of the architectural archetype. Thus, the article reveals the hierarchy of this cultural phenomenon in the spatial arts. As is often the case in the field of art, it is difficult to draw a clear line between the archetypal and spatial images. The tower, being a perfect example of the architectural archetype, is simultaneously considered by us as a spatial archetype.The article notes the possibility of a new archetypal image emergence in modern Russia, the general cultural situation of which can be characterized as extremely volatile and ambiguous. Does this suggest creating other archetypal images or just abandoning the traditional ones replacing them with pro-Western patterns? In any case, there is a possibility of creating new models and images that determine the emergence and development of a new paradigm in the period of global transformations. When creating a new image in culture and art, the archetypes of artistic form making, as well as in its traditional version, leave their imprint on the appearance of the material and spatial environment. The emergence of a new dominant image in the space of Russian architecture and environmental design is determined not only by its creative potential, but also by economic and political reasons, as, for example, in the case of creating a comfortable environment of buildings’ yards. Meanwhile, the yards in Russian culture, in our opinion, can claim the status of an archetype.We can assume that everyone will remain keeping some ideal space of their own interpretation, associated with their childhood memories, and that is why it is so important for us to preserve the paternal house with its adjacent territory for gaining some psychological comfort. The House and the Temple in this context are almost equal.

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Cullum, Carola, Gary Brierley, George LW Perry i Ed TF Witkowski. "Landscape archetypes for ecological classification and mapping". Progress in Physical Geography: Earth and Environment 41, nr 1 (24.10.2016): 95–123. http://dx.doi.org/10.1177/0309133316671103.

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We propose the use of archetypes as a way of moving between conceptual framings, empirical observations and the dichotomous classification rules upon which maps are based. An archetype is a conceptualisation of an entire category or class of objects. Archetypes can be framed as abstract exemplars of classes, conceptual models linking form and process and/or tacit mental models similar to those used by field scientists to identify and describe landforms, soils and/or units of vegetation. Archetypes can be existing taxonomic or landscape units or may involve new combinations of landscape attributes developed for a specific purpose. As landscapes themselves defy precise categorisation, archetypes, as considered here, are deliberately vague, and are described in general terms rather than in terms of the details that characterise a particular instance of a class. An example outlining the use of archetypes for landscape classification and mapping is demonstrated for granitic catenas in Kruger National Park, South Africa. Some 81% of the study area can be described in terms of archetypal catenal elements. However, spatial clustering of two classes that did not correspond to the archetypes prompted development of new archetypes. We show how the archetypes encoded in the map can be used to frame further knowledge in an ongoing, iterative and adaptive process. Building on this, we reflect on the value of vagueness in conservation science and management, highlighting how archetypes that are used to interpret and map landscapes may be better employed in the future.

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Fatihah, Nadyatul, i Ali Mustofa. "Archetypes & Self-Realization in Disney’s Cruella (2021) Movie: Jungian Psychoanalysis". Tell : Teaching of English Language and Literature Journal 10, nr 1 (30.04.2022): 36. http://dx.doi.org/10.30651/tell.v10i1.12661.

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The research focused on archetypal elements in the Disney film Cruella. The goal was to see how Estella's personality reflected Jung's archetype theory. Carl Gustav Jung identified the major archetypes, which are the result of shared ancestral experiences that can be found in art, literature, and religion but are not readily evident to the naked eye. Archetypes are inherited, universal patterns of people, actions, or personalities that have an impact on human behaviour. Watching the movie, reading the movie's transcription, selecting quotes, studying cinematographic elements, identifying the data based on the study's theme, and classifying the data to point out the issues of Jung's archetype in the movie were all used to assemble the data. According to the findings, Jung's archetypes were depicted in the film. The results of the research revealed that the main character's speech and actions reflected Jung's archetypes. According to the discussion, Estella's mental growth is obtained from three aspects: her persona, shadow, and self-realization. Self-realization is attained through breaking free from the constraints of the persona, recognizing and accepting the shadow, and balancing the two sides. Despite being difficult and perhaps dangerous, those are critical stages on the way to mental and psychic developmen

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Sari, Yulia Puspita, i Emil Eka Putra. "ARCHETYPAL IMAGES REFLECTED IN DRACULA NOVEL BY BRAM STOKER". JURNAL BASIS 8, nr 2 (23.10.2021): 165–72. http://dx.doi.org/10.33884/basisupb.v8i2.3848.

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This research discusses archetypal in the novel Dracula written by Stoker. The purpose of this research is to find out some archetypal images in the novel. Some of the problems that exist today are readers who do not know the meaning of archetypal images contained in a novel. The data used in this study were taken from the novel Dracula written by Stoker. In this research, the researcher applies Carl Jung's theory. This study uses descriptive qualitative research, in qualitative research the key concepts, ideas, and processes studied are part of the central phenomenon. The result of this research is that the novel Dracula has many archetypal images contained in it. The archetypes in Dracula are: sun, color, the archetype women, and wise old man. Based on the results of this study, the researcher concludes that there are several archetypes in Dracula's novel that are used to convey implied meanings through the symbols used.

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Ponomarenko, L. "ЕКСПЛІКАЦІЯ АРХЕТИПІВ І СИМВОЛІВ У СУЧАСНИХ УКРАЇНСЬКИХ ХУДОЖНІХ ФІЛЬМАХ". State and Regions. Series: Social Communications, nr 2(46) (13.08.2021): 8. http://dx.doi.org/10.32840/cpu2219-8741/2021.2(46).2.

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The purpose of the article is to explicate archetypes and symbols in modern Ukrainian historical films those were made during 2015–2021 term. As an object of research, we selected precisely those modern films of the historical genre, the titles of those are identical to the main character or characters names in the films. At the same time, the fact how real or pseudo-real the prototypes of the main characters of the films selected for analysis were, was not taken to consideration.Research methodology. The main general scientific methods that are used in this article are the analysis of literature on the issue under study (on the explication of archetypes and symbols and their use in modern Ukrainian feature films of the historical genre), description (of selected films according to the main criteria – release date, director’s name, screened work), comparative analysis (to clarify the similarities and differences between the archetype and the symbol and types of national archetypes), the method of explication (to clarify the essence of national types of archetypes). In addition, the article uses the following empirical methods: rolling sample (for the selection of relevant films) and content analysis with elements of qualitative analysis (to clarify the use of predominant national archetypes and symbols in the film as means of their implementation).Results. It is being explicated that the archetype and symbol are the key concepts of research, although they belong to different fields of study – subconscious, intangible and conscious, material, but complement to each other, expressing the archetypal-symbolic meaning of the message. Therefore, these concepts are not identical or interchangeable, but are closely related. It has also been suggested that national archetypes are based on universal human archetypes.In modern Ukrainian feature films with the main character – a historical or pseudo-historical person – the following archetypes are clearly expressed: first, the archetype of the earth, which begins to form with the help of shots from the Ukrainian landscape proper and to generalize about Ukraine as a state as a whole; secondly, the archetype of a strong knight, which is overwhelmingly the main character of the film; thirdly, the archetype of freedom, which is created in the process of a knight's struggle for his native land.Novelty. It has been identified that in selected modern Ukrainian feature films of the historical genre, three national Ukrainian archetypes prevail – the archetype of the earth, the strong knight and freedom they are closely related.Practical significance. The results of the research can be used in writing screenplays and staging them, reviewing films, as well as in the educational process of specialty 021 «Audiovisual art and production» students.Key words: archetype, ethnocultural and national archetypes, symbol, explication, modern Ukrainian feature film, historical genre, archetype of earth, freedom and a strong knight.

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Zelykovsky, Alexey. "Structure, Properties and Functions of Political Myth". Logos et Praxis, nr 3 (grudzień 2019): 18–24. http://dx.doi.org/10.15688/lp.jvolsu.2019.3.2.

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The paper reveals the structure, properties and main functions of modern political myth, in addition, it analyzes the relationship between modern and archaic myths. The basis of modern political myths is rationalized and expressed in symbolic form mythological archetype. Despite the fact that archaic mythology as an integral system of worldview is rationalized, desacralized and destroyed, mythological archetypes retain their social significance. That is, political myths are the result of rationalization and symbolic interpretation of mythological archetypes. The article describes the main symbols-archetypes being invariably present in political discourse. For example, the hero archetype symbol is used to create heroic political myths. This group of myths is necessary for the formation of the image of a political leader. The representation of a political leader in accordance with the symbol-archetype of the hero significantly increases his capabilities and powers. The symbol-archetype of the Golden age is used to construct the image of the ideal social and political system. This archetype is especially actively exploited in various utopian and revolutionary projects. The symbol-archetype of the Great Mother, also actively used by modern mythology, forms ideas about their native land and country creating a sense of unity and cohesion. Since archetypal symbols retain their social significance, political myths, by reproducing them, perform important social functions. Shaping a special symbolic and semantic reality modern myths perform the main function – meaning making. Modern political myths carry out their functions by acting on the unconscious level, thereby causing certain emotional experiences and pushing the masses to the required actions. Thus, it can be concluded that political myths are an integral component of modern social and political practice.

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Ibatullina, G. M., i M. V. Alekseenko. "THE SOPHIAN MYTH IN THE NOVEL BY V.P. ASTAFYEV “THE SHEPHERD AND THE COWGIRL”". Bulletin of Udmurt University. Series History and Philology 29, nr 5 (25.10.2019): 839–47. http://dx.doi.org/10.35634/2412-9534-2019-29-5-839-847.

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The article discusses the figurative and semantic paradigms of the sophiological myth in the story by V.P. Astafyev “The Shepherd and the Cowgirl”. The image of the main character of the story Lucy is endowed with a number of symbolic connotations and has a complex archetypal structure. The Sophian archetype is represented here in its two invariants: the Christian and the Gnostic; the keys to understand the heroine are also the Theotokos archetype, the archetypes of the Virgin, the Beloved, the Mistress, Psyche, and the Kabbalistic archetype Shekhinah, which is closely related to the original image of Sophia. The Sophian model of a feminine principle is reflected both in the personality-psychological, spiritual and moral characteristics of the heroine, and in the logic of the image of her fate. The study leads to the conclusion that the mythologeme of Sophia in its different modes (Sophia the Wisdom of God, Sophia the Gnostic, Eternal Femininity) in the paradigm of Lucy's image is one of the semantic dominants; in addition, in the mythopoetic sign system of the work, the Sophian archetype, along with the archetypes of Theotokos and Shekhinah, can be considered the cultural representative of the “feminine” archetype - the archetype of a Woman in its specific gender-existential aspect.

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Rozprawy doktorskie na temat "Archetypes"

Williams, Kaylea N. "Archetypes in Clay". Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/honors/400.

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The artist discusses the background, ideas, and work entitled Archetypes in Clay, for the completion of her Bachelor of Arts Degree and undergraduate research for the Fine and Performing Arts Scholar program at East Tennessee State University. The artist used this development of work to explore personality types, and how they can be portrayed through clay vessels. In particular, the artist shows her work, how she created the vessels, the testing involved, and the struggles she faced. Archetypes is the focus behind the concept of this project. Her work includes four ceramic vessels, created with clay and finished with glaze. The artist cites Carl Jung, Isabel Briggs-Myers, and NERIS Analytics Limited as important research in this project.

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Eglin, Stuart. "Working with archetypes : archetypes in organisations, Jungian psychology in group situations". Thesis, University of Manchester, 2004. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.488052.

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Roberts, Candice. "Exploring Brand Personality through Archetypes". Digital Commons @ East Tennessee State University, 2010. https://dc.etsu.edu/etd/1691.

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Though brands are created and maintained using many different management strategies, market and academic research has offered evidence that brands presenting the strongest personalities are more likely to perform better and resonate longer with consumers. This paper examines the components of brand personality using connections between contemporary branding and 13 classic archetypes. The study also discusses the life cycle of the brand, including development of brand personality and achievement of iconic status in conjunction with archetypal marketing. The research of Faber and Mayer (2009) is the basis for an analysis measuring participant attitudes toward popular brands by matching them with archetypal descriptions and explores possible correlation between product category and archetype. Results show evidence for high levels of participant agreement when categorizing archetypal representations of popular brands as well as consistency across product category. Results are also indicative of a relationship between gender and archetype selection.

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Klujber, Anita Rita. "Snow and window : archetypes of imagination". Thesis, University of Cambridge, 2002. https://www.repository.cam.ac.uk/handle/1810/244962.

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Within the field of comparative literature, this dissertation investigates how the paired symbols of snow and window illuminate certain imaginative processes such as the threshold experience of creative and receptive acts. This work is an intertextual analysis and synthesis of self-allusive poems by Boris Pasternak, Ted Hughes, Gyula Illyes, and Gennady Aygi. Poems by other authors are also discussed briefly, or linked to the main texts through epigraphs. Contemplation of snow through a window is the central theme of the focused texts. Snowflakes falling on the window pane allegorically represent words on the page, and the observation of this process is a metaphor for the ongoing creative and receptive acts. Meditative contemplation of nature and of the processes of writing and reading are portrayed as means for an introspective self-discovery of imagination. The threshold experience of observing the creative mind as it is externalised in nature and embodied in the poetic text involves a deconstructive reversal and overlapping of the external and the internal worlds, and other opposites. The complex mental process of watching the internal in what is external is comparable to the fusion of the optical effects of transparency and reflection on a window. The works analysed reveal that poems can function both as 'windows' displaying external phenomena, and as symbolic 'mirrors' in which one can catch a glimpse of the working of imagination at the very act of simultaneously outward and inward contemplation. The methodological scope of this work is primarily concerned with the intertextual connective function of recurring poetic images (symbols). The metaphorical symbol is a central embodiment of imagination. By focusing on recurring symbols, one can establish links between literary texts and between various imaginative systems (such as literature, mythology, music and visual arts) on a primarily aesthetic basis, without recourse to extraliterary criteria. Northrop Frye's Theory of Symbols, Jungian archetypal criticism, Iurii Lotman's models of communication, and more recent theoretical works by Harold Bloom, Michael Riffaterre, Owen Miller, Roland Barthes, Jonathan Culler, Jacques Derrida, and other scholars serve as the conceptual framework for this approach. Five main intertextual relations are explored. The recurring metaphorical image is shown to be (1) a semantic link between works of the same author, (2) a manifestation of transpersonal features of imagination, (3) a trace of one author's text in the work of another, (4) a means for establishing hypothetical dialogues between texts which are not related by their authors, and (5) a potential connective between literature and other imaginative systems, such as mythology and visual art. These comparative analyses reveal that intertextual approaches are not only tools for uncovering and enriching the meanings of literary texts; they are also means for constructing order in one's otherwise chaotic corpus of reading, and they enable one to gain knowledge about the nature of imagination. The thematic and methodological aspects of the dissertation thus complement and support each other.

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Martens, Rhonda M. "Kepler's archetypes in discovery and justification". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq28506.pdf.

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Lee, Jungha. "Using archetypes in the design process". Thesis, Konstfack, Industridesign, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5521.

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Archetypes enable consumers to interpret products, to understand their meaning and usage better. By having a memory of the object people can utilize it. There are several products designed without having this idea of using archetypes in mind, but when it is applied in design it can have both advantages and disadvantages. This study deals with using archetypes in designing processes and also concentrates on these pros and cons. In order to explore this diverse usage of archetype, I did a case study of released products where archetypes were applied in the designing process, categorizing the products in two groups. For the next step, I categorized the products we commonly use in four groups by usage and interaction with user. As a result I found that each category of product has its own characteristics. For the next step I designed four products using two approaches. I realized that the difficult part of designing could be solved by extra procedures. To fully deliver the intention of designer, it is important to have more usability test and questionnaires so that the feedbacks could intensify the archetype.

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Kok, Seng Kiat. "New managerial archetypes in Higher Education". Thesis, Liverpool John Moores University, 2009. http://researchonline.ljmu.ac.uk/5950/.

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This research identifies the prevalent external forces that have been a catalyst to change in governance and management structures in UK universities. It reviews the effects of growing commercialisation against a backdrop of changing funding dynamics. The study included the political forces that have transformed higher education, alongside the proliferation of managerialism. It examines these effects against traditional welfarist and altruistic views of education, further investigating the differing management structures and archetypes that exist. In addition to this, the research reviews the effects of these forces against the more complex university typology of ancient, red brick. plate glass and new institutions. Utilising the pragmatic philosophical underpin the research employs mixedmethodological approaches of qualitative exploratory desk research, quantitative questionnaires and ultimately qualitative interviews. These entailed the analysis of data both inductively and deductively. Questionnaire and interview surveys were undertaken on UK universities on a range of staff groups within institutional hierarchies. These 'include senior management groups, teaching and research staff, and administrative staff to provide a diverse and reflective range of responses from all staff members. The research has identified changing notions of collegiality and traditional academic autonomy towards more managed and corporate focused management structures. It has further uncovered disparate approaches that exist against the various institutions as a factor of age of establishment rather than solely on type. It contributes to the current body of knowledge by amalgamating the different external forces and reviewing its effects on university management, further uncovering these management structures to exist as dominant-institutional and subsegmented or sub-structural forms alongside cultural permutations. The research further posits that the established dichotomy of traditional and new universities inaccurately reflects the complexity ofthe higher education sector within the UK.

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Kizilcik, Hale Hatice. "Jungian Archetypes In Samuel Beckett&#039". Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/12606397/index.pdf.

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This thesis analyses the Jungian archetypes employed in Beckett'
s trilogy. It begins with an overview of Jungian archetypes and the relation of these archetypes to the fundamental themes dealt with in Beckett'
s work. The thesis then asserts that some archetypal features occur almost obsessively and are further clearly implicated in the main themes of the trilogy. The central archetypal patterns that frequently appear in the novel are the hero'
s quest, return to paradise and rebirth. This dissertation is therefore primarily organised around these archetypes, and Beckett'
s use of these archetypal motifs to reinforce his black philosophy will be illustrated and exemplified in the study.

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Bye, Joy. "Divination: Exemplifying and Configuring Archetypes in Ceramics". University of Sydney, 2009. http://hdl.handle.net/2123/6023.

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Master of Visual Arts
Abstract/Summary Dissertation Divination: Exemplifying and Configuring Archetypes in Ceramics is a study of my research practice. The cards of the tarot can be used as a conceptual framework and source of inspiration for making ceramic sculptures. The cards can be used to understand the creative process as an expression of archetypes. My dissertation discusses these archetypes from the tarot cards, both in their historical operation, their manifestation in my art practice, as well as, examining approaches taken to these archetypes by other artists such as Salvador Dali and Niki de Saint Phalle. The theoretical basis for the dissertation is informed by the writings of Carl G. Jung who has proposed concepts dealing with creativity, coincidence, a collective unconscious and archetypes. These ideas form a model for the understanding of my studio work. As background, the dissertation examines examples of artworks that could be seen to be drawn from a collective unconscious. Studio Work The studio work consists of a series of ceramic sculptures formulating the archetypes that I have derived from the tarot cards. The three dimensional clay, with found inclusions, examines the idea of specific archetypes. These archetypes are titled in the works including: The Fool, Strength, The Magician, Tarot Sun, The Empress II, The Lovers, Empress l, The Chariot I and II The Angel Temperance, The Tarot Devil and The World. The ceramic objects have been created in clay using handbuilding techniques. The clay was such that it could include found ceramic pieces and be refired. The pieces have been re-fired many times to achieve a variety of glaze effects. The works range in size from 30-60 cms approximately and include freestanding sculptures and complementing flat wall works.

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Simic, Anderson Magdalena. "(Dis)identifying female archetypes in live art". Thesis, Lancaster University, 2007. http://eprints.lancs.ac.uk/78761/.

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My thesis considers a feminist arts practice as a form of political agency. My research is practice-led. It consists of three performances/live art events (Medea/Mothers’ Clothes, Magdalena Makeup and Joan Trial), its documentation on three sets of DVDs and a written dissertation. Female archetypes, which have tended to be associated with the canonical, underpin my research investigations. Through my arts practice I intervene in three archetypal images of women that are representative of the patriarchal canon: Medea (the anti-mother), Mary Magdalene (the penitent whore) and Joan of Arc (virgin martyr). I juxtapose their ‘universality’ with the experiential, the local and the contemporary. I draw on the authoritative personal voice of the lived anxiety of the experience of motherhood (Medea), name identification (Mary Magdalene), spirituality/heroism (Joan of Arc) and the sense of ‘being foreign’, seen as ‘Other’. Working from my subject figuration of a ‘Foreigner’ (Croatian, living in Britain), my local community and experience of my daily life as a mother and artist-researcher in Liverpool, I (dis)identify with socio-culturally prescribed forms of the feminine, as conventionally represented by these archetypes. The production of my arts practice is understood as my political commitment to the world, a part of and an intervention into my everyday living. This thesis is situated and contextualized within the field of contemporary British Live Art practices, feminist solo performance and transnational arts practices. For the purposes of facilitating my agency as an artist, throughout the thesis I use postcolonial and transnational feminist studies as well as feminist discourses on the ‘politics of location’ and ‘lived experience’, particularly the work of Sara Ahmed, Atvar Brah, Teresa de Lauretis, Inderpal Grewal, Caren Kaplan, Doreen Massey, Chandra Talpade Mohanty, Elspeth Probyn, Gayatri Spivak and Iris Marion Young.

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Książki na temat "Archetypes"

Poirier, Anne. Lost archetypes. Bath: Artsite Gallery, 1986.

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G, Jung C. Four Archetypes. London: Taylor & Francis Inc, 2004.

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McKinlay, Archibald. Reejin archetypes. Chicago, IL (1440 N. Lake Shore Dr., Chicago, IL 60610): Cattails Press, 1996.

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Poirier, Anne. Lost archetypes. Bath (Eng.): Artsite Gallery, 1986.

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Robin, Robertson. Jungian archetypes: Jung, Gödel, and the history of archetypes. York Beach, Me: Nicolas-Hays, 1995.

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Robin, Robertson. Jungian archetypes: Jung, Gödel, and the history of archetypes. New York, USA: iUniverse, 2009.

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Stambaugh, Tamra, Emily Mofield, Eric Fecht i Kim Knauss. Encounters With Archetypes. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003234890.

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Archetypes of thought. New Brunswick, U.S.A: Transaction Publishers, 1996.

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Dawe, Alan. Urban archetypes: Narratives. Richmond, B.C: A & J Pub., 1987.

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Soccio, Douglas J. Archetypes of wisdom. Wyd. 2. Belmont, Calif: Wadsworth Pub. Co., 1995.

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Części książek na temat "Archetypes"

Merchant, John. "Archetypes". W Encyclopedia of Personality and Individual Differences, 246–50. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-24612-3_1362.

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Bisbal, Jesus. "Archetypes". W Encyclopedia of Systems Biology, 37–38. New York, NY: Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4419-9863-7_628.

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Williams, Ruth. "Archetypes". W C.G. Jung, 38–60. 1 Edition. | New York : Routledge, 2019. |: Routledge, 2018. http://dx.doi.org/10.4324/9781315638416-3.

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Merchant, John. "Archetypes". W Encyclopedia of Personality and Individual Differences, 1–4. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-28099-8_1362-1.

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Feinstein, David. "Archetypes." W Encyclopedia of psychology, Vol. 1., 232–34. Washington: American Psychological Association, 2000. http://dx.doi.org/10.1037/10516-083.

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Davies, Callan. "Archetypes". W What is a Playhouse?, 25–71. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003231127-2.

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Sacco German, Betty. "Archetypes". W The Palgrave Encyclopedia of the Possible, 1–8. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-319-98390-5_92-1.

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Sacco German, Betty. "Archetypes". W The Palgrave Encyclopedia of the Possible, 127–34. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-90913-0_92.

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Varanasi, Balaji. "Maven Archetypes". W Introducing Maven, 69–87. Berkeley, CA: Apress, 2019. http://dx.doi.org/10.1007/978-1-4842-5410-3_6.

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Varanasi, Balaji, i Sudha Belida. "Maven Archetypes". W Introducing Maven, 47–62. Berkeley, CA: Apress, 2014. http://dx.doi.org/10.1007/978-1-4842-0841-0_6.

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Streszczenia konferencji na temat "Archetypes"

Núñez-Pacheco, Claudia, i Lian Loke. "Felt-sensing archetypes". W the 28th Australian Conference. New York, New York, USA: ACM Press, 2016. http://dx.doi.org/10.1145/3010915.3010932.

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Andronnikova, O. O. "АРХЕТИПЫ ВЫЖИВАНИЯ В ПСИХОТЕРАПИИ ЖЕРТВЕННОСТИ". W ПЕРВЫЙ МЕЖКОНТИНЕНТАЛЬНЫЙ ЭКСТЕРРИТОРИАЛЬНЫЙ КОНГРЕСС «ПЛАНЕТА ПСИХОТЕРАПИИ 2022: ДЕТИ. СЕМЬЯ. ОБЩЕСТВО. БУДУЩЕЕ». Crossref, 2022. http://dx.doi.org/10.54775/ppl.2022.68.91.001.

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The article is devoted to the study of archetypes as emergent principles filled with individual experience of experiencing in a situation of early trauma. Five specific archetypes of childhood trauma are noted as ways of dealing with trauma in the child's mental reality. The archetypes of survival (victim, saboteur, wounded child, prostitute) are singled out and described as protective personality structures arising from parental and social upbringing, general life experience. Their motivation and actual needs, sensual content and directions of therapeutic work are determined. A psychological analysis of the emergence and dynamics of the sacrificial archetype of Medusa Gorgon is given, the main directions of therapeutic work with it are determined. Статья посвящена исследованию архетипов, как эмерджентных принципов, наполненных индивидуальным опытом переживания в ситуации раннего травмирования. Отмечены пять специфических архетипов детской травмы как способы обращения с травмой в психической реальности ребенка. Выделены и описаны архетипы выживания (жертвы, диверсанта, раненого ребенка, проститутки), как защитные структуры личности, возникающие из родительского и социального воспитания, общего жизненного опыта. Определены их мотивация и актуальные потребности, чувственное наполнение и направления терапевтической работы. Дан психологический анализ возникновения и динамики жертвенного архетипа Медузы Горгоны, определены основные направления терапевтической работы с ним.

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Ryan, Ita, Utz Roedig i Klaas-Jan Stol. "Understanding Developer Security Archetypes". W 2021 IEEE/ACM 2nd International Workshop on Engineering and Cybersecurity of Critical Systems (EnCyCriS). IEEE, 2021. http://dx.doi.org/10.1109/encycris52570.2021.00013.

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Walsh, Hannah S., Andy Dong, Irem Y. Tumer i Guillaume Brat. "Detecting and Characterizing Archetypes of Unintended Consequences in Engineered Systems". W ASME 2020 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/detc2020-22108.

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Abstract When designing engineered systems, the potential for unintended consequences of design policies exists despite best intentions. The effect of risk factors for unintended consequences are often known only in hindsight. However, since historical knowledge is generally associated with a single event, it is difficult to uncover general trends in the formation and types of unintended consequences. In this research, archetypes of unintended consequences are learned from historical data. This research contributes toward the understanding of archetypes of unintended consequences by using machine learning over a large data set of lessons learned from adverse events at NASA. Sixty-six archetypes are identified because they share similar sets of risk factors such as complexity and human-machine interaction. To validate the learned archetypes, system dynamics representations of the archetypes are compared to known high-level archetypes of unintended consequences. The main contribution of the paper is a set of archetypes that apply to many engineered systems and a pattern of leading indicators that open a new path to manage unintended consequences and mitigate the magnitude of potentially adverse outcomes.

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Kuppers, M., M. Metzger, M. Huber i S. Paulus. "Archetypes of Country Energy Systems". W 2019 IEEE Milan PowerTech. IEEE, 2019. http://dx.doi.org/10.1109/ptc.2019.8810765.

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Feld, Sebastian, Martin Werner, Mirco Schonfeld i Stefanie Hasler. "Archetypes of alternative routes in buildings". W 2015 International Conference on Indoor Positioning and Indoor Navigation (IPIN). IEEE, 2015. http://dx.doi.org/10.1109/ipin.2015.7346946.

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Oettl, Christian, Thomas Berger, Markus Böhm, Manuel Wiesche i Helmut Krcmar. "Archetypes of Enterprise Social Network Users". W Hawaii International Conference on System Sciences. Hawaii International Conference on System Sciences, 2018. http://dx.doi.org/10.24251/hicss.2018.257.

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Iwata, Yoshimi. "Phylogenetic Approach for Estimating Noh Archetypes". W 2011 Second International Conference on Culture and Computing (Culture Computing). IEEE, 2011. http://dx.doi.org/10.1109/culture-computing.2011.52.

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Bahaddin, Babak, Ali Mirchi, David Watkins, Sajjad Ahmad, Eliot Rich i Kaveh Madani. "System Archetypes in Water Resource Management". W World Environmental and Water Resources Congress 2018. Reston, VA: American Society of Civil Engineers, 2018. http://dx.doi.org/10.1061/9780784481400.012.

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"Archetypes in William Empson’s Poem “China”". W 2020 International Conference on Educational Training and Educational Phenomena. Scholar Publishing Group, 2020. http://dx.doi.org/10.38007/proceedings.0000977.

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Raporty organizacyjne na temat "Archetypes"

Бережна, Маргарита Василівна. Maleficent: from the Matriarch to the Scorned Woman (Psycholinguistic Image). Baltija Publishing, 2021. http://dx.doi.org/10.31812/123456789/5766.

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The aim of the research is to identify the elements of the psycholinguistic image of the leading character in the dark fantasy adventure film Maleficent directed by Robert Stromberg (2014). The task consists of two stages, at the first of which I identify the psychological characteristics of the character to determine to which of the archetypes Maleficent belongs. As the basis, I take the classification of film archetypes by V. Schmidt. At the second stage, I distinguish the speech peculiarities of the character that reflex her psychological image. This paper explores 98 Maleficent’s turns of dialogues in the film. According to V. Schmidt’s classification, Maleficent belongs first to the Matriarch archetype and later in the plot to the Scorned Woman archetype. These archetypes are representations of the powerful goddess of marriage and fertility Hera, being respectively her heroic and villainous embodiments. There are several crucial characteristics revealed by speech elements.

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Huff, Kathryn, i Travis Knight. Demand Driven Cycamore Archetypes. Office of Scientific and Technical Information (OSTI), grudzień 2019. http://dx.doi.org/10.2172/1594895.

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Posthumus, Helena, Bart de Steenhuijsen-Piters, Just Dengerink i Sietze Vellema. Archetypes : Common systemic behaviours in food systems. Wageningen: Wageningen Economic Research, 2018. http://dx.doi.org/10.18174/464055.

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Bissonnette, Anne Marie Eveline. Understanding the Gaps: Four Archetypes of 1790s Gowns. Ames: Iowa State University, Digital Repository, listopad 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1582.

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Бережна, Маргарита Василівна. The Traitor Psycholinguistic Archetype. Premier Publishing, 2022. http://dx.doi.org/10.31812/123456789/6051.

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Film studies have recently begun to employ Jung’s concept of archetypes prototypical characters which play the role of blueprint in constructing clear-cut characters. New typologies of archetype characters appear to reflect the changes in the constantly developing world of literature, theater, film, comics and other forms of entertainment. Among those, there is the classification of forty-five master characters by V. Schmidt , which is the basis for defining the character’s archetype in the present article. The aim of the research is to identify the elements of the psycholinguistic image of Justin Hammer in the superhero film Iron Man 2 based on the Marvel Comics and directed by Jon Favreau (2010). The task consists of three stages, namely identification of the psychological characteristics of the character, subsequent determination of Hammer’s archetype and definition of speech elements that reveal the character’s psychological image. This paper explores 92 Hammer’s turns of dialogues in the film. According to V. Schmidt’s classification, Hammer belongs to the Traitor archetype, which is a villainous representation of the Businessman archetype.

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Бережна, Маргарита Василівна. The Destroyer Psycholinguistic Archetype. Baltija Publishing, 2021. http://dx.doi.org/10.31812/123456789/6036.

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The aim of the research is to identify the elements of the psycholinguistic image of the main antagonist Hela in the superhero film Thor: Ragnarok based on the Marvel Comics and directed by Taika Waititi (2017). The task consists of two stages, at the first of which I identify the psychological characteristics of the character to determine to which of the archetypes Hela belongs. As the basis, I take the classification of film archetypes by V. Schmidt. At the second stage, I distinguish the speech peculiarities of the character that reflect her psychological image.

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Ainsworth, Paul, i Svetlana Kryukova. A Multimedia Interactive Environment Using Program Archetypes: Divide-and-Conquer. Fort Belvoir, VA: Defense Technical Information Center, styczeń 2006. http://dx.doi.org/10.21236/ada443259.

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Musolino, Stephen. Evaluation of Preventative Radiological/Nuclear Detector Archetypes to Validate Repurpose to the Consequence Management Mission. Office of Scientific and Technical Information (OSTI), wrzesień 2017. http://dx.doi.org/10.2172/1425190.

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Larson, Daniel. Attitudes, Behavior, and Archetypes in the Clackamas River Basin: a Model of Water Customer Analysis and Outreach for Watershed Protection and Conservation. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.7371.

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Hornbeck, Richard. Dust Bowl Migrants: Identifying an Archetype. Cambridge, MA: National Bureau of Economic Research, sierpień 2020. http://dx.doi.org/10.3386/w27656.

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