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Artykuły w czasopismach na temat "Aphrodite (Greek deity) in art"
Ovadiah, Asher. "Cults of Deities in Caves in Israel in the Hellenistic and Roman Periods". Jerusalem Journal of Archaeology 3, nr 2 (2022): 283–319. http://dx.doi.org/10.52486/01.00003.13.
Pełny tekst źródłaFeraru, Remus Mihai. "Moirele in coloniile grecesti de pe tarmul vestic al Pontului Euxin. Cult, reprezentare iconografica si credinte populare". Banatica 1, nr 33 (2023): 87–103. http://dx.doi.org/10.56177/banatica.33.1.2023.art.04.
Pełny tekst źródłaKvashnin, Vladimir Aleksandrovitch. "Why did the Romans need Venus Erucina?" RUDN Journal of World History 15, nr 3 (15.09.2023): 340–46. http://dx.doi.org/10.22363/2312-8127-2023-15-3-340-346.
Pełny tekst źródłaKisbali, Tamás Péter. "“LUDUS NATURAE”: SHELLS AS SCULPTED MOTIFS IN ANCIENT GREEK ART". RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series 1 (2023): 155–68. http://dx.doi.org/10.28995/2686-7249-2023-1-155-168.
Pełny tekst źródłaHajdú, Attila. "Lukianos és Kallistratos műtárgyleírásai: szöveg és hagyomány". Antikvitás & Reneszánsz, nr 1 (1.01.2018): 21–40. http://dx.doi.org/10.14232/antikren.2018.1.21-40.
Pełny tekst źródłaValladares, Hérica. "Translating Aphrodite: The Sandal-Binder in Two Roman Contexts". Classical Antiquity 43, nr 1 (1.04.2024): 167–215. http://dx.doi.org/10.1525/ca.2024.43.1.167.
Pełny tekst źródłaMshvildadze, Marika. "Diety Nike-Victoria of the late Antique period on the territory of Georgia". Pro Georgia 33, nr 1 (10.08.2023): 161–68. http://dx.doi.org/10.61097/12301604/pg33/2023/161-168.
Pełny tekst źródłaLefteratou, Anna. "THE BED CANOPY IN XENOPHON OF EPHESUS AND THE ICONOGRAPHY OF MARS AND VENUS UNDER THE EMPIRE". Ramus 47, nr 1 (czerwiec 2018): 78–107. http://dx.doi.org/10.1017/rmu.2018.6.
Pełny tekst źródłaStafford, Emma. "Visualizing Creation in Ancient Greece". Religion and the Arts 13, nr 4 (2009): 419–47. http://dx.doi.org/10.1163/107992609x12524941449886.
Pełny tekst źródłaLusher, Andrew. "Greek Statues, Roman Cults and European Aristocracy: Examining the Progression of Ancient Sculpture Interpretation". Journal of Arts and Humanities 6, nr 12 (31.12.2017): 25. http://dx.doi.org/10.18533/journal.v6i12.1313.
Pełny tekst źródłaRozprawy doktorskie na temat "Aphrodite (Greek deity) in art"
Rosenzweig, Rachel. "Aphrodite in Athens : a study of art and cult in the classical and late classical periods /". view abstract or download file of text, 1999. http://wwwlib.umi.com/cr/uoregon/fullcit?p9957572.
Pełny tekst źródłaTypescript. Includes vita and abstract. Includes bibliographical references (leaves 225-237). Also available for download via the World Wide Web; free to University of Oregon users. Address: http://wwwlib.umi.com/cr/uoregon/fullcit?p9957572.
Rock, Bonnie June. "Aphrodite : defender of cities". Connect to resource, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1208980276.
Pełny tekst źródłaPereira, Vera Lucia Crepaldi 1945. "As deusas gregas virgens face ao poder de Afrodite". [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/251534.
Pełny tekst źródłaDissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação
Made available in DSpace on 2018-08-14T19:56:09Z (GMT). No. of bitstreams: 1 Pereira_VeraLuciaCrepaldi_M.pdf: 1014426 bytes, checksum: 4bf613cfdbab6c42a9ff6682500f548c (MD5) Previous issue date: 2009
Resumo: O objetivo deste estudo, as deusas gregas virgens, Ártemis, Atena e Héstia, é demarcar a existência e a significação especial dessas deusas no mundo arcaico grego frente à posição ocupada por Afrodite, como representação do desejo. O sistema mítico prevê a questão do desejo articulada ao 'poder', conforme evidenciam as reflexões feitas a partir do corpus selecionado: as obras de Homero, de Hesíodo e os Hinos Homéricos referentes às deusas virgens e a Afrodite. A metodologia que orienta esta pesquisa segue uma linha antropológica comparativa, incluindo autores como Geertz e Detienne, com enfoque no uso e na significação da linguagem da produção escrita dos rapsodos gregos. O conceito de virgindade é direcionado pelo conceito de desejo e parece necessário que se considerem as propriedades e os atributos de Afrodite para definir as deusas gregas virgens, que fruem "de um outro modo de desejo e de poder". Esse aspecto nos faz refletir sobre uma sociedade patriarcal e as formas de independência feminina como instância de compromisso sócio-político, bem como sobre a manutenção de uma tradição herdada da grande mãe (Magna Mater) e das Amazonas. Uma possível indicação, a partir desses dados, é que o Cristianismo procurou dar continuidade a esse aspecto de gênero que promove a civilização e a organização da sociedade, através da figura da 'madre', como elemento de significação cultural.
Abstract: The aim of this study which focuses on the Virgin Greek goddesses, Artemis, Athene and Hestia, is to stress the existence and the special meaning of those goddesses in the archaic Greek world, compared with Aphrodite's position as a representative of 'desire'. The mythical system comprises the matter of desire linked to the meaning of "power", according to the evidence of reflections made from the corpus selected, Homer's and Hesiod's works and the Homeric Hymns referring to the virgin goddesses and Aphrodite. The methodology that orients this paper follows authors such as Geertz and Detienne, focusing on the use and meaning of the language in the written production of the Greek rapsodes. The concept of virginity is directed by the concept of desire, and it is necessary to consider Aphrodite's properties and attributes to define the virgin Greek goddesses who have another form of desire and power. That aspect brings up considerations on a patriarchal society and ways of feminine independence as a means of socialpolitical commitment, as well as on the maintenance of a tradition inherited from the Great Mother and the Amazons. One possible direction arising from the above facts is that Christianity tried to give sequence to this aspect of gender which promotes civilization and the organization of society, by way of the 'mater figure', as an element of cultural significance.
Mestrado
Educação, Conhecimento, Linguagem e Arte
Mestre em Educação
James, Paula. "Unity in diversity a study of Apuleius' Metamorphoses : with particular reference to the narrator's art of transformation and the metamorphosis motif in the Tale of Cupid and Psyche /". Hildesheim ; New York : Olms-Weidmann, 1987. http://catalog.hathitrust.org/api/volumes/oclc/15604421.html.
Pełny tekst źródłaWardle, Marianne Eileen. "Naked and Unashamed: A Study of the Aphrodite Anadyomene in the Greco-Roman World". Diss., 2010. http://hdl.handle.net/10161/3120.
Pełny tekst źródłaThis dissertation presents a study of the Aphrodite Anadyomene type in its cultural and physical contexts. Like many other naked Aphrodites, the Anadyomene was not posed to conceal the body, but with arms raised, naked and unashamed, exposing the goddess' body to the gaze. Depictions of the Aphrodite Anadyomene present the female body as an object to be desired. The Anadyomene offers none of the complicated games of peek-a-boo which pudica Venuses play by shielding their bodies from view. Instead, the goddess offers her body to the viewer's gaze and there is no doubt that we, as viewers, are meant to look, and that our looking should produce desire. As a type, the Anadyomene glorifies the process of the feminine toilette and adornment and as the goddess stands, naked and unashamed, she presents an achievable ideal for the female viewer.
The roots of the iconography of the Anaydyomene can be found in archaic Greek texts such as Hesiod's Theogony and Homeric Hymn from the eighth century B.C.E, as well as in paintings of women bathing on red figure vases from the fifth century B.C.E. The Anadyomene type provides a helpful case study to consider the ways that representations of Aphrodite were utilized. Consulting archaeological reports and detailed studies of display contexts make it possible to reconstruct and imagine the original settings for these kinds of works. The known findspots for representations of the Anadyomene can be grouped into four contexts: Graves, Sanctuaries, Baths and Fountains, and Houses. Small objects might have been seen, handled, and used daily that carried connotations and meanings which these ancient viewers would have brought to other more elite or public works.
Dissertation
Olsson, Viveca. "The Lenaia vases revisited : image, ritual and Dionysian women /". 2006. http://www.loc.gov/catdir/toc/fy0712/2006502425.html.
Pełny tekst źródłaKsiążki na temat "Aphrodite (Greek deity) in art"
Seifert, Martina. Aphrodite: Herrin des Krieges, Göttin der Liebe. Mainz: P. von Zabern, 2009.
Znajdź pełny tekst źródłaGota, Johansson, red. The making of a goddess: Aphrodite in history, art, and literature. Lund: Palmkrons, 2005.
Znajdź pełny tekst źródłaBrody, Lisa R. The Aphrodite of Aphrodisias. Mainz am Rhein: Verlag Philipp von Zabern, 2007.
Znajdź pełny tekst źródłaAphrodite and the gods of love. Boston: MFA Publications, 2011.
Znajdź pełny tekst źródłaZanker, Paul. Eine Kunst für die Sinne: Zur hellenistischen Bilderwelt des Dyonysos und der Aphrodite. Berlin: K. Wagenbach, 1998.
Znajdź pełny tekst źródłaBrinke, Margit. Kopienkritische und typologische Untersuchungen zur statuarischen Überlieferung der Aphrodite Typus Louvre-Neapel. Hamburg: Verlag Dr. Kovač, 1991.
Znajdź pełny tekst źródłaZanker, Paul. Un art pour le plaisir des sens: Le monde figuré de Dionysos et d'Aphrodite dans l'art hellénistique. Paris: G. Montfort, 2001.
Znajdź pełny tekst źródłaHavelock, Christine Mitchell. The Aphrodite of Knidos and her successors: A historical review of the female nude in Greek art. Ann Arbor: University of Michigan Press, 1995.
Znajdź pełny tekst źródłaOn Corinthian iconography: The bridled winged horse and the helmeted female head in the sixth century BC. Uppsala: Ubsaliensis S. Academiae, 1996.
Znajdź pełny tekst źródłaCyrino, Monica Silveira. Aphrodite. Milton Park, Abingdon [England]: Routledge, 2010.
Znajdź pełny tekst źródłaCzęści książek na temat "Aphrodite (Greek deity) in art"
"Augustan Aphrodites: The Allure of Greek Art in Roman Visual Culture". W Brill's Companion to Aphrodite, 285–306. BRILL, 2010. http://dx.doi.org/10.1163/9789047444503_016.
Pełny tekst źródłaMoon, Beverly. "Aphrodite, Ancestor of king". W Goddesses Who Rule, 17–32. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195121308.003.0002.
Pełny tekst źródłaBugaj, Ewa. "Some Remarks on the Problems of Art Research in Archaeology using the Example of Greek and Roman Sculpture". W Treasures of Time: Research of the Faculty of Archaeology of Adam Mickiewicz University in Poznań, 326–37. Adam Mickiewicz University Poznan, 2021. http://dx.doi.org/10.14746/wa.2021.19.978-83-946591-9-6.
Pełny tekst źródłaScanlon, Thomas F. "Atalanta and Athletic Myths of Gender". W Eros & Greek Athletics, 175–98. Oxford University PressNew York, NY, 2002. http://dx.doi.org/10.1093/oso/9780195138894.003.0008.
Pełny tekst źródłaWalker, Alicia. "Laughing at Eros and Aphrodite: Sexual Inversion and its Resolution in the Classicising Arts of Medieval Byzantium". W Greek Laughter and Tears. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474403795.003.0016.
Pełny tekst źródłaBąkowska-Czerner, Grażyna. "Aphrodite in Egypt. Images of the goddess from Marina el-Alamein". W Classica Orientalia. Essays presented to Wiktor Andrzej Daszewski on his 75th Birthday, 97–114. DiG Publisher, 2011. http://dx.doi.org/10.37343/pcma.uw.dig.9788371817212.pp.97-114.
Pełny tekst źródłaAnderson, Michael J. "Prologue". W The Fall of Troy in Early Greek: Poetry and Art, 1–6. Oxford University PressOxford, 1997. http://dx.doi.org/10.1093/oso/9780198150640.003.0001.
Pełny tekst źródłaStreszczenia konferencji na temat "Aphrodite (Greek deity) in art"
Сударев, Н. И., i М. Ю. Трейстер. "MEDALLION WITH A GODDESS AND THE ZODIAC SYMBOLS FROM NECROPOLIS VINOGRADNYI 7". W Hypanis. Труды отдела классической археологии ИА РАН. Crossref, 2023. http://dx.doi.org/10.25681/iaras.2021.978-5-94375-350-3.193-217.
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