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Artykuły w czasopismach na temat "Antigua – fiction"
Dalia, Albert. "Héroes luchadores: los valores esenciales de la tradición xia en la China antigua". Revista de Artes Marciales Asiáticas 6, nr 2 (27.05.2012): 45. http://dx.doi.org/10.18002/rama.v6i2.7.
Pełny tekst źródłaAhmad Rabea, Reem, i Nusaiba Adel Almahameed. "Genre Crossing in Jamaica Kincaid’s ‘Girl’: From Short Fiction to Poetry". Advances in Language and Literary Studies 9, nr 3 (30.06.2018): 157. http://dx.doi.org/10.7575/aiac.alls.v.9n.3p.157.
Pełny tekst źródłaLópez López, Carmen María. "Fabular la desmemoria: el ocaso de un mundo narrativo en El oscurecer (un encuentro) de Luis Mateo Díez = A telling tale of memory loss: a narrative world on the wane in El oscurecer (un encuentro) by Luis Mateo Díez". Estudios Humanísticos. Filología, nr 39 (15.12.2017): 297. http://dx.doi.org/10.18002/ehf.v0i39.4729.
Pełny tekst źródłaKITLV, Redactie. "Book Reviews". New West Indian Guide / Nieuwe West-Indische Gids 72, nr 3-4 (1.01.1998): 305–62. http://dx.doi.org/10.1163/13822373-90002597.
Pełny tekst źródłaLau, A. H. "Liver tolerance mediated by antigen presenting cells: fact or fiction?" Gut 52, nr 8 (1.08.2003): 1075–78. http://dx.doi.org/10.1136/gut.52.8.1075.
Pełny tekst źródłaJunghans, Richard P. "Cruel antibody fictions! Cellular antigen enumeration by ‘saturation’ binding". Immunology Today 20, nr 9 (wrzesień 1999): 401–6. http://dx.doi.org/10.1016/s0167-5699(97)01178-x.
Pełny tekst źródłaKhodabandeh Shahraki, Parisa, Ali Alavian-Mehr i Shirin Farjadian. "HLA-G: Facts and Fictions". Asian Pacific Journal of Cancer Biology 3, nr 2 (6.05.2018): 37–45. http://dx.doi.org/10.31557/apjcb.2018.3.2.37-45.
Pełny tekst źródłaAfonso, André Das Neves. "“EXCELLENTES REPRODUCÇÕES DE TRABALHOS ANTIGOS EM MARFIM”. OS FICTILE IVORIES DO MUSEU NACIONAL DE ARTE ANTIGA". ARTis ON, nr 9 (26.12.2019): 57–73. http://dx.doi.org/10.37935/aion.v0i9.239.
Pełny tekst źródłaKaur, Gurpreet, Sanpreet Singh, Sidhanta Nanda, Mohammad Adeel Zafar, Jonaid Ahmad Malik, Mohammad Umar Arshi, Taruna Lamba i Javed Naim Agrewala. "Fiction and Facts about BCG Imparting Trained Immunity against COVID-19". Vaccines 10, nr 7 (23.06.2022): 1006. http://dx.doi.org/10.3390/vaccines10071006.
Pełny tekst źródłaCornelsen, Elcio Loureiro. "O espaço da interdição interditado pela nostalgia e pelo riso: o Muro de Berlim e a "Alameda do Sol"". Aletria: Revista de Estudos de Literatura 15, nr 1 (30.06.2007): 82–97. http://dx.doi.org/10.17851/2317-2096.15.1.82-97.
Pełny tekst źródłaRozprawy doktorskie na temat "Antigua – fiction"
Rabau, Sophie. "Fictions de présence : la narration orale dans le texte romanesque du roman antique au XXe siècle /". Paris : H. Champion, 2000. http://catalogue.bnf.fr/ark:/12148/cb37107626j.
Pełny tekst źródłaBompaire, François. "Ironie et communication littéraire, à partir des fictions d’André Gide". Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL075.
Pełny tekst źródłaFaced with the apparent inconsistency of the notion of irony, this PhD does not suggest to enhance the impossibility of defining the notion or its proteism, but to build a definition on alternative principles: the focus on common features instead of variations, on long term processes instead of the succession of meanings and the definition of irony as an act of communication rather than as a formal mechanic. Irony, ever since the Greek world, appears as an act of communication which cannot be reduced to pragmatic linguistics: how to control socialisation in a dangerous context, in staying as close to the enemy as possible? Solving this problem by exchanging supposes the invention of forms, some of which – first and foremost the antiphrasis – get autonomous and are fixed forms – but among others – of the irony. I then strive to follow the way in with this non formal definition is maintained by paying attention – until Jena romanticism – to the analysis of the communication at work in the reflexions on irony. André Gide’s fictional work displaying a great variety of forms of irony and being imbued with secret, both biographical and sexual, is read as questioning this control of dangerous socialisation and as laying out, beneath the notion of collaboration, a reflexion on literary communication. On the other hand André Gide’s work is reinterpreted in the perspective of a history of irony in the nineteenth century. The antiphrasis is the centre of perception of irony: to the figure of Voltaire is attached to the idea of taunting the ideal, which constitutes a semantic weight conditioning the adaptation of different ironic traditions to the French framework
Chazal, Benoît. "La rhétorique du blâme dans l'"Histoire Auguste"". Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA151.
Pełny tekst źródłaRhetoric of Condemnation in the 'Historia Augusta' intends to study the collection of imperial biographies known as Historia Augusta as a literary object. The biographies were officially written by six authors at the end of the 3rd Century A.D. and at the beginning of the 4th Century A.D., but they were actually produced through the imagination of a single writer who lived at the end of the 4th Century A.D. according to the 19th Century thesis of the German historian Hermann Dessau. Through analysing a text that intricately mixes reality and fiction, this thesis will examine the different strategies intended to depict the sombre images of both legitimate and usurping emperors throughout the historical period that begins with Hadrian's reign and ends with the fall of Carin (2nd to 3rd Centuries A.D.). Observing the lexical, stylistic, thematic and structural methods reveals the importance of utilizing epideictic rhetoric as well as numerous intertextuality phenomena, particularly based on Suetonius's Vitae XII Caesarum, which is the main model of the collection. This inquiry drives to widen the thought interested by the target of the critic. If, behind the figures of bad princes, the writer tries to castigate the principate system that enables princely transgressions, he also tries to enhance his own writing. The writer tries to be different from other historiographers in a style that grants a large place to fantasy, self-mockery and raillery. This thesis endeavours, therefore, to study the representation of historical characters and events while underlining articulations between poetics and rhetoric in a major text of late Antiquity Latin literature
Bessières, Vivien. "Antiquité et postmodernité : les intertextes gréco-latins dans les arts à récit depuis les années soixante (fiction, théâtre, cinéma, série télévisée, bande dessinée)". Phd thesis, Université Toulouse le Mirail - Toulouse II, 2011. http://tel.archives-ouvertes.fr/tel-00663436.
Pełny tekst źródłaSano, Lucia. "Das Narrativas Verdadeiras, de Luciano de Samósata: tradução, notas e estudo". Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-19012009-160813/.
Pełny tekst źródłaThe aim of this study is to analyze the greek novel , True Histories, by Lucian of Samosata (circa 125-180 AD), regarding the aims exposed by the author in the prologue of the text, as well as its composition made by alluding to other literary genres. A Portuguese translation of the novel is also provided.
Brito, Tarsilla Couto de 1977. "O retorno de Astréia ou Fénelon e a arte de fugir ao tempo". [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269931.
Pełny tekst źródłaTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-22T06:03:43Z (GMT). No. of bitstreams: 1 Brito_TarsillaCoutode_D.pdf: 3083107 bytes, checksum: 65aa076e7788c2f35e1f9bbc6341c129 (MD5) Previous issue date: 2013
Resumo: Quando Fénelon decidiu escrever um espelho de príncipe literário para instruir o neto de Luís XIV nas artes de governar, não imaginou que seu texto fosse causar celeuma, muito menos que se produziria uma fortuna crítica tão vasta e multifacetada. Para além das leituras de caracteres com que o público da época se divertiu descobrindo as figuras reais por detrás das personagens, um dos problemas permanentes para a interpretação de As aventuras de Telêmaco é sua classificação. O livro não se enquadra perfeitamente na narrativa antiga, nem no romance. A despeito da função moralizante-educacional do texto, o personagem Telêmaco ganha autonomia ao ser, nos primeiro livros, narrador de si mesmo. Com isso, temos acesso a uma subjetividade inteiramente nova para um texto que se pretendia pedagógico. O caráter exemplar da epopéia homérica que inspira as aventuras é minado pelas armadilhas criadas pelos sentimentos do próprio herói na missão difícil de despojar-se de si mesmo. Por outro lado, o objetivo de seu texto prende-o às narrativas antigas de caráter moralizante - formar um reicristão. As aventuras de Telêmaco permanecem inscritas em um "tempo sem tempo", em que vemos as transformações sucederem-se umas às outras, sem podermos situá-las numa linha cronológica como no romance. A discussão sobre utopia vem, assim, renovar a discussão do gênero dessas Aventuras. Defendemos que a presença de um "país de nenhum lugar" nessa ficção pedagógica organiza sua estrutura narrativa e orienta seus procedimentos miméticos em função dos espaços visitados. Dividida em duas partes, a presente Tese busca, em um primeiro momento, descrever o texto literário Les aventures de Télémaque de Fénelon. Em termos estritamente literários, tratamos de sua estrutura narrativa, organizada em função de modelos e de antimodelos de governo; de sua linguagem mítico-alegórica que veicula um conteúdo moral e espiritual cristão; e de seu gênero literário. Com uma revisão bibliográfica, esboçamos as razões que fizeram da publicação do Telêmaco um escândalo; e ainda as alterações de sentido e modos de interpretação que o texto sofreu ao longo de uma fortuna crítica de 300 anos. Na segunda parte, nos dedicamos à análise de Salento, o último reino visitado pelo personagem principal, como uma utopia que propõe uma volta no tempo, de modo que afirmamos seu caráter conservador. Nossa proposta de estudo leva em consideração que o Telêmaco de Fénelon não é composto apenas de idéias políticas e religiosas, mas de um conflito entre diferentes concepções de história
Abstract: when Fenelon decided to write a literary mirror for princes to instruct Louis XIV's grandson in the arts of governing, he did not imagine that his text would cause a stir, or that it would produce such a vast and multifaceted critical fortune. Apart from the readings of characters which amused the audience that would try to discover the actual figures behind the characters, one of the perennial problems for the interpretation of The Adventures of Telemachus is its classification. The book does not fit neatly into the ancient narrative, neither into the novel. Despite the moralizing and educational function of the text, the character Telemachus gains autonomy being the narrator of him in the first book. With this, we access an entirely new subjectivity in a text that was intended to be pedagogical. The exemplary feature of the Homeric epic that inspires the adventures is undermined by the traps created by the hero's own feelings while he deals with the difficult task of divesting himself. Moreover, the purpose of the text - to form a Christian king - connects it with the moralizing ancient narratives. The Adventures of Telemachus remains enrolled in a "time out of time" in which we see the transformations following each other, being impossible to place them on a timeline like we do in the novel. The discussion of utopia has thus renewed the discussion about the genre in these adventures. We argue that the presence of a "country of nowhere" in this pedagogical narrative organizes its structure and guides its mimetic procedures according to the spaces visitEditora Divided in two parts, this thesis seeks, at first, to describe Fénelon's literary text, Les aventures de Télémaque. In strictly literary terms, we deal with its narrative structure, organized around government's models and antimodels; its mythical-allegorical language that conveys a moral and spiritual Christian content; and its literary genre. Through a bibliographical review, we outline the reasons that made Telemachus' publication a scandal, and also the changes of meaning and modes of interpretation that the text has suffered over a 300 years old critical fortune. In the second part, we are dedicated to the analysis of Salento, the last kingdom visited by the main character, as a utopia that offers a return on time, so we affirm its conservative feature. Our proposed study takes into consideration that Fénelon's Telemachus consists not only of political and religious ideas, but also of a conflict between different conceptions of history
Doutorado
Historia e Historiografia Literaria
Doutora em Teoria e História Literária
Romagnino, Roberto. "Origine, redéfinition, statut de l’ekphrasis romanesque au XVIIe siècle". Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040201.
Pełny tekst źródłaThe aim of this thesis is the definition and study of the treatment of ekphrasis in fictional prose narrative in French between 1585 and 1660. Ekphrasis is considered here in its ancient and rhetorical sense of a discourse having the quality of enargeia – that is, one that places its object before the eyes of the reader/listener.Based on a rigorous philological investigation, this paper aims first at defining the rhetorical origin of the concept of ekphrasis, and its complex semantic mapping between Antiquity and the early modern period.This research attempts then to shed light on the attitude (docility or rebellion) of fictional ekphrasis toward the ancient and contemporary precepts, by highlighting the singularities of writing that distinguish the practice of novelists.Finally, this study focuses on identifying the effects that ekphrasis, and more generally the figures of enargeia – of which the sources highlight the close link with the passions – are expected to arouse in the reader
Alves, Cristiane da Silva. "Novos tempos, vozes antigas : os narradores velhos na narrativa ficcional brasileira do século XXI : ou de como ficou difícil ouvir os velhos ou de como a ficção enfrenta o tabu da velhice". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/148946.
Pełny tekst źródłaThis research seeks to examine the presence of protagonist-narrators in old age and his performance in Brazilian fictional narratives published in the first decade of this century. The aim is to investigate the contemporary Brazilian fictional narrative that gives voice to the old people, allowing them to act as main character and narrator of the story, revealing their path, their aging and their gaze on society. To this end, we take as the main corpus the books Heranças, by Silviano Santiago, Leite Derramado, by Chico Buarque, Órfãos do Eldorado, by Milton Hatoum and O arroz de Palma, by Francisco Azevedo, whose subject is a kind of autobiography of the fictional character that, old and experienced, takes stock of his life, showing to the reader his history, while allowing a glimpse of certain passages of national history. It is intended to verify the similarities, approximations and differences that such works have among themselves as well as possible links with other narratives. It will also be examined the novel Milamor, by Livia Garcia-Roza, that, unlike others, brings a character-female narrator, in the process of becoming old. From the corpus of analysis, an attempt is made to ascertain to what extent the voice of the old is present, as well as issues related to aging, along with themes and facts concerning the historical development of the country and the inclusion ( or exclusion) of the old people in the current scenario. Despite the population growth of older individuals in Brazil and other parts of the world, your voice is heard not satisfactorily; still rules their silencing. The presence of different works bringing up old narrators, however, looks an indication of new prospects with regard to the understanding and representation of aging and old age.
Esta investigación busca estudiar la presencia de protagonistas-narradores en edad avanzada y su actuación en las narrativas de ficción brasileñas publicadas en la primera década de este siglo. El objetivo es investigar la narrativa de ficción brasileña contemporánea que les da voz a los viejos, permitiendo que actúen como sujeto y narrador de la historia, revelando su trayectoria, su envejecimiento y su mirada sobre la sociedad. Para eso, tomamos como corpus principal los libros Heranças, de Silviano Santiago, Leite Derramado, de Chico Buarque, Órfãos do Eldorado, de Milton Hatoum y O arroz de Palma, de Francisco Azevedo, cuyo tema es un tipo de autobiografía del personaje de ficción que, viejo y experimentado, hace un balance de su propia vida, presentando al lector su historia, al mismo tiempo que nos permite vislumbrar algunos momentos de la historia nacional. Se pretende verificar las similitudes, diferencias y aproximaciones que dichas obras tienen entre sí, como también la posible relación con otras narraciones. También se examinará la novela Milamor, de Livia Garcia-Roza, que a diferencia de las otras tiene un personaje-narrador femenino, en camino de convertirse en vieja. A partir del análisis del corpus, se intenta determinar en qué medida la voz del anciano está presente, como las cuestiones relacionadas con la vejez y/o el envejecimiento, junto a los temas y los hechos relacionados con la evolución histórica del país y la inclusión (o exclusión) de personas viejas en el escenario actual. A pesar del crecimiento demográfico de individuos viejos en Brasil y en otras partes del mundo, su voz no se hace oír de modo satisfactorio. Sin embargo, la presencia de diferentes obras que sacan a la luz a los narradores ancianos se muestra como una señal de nuevas perspectivas en cuanto a la comprensión y la representación del envejecimiento y la vejez.
Maruotti, Amaranta. "La diàtriba cinico-stoica: uno strumento concettuale o un mito filologico? Analisi del dialogismo diatribico e del ruolo dell' interlocutore fittizio nella filosofia romana". Doctoral thesis, Università degli studi di Trento, 2016. https://hdl.handle.net/11572/368432.
Pełny tekst źródłaKsiążki na temat "Antigua – fiction"
Blakeney, Jay. Antigua Kiss. Sydney: Mills & Boon, 1985.
Znajdź pełny tekst źródłaSerrano, Marcela. Antigua vida mía. México, D.F: Aguilar, Altea, Taurus, Alfaguara, 1995.
Znajdź pełny tekst źródłaSerrano, Marcela. Antigua vida mía. Santiago de Chile: Aguilar Chilena de Ediciones, 1995.
Znajdź pełny tekst źródłaKlein, Elsbeth. Morgen in Antigua: Roman. Kampen: Kok, 2000.
Znajdź pełny tekst źródłaSerrano, Marcela. Antigua vida mía. Santiago de Chile, Chile: Alfaguara, 2011.
Znajdź pełny tekst źródłaMurúa, Patricio Colombo. Historias y leyendas de la Grecia antigua. Salta, Argentina: Editorial Biblioteca de Textos Universitarios, 2001.
Znajdź pełny tekst źródłaKincaid, Jamaica. Annie John. New York: New American Library, 1986.
Znajdź pełny tekst źródłaKincaid, Jamaica. Annie John. New York: Farrar, Straus, Giroux, 1985.
Znajdź pełny tekst źródłaKincaid, Jamaica. Annie John. New York: New American Library, 1986.
Znajdź pełny tekst źródłaKincaid, Jamaica. Annie John. New York: Noonday Press, 1997.
Znajdź pełny tekst źródłaCzęści książek na temat "Antigua – fiction"
Prenner, Antonella. "Le public complice d’une fiction. La prière au dieu Mars dans l’In Rufinum de Claudien". W L'hymne antique et son public, 541–53. Turnhout: Brepols Publishers, 2007. http://dx.doi.org/10.1484/m.rrr-eb.4.00423.
Pełny tekst źródłaMahé, Jean-Pierre. "La mission en Arménie de Mâr Gabryab, disciple de Mani : histoire et fiction". W JAOC Judaïsme antique et origines du christianisme, 387–92. Turnhout: Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.jaoc-eb.5.115379.
Pełny tekst źródłaThomas, Sue. "The Gravity of Mary Prince’s History". W Britain's Black Past, 235–52. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621600.003.0014.
Pełny tekst źródłaBridges, Venetia. "Fictions of Antiquity". W The Oxford History of Poetry in English, 326–40. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198839682.003.0019.
Pełny tekst źródła"From history into fiction: Boccaccio's Filostrato and the question of foolish love". W Chaucer and the Tradition of the Roman Antique, 119–54. Cambridge University Press, 1992. http://dx.doi.org/10.1017/cbo9780511552991.005.
Pełny tekst źródłaCros, Nathalie, i Dominique D' Almeida. "De Théron le pirate à Le Golif dit Borgnefesse : drapeau noir sur la fiction !" W Nouveaux horizons sur l’espace antique et moderne, 275–83. Ausonius Éditions, 2015. http://dx.doi.org/10.4000/books.ausonius.5412.
Pełny tekst źródłaNash, Alexandra. "Martuova svatba". W Orientalia Antiqua Nova XXII, 27–44. Západočeská univerzita v Plzni, 2022. http://dx.doi.org/10.24132/zcu.2022.11108-27-44.
Pełny tekst źródłaHerbert de la Portbarré-Viard, Gaëlle. "Un festin en peinture : Venance Fortunat entre fiction et réalité (CARM. 3, 13 c et 6, 7)". W Regards croisés sur le décor antique, 81–90. Hermann, 2023. http://dx.doi.org/10.3917/herm.darde.2023.01.0081.
Pełny tekst źródła"Political Theology: Religion as Legitimizing Fiction in Antique and Early Modern Critique". W Religion and Politics, 193–203. BRILL, 2005. http://dx.doi.org/10.1163/9789047407850_011.
Pełny tekst źródłaDe Temmerman, Koen, i Julie Van Pelt. "Narratives of Imagination and Fiction in Late Antique Hagiography: Scholarship and Ways Forward". W Narrative, Imagination and Concepts of Fiction in Late Antique Hagiography, 3–26. BRILL, 2023. http://dx.doi.org/10.1163/9789004685758_002.
Pełny tekst źródłaStreszczenia konferencji na temat "Antigua – fiction"
Carrasco Gallegos, Brisa Violeta, i Glenda Yanes Ordiales. "Morfogénesis de una ciudad turística: los lenguajes arquitectónicos desde el imaginario internacional de lo mexicano". W International Conference Virtual City and Territory. Barcelona: Centre de Política de Sòl i Valoracions, 2009. http://dx.doi.org/10.5821/ctv.7605.
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