Gotowe bibliografie tematyczne / Angels and saints

Gotowa bibliografia na temat „Angels and saints”

Autor: Grafiati
Data publikacji: 26 lipca 2024

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Artykuły w czasopismach na temat "Angels and saints"

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Kieckhefer, Richard. "Angels and Saints". Common Knowledge 28, nr 3 (1.09.2022): 449. http://dx.doi.org/10.1215/0961754x-10046594.

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Czerwinski, E. J., Ivan Klíma i Gerald Turner. "No Saints or Angels". World Literature Today 76, nr 2 (2002): 221. http://dx.doi.org/10.2307/40157465.

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Rothenberg, David J. "Angels, Archangels, and a Woman in Distress: The Meaning of Isaac's Angeli archangeli". Journal of Musicology 21, nr 4 (2004): 514–78. http://dx.doi.org/10.1525/jm.2004.21.4.514.

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Henricus Isaac's grand six-voice motet Angeli archangeli (Angels, archangels) sets a text from the liturgy of the Feast of All Saints (November 1), but its only preexistent musical material is a cantus firmus in the tenor voice, drawn from the tenor of the mid 15th-century chanson Comme femme desconfortéée (As a woman in distress), attributed to Binchois. Scholars have assumed that Angeli archangeli is a motet for All Saints but have been at a loss to explain why Isaac chose the cantus firmus he did. This study attempts to explain Isaac's puzzling juxtaposition of Latin text and secular cantus firmus by suggesting that Angeli archangeli is not a motet for All Saints, but rather for the Assumption of the Virgin. Liturgical analysis of the motet text reveals that its connection to the Feast of All Saints (November 1) is weaker than has previously been assumed. Additionally, examination of numerous other sacred works that incorporate the Comme femme desconfortéée tenor demonstrates that it was widely understood as a Marian cantus firmus ca. 1500. The Marian associations of the cantus firmus help to explain why one manuscript source (VatS 46) groups the work with other Marian motets, and why another (LeipU 1494) transmits it with a Marian contrafact text (O regina nobilissima). Finally, by relating the musical construction of Angeli archangeli to the Assumption of the Virgin as depicted in late medieval liturgy, iconography, and in Jacobus de Voragine's widely read Legenda aurea, it is suggested that the text of Angeli archangeli, though drawn from the All Saints liturgy, actually describes Mary's assumption into heaven. Sacred text and secular cantus firmus thus collaborate in communicating a complex but clear theological/devotional meaning.
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Charkiewicz, Jarosław. "Kult świętych w Prawosławiu". Elpis 12 (2010): 109–59. http://dx.doi.org/10.15290/elpis.2010.12.09.

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The article begins from explaining two key terms for the theme: the holiness and the the concept of theosis. In the first and second paragraph author makes general remarks on what is the sanctity of God and sanctity of the Church. Only after that it is explained what was the meaning of the word “saint” used in the Old Testament and similarities and differences of the meaning of this term in the New Testament. The Church teaching of sanctity was précised in VII–VIII centuries only, when St. John Damascenes explained the differences between of worshiping God and venerating the saints. The author also explains differences between veneration of saints and the cult of pagan heroes, as well as between venerating saint and venerating angels. many observations are given from the Church Fathers as well as contemporary Orthodox theologians.In the third paragraph it was explained how the forming of the venerating saints of different categories was made i.e.: the martyrs, the apostles, the prophets, the ancestors (fathers, etc.), saint hierarchs of the Church, the venerable (the monastics), the right-believing, the witnesses, unmercenary physicians, the fool-for-Christ, the passion-bearers, the righteous (the just).The fourth paragraph gives short analysis of several main elements of the veneration of saints, as: the prayers to the saints, the intercession of the saints, the veneration of icons of the saints, the venerating of relics of the saints, the establishing of the feasts honoring the saints in the Church calendar, the liturgical feast for the memory of the saints, building of the churches honoring the saints, hymnography and hagiography to commemorate saints. The last paragraph of the article makes an explanation how the word “canonization” is understood on Orthodox Church and what is the procedure of canonizing saints in Orthodoxy is used.
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Lane, Belden C. "Merton as Zen Clown". Theology Today 46, nr 3 (październik 1989): 256–68. http://dx.doi.org/10.1177/004057368904600302.

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“Modern investigators of miraculous history have solemnly admitted that a characteristic of the great saints is their power of ‘levitation.’ They might go further; a characteristic of the great saints is their power of levity. Angels can fly because they can take themselves lightly.” —G. K. Chesterton1
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Baranov, Vladimir. "“Angels in the Guise of Saints”: A Syrian Tradition in Constantinople". Scrinium 12, nr 1 (17.11.2016): 5–19. http://dx.doi.org/10.1163/18177565-00121p03.

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The article reconstructs the doctrine of Byzantine Iconoclasts on the postmortem inactivity of saints, and finds its background in the early Antiochean and Syrian doctrine on the “sleep of souls,” which occurs in Isaac the Syrian among many other writers.
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Kooy, Brian K. "Catholic Online: Saints & Angels2008334Catholic Online: Saints & Angels. URL: http://www.catholic.org/saints/: Catholic Online Last visited June 2008. Gratis". Reference Reviews 22, nr 8 (24.10.2008): 7–8. http://dx.doi.org/10.1108/09504120810914312.

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Stoenescu, Livia. "Retooling Medievalism for Early Modern Painting in Annibale Carracci’s Pietà with Saints in Parma". Religions 12, nr 8 (5.08.2021): 609. http://dx.doi.org/10.3390/rel12080609.

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Annibale Carracci (1560–1609) drew on the Italian Renaissance tradition of the Man of Sorrows to advance the Christological message within the altarpiece context of his Pietà with Saints (1585). From its location at the high altar of the Capuchin church of St. Mary Magdalene in Parma, the work commemorates the life of Duke Alessandro Farnese (1586–1592), who is interred right in front of Annibale’s painted image. The narrative development of the Pietà with Saints transformed the late medieval Lamentation altarpiece focused on the dead Christ into a riveting manifestation of the beautiful and sleeping Christ worshipped by saints and angels in a nocturnal landscape. Thus eschewing historical context, the pictorial thrust of Annibale’s interpretation of the Man of Sorrows attached to the Pietà with Saints was to heighten Eucharistic meaning while allowing for sixteenth-century theological and poetic thought of Mary’s body as the tomb of Christ to cast discriminating devotional overtones on the resting place of the deceased Farnese Duke.
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Krueger, Frederic. "“The Angel of the Topos Shall Bless You”: Preliminary Report on the Cult of the Altar-Angels in Late Antique Egypt". Zeitschrift für Antikes Christentum / Journal of Ancient Christianity 26, nr 2 (1.08.2022): 284–304. http://dx.doi.org/10.1515/zac-2022-0022.

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Abstract This article presents a first look at some of the key sources and hypotheses of ongoing research on a significant yet ill-studied figure in late antique Egyptian-Christian piety: The “Angel of the Altar,” or “of the Topos,” and later “of the Sacrifice” as he is still invoked in the Coptic liturgy today. Since the 4th century, church canons and literary works aiming to instill fear of the altar in monks and clerics warn of the angel guarding it, who can only be seen by monastic and clerical leaders in visions which become a common feature of post-Chalcedonian Coptic homiletics. This angel figure is identified with God’s destructive power defending the ark/altar/temple in the Old Testament. The “Angel of the Altar” also has the crucial liturgical function of lifting the Eucharistic offering to God. He is even considered the true dispenser or withholder of the Eucharist, overshadowing and potentially nullifying the actions of the priest. Originally an impersonal figure, he is sometimes identified with the specific archangel assigned to the church in question, such as Michael or Raphael. In a further step, it seems that some monastic communities who built their corporate identities on the fame of their respective patron saint began to identify the latter with the “Angel of the Altar,” appropriating the concept for the cult of saints. Documentary papyri show how monastic leaders invoked the Angel as superhuman punisher and blesser in the economic interest of the monastery. It is probably in this context that the variant “Angel of the Topos” emerged, amounting to what seems to be the only technical term for “patron saint of a place” in Coptic.
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Harnack, Andrew. "Both Protestant and Catholic: George Herbert and "To all Angels and Saints"". George Herbert Journal 11, nr 1 (1987): 23–39. http://dx.doi.org/10.1353/ghj.1987.0005.

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Rozprawy doktorskie na temat "Angels and saints"

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East, Vincent. "Angels, saints and heroes : candidates for ethical exemplarity". Thesis, University of Sheffield, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.408345.

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Palavras, Armando Manuel Gomes. "Anjos de Penaguião". Master's thesis, Instituições portuguesas -- -Universidade Lusíada, 2001. http://dited.bn.pt:80/29585.

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Rosa, Débora Souza da. "Silenced angels: an obscure Saint Theresa in George Eliots Middlemarch". Universidade do Estado do Rio de Janeiro, 2012. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=4018.

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Universidade Castelo Branco
A presente dissertação objetiva a comparação proposta no Prelúdio do romance Middlemarch por sua autora George Eliot entre a protagonista da obra, Dorothea Brooke, e a figura histórica Teresa dÁvila. A partir de tal estudo, busca-se compreender de que modo a situação específica da mulher na Era Vitoriana é articulada no romance de modo a espelhar a crise ontológica e epistemológica do próprio ser humano diante das transformações consolidadas com o Iluminismo e as revoluções liberais do século XVIII que culminariam na morte de Deus. Dorothea mostra-se uma cristã tão fervorosa quanto a Teresa quinhentista, mas faltam-lhe certezas e a resolução para concretizar as reformas sociais que defende, pois ela encarna o mito de feminilidade oitocentista batizado de Anjo do Lar ideal de sujeição feminina à ordem falocêntrica cujas funções são a proteção e difusão da moralidade burguesa e a substituição de elementos cristãos no universo do sagrado a uma sociedade cada vez mais materialista e insegura de valores absolutos. As aflições de Dorothea representam as aflições da mulher vitoriana, mas o momento crítico desta mulher reflete, em Middlemarch, uma crise muito maior do Ocidente, que teve início com a Era da Razão
The present dissertations purpose is the comparison proposed by George Eliot in the Prelude of the novel Middlemarch between its protagonist, Dorothea Brooke, and the historical character Teresa of Avila. Such study endeavors to understand in which way the specific situation of the Victorian woman is articulated within the novel as to mirror the ontological and epistemological crisis of the human being itself during the transformations consolidated by the Enlightenment and the liberal revolutions of the eighteenth century which culminated in the death of God. Dorothea is as ardent a Christian as the fifteenth century Teresa, but she lacks the certainties and the resolution to concretize the social reforms she defends, because she incarnates the nineteenth century myth of womanhood known as the Angel in the House an ideal of feminine subjection to the phalocentric order whose functions are the protection and diffusion of the bourgeois morality and the replacement of Christian elements within the imaginary universe of the sacred to a society progressively more materialistic and insecure of absolute values. The afflictions of Dorothea represent the afflictions of the Victorian woman, but the critical moment of this woman reflects, in Middlemarch, a much greater crisis in the Western thought, which began with the Age of Reason
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Orton, Chad M. "Saints in the Secular City: A History of the Los Angeles Stake". Diss., CLICK HERE for online access, 1989. http://patriot.lib.byu.edu/u?/MTNZ,4321.

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Poccia, Joseph D. "The Transformations of the Saints". VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd_retro/108.

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Latz, Dorothy L. "Sainte angele merici et les courants spirituels de la renaissance italienne". Université Marc Bloch (Strasbourg) (1971-2008), 1986. http://www.theses.fr/1986STR20020.

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Le but de cette etude est de presenter l'encadrement (milieu) historique, litteraire, culturel, religieux et spirituel de ste angele merici (m. 1540, brescia, italie) et de ses ecrits. Il semble, en effet, que l'on n'ait pas encore presente ses ecrits a la lumiere des recherches les plus recentes concernant l'epoque de la renaissance, avec ses humanistes chretiens et ses courants neoplatoniciens (influence des oeuvres de marsile ficin, etc. ). Une explication des ecrits d'angele ayant pour sujet les figures (images metaphores symboles) employes par la sainte et replaces dans le contexte de son epoque aussi n'existe pas. Ces recherches ainsi voudraient essayer de combler ces lacunes. Les figures de la fondatrice devraient ressortir alors avec leur sene primitif, sujet d'une importance capitale de notre temps. Une etude des sources nous revele que les ecrits d'angele devraient etre interpretes selon "le sens litteral, le sens moral, le sens allegorique, le sens anagogique. " ses images metaphores symboles les plus importants (l'echelle de la lumiere, le tresor la noblesse interieurs, le miroir, et la maternite spirituelle derivant du mariage mystique) ont pour leurs sources non seulement l'exegese biblique de son epoche, mais aussi les oeuvres de scot et de bonaventure (l'exemplarisme) et leurs sources (l'areopagite, hugues et richard de st-victor, lombard); la patristique grecque; ficin (vestigia, formulae; "les deux venus"). Angele demeurait au milieu d'une reforme pre-tridentine (italie du nord) ou figuraient des eveques tels que pole, sadolet, giberti de verone, qui echangeaient des lettres amicales et erudites parmi eux-memes et avec erasme et le cercle de more. Giberti surtout s'est charge de la publication des oeuvres de la patristique grecque, ayant specifiquement en vue une reforme de l'eglise et un retour aux sources, a l' evangile et a l'eglise primitive. Angele, en demeurant dans ce diocese de verone, province de "venise," a connu bien ses courants spirituels ainsi que le courant de l' evangelisme parmi les laics (italie du nord). Les lettres de cozzano, secretaire d'angele, temoignent au fait qu'elle a connu les usages de l'eglise primitive, refletes meme par les symboles employes dans les ceremonies de consecration des membres de la compagnie de ste ursule, fondee par angele (1535) : femmes consacrees, vivant au milieu du monde, dans la tradition des vierges de l'eglise primitive
The aim of this study is to situate st. Angela merici (d. 1540, brescia, italy) in the midst of the historical, literary, cultural, religious and spiritual currents of her time in order better to understand her writings. It seems that in previous studies on angela this background has not been given in the light of recent research on the italian renaissance, nor have neoplatonic influences stemming from ficino's work been duly recognized. A literary explication of the major figures (images metaphors symbols) used by angela also has not been done before this study, but is important for determining the foundress's original, pristine meanings. From sources, it is shown that angela's writings are to be interpreted on the literal, moral, allegorical, anagogical levels of meaning. Her major images symbols (i. E. , ladder of light, interior treasure nobility, the mirror, and spiritual maternity as a result of mystical espousals) derive not only from biblical exegesis but also from scotus and bonaventure (exemplarism) with their sources (areopagite, victorines, lombard), from greek patristics, and from ficino (vestigia, formulae; "the two venuses. "). Angela saw a pre-tridentine reform in n. Italy, involving bishops such as pole, sadoleto, giberti of verona, who corresponded with erasmus and more's circle. Giberti especially advanced the publication of greek patristics, with church reform as an explicit return to sources, the gospel and the primitive church. Living in this verona diocese, province of venice, angela was close to these currents, and to "lay evangelism" in n. Italy. As her secretary cozzano's letters also show,angela knew of the practices of the primitive church, as reflected even in symbols in hymns used for profession-ceremonies of the company of st. Ursula, her foundation (1535) of consecrated laywomen in the midst of the world, continuing the tradition of the virgins of the primitive church
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Latz, Dorothy L. "Saint Angela Merici and the spiritual currents of the Italian Renaissance". Lille 3 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb375989819.

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Manevy, Anne. "D'un ange, l'autre : figures de l'ange-gardien : de la dévotion catholique à l'angéologie individuelle contemporaine". Toulouse 2, 2004. http://www.theses.fr/2004TOU20053.

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Dans le catholicisme, le lien établi entre le protecteur angélique et une collectivité ou un individu rappelle la relation de patronage, propre au culte des saints. Bien adapté au discours clérical de la Contre-Réforme, en particulier au discours jésuitique sur les " Fins Dernières ", l'ange gardien présente l'avantage d'orienter la piété des fidèles vers les cultes centraux du catholicisme. En marge de la liturgie des saints anges, se situe également une production syncrétique qui reprend certains éléments de la conception catholique moderne de l'ange tutélaire et du saint, mais s'inspire aussi des spéculations théologiques des premiers siècles sur les anges, des doctrines kabbalistiques de la Renaissance, de l'occultisme du XIXe siècle et de l'astrologie zodiacale moderne. Loin d'une lecture sémiotique et théologique, cette exploration anthropologique analyse ainsi les différentes formes de dévotion à l'ange gardien, depuis l'ange gardien anonyme du catholicisme jusqu'aux 72 anges de l'ésotérisme contemporain assignés à l'humanité entière, en passant par l'idée du proche décédé identifié comme l'ange particulier d'un individu
In Catholicism, the link between the protective angel and a collectivity or an individual recalls the relationship of patronage within the cult of the saints. Well-adapted to the clerical discourse of the Counter-Reformation, particularly to the Jesuit discourse on the "Final Judgment", the guardian angel has the advantage of orienting the piety of the faithful towards the central cults of Catholicism. On the borderline of the liturgy of the holy angels, one also finds a syncretic production which includes certain elements of the modern catholic conception of the guardian angel and the saint, but this is inspired also by theoretical speculations on the saints in the first centuries, on the kabbalic doctrines of the Renaissance, 19th century occultism, and modern zodiacal astrology. Far from a semiotic or theological reading, this anthropological exploration therefore analyses the different forms of devotion to the guardian angel, from the anonymous catholic guardian angel to the 72 angels in contemporary esotericism assigned to the whole of humanity, in considering also the idea of the death of close kin identified with the particular angel of the individual
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Mattsson, Anna. ""The Saint of Los Angeles" : En retorisk analys av Nikki Sixx' imagebygge". Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-313828.

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Knapper, Daniel. "The Tongue of Angels: Pauline Style and Renaissance English Literature". The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1574171968581074.

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Książki na temat "Angels and saints"

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Klíma, Ivan. No saints or angels. New York: Grove Press, 1999.

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Jessica, Townsend, red. Angels and saints: Two plays. London: Nick Hern Books, 1999.

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John, Fischer. The saints' and angels' song. Minneapolis: Bethany House Publishers, 1994.

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Frédéric. Le ciel, séjour des élus. Montréal: Revue du Tiers Ordre et de Terre Sainte, 1995.

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Liguori, Alfonso Maria de', Saint, 1696-1787., Faber Frederick William 1814-1863 i Soyer Eugène né 1840, red. Le Précieux sang et les saints anges ou Nouveau mois de saint Michel archange et des saints anges. Wyd. 4. [Québec?: s.n., 1985.

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Unrau, Danny. Saints, sinners & angels: Stories of people, images of God. Winnipeg, Man., Canada: Kindred Productions, 1997.

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John, Nava. Cathedral tapestries: From proposal to installation : art of the cathedral, the Cathedral of Our Lady of the Angels, Los Angeles, California. [Los Angeles, Calif.?]: [publisher not identified], 2003.

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W, McConkie Oscar. God and angels: Messengers of the Restoration. Salt Lake City, Utah: Deseret Book, 2012.

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Chabot, Shersta. Angels of Christmas: Heralds of the newborn. Springville, Utah: CFI, an imprint of Cedar Fort, Inc., 2013.

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Dana, Bruce E. Prophetic teachings on death, angels, and heavenly manifestations. Springville, Utah: CFI, 2010.

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Części książek na temat "Angels and saints"

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Conradi, Peter J. "Self-sufficiency in The Time of the Angels and The Nice and the Good". W Iris Murdoch: The Saint and the Artist, 132–56. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-18236-7_6.

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Conradi, Peter J. "Self-sufficiency in The Time of the Angels and The Nice and the Good". W Iris Murdoch: The Saint and the Artist, 132–56. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19651-7_6.

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Allen, John L. "Angels, Demons, And Saints". W The Catholic Church. Oxford University Press, 2014. http://dx.doi.org/10.1093/wentk/9780199379804.003.0007.

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Ironically, there’s a sense in which potboiler novels such as Dan Brown’s Angels and Demons and movies such as The Exorcist actually do a better job depicting the Catholic Church than most of the learned commentary one finds in venues such...
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"Conclusion: Saints, Not Angels". W Revolt of the Saints, 345–62. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822395706-010.

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"SINNERS, SAINTS, GUARDIAN ANGELS ..." W Sinning Across Spain, 291–94. MUP, 2017. http://dx.doi.org/10.2307/jj.5993297.36.

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"Angels, Deities, Madonnas, and Saints". W Sacred Light, 45–66. University Press of Mississippi, 2010. http://dx.doi.org/10.2307/j.ctt12f603.5.

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Keck, David. "The Length of Scripture 2 Angels, Israel, and the Church". W Angels & Angelology in the Middle Ages, 28–46. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195110975.003.0003.

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Abstract The first literal biblical reference to angels of any kind declares the presence of angels at the casting of Adam and Eve from the Garden: God “drove out the man; and at the east of the garden of Eden he placed the cherubim, and a flaming sword which turned every way, to guard the way to the tree of life” (Gen. 3:24). The angels symbolize the impossibility of man’s unaided return to his state of innocence, his state of original purity. This image of angels who prevent the sinful from entering a sacred place provides the typological basis for a story about Saint Mary of Egypt. As a capital from the Cloister of Saint-Etienne de Toulouse depicts the scene, an angel with a sword keeps the still-sinful Mary from entering the Church of the Holy Sepulchre. Here as elsewhere, the angels of Scripture provide images, models, and examples for the stories of the saints that constitute the history of the restoration of humanity. While the early creation account and the theological explication of the creation of the angels was an essential ingredient of scholastic theology, the stories of the encounters between the patriarchs and the angels were extremely important because they established the typologies for beliefs about angels espoused by both scholastics and common folk. While these cherubim of Genesis 3:24 stood watch outside the gates of Paradise, other angels would play important roles in the restoration of human beings to the celestial Paradise.
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"Chapter 5. Cacique Nuns: From Saints' Lives to Indian Lives". W Colonial Angels, 76–97. University of Texas Press, 2000. http://dx.doi.org/10.7560/777477-007.

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Morrison, Delmont, i Shirley Linden Morrison. "Jack Kerouac: Saints and Fallen Angels". W Memories of Loss and Dreams of Perfection, 111–26. Routledge, 2020. http://dx.doi.org/10.1201/9781315227368-10.

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Sowerby, Richard. "The Servants of the Saints". W Angels in Early Medieval England, 149–84. Oxford University Press, 2016. http://dx.doi.org/10.1093/acprof:oso/9780198785378.003.0006.

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Streszczenia konferencji na temat "Angels and saints"

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Ranzenbach, Robert, i Jim Teeters. "Aerodynamic Performance of Offwind Sails Attached to Sprits". W SNAME 15th Chesapeake Sailing Yacht Symposium. SNAME, 2001. http://dx.doi.org/10.5957/csys-2001-015.

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The primary purpose of this offwind sail investigation was to better understand the relative performance of symmetric spinnakers flown from conventional poles and asymmetric spinnakers flown from conventional poles or sprits, i.e. poles restricted to the centerline. The specific goal was to improve the aerodynamic modeling of offwind sails used in the International Measurement System (IMS) handicapping formula to address perceived inequities in their performance potential, particularly when running at very deep angles. Running style offwind sails of varying size, type, and pole configuration were evaluated over appropriate ranges of angle of attack and trim settings. Improved performance coefficients were developed from this data for inclusion into the 2001 IMS velocity prediction program.
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Yakovlev, I. V., A. Barkov, Y. Ampilov, K. Filippova, A. Radchenko i I. Yagov. "Accurate Lithology and Porosity Prediction using Simultaneous Angle Stack Inversion on the Shtokman Field". W Saint Petersburg 2010. Netherlands: EAGE Publications BV, 2010. http://dx.doi.org/10.3997/2214-4609.20145476.

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Ahmed, N., H. M. B. Shafi i P. Khalid. "Application of Extended Elastic Impedance and Best Chi-angle Prediction for Litho-Fluids Projections". W Saint Petersburg 2018. Netherlands: EAGE Publications BV, 2018. http://dx.doi.org/10.3997/2214-4609.201800243.

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Zeng, Yuting. "The New Venture Survival: Garment Customization Enterprises-Taking SAINT ANGELO Inc. as an Example". W 2020 4th International Seminar on Education, Management and Social Sciences (ISEMSS 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200826.110.

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Giovannetti, Laura Marimon, U. Dhome, K. Malmek, A. Persson i C. Wielgosz. "Multi-Wing Sails Interaction Effects". W SNAME 24th Chesapeake Sailing Yacht Symposium. SNAME, 2022. http://dx.doi.org/10.5957/csys-2022-006.

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The effects of multiple wings interacting and the change in efficiency due to those effects as well as optimal sheeting angles are becoming an important area of study with the advent of wind-propelled ships for goods transport. This research presents a first analysis of wind tunnel tests carried out at the University of Southampton R.J. Mitchell wind tunnel where three wings are subject to turbulent flow with Reynolds number in excess of 1 million. A range of possible variations of ship heading and apparent wind angles are tested taking into consideration the blockage effects and the geometrical characteristics of the working section. The forces and moments are captured on each individual wing as well as in the overall wind tunnel balance with 6-components dynamometers. Furthermore, pressure sensors and PIV data are recorded during the tests to provide the experimental campaign with results that can validate both qualitatively and quantitatively the numerical tools developed to aid the design stage of wind propelled vessels.
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Chen, Zhengqiao, Wei Cai i Qingsong Zeng. "A Numerical Study on the Thrust and Interaction of a Three-Sail Wind-Assisted Propulsion System". W ASME 2022 41st International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2022. http://dx.doi.org/10.1115/omae2022-80679.

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Abstract Wind-assisted propulsion is deemed to be a potential way to effectively reduce CO2 emissions in ship navigation. Some studies are discussing the characteristics of different sail types and their thrust performance, but a systematic investigation on the features of a multiple-sail system is insufficient, especially the effects of sail geometry and position on lift and drag. In this study, three arc-shaped sails are selected, and the geometric and spacing parameters are chosen as variables. The Computational Fluid Dynamics (CFD) method is applied to perform the simulations. The 2D overset mesh technique is applied to allow convenient mesh rotations. One sail alone is first investigated to find the best attack angle, and three sails with consistent attack angles and even mast distance are studied afterward. Finally, the Design of Experiment (DOE) is implemented to evaluate the significance level of the variables. Based on the results, it shows that the sails interaction can provide both positive and negative effects on the thrust performance. The distance between Sail 1 and Sail 2, the attack angle of Sail 1 and Sail 2 are significant factors impacting the thrust of the three-sail propulsion system. The mechanism of the interaction effects on the lift is also addressed. This study helps to find the predominant parameters affecting sail thrust performance and contributes to an intelligent manipulation of a multiple-sail propulsion system.
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Richter, Horst J., Kevin C. Horrigan i J. B. Braun. "Computational Fluid Dynamics for Downwind Sails". W SNAME 16th Chesapeake Sailing Yacht Symposium. SNAME, 2003. http://dx.doi.org/10.5957/csys-2003-002.

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In recent years computational fluid dynamics (CFD) has demonstrated the ability to predict sail and appendage forces under upwind conditions or at angles of attack conducive to attached flow. Few sail or yacht designers would be without this tool, at least to check or confirm performance estimates made with other methods. More advanced codes (RANS) solve the full Navier-Stokes equations, thus including viscous effects and placing relatively less importance to fully attached flow. Due to the large proportion of downwind sailing, where the sails might operate in separated airflow, it is useful to evaluate the performance of sails as used off wind despite the added uncertainty resulting from the elasticity of the light material that must be used to allow the sails to fill properly at the low relative wind speeds. While downwind sail forces have been often tested in wind tunnels, CFD codes are now sufficiently advanced to predict such forces with confidence similar to that achieved in prediction of upwind forces. This paper presents a new method of linking a CFD code with a Finite Element Analysis (FEA) computer program, for evaluating the sail shapes and proper trim for known sail materials and fiber orientation. A VPP (Velocity Prediction Program) is used to predict leeway, heel, and boat speed for a given true wind angle and wind speed. Then the CFD code computes the airflow around the sails for the given onset flow conditions and provides the pressure distribution on the sails as needed for the FEA program. This is done in full scale considering the boundary layer above the water. This process of updating the pressure for the FEA program from the CFD code is repeated several times until optimal trim and sail shapes can be obtained for best sailing performance, e.g., the maximum driving force. Thus, this method can be considered a "Virtual Wind Tunnel" (VWT).
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Kazei, V. V., E. Tessmer i T. Alkhalifah. "Efficient Deflection Angle Based Filtering for Waveform Inversion". W 7th EAGE Saint Petersburg International Conference and Exhibition. Netherlands: EAGE Publications BV, 2016. http://dx.doi.org/10.3997/2214-4609.201600122.

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Liu, Ying, Ti-Jing Cai i Li-Ming Wu. "Application of Improved CKF in SINS Initial Alignment with Large Misalignment Angles". W 2020 27th Saint Petersburg International Conference on Integrated Navigation Systems (ICINS). IEEE, 2020. http://dx.doi.org/10.23919/icins43215.2020.9134001.

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Zhuravlev, V. F., B. E. Landau i P. K. Plotnikov. "An ESG-based sensor for measuring three angles of moving object rotations: Design features". W 2018 25th Saint Petersburg International Conference on Integrated Navigation Systems (ICINS). IEEE, 2018. http://dx.doi.org/10.23919/icins.2018.8405904.

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Raporty organizacyjne na temat "Angels and saints"

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Boujija, Yacine, Marie Connolly i Xavier St-Denis. Monter dans le train et gravir l’échelle sociale. Le rôle de la mobilité géographique dans la lutte contre les inégalités au Québec. CIRANO, sierpień 2023. http://dx.doi.org/10.54932/dzvn3538.

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Malgré des initiatives pour promouvoir l’égalité des chances, la reproduction des inégalités de génération en génération s’est aggravée au Québec dans les dernières décennies. Les jeunes élevés dans un milieu moins favorisé sont plus susceptibles de rester au bas de l’échelle une fois adultes. On sait que l’éducation est un facteur-clé de mobilité sociale, mais une étude du CIRANO aborde la question sous un autre angle, celui de la mobilité géographique. Ses auteurs suivent le parcours de près de 1,4 million de jeunes et montrent que le phénomène affecte davantage les jeunes qui ont grandi hors des grandes villes, et particulièrement ceux qui y vivent encore à l’aube de la trentaine.
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