Rozprawy doktorskie na temat „Apocalypse”
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Dulanto, Andrea. "Apocalypse girls". FIU Digital Commons, 2008. http://digitalcommons.fiu.edu/etd/3097.
Pełny tekst źródłaHolmes, Michael M. (Michael Morgan). "John Donne's Apocalypse". Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60624.
Pełny tekst źródłaIsmail, Mahomed Sayed. "The Apocalypse Syndrome". Master's thesis, University of Cape Town, 2008. http://hdl.handle.net/11427/12500.
Pełny tekst źródłaHuman, Charles. "Apocalypse now now". Master's thesis, University of Cape Town, 2011. http://hdl.handle.net/11427/10698.
Pełny tekst źródłaMetz, Alexander Johan. "Meaning in Apocalypse". Oberlin College Honors Theses / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1590800369838626.
Pełny tekst źródłaBill, Frederic. "The apocalypse of entrepreneurship /". Växjö : Växjö University Press, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-883.
Pełny tekst źródłaMoscoso, Jennifer. "Cookie VS. The Apocalypse". Digital Commons at Loyola Marymount University and Loyola Law School, 2011. https://digitalcommons.lmu.edu/etd/69.
Pełny tekst źródłaShellrude, Glen M. "Nag Hammadi apocalypses : a study of the relationship of selected texts to the traditional Apocalypse". Thesis, University of St Andrews, 1986. http://hdl.handle.net/10023/2649.
Pełny tekst źródłaWoodland, Malcolm. "Wallace Stevens, versions of apocalypse". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ28085.pdf.
Pełny tekst źródłaPoole, Kevin Ray. "Visualizing apocalypse image and narration in the tenth-century Gerona Beatus Commentary on the apocalypse /". Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1153502367.
Pełny tekst źródłaNilsson, Måns, i Christoffer Oveby. "Survival in the Retail Apocalypse : A qualitative study about surviving the retail apocalypse as a retailer". Thesis, Högskolan Kristianstad, Fakulteten för ekonomi, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hkr:diva-20828.
Pełny tekst źródłaWang, Mimi Cheng-Yin. "The global commons : tragedy or apocalypse? /". Title page, abstract and contents only, 1997. http://web4.library.adelaide.edu.au/theses/09AR/09arw2461.pdf.
Pełny tekst źródłaEverett, Alan Neil. "J.G. Ballard : the flight through apocalypse". Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307200.
Pełny tekst źródłaKuo, Yiwen Viviane. "Albrecht Duret's apocalypse as self-revelation". The Ohio State University, 1994. http://rave.ohiolink.edu/etdc/view?acc_num=osu1298656338.
Pełny tekst źródłaZanon, Irene <1984>. "The alchemical Apocalypse of Isaac Newton". Doctoral thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/3022.
Pełny tekst źródłaKollaja, Joshua. "Oneness the nature of a cyborg apocalypse /". Laramie, Wyo. : University of Wyoming, 2009. http://proquest.umi.com/pqdweb?did=1950196431&sid=1&Fmt=2&clientId=18949&RQT=309&VName=PQD.
Pełny tekst źródłaMood, Steven C. "The use of colors in the Apocalypse". Theological Research Exchange Network (TREN), 1987. http://www.tren.com.
Pełny tekst źródłaMohsenzadeh, Yassaman. "A minor apocalypse : theorising the pregnant body". Thesis, University of Sussex, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.244352.
Pełny tekst źródłaGay, Meg. "Monumental apocalypse cycles of the fourteenth century". Thesis, University of York, 1999. http://etheses.whiterose.ac.uk/9799/.
Pełny tekst źródłaSacks, Michelle Tamara. "Apocalypse and elegy in contemporary american fiction". Thesis, University of Cape Town, 2004. http://hdl.handle.net/11427/6724.
Pełny tekst źródłaSpriggs, Bianca L. "Women of the Apocalypse: Afrospeculative Feminist Novelists". UKnowledge, 2017. http://uknowledge.uky.edu/english_etds/56.
Pełny tekst źródłaPaulsen-Reed, Amy Elizabeth. "The Origins of the Apocalypse of Abraham". Thesis, Harvard University, 2016. http://nrs.harvard.edu/urn-3:HUL.InstRepos:27194248.
Pełny tekst źródłaHaller, Stephen F. "Apocalypse soon?, wagering on warnings of global catastrophe". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0020/NQ27455.pdf.
Pełny tekst źródłaBoxall, Ian Kieran. "Patmos in the reception history of the Apocalypse". Thesis, University of Oxford, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.550503.
Pełny tekst źródłaBurdon, Christopher. "Unravelling revelation : the apocalypse in England, 1700-1834". Thesis, University of Glasgow, 1995. http://theses.gla.ac.uk/2516/.
Pełny tekst źródłaFaria, Alisson Costa de. "Tradução intersemiótica: nos rastros do filme Apocalypse Now". Pontifícia Universidade Católica de São Paulo, 2014. https://tede2.pucsp.br/handle/handle/4618.
Pełny tekst źródłaCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
The actual research analyzes the translational relations from the movie Apocalypse Now (1979), from Francis Ford Coppola, with its sources, especially the novel The Heart of Darkness (2006), from Joseph Conrad and Dispatches (2005), from Michael Herr. The objective was to investigate how the cinematographic masterpiece was built from the intersemiotic translations of its sources. This research also analyzes the meanings developed by the masterpiece, pointing to convergent and dissonant points with its sources, verifying how the elements transposition (time, space, points of views, conflicts and characters) of literary and journalistic texts for the movie happen to be. The research justifies in the fact that the movie of Coppola does not translate in a sequence the novel narrative of Conrad and the other texts used for the movie industry, but to change concepts and ideas into moving images. Convencionally, this kind of criticism sees the adaptation tasks by certain kind of criteria like accuracy of the movie text in relation to the literary text. It needs to be understood how the translation process happens between sources and adaptation, respecting the specificities of each semiotic system, making the intersemiotic translation a method that can create a new masterpiece and not just a identity copy, from one to another. The movie Apocalypse Now creation process is also the object of this research and will be guided by the Genetics Criticism elements. Interpretations from authors who are considered references on the theme were considered, such as: Robert Stam, Julio Plaza, Sergei Eisenstein, Cecília Salles. In terms of method, scenes, parts and frames from Apocalypse Now were analyzed, starting by the surface thoughts, as Flusser teaches us, opposing to line thoughts, that can be found in literary texts. The movie production entry were also analyzed, like the documentary Hearts of Darkness: A Filmmaker's Apocalypse (1991), with its coulisse, both realyzed by Eleanor Coppola, such as interviews with the diretor, screenwriter and the actors of the movie
A presente pesquisa analisa as relações tradutórias do filme Apocalypse Now (1979), de Francis Ford Coppola, com suas fontes, em especial o romance O Coração das Trevas (2006), de Joseph Conrad e Os Despachos do Front (2005), de Michael Herr. O objetivo foi investigar como se deu a construção da obra cinematográfica a partir da tradução intersemiótica dessas fontes. O trabalho também analisa os sentidos desenvolvidos pela obra cinematográfica, apontando pontos convergentes e divergentes com suas fontes, verificando como se dá a transposição dos elementos (o tempo, o espaço, o ponto de vista, o conflito e os personagens) dos textos literários e jornalísticos para o filme. A pesquisa se fundamenta no fato de o filme de Coppola não traduzir linearmente a narrativa do romance de Conrad e dos outros textos utilizados para o cinema, mas transformar conceitos e ideias em imagens em movimento. Convencionalmente, certa crítica entende os trabalhos de adaptação por meio de critérios como fidelidade do texto fílmico em relação ao texto literário. É preciso compreender como se dá o processo de tradução entre as fontes e a adaptação, respeitando a especificidade de cada sistema semiótico, no caso o literário e o fílmico, sendo o processo de tradução intersemiótica um método de se criar uma obra nova e não apenas uma reprodução de natureza identitária, de um meio no outro. O processo de criação do filme Apocalypse Now também é objeto da pesquisa e será norteado pelos fundamentos da Crítica Genética. Foram consideradas as interpretações de autores que são referência no tema, como: Robert Stam, Julio Plaza, Sergei Eisenstein, Cecília Salles, dentre outros. Metodologicamente, foram analisadas cenas, fragmentos e frames do filme Apocalypse Now à luz do pensamento em superfície, como ensina Flusser, em contraponto ao pensamento em linha, próprio dos textos literários. Também foram avaliadas as notas da produção do filme e o documentário Apocalypse de um Cineasta (1991), com os bastidores do longa, ambos realizados por Eleanor Coppola, bem como entrevistas com o diretor, o roteirista e os atores do filme
Leggatt, Matthew. "Behind apocalypse : the cultural legacy of 9/11". Thesis, University of Southampton, 2013. https://eprints.soton.ac.uk/367038/.
Pełny tekst źródłaGire, Nicolas. "L' Apocalypse comme illustration heuristique d'un siècle traumatisé". Saint-Etienne, 2004. http://www.theses.fr/2004STET2082.
Pełny tekst źródłaThe Apocalypse is : when time stops still; the time we have all been waiting for; the end of time; when time's bluff is called; and when time is made and unmade. Re-described and repeated for ever, the Apocalypse forces us to accept the imminent. Sometimes it seems to deny us the finite nature of our being, and at other times its signals our fall. Using the currently accepted principles used in the analysis of myths, this study underlines the inherent strength of repeating symbols and icons, and shows thereby how the story can assume the role of intermediary between man and his world. The Apocalypse provides a never ending supply of interpretations, and is a catalyst for the anguish of us mortals; an anguish which the 20th century has magnified hugely
Polaski, Donald C. "Authorizing an end : the Isaiah apocalypse and intertextuality /". Leiden : Brill, 2001. http://catalogue.bnf.fr/ark:/12148/cb37718280q.
Pełny tekst źródłaBatchelor, Bob. "Running toward the apocalypse : John Updike's new America". [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0003213.
Pełny tekst źródłaBatchelor, Bob. "Running Toward the Apocalypse: John Updike’s New America". Scholar Commons, 2009. https://scholarcommons.usf.edu/etd/1845.
Pełny tekst źródłaRamström, Anders, i Peter Lindbom. "The Stress Test : Can it cause a financial apocalypse?" Thesis, Jönköping University, JIBS, Business Administration, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-255.
Pełny tekst źródłaThe life insurance business is currently going through a lot of changes. The turmoil in stock markets during the last years has made regulators realize that there is a greater need for risk management and solvency supervision in the business. Denmark was one of the first countries in Europe to react to this and in 2001 the Danish FSA implemented a stress test called the Traffic Lights System. This is a tool to measure various risks in different scenarios for financial institutions.
The purpose of this thesis is to analyze the effects of imposing a Danish style stress test on the Swedish life insurance market. In order to analyze the various effects of this stress test a theoretical framework consisting of fixed income securities and interest rate theory have been applied, since one of the largest risk a life insurer faces is the interest rate risk. Due to the fact that the Danish stress test is not fully applicable on the Swedish market, the authors created a model based on the Danish test to analyze Swedish life insurers. The model estimates the financial risks a life insurer faces. Analyzing the results based on the model, the authors found that three out of seven life insurers in the sample had solvency problems to various extend.
The authors conclude that a great part of financial risks within life insurers can be reduced by reallocating equity holding to bonds and by duration matching between assets and liabilities. The authors also conclude that Swedish life insurers are in better financial shape today than their Danish counterparts were in 2001, which is why less dramatic effect is to be expected on the Swedish financial markets as a result of imposing the stress test.
Haxby, Mikael C. "The First Apocalypse of James: Martyrdom and Sexual Difference". Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:10956.
Pełny tekst źródłaGibson, Kenneth. "Eschatology, apocalypse and millenarianism in seventeenth century Protestant thought". Thesis, Nottingham Trent University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310848.
Pełny tekst źródłaPark, Jeongkyu. "The rational apocalypse of the latitudinarians in Restoration England". Thesis, Swansea University, 2018. https://cronfa.swan.ac.uk/Record/cronfa44763.
Pełny tekst źródłaJanse, van Rensburg Dené. "The Lamb's Wrath : Cannibalism, Divinity, and Apocalypse in Hannibal". Diss., University of Pretoria, 2019. http://hdl.handle.net/2263/81922.
Pełny tekst źródłaDissertation (MA (Drama and Film Studies))--University of Pretoria, 2019.
Drama
MA (Drama and Film Studies)
Unrestricted
Barry, Marie Porterfield. "Lesson 11: Bosch and Other Scenes of the Apocalypse". Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/art-appreciation-oer/12.
Pełny tekst źródłaLueckel, Wolfgang. "Atomic Apocalypse - 'Nuclear Fiction' in German Literature and Culture". University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1281459381.
Pełny tekst źródłaLynch, Shaylynn. "Furyous Female Just-Warriors of Post-Apocalypse and Dystopia". Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062883/.
Pełny tekst źródłaDesouza, Valerine Gratian. "The Book of the Apocalypse as the Apocalyptic literature". Thesis, University of North Bengal, 1999. http://hdl.handle.net/123456789/1158.
Pełny tekst źródłaHelou, Clémence. "Symbole et langage dans l'Apocalypse de Jean". Paris 4, 1994. http://www.theses.fr/1994PA040072.
Pełny tekst źródłaThe goal of this thesis is to study the confrontation between violence and truth in the revelation of john, as portrayed by the symbolic couple of the sword and word that appear in the mouth of christ, son of man. This confrontation is the mystery to be deciphed in examining the possibility of violence to be converted by truth as is the sword by the word. In the first section this theme is studied in relation to the book as a whole in the second section, the central personnage, jesus-christ, is seen in his three contradictory manifestations : son of man, lamb and "word of god" as well as king and judge. His power is illustrated by the couple of sword-word, enriched by spatial and temporal correspondances. The third section concerns the re-reading considered as a double act of comprehension and conversion. Initiated by the author of the revelation himself, his re-interpretation is renewed by each reader-auditor and actualised by contemporary events. It thus has the specific potential to link the present at once to the past and to the future and therefore to disengage the events from their particularity and contingence and to give them an umtimate and universal solution. This promised solution is based in the voctory of lamb and his followers. The victory offers a pledge of general renewal in spite of the domination of evil. The hope will be fully realized only in the future (the eschaton). It consists in the reducing of the sword into word likewise of negative violence into a "violence" of truth
Ndiaye, Maguette. "Pour une esthétique de l'apocalypse dans "London Fields" de Martin Amis et "How the Dead Live" de Will Self : thèmes, formes et lieux". Thesis, Strasbourg, 2018. http://www.theses.fr/2018STRAC023/document.
Pełny tekst źródłaIn this resolutely post-human era how can literature disregard the appeal of a postmodern apocalypse that has long left behind its biblical origins? We argue that not only do the novels of Martin Amis and Will Self clearly engage in a radical apocalyptic discourse with all its various forms and thematic variations - from the nuclear threat to more intimate revelations - but also designate the intricate workings of a wider apocalyptic aesthetics. This is what joins the two novels of our corpus: London Fields and How the Dead Live, with the phantasmatic death or murder of love, on one side and the "spectacularity" of death on the other. With the future consisting of the endless repetition of their “end”, the characters are as much their own avatars conditioned by the contingencies of time, urban congestion, simulacrum and death, as they are the targets of an eroded language
Grimbeek, Marinette. "Margaret Atwood's Environmentalism : Apocalypse and Satire in the MaddAddam Trilogy". Doctoral thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-48126.
Pełny tekst źródłaMargaret Atwood routinely eludes her readers, and the MaddAddam Trilogy is no exception. These three novels, Oryx and Crake (2003), The Year of the Flood (2009), and MaddAddam (2013), are ostensibly written in the tradition of environmental apocalypse, yet they constantly undermine its conventions through satire. This study considers the trilogy as an environmental project, performed in the interplay between Atwood’s literary stature, the ambiguous content of her work, and the irreverence with which she blurs distinctions between fact and fiction, art and commodity, and activism and aesthetics. Atwood’s use of the MaddAddam Trilogy in her real-world environmental activism creates uncertainty about how seriously both her art and her activism should be taken. Her opinions on environmental matters are legitimised, but at the same time an urgent environmental ‘message’ is presented as entertainment. Atwood’s message often appears circular: her art carries no message, but Margaret Atwood the writer does have an important message, which she gets to deliver precisely because of her art. Storytelling is a central theme in all three novels, and through both critiquing and relying on commercialism, the MaddAddam Trilogy demonstrates that there is no external position from which the imagination can perform environmentalist miracles. As such, Atwood’s environmental project furthers a profoundly ecological understanding of the world.
Brodie, Renee Anne. "Apocalypse again, secular and religious uses of the apocalyptic framework". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0020/MQ46965.pdf.
Pełny tekst źródłaWebb, Tony F. "The grammar of the Apocalypse and its intentional theological significance". Theological Research Exchange Network (TREN), 1986. http://www.tren.com.
Pełny tekst źródłaYockey, Matt. "The new crusaders Apocalypse, utopia, and the contemporary superhero film /". [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3277971.
Pełny tekst źródłaSource: Dissertation Abstracts International, Volume: 68-09, Section: A, page: 3642. Adviser: Barbara Klinger. Title from dissertation home page (viewed Apr. 30, 2008).
Helms, Charles Robert. "The Apocalypse in the early church : Christ, eschaton, and millennium". Thesis, University of Oxford, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.333285.
Pełny tekst źródłaCadogan, Alexander George. "Spit in my mouth : Studies in the Apocalypse of Quintilius". Thesis, Swansea University, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.497198.
Pełny tekst źródłaMelquiond, Anne-Lise. "Apocalypse et fin du monde dans les séries télévisées américaines". Thesis, Paris 10, 2019. http://www.theses.fr/2019PA100074.
Pełny tekst źródłaThis doctoral dissertation aims at analyzing discourse in apocalyptic American TV series since 2001. Our corpus of analysis is composed of TV series only. Indeed, because of their specificities (the depth of time, the complexity of the narrative fabric or the reception of fiction within the home field) TV series summon the new contemporary myths. The end of the world and its catastrophes are angles worth studying in TV series: Doesn’t the representation of catastrophe illustrate the consciousness of the finiteness of our world? Through the analysis of the unique features of apocalyptic series, one may wonder how to survive when everything has collapsed. Furthermore, apocalyptic TV series offer a salient characteristic: the notion of series is based, among other features, upon an extended period of time and constantly pushes the question of its own end towards a perpetual renewal. The series which never ends coming to an end while tackling the subject of the end of time appears indeed as a contradiction. Besides, the antagonists take the shape of humanoid robots, zombies or aliens. Yet, these characters overshadow the real threat. That is to say global warming as well as all the industrial disasters. Wouldn’t we prefer to imagine the end of the world rather than the end of capitalism?The corpus is composed of the following TV series, hereby noted in the alphabetical order: Battlestar Galactica, Designated Survivor, Falling Skies, Jericho, The 100, The Last Man on Earth, The Leftovers, The Walking Dead and Revolution
May, Talitha. "Writing the Apocalypse: Pedagogy at the End of the World". Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1520349189022125.
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